Like in 2009 and in 2010, I don’t plan on sharing what I think were the best books of the year. It’s entirely subjective and, well, as much as I like reading and poring over “best of” lists, I think favorite lists are more enjoyable to talk about. It’s unscientific and there’s no criteria other than gut reaction.
So this year I’ve read 250 books to completion and probably had another 50 or so I didn’t finish for one reason or another. My favorites list is composed of those books that stand out to me for one reason or another, and they’re books I keep thinking about. These aren’t in any order, and I’ve kept it limited to the books published in 2011 (though I’ve got a couple at the end published prior to this year that have stood out to me, too). Without further ado…
Without doubt, I think the book that stands out to me the most this year is CK Kelly Martin’s My Beating Teenage Heart. This is speculative fiction, and it touches upon the issues of loss, grief, and on the connects among people, be they strong or very, very loose. What starts out as a book that feels like it’s going to be a tear jerker for one reason spins around in the final two chapters to become a book of utter hope. I’ve passed this one along to more than one person since reading it, and it’s one I keep coming back to, thinking about how much I need to reread it. My chest swells a bit when I think about how those final two chapters made me feel.
This year, I discovered Blake Nelson in a really big way, and as soon as my reading time opens up again, I plan on finishing my tour de Nelson. I think I have three of his books left to read before I’ve read them all. That said, Recovery Road has been my favorite. The ups and downs we experience right along with Maddie are powerful and realistic. I’m rereading this one right now because I enjoyed it so much, and what I’m loving is how similar (and different) Maddie is from Andrea Marr, Nelson’s classic from Girl. Also, clearly, I have a thing with books featuring a heart on the cover.
Moira Young’s rapid-paced Blood Red Road is one of the most memorable post-apocalyptic novels I’ve read, and I’ve read a good handful of them. Saba is a fantastic, daring, and strong main character, and the writing really pulled me in. It’s not traditional, it’s a bit dialectic, and it’s not usually anything I care for but the elements all connected perfectly here. Moreover, this book, while part of a trilogy, stands completely on its own. I got the entire story in one book, and yet, it managed to hook me enough to want the second book.
Let’s file this one under surprise favorites, but Geoff Herbach’s Stupid Fast had everything I like in a book: a strong voice (male, even, which I love even more), a rural setting (which when I read I knew exactly what town it was modeled after and, after handing this book off to a friend, ALSO knew exactly what town it was modeled after), a strong voice, enough romantic tension to make me care, believable family crumbling, a strong voice, and did I mention a strong voice? Felton is one of the strongest characters I’ve read this year, and I cannot wait to revisit him in the companion novel. I think when I was 15, Felton and I would have been really good friends.
When this book was handed to me back in January as a bound manuscript with little more than a bright yellow paper cover, I didn’t know what to expect. But I got a lot, and it’s still stuck with me, even almost a year later. Amy Kathleen Ryan’s Glow is a sci-fi novel, set aboard a spaceship of pioneers leaving Earth to settle a new world. It features not only the space adventure, but it features twists and turns left and right, along with loads of romantic tension (without overpowering the narrative) and it’s an extremely fascinating look at the intersections of faith, politics, and dialog. There’s so much going on politically here, but as soon as you feel you have an idea where Ryan will lay down her message, it’s switched up. Bonus: strong female character. Second bonus: as soon as I finished I wanted to discuss this one with someone because there’s so much to unpack. Third bonus: I’m very eager for the sequel. Negative: I think the paperback cover of this book is one of the biggest cover fails in a long time. Why, why, why?
I don’t usually reread books, but apparently my favorites list this year is chock-full of books I’ve reread, which I take to mean something in and of itself. Alas, Imaginary Girls was excellent the first time I read it, but even better the second time. This is a must-read for language and imagery lovers. It’s a must-read for those who like books that are haunting and eerie and don’t offer any answers but loads of questions. More importantly, it’s fun. I loved the entire experience reading it. I was immersed completely, and I wanted to get lost in this strange little world.
A few other books that really stuck out to me that were published in 2011 include:
Amy Reed’s Clean, which I have also now read twice. Great voices, character development, and great writing.
Kirsten Hubbard’s Like Mandarin, which explores female friendship and power within these relationships in a brutally realistic manner. Grace is among my all-time favorite characters, I think.
Joshua Cohen’s Leverage, which follows two boys as they’re put in a situation of life and death (literally). This is “Mean Girls” with testosterone, and it left me physically and emotionally exhausted the whole way through.
Marianne Baer’s Frost surprised me because it was the first psychological thriller in a long time to actually get me. I didn’t see the end coming, and it was just so perfect. The trick was on me, and I appreciated that because the writing, the story, and the characters were so well developed. I deserved being tricked!
Hannah Harrington’s Saving June is one I didn’t review here, but it stands out to me as I write this list because it tread so many well-worn tropes but still managed to be different. It’s a story of dealing with grief, it includes a road trip, and a lot of music. But I think what stood out to me was how good the romantic tension was, as well as how realistic it was. I liked this book this year, but I know had I had this when I was 16, it would have been my all-time favorite for sure.
Cat Clarke’s Entangled also deals with grief, but it handles it in an entirely unexpected, twisted, and brilliant way. I’m bummed it’s near impossible to get in the States, but it is worth tracking down via Book Depository. The dark and unflinching nature of this one worked for me.
Did I mention I read 250-some books this year? I have a few more new favorites that were new-to-me this year. They published before 2011, but I picked them up this year, and I’m so glad I did.
Katie Williams’s The Space Between Trees is a lush, lyrical mystery with some of the best writing I’ve read this year. The mystery itself is good, though not entirely unpredictable, but the way some of the secondary characters tie together in this one is smart. It’s a slower read but in a good way. The writing is worth it.
Simmone Howell’s Everything Beautiful had one of the best characters I’ve read this year, too. Riley is a hardass, tough-as-nails, never-going-to-change kind of girl but through the novel, we see that facade fall apart. She’s challenged on her ideas of faith and friendship and she comes out a way stronger person because of it. Maybe what I loved most about Riley is she’s not ashamed of who she is, strengths and weaknesses. She’s totally comfortable in her skin, too. I find that a way too rare quality in ya fiction (yet she still has an entire arc and change!).
Ryu Murakami’s In the Miso Soup is one I read right at the beginning of the year and it still lingers in my mind. It’s an adult psychological thriller and it is dark, twisted, and sick. I loved every single minute of it. I picked up Murakami’s Piercing as soon as I finished this one and loved it, too, though Miso Soup is a little stronger. It’s not for the weak of stomach or those who don’t like violence, but for those who are okay with those in their fiction, this one gets it right.