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STACKED

books

  • STACKED
  • About Us
  • Categories
    • Audiobooks
    • Book Lists
      • Debut YA Novels
      • Get Genrefied
      • On The Radar
    • Cover Designs
      • Cover Doubles
      • Cover Redesigns
      • Cover Trends
    • Feminism
      • Feminism For The Real World Anthology
      • Size Acceptance
    • In The Library
      • Challenges & Censorship
      • Collection Development
      • Discussion and Resource Guides
      • Readers Advisory
    • Professional Development
      • Book Awards
      • Conferences
    • The Publishing World
      • Data & Stats
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    • Romance
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  • Reviews + Features
    • About The Girls Series
    • Author Interviews
    • Contemporary YA Series
      • Contemporary Week 2012
      • Contemporary Week 2013
      • Contemporary Week 2014
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    • Link Round-Ups
      • Book Riot
    • Readers Advisory Week
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    • So You Want to Read YA Series
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Contemporary Foundations: Major YA Contemporary Titles You Should Know

June 8, 2011 |


As I mentioned in the first post of this week, contemporary ya lit transcends the time it was published. The stories inside the books capture a reader and speak truths that go well beyond a time period.

More than once I’ve been asked what I think are foundational contemporary ya books — that is, what books were published in the past that are still important and still make an impact. I’ve rounded up some of the titles I consider to be keystone contemporary ya titles, and I’m certain I’ve left some off. I’m going to be blunt in telling you what some of these are about, but I don’t feel the need to suggest they’re spoilers to the storyline. The books have been out long enough to talk about their content openly. Feel free to chime in if there’s something you’d like to have added to the list.

In no particular order, books that all advocates of ya lit should have on their shelves:

Speak by Laurie Halse Anderson

Anderson’s groundbreaking book about a rape victim published when I was 15. I didn’t find it for another year or two, but it’s a book I will never forget. Anderson’s main character had her innocence stolen from her unwillingly, and I remember reading this and despite how dark it was, that spoke to me loudly.

Eleven years later, this book still matters to ya lit. It was one of the first to tackle this issue, and Anderson’s contribution to the field through her other contemporary titles (Twisted, Catalyst, and Wintergirls in particular) only reemphasize her mark on the ya lit world.

Forever. . .by Judy Blume

I could list any book by Judy Blume, honestly, but this is the one I chose because I think it’s such an important book for teen girls especially. It’s a book about sex and sexuality and coming to terms with all of those feelings that emerge when you meet the first person you are in love with. Blume’s brutally honest with her story telling, and she’s not shy to delve into tough topics. This is the author who talks bluntly about masturbation in books like Are You There God, It’s Me, Margaret and about how friendships are growing and dynamic things in Just as Long as We’re Together. Sex, masturbation, friendship, changing bodies, family — they’re incredibly tough topics to handle in the way Blume does, and yet they’re the things that teen readers need and want to read about. The beauty of Blume is she’s timeless, and what she hits on is authentic and never delves into becoming an issue or becoming an adult talking to a teenager.

The Perks of Being a Wallflower by Stephen Chbosky
This is another book that published the same year Anderson’s Speak did, and I remember this being the it book for a long time in high school. Charlie is an incredibly vulnerable male lead who journals about the tricky terrain of being the not-cool kid, falling in love for the first time, and — wait for it — drugs. I remember the fervor in which my friends and I read this book in high school to read about the drug life in particular, since it was something with which we were utterly unfamiliar. But being exposed to it in a safe environment, in a book, was important. It made sense of a world we’d only heard about on the news. It gave it more context and meaning.

If testament to how this is a foundational book in contemporary ya lit, consider that the movie is in production now. This book speaks to both male and female readers in its unflinching honesty and its heart.


The Pigman by Paul Zindel
Every time I see this book sit unread on a shelf, I cry a little bit on the inside. When I talk to someone who says they haven’t read this, I cry a little harder. I’m a huge advocate of killing darlings and weeding in the library, but this is one book that I will never personally weed and it’s one that is so prevalent and relevant even today.

It’s a story of friendship! Of being able to maintain a friendship with someone of the opposite sex! Of the innocence and childlike instincts that teenagers possess. As much as we push teens today to grow up and act mature, at their heart, they’re still kids. Then there is, of course, the story of respecting and understanding the world as it works and learning that all people contribute something to the world, even if they’re old and seem like they should just die already. The cross generational friendship here is so well done. And the tropes and themes explored here appear everywhere, as I believe I’ve mentioned in another review before.


Cut by Patricia McCormick
Ten years ago this book published. I didn’t read it until a couple years after it came out, though I knew what it was about. When I read it though, I was shocked with how honest it was with the issue of cutting, and how close to the heart it hit.

While other books have published on the topic of self mutilation, Cut will always be the first and the most impactful for me as a reader. It shocks me how few people today are familiar with this one or still see it as foundational as it was. McCormick was tackling things that were taboo ten years ago and are still taboo today. It helps this book is short and gets right to the point. Those who are most likely to be impacted by this story need that. Bonus that this book….isn’t about the issue but rather about a girl who has a challenge she needs to work through. It’s her story of overcoming cutting, not a story about cutting that features a girl.


Geography Club by Brent Hartinger
2003: fewer than 10 years ago, it was still taboo to even talk about being gay. It was just a couple years before that, in 1998, that college student Matthew Shepard was killed for being gay.

This is a book I did not pick up until I took a ya lit class in graduate school in 2008, but the story presented still spoke to today’s world. Knowing you’re gay in high school is not easy. That’s why so many kids keep this stuff quiet. Russel wants to keep it quiet, but he also begs for a chance to talk to people going through the same stuff he is in school, despite the knowledge that the second he’s outed, he could easily become a target of relentless torment and ridicule. The book speaks to kids who experience this, and despite some of the weaker writing aspects, it’s the story that stands out and still sparks controversy today. But this is a champion of a book about self discovery and both self/social acceptance.

Looking for Alaska by John Green
I read this book as soon as it came out, back in 2005. Doesn’t seem that long ago, honestly, but this was another one of those books that was quite groundbreaking. It tackles the idea of the impact a friend can make on another, and the ways that dealing with death change you and make you understand the fragility/importance of life.


The Chocolate War by Robert Cormier
I didn’t read this one until my ya lit class in grad school, and in the end, it didn’t make quite the impact on me I thought it would. But that doesn’t mean it doesn’t play a huge role in contemporary ya lit nor that it’s not just as important as it was when it published more than 30 years ago. This is a story about social hierarchies, cliques, violence and intimidation among boys. The pain and resistance, the resilience, and the bravery to tackle these issues that still emerge in works today makes it a stand out classic.

This is one of the few books that I want to go back and revisit, now having read much more in the ya world than I had prior to reading it the first time. It’s one I think will resonate a little louder and longer the second time.


Girl by Blake Nelson
If there is one author who is constantly underrated as a major force in contemporary ya lit, it’s Blake Nelson. Girl came out in 1994. Seventeen years ago Nelson wrote this manifesto of a girl out of control and coming to terms with who she is and what she wants to be. Andrea Marr’s a freshman in high school and she learns through trial and error (emphasis there!) that falling in love isn’t always as easy as it seems, and neither are things like drugs and sex.

I picked this book up just this year, after falling in love with Nelson’s other books in the last couple of years, and the impact it made on me was huge. I wish I’d read this in high school! Andrea is a killer character, and she learns incredible lessons throughout. But the beauty of this story is it never once sets out to teach a lesson. The lessons are picked up through growing up and doing things like going to high school. Girl resonates in so much of today’s hard, edgy contemporary, including Ellen Hopkins, Amy Reed (Beautiful was so much a retelling of Girl for me!), and more. It’s an utterly exhausting book to read, but it is so foundational and so overlooked. And it was written by a guy who so perfectly captures being a 15-year-old girl.

Nine is my magic number. I could offer you more, but I feel like this captures a wide swath of important, foundational ya titles. I’d be curious whether you agree with my thoughts here and whether there are others you think should be added. I know I am missing huge titles that relate to race and diversity (though I believe many of these hit on class issues of diversity) and would be curious what I should include and read for myself on those issues.

For those of you who work with teens or are building your knowledge/expertise in ya lit, these are 9 titles you absolutely should not miss.

Filed Under: book lists, contemporary week, Uncategorized, Young Adult

Contemporary Pick List #1: Friends, Lovers, Countrymen

June 7, 2011 |


Some of you know and others don’t, but Sarah and I are presenting at the American Library Association’s annual conference in New Orleans this month on the topic of contemporary ya lit. As part, we’ve developed a reading list for attendees, and I’m going to share with everyone some of the goods. I’m keeping it simple, with a topic, a cover shot, and a description (pulled from Worldcat). Some books fit in more than one category, though I’m trying to limit the books to one category for simplicity. I’d be interested in your thoughts on any of these titles or ones you think should be added to a category. Today, we’ve got Friendship, Love, and Rural Life as the topics du jour. And as always, feel free to borrow these lists.

Friendship
Friendship can be good, and friendship can be ugly. These books run the gauntlet. This collection tends to run heavy on female-driven narratives, so if anyone has any good contemporary guy stories about friendship, please share!

Beautiful by Amy Reed: Haunted by serious problems in her recent past, thirteen-year-old Cassie makes a fresh start at a Seattle school but is drawn by dangerous new friends into a world of sex, drugs, and violence, while her parents remain oblivious.

A Little Friendly Advice by Siobhan Vivian: When Ruby’s divorced father shows up unexpectedly on her sixteenth birthday, the week that follows is full of confusing surprises, including discovering that her best friend has been keeping secrets from her, her mother has not been truthful about the past, and life is often complicated.

Exposed by Kimberly Marcus:

High school senior Liz, a gifted photographer, can no longer see things clearly after her best friend accuses Liz’s older brother of a terrible crime.

Mostly Good Girls by Leila Sales: Sixteen-year-olds Violet and Katie, best friends since seventh grade despite differences in their family backgrounds and abilities, are pulled apart during their junior year at Massachusetts’ exclusive Westfield School.

Rival by Sara Bennett-Wealer: Two high school rivals compete in a prestigious singing competition while reflecting on the events that turned them from close friends to enemies the year before.

Shift by Jennifer Bradbury: When best friends Chris and Win go on a cross country bicycle trek the summer after graduating and only one returns, the FBI wants to know what happened.

How to Say Goodbye in Robot by Natalie Standiford: After moving to Baltimore and enrolling in a private school, high school senior Beatrice befriends a quiet loner with a troubled family history.

Lessons from a Dead Girl by Jo Knowles: After her former friend Leah dies in an automobile accident, Laine remembers their troubled relationship, dating back to elementary school when Leah convinced Laine to “practice” in the closet with her, and Leah controlled her every thought.

Like Mandarin by Kirsten Hubbard: When shy, awkward fourteen-year-old Grace Carpenter is paired with the beautiful and wild Mandarin on a school project, an unlikely, explosive friendship begins, but all too soon, Grace discovers that Mandarin is a very troubled, even dangerous, girl.

Love and Romance
This could go on for pages, so we’ve limited it significantly to titles that give flavor into a variety of relationships. These stories explore love, first romances, and sex. The titles below exemplify heterosexual relationships, as we’ll hit LGBTQ titles and relationship dynamics in another post.

The Duff by Kody Keplinger: Seventeen-year-old Bianca Piper starts sleeping with Wesley Rush, a notorious womanizer who disgusts her, in order to distract her from her personal problems, and to her surprise, the two of them find they have a lot in common and are able to help each other find more productive ways to deal with their difficulties.

The Summer I Turned Pretty by Jenny Han: Belly spends the summer she turns sixteen at the beach just like every other summer of her life, but this time things are very different.

The Secret Year by Jennifer Hubbard: Reading the journal of the high-society girl he was secretly involved with for a year helps high school senior Colt cope with her death and come closer to understanding why she needed him while continuing to be the girlfriend of a wealthy classmate.

When the Stars Go Blue by Caridad Ferrer: Soledad Reyes decides to dance Carmen as part of a drum and bugle corps competition, not knowing if it will help or harm her chance of becoming a professional ballet dancer but eager to pursue new options, including a romance with the boy who invited her to audition.

Kiss It by Erin Downing: Small-town Minnesotan Chastity (Chaz) Bryan wants nothing more than to get some sexual experience before she graduates from high school and moves away, but when she meets an intriguing boy visiting from North Carolina over Christmas break, her tough-girl facade slowly breaks down.

Not That Kind of Girl by Siobhan Vivian: High school senior and student body president, Natalie likes to have everything under control, but when she becomes attracted to one of the senior boys and her best friend starts keeping secrets from her, Natalie does not know how to act.

Anna and the French Kiss by Stephanie Perkins: When Anna’s romance-novelist father sends her to an elite American boarding school in Paris for her senior year of high school, she reluctantly goes, and meets an amazing boy who becomes her best friend, in spite of the fact that they both want something more.

Back When You Were Easier to Love by Emily Wing Smith: When her boyfriend Zan leaves high school in Utah a year early to attend Pitzer College, a broken-hearted Joy and Zan’s best friend Noah take off on a road trip to California seeking “closure.”

Shakespeare Makes the Playoffs by Ron Koertge: Fourteen-year-old Kevin Boland, poet and first baseman, is torn between his cute girlfriend Mira and Amy, who is funny, plays Chopin on the piano, and is also a poet.

Rural Life
A slice of life in the rural world. These stories take place outside the city and sometimes, it’s this setting itself that plays a huge role in the story.

King of the Screwups by K. L. Going: After getting in trouble yet again, popular high school senior Liam, who never seems to live up to his wealthy father’s expectations, is sent to live in a trailer park with his gay “glam-rocker” uncle.

What Would Emma Do? by Eileen Cook: While juggling friendship issues, a love triangle-turned-square, and escalating mayhem in her small religious town, Emma realizes she has to stop trying to please everyone around her and figure out what she wants for herself.

A Little Wanting Song by Cath Crowley: One Australian summer, two very different sixteen-year-old girls–Charlie, a talented but shy musician, and Rose, a confident student longing to escape her tiny town–are drawn into an unexpected friendship, as told in their alternating voices.

The Freak Observer by Blythe Woolston: Suffering from a crippling case of post-traumatic stress disorder, sixteen-year-old Loa Lindgren tries to use her problem solving skills, sharpened in physics and computer programming, to cure herself.

Ten Miles Past Normal by Frances O’Roarke Dowell: Because living with “modern-hippy” parents on a goat farm means fourteen-year-old Janie Gorman cannot have a normal high school life, she tries joining Jam Band, making friends with Monster, and spending time with elderly former civil rights workers.

The Sweetheart of Prosper County by Jill Alexander: In a small East Texas town largely ruled by prejudices and bullies, fourteen-year-old Austin sets out to win a ride in the next parade and, in the process, grows in her understanding of friendship and helps her widowed mother through her mourning.

Where I Belong by Gwendolyn Heasley: When sixteen-year-old Corinne Corcoran’s father loses his job, she is forced to give up her privileged Manhattan lifestyle and move to Broken Spoke, Texas, where she discovers that life is more than shopping sprees and country clubs.

Boys, Bears, and a Serious Pair of Hiking Boots by Abby McDonald: Seventeen-year-old Jenna, an ardent vegetarian and environmentalist, is thrilled to be spending the summer communing with nature in rural Canada, until she discovers that not all of the rugged residents there share her beliefs.

All You Get is Me by Yvonne Prinz: Almost sixteen-year-old city-transplant Aurora must adapt to life on an organic farm as she navigates an eventful summer when she falls in love, discovers that her mother has left for good, and watches her father take a bold stand in defense of the rights of undocumented Mexican farm workers.

Stay tuned — we’ve got more book lists coming up throughout the week.

Filed Under: book lists, contemporary week, Uncategorized, Young Adult

Justina Ireland’s Top Five Contemporaries You Aren’t Reading (But Should Be)

June 7, 2011 |


Today’s guest post is by someone I got to know last year through Cybils and whose opinions about YA lit I highly respect: Justina Ireland. Justina blogs Wednesdays at the YA-5 and occasionally at her own blog, Teh Awe-Some Sauce. Her first YA book, about a girl possessed by the Furies, is due out from Simon and Schuster in late 2012.

I read a lot of YA across all genres, and although I love my paranormals and dystopian, contemporaries have always had a special place in my heart. Too often it feels like contemporary books are overshadowed by the tsunami wave of books getting released, the bigger books all dealing with a corrupt future society or a girl and her not-so-human love. I also think contemporaries have gotten the bad rap of being either “issue books” (a book that addresses an issue like rape or teenage drinking or drug use or abusive relationships, etc.) or mindless romances.

But that’s not true, and there are a ton of contemporaries out there that defy this simplistic breakdown, some of them not getting as much attention as I think they should. So here’s my list of the Top Five Contemporaries You Aren’t Reading But Should Be*:

1. Ballads of Suburbia by Stephanie Kuehnert

Synopsis: Kara hasn’t been back to Oak Park since the end of junior year, when a heroin overdose nearly killed her and sirens heralded her exit. Four years later, she returns to face the music. Her life changed forever back in high school: her family disintegrated, she ran around with a whole new crowd of friends, she partied a little too hard, and she fell in love with gorgeous bad-boy Adrian, who left her to die that day in Scoville Park….

Amid the music, the booze, the drugs, and the drama, her friends filled a notebook with heartbreakingly honest confessions of the moments that defined and shattered their young lives. Now, finally, Kara is ready to write her own.

Why You Should Read It: Kara’s storytelling is pitch perfect, and so authentic that you’ll actually feel like you’re living in Oak Park (a suburb of Chicago) in the 1990s. This book is so addictive that I read it in a single sitting. So pick a comfy spot before you get started.

2. How Not to Be Popular by Jennifer Zeigler

Synopsis: Maggie Dempsey is tired of moving all over the country. Her parents are second-generation hippies who uproot her every year or so to move to a new city. When Maggie was younger, she thought it was fun and adventurous. Now that she’s a teenager, she hates it. When she moved after her freshman year, she left behind good friends, a great school, and a real feeling of belonging. When she moved her sophomore year, she left behind a boyfriend, too. Now that they’ve moved to Austin, she knows better. She’s not going to make friends. She’s not going to fit in. Anything to prevent her from liking this new place and them from liking her. Only . . .things don’t go exactly as planned.

Why You Should Read It: This was one of those books that I laughed so hard that my stomach hurt the next day. Maggie has a great voice, and it’s hard to find a truly hilarious contemporary.

I’m not sure when funny became unpopular, but this book reminds me why I love a good lighthearted read.

3. Hate List by Jennifer Brown

Synopsis: Five months ago, Valerie Leftman’s boyfriend, Nick, opened fire on their school cafeteria. Shot trying to stop him, Valerie inadvertently saved the life of a classmate, but was implicated in the shootings because of the list she helped create. A list of people and things she and Nick hated. The list he used to pick his targets.

Now, after a summer of seclusion, Val is forced to confront her guilt as she returns to school to complete her senior year. Haunted by the memory of the boyfriend she still loves and navigating rocky relationships with her family, former friends and the girl whose life she saved, Val must come to grips with the tragedy that took place and her role in it, in order to make amends and move on with her life.

Why You Should Read It: Okay, this may not be a lesser known contemp, but the tension of Val returning to a school where her boyfriend killed people, especially when she still loves him, is so well done you won’t want to miss this.

4. Gentlemen by Michael Northrop

Synopsis: Micheal, Tommy, Mixer, and Bones aren’t just from the wrong side of the tracks — they’re from the wrong side of everything. Except for Mr. Haberman, their remedial English teacher, no one at their high school takes them seriously. Haberman calls them “gentlemen,” but everyone else ignores them–or, in Bones’s case, is dead afraid of them. When one of their close-knit group goes missing, the clues all seem to point in one direction: to Mr. Haberman.

Gritty, fast-paced, and brutally real, this debut takes an unflinching look at what binds friends together–and what can tear them apart.

Why You Should Read It: Thrillers make up a large portion of the adult market, and I think they could be poised to really take over the YA market as well. There are more thrillers coming out each year, and this one is not only gripping but very well done. It takes the standard fare of an “issue book” and turns it into something more, which is always a pleasure to read.

5. Compromised by Heidi Ayarbe

Synopsis: Maya’s life has always been chaotic. Living with a con-man dad, she’s spent half her life on the run. Whenever her father’s schemes go wrong, Maya finds a scientific way to fix it.

But when her dad ends up in prison and foster care fails, Maya grasps at her last possible hope of a home: a long-lost aunt, who may not even exist.

So Maya formulates a plan, and with her wits, two unlikely allies, and twenty dollars in her pocket, she sets off in search of this aunt, navigating the unpredictable four hundred miles from Reno to Boise. Life on the streets, though, becomes a struggle for survival—those scientific laws Maya has relied on her whole life just don’t apply. And with each passing day, Maya’s definitions of right and wrong are turned upside down when she’s confronted with the realities and dangers of life as a runaway. She can’t help but wonder if trying to find her aunt—and some semblance of stability—is worth the harrowing journey or if she should compromise and find a way to survive on her own.

Why You Should Read It: Ayarbe’s depiction of life as a runaway is unflinching, even if you do get the feeling that as the narrator Maya shies away from describing the truly unsavory parts of her life. Still, there is enough left to make this a gritty and absorbing road trip story.

So, obviously there are a lot of books I haven’t listed here. That’s where you come in. What contemporaries do you think people should read if they haven’t, and why?

*How did I come up with this list? A very scientific combination of books with low Amazon rankings, books that always seem to be on the shelf at my local library, and books no one seems to have read during “ohmigod you have to read this book” conversations. So, as you can see, very scientific.

Filed Under: book lists, contemporary week, Guest Post, Uncategorized, Young Adult

Kelly’s Pick List: Contemporary YA to Read

June 6, 2011 |


Need a place to start? Here’s a list of some of my favorites that combine great writing with reader appeal. This list isn’t scientific and lots of things will be left off; this is meant to be a bit of a cheat sheet and a way to dive in quickly. As a preface, I should say I lean toward the edgier, heavier topics, but I’m going to make the effort to toss in some lighter contemporary, as well. I also make no promises on not spoiling the plot on some of these.

Lessons from a Dead Girl by Jo Knowles

This isn’t the first book by Knowles I read, but it’s the one that impacted me the most. This is a story of a sick, twisted, unhealthy friendship and the consequences that arise from such a relationship. I didn’t like this book, and I hated both the main characters. But you know, that’s what made the book work and that’s part of why it’s so powerful. Lessons from a Dead Girl is less a story than it is a character study, so the plot isn’t necessarily over the top nor flashy. It doesn’t need to be because the key is the dynamic between these two girls that causes one to end up dead.


High Dive by Tammar Stein
This seems to be one of those books that’s always on the shelf and always overlooked. Arden, the main character, is heading to Sardinia to see her family’s vacation home for the last time. After her father’s sudden death and her mother’s deployment to Iraq, they’re selling the home. But rather than wallow in the pity she has for her situation, Arden takes a chance to explore Europe with a group of girls who are otherwise strangers to her before saying goodbye. Arden is a fantastically developed character, and the choices she makes in this journey really highlight this weird place she’s in, where she must say goodbye to her past and embrace the fact that her future will never be the same. Add to that the backdrop of her mother being in Iraq, and you have a powerful read.


Things a Brother Knows by Dana Reinhardt

I’ve reviewed this title in depth, so I won’t talk too much about the plot. I’ve read a couple of Reinhardt’s books, and this was the one that really knocked me out, really impacted me in a way I wasn’t expecting, and I think it’s one of those supremely underrated books. This is a story of brothers, of family, and of the power war has to change everything that once was. I’ve talked this title at the high school, and it’s gone out. It’s one you have to sell to your readers, since it’s a quiet looking book. And as much as it feels like it could be depressing — and trust me, there are depressing parts — it’s ultimately got a touch of the positive to it, too. A tear jerker on both ends of the spectrum.


Out of the Pocket by Bill Konigsberg
This might be one of the most underrated books that I’ve read (and loved). What happens when the guy who is a killer football player and well respected for his game skills happens to be gay? How does he cope with this internally and externally? Konigsberg builds an incredibly well-fleshed main character, and the backdrop of football and jock culture is well tackled. Bobby has a supportive and strong family, and really, this is one of those books that’s really good because there aren’t any big issues in the book. Bobby doesn’t have to dodge drugs or sex or an abusive household. Instead, he needs to confront his true feelings and do so in a way that respects his teammates, his family, and his future as a football player and public figure.


The Dairy Queen by Catherine Gilbert Murdock (series)

I’ve expressed my love for this series before. Murdock’s crafted a dynamic character in DJ, a farm girl in Wisconsin who has strong (though challenged) family pull, an interest in sports, and one hell of a head on her shoulders. This clean read is sweet but touches on heavy issues without coming across heavy handed or uncharacteristic. There’s romance, a host of life choices DJ must confront, and a family that’s about as real as they come. I think of any book I’ve read, this one’s setting is truly a part of the story, and Murdock gets it right. DJ’s voice is spot on, and the final book in this series was another teary read for me.


Cracked Up to Be by Courtney Summers
I could have picked either of her other two books, which were on my list of favorite reads of 2010, but it’s her debut novel that should make the list of “must read” contemporary ya (as determined by yours truly). I was lucky enough to be a part of the judging committee that awarded this book the 2009 Cybils award, otherwise I may have never picked up this story about a girl who removes herself from everything she once loved. Parker’s dropped out of cheerleading, her grades are slipping, and her parents are convinced she’s going to kill herself. While reading this, I hated Parker, yet I couldn’t stop myself from reading the book and finding out why it was I hated her or whether or not I really did hate her. It’s an addicting read, and one that we know, since it’s a story we know. We know people who fall through the cracks like this, who have something that’s deeply bothering them but which they pack away and don’t release. This is an unexpected and satisfying read, and a book that begs me to revisit, to see if I still feel the way I did about Parker when I first read it.

Split by Swati Avasthi
Speaking of both Cybils and debut novels, this is another deeply affecting novel. It’s a story of abuse and survival, one that will haunt you while you’re reading and haunt long after. The writing is strong, and the voice is spot-on male. I think in my initial review, I was a little short-sighted in calling it an “issues” novel, given that this is a story that’s beyond single issue. Despite Cybils accolades, I still think this book is highly underrated and underread, despite the fact it has wide appeal for teen (and adult) readers. I’ve talked this one at the high school, and I’ve had no problem seeing it circulate. My book club kids have identified it as one they’d love to read and talk about, as well, and I think it’s actually quite a strong novel to use in a book discussion.


I Know It’s Over by C. K. Kelly Martin
When Nick’s prepared himself to dump his girlfriend Sasha, he realizes it won’t be as painless as he hoped when he learns Sasha’s pregnant. Nick’s an incredibly fleshed character, dynamic and emotional without treading away from feeling like a realistic male character, as could easily happen with a story like this. I bought every one of his emotions, felt all of the pain he felt, and believed in what he was doing. Martin’s book treads into territory that’s apparently taboo and not talked about, which is abortion.

Sorta Like a Rock Star by Matthew Quick
Another book I’ve raved about before. But here’s something I haven’t told you before: it took me two times to get through this book. But that second time was absolutely worth it. I was reluctant. I didn’t want to buy it. But I was wrong.
I’ve used this book in my book club, and I have rabid fans of it. Amber Appleton is the epitome of a fantastic, optimistic, kick ass character, and she is one despite all of the horrible things stacked against her. This is a quieter book, but one that deserves a huge response. And a tissue or two.

I could double the size of this list, maybe even triple or quadruple it. But I’m leaving it at nine titles, four featuring male voices and five featuring female voices. Most have been published in the last year, but there are a handful of older titles. It can be overwhelming to dive into a new genre or reading area when there’s so much to choose from, but starting small and then moving forward is the only way to do it. I’ve tried to offer a wide swath of style and topic and offer exposure to some of the names popping up in the contemporary ya world that are worthy of following.

If you’ve read any of these, weigh in! And if you know of other must-read recent titles that should be on everyone’s radar or in their back pocket for recommendation, leave a comment.

Filed Under: book lists, contemporary week, Favorite Picks, Uncategorized, Young Adult

Why Contemporary?

June 6, 2011 |


Welcome to a week of posts on contemporary ya here at STACKED. After a passionate post by Lisa Schroeder about getting the word out about contemporary ya, we decided to put together some posts highlighting groundbreaking ya, as well as personal favorites. We’ve got two guest posts this week, as well: one from one of those groundbreaking ya authors and one from a friend of mine who’ll highlight a handful of contemporary titles that you need to read. And as a bonus, we’ve got a post about contemporary middle grade titles you should be aware of, too.

First, let’s define contemporary ya lit. It sounds simple, really, but it’s quite complex in my mind. Contemporary is a setting — the now — but it’s also a grounding in reality. Contemporary ya lit transcends just being a story set in today’s world; it’s lit that has something to it that’s actually timeless. Good contemporary stories get to the heart of any challenge, any story, and that heart is something that reads honestly whether the story itself was published yesterday or ten years ago. It’s more than being an “issue” driven lit, and it always has been (despite the fact that it was “issue”-driven lit that began the growth of contemporary lit in the first place). Contemporary lit is truth driven. Some of the best contemporary ya lit out there actually delves little into “issues,” but instead, it delves into a slice of life and shares that story, that moment, the things that happen then. As you’ll see this week, there are books that were published many years ago and prior to the huge rise in ya lit over the last 5-7 years, that still resonate as important today because these slices of life speak to readers today.

To the meat of why this matters: contemporary ya is some of the most important stuff being published, as well as the most overlooked. These are the books, as Schroeder mentions, that need to be purchased and need to be talked about. These are the books that don’t score 6-figure publicity campaigns and are often the ones denigrated by big-named newspapers as smut, as harmful, and as the stuff that ruins teenagers. These are the books that publishers suggest are hard sells, and that those who don’t read it completely misunderstand.

Here’s the thing — in my experience as a librarian who serves young adults — contemporary fiction is what my teens want to read. These are the books they seek out. Sometimes, they’re reading them to relate; sometimes they’re going through tough stuff at home or at school and they want to relate to someone else. Sometimes, they’re reading them to better understand the world around them: they want to fall into a world unfamiliar to them and experience the challenges others experience for a few hours. For many, this is a first experience engaging in places utterly unfamiliar to them. My kids are always asking me for recommendations, especially for contemporary books, because they love these stories that make them think. Books that make them question things, reevaluate things, and consider their own answers to the challenges. These are the books they’re eager to talk about, too. While big-buck books certainly conjure discussion and consideration of the what ifs, it’s those books that are grounded in real life that stay with them forever.

The sad reality is that not enough librarians, educators, or other gatekeepers (a label I loathe but one that is utterly honest to what adults who work with teens are) keep up to date on what’s being published in the contemporary market. It’s important to stay ahead of trends and be familiar with what those big books are so you can make sure you have it/know it/can engage in conversation with kids about it. But part of why contemporary ya is overlooked is because it doesn’t get that sort of marketing or publicity, and adults can become lazy about keeping on top of those books. I said it: lazy.

True advocates for their kids read as much as they can, as widely as they can. Sometimes this means foregoing the biggest, shiniest titles for the midlist titles (those publicity dollars mean your kids already know about the latest, greatest, biggest new thing). Sometimes it means reading a book you hate, disagree with, or find difficult to read. It might be that book that impacts a kid in a tremendous way. Staying on top of everything is impossible, but building familiarity with new things is not. True advocates of teens know spend their non-salaries hours reading, engaging, and building awareness of what’s out there, and it’s my hope that our week of posts helps just a little.

For me, this work is worth it. Putting the word out there about the books authors bleed over to write and connecting it with the right readers is why I got into the profession and it is what gives me incredible joy in my job. Walking a teen around the teen section, listening to him/her tell me what she likes to read or what authors she’s liked in the past, and being able to offer up 7-10 titles they may have missed otherwise is what makes my job worthwhile.

Back to the point: it’s the contemporary ya lit that matters. That’s the stuff kids come back to talk to me about, and it’s the stuff that they’re thrilled I know and want to talk to them about. They relate to this stuff (whether they want to or not sometimes). There are very dark stories of loss, self-injury, sexuality, and there are light tales of romance, of friendship, of discovery. Reading these stories is important; it can be life changing, even. It begs teens to think critically, to engage, to emote.

Isn’t that what books are about?

The only people afraid of these books are the adults who don’t read them or who aren’t familiar with what life as a teenager today is like. Our teens are living stories every day that we won’t let them read about (I know this is a quote someone much smarter than me once said, so if you have an attribute, let me know). Teens are smarter than we give them credit for, and they will self-censor like crazy. If a story isn’t for them, if it’s too dark or scary or uncomfortable, they will stop. But those same stories that are dark, scary, uncomfortable, sickening? Those are the stories that speak to some readers on levels we as adults can never understand. And we need them to have these stories.

I beg you to jump in this week, offering up other titles that might fit a theme, and I hope you are able to tell us about some of the books that make an impact. This week, we’re advocating the underdog of teen lit, contemporary, and we’re going to do our best to advocate those titles that are overlooked much more than they should be.

Filed Under: contemporary week, Uncategorized, Young Adult

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