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Face this city

November 16, 2010 |

Here’s a cover trope I’ve seen a couple of times: the face in the city.


The Beautiful Between by Alyssa B. Sheinmel, published May 2010. It’s pretty distinctive a cover: gray with the face of a girl hovering over the New York City skyline.

And a bit of a twist on it is this one:

Other Words for Love by Lorraine Zago Rosenthal to be published by Delacorte in January 2011: This time, we have a close up of a girl’s lips (see this post) over the New York City skyline.

It’s an interesting style, I think. They’re distinct enough that there won’t be any cover confusion here, but they are composed of the same elements.

I know there are additional ones, so if you know of any, share them.

Filed Under: aesthetics, cover designs, Uncategorized

Double Take, Swingin’ Style

October 31, 2010 |

I love when a double take sneaks up on me. This week, I saw this book pop up on GoodReads:


Palms to the Ground by Amy Stolls (published in 2005). I love the white with the tire swing and the feet in the air. There is a carefree feeling in this cover.

And as soon as I saw it, I knew it had a twin, and I knew exactly who it was.


The Fortunes of Indigo Skye by Deb Caletti (2009). This one features the color block on the top 1/3 of the front cover that runs through all of the hard cover issues of Caletti’s titles. It also features a little bit of a color saturation difference, making the green of the leaves stand out a little more.

I like both of them for different reasons, but I do have to say I think that the cover for Palms to the Ground doesn’t really go with the title.

Do you prefer one over the other?

Filed Under: aesthetics, cover designs, Cover Doubles, Uncategorized, Young Adult

Double Take: Running With the Dogs

October 27, 2010 |

I noticed this double take at the Texas Book Festival a couple weeks ago.  While perusing the tent of books for sale, I noticed Abraham Verghese’s novel Cutting for Stone, pictured below:
I immediately recognized the image of the two individuals running with the dog from another book, Patrick Ness’ The Knife of Never Letting Go:
Upon closer inspection, it’s apparent that the image is not exactly the same – the position of the front runner is entirely different and the back runner slightly different.  But it’s pretty darn close, aside from the color of the sky. The dog looks identical on each cover.
Who did it better?  I may be biased, considering my love for the Chaos Walking trilogy and my antipathy toward Verghese’s sentiments about critical reviews, but I think The Knife of Never Letting Go makes better use of the image.  I love the font used on Ness’ book, whereas the font on Verghese’s is too plain and saps interest rather than adding it.  I also prefer the color scheme on the second book – it really highlights the running figures.
What do you think?

Filed Under: cover designs, Cover Doubles, Uncategorized

Double Take, Dead Flower Style

October 12, 2010 |


With thanks to one of our loyal readers, Terry, comes this double take. They aren’t exactly the same, but the are of the same theme.


You Are Not Here by Samantha Schutz


Such a Pretty Girl by Laura Wiess

But wait! In addition to the dead flowers, we have a nice collection of pretty sad looking flowers, too:

Flowers in the Attic & Petals on the Wind by V. C. Andrews
If There Be Thorns & Seeds of Yesterday by V. C. Andrews


Kissed by an Angel by Elizabeth Chandler

I think I like the single dead flower the most. Maybe it works with the title a little bit more for me. I also feel like I’ve seen this theme worked through a few other covers. In a world of a million black covers, I’m not sure how much it stands out.

Can you think of any others?

Filed Under: aesthetics, cover designs, Cover Doubles, Uncategorized

Mostly Good Girls by Leila Sales

October 6, 2010 |

If ever a book cover did disservice to a fantastic story, it would be this one. Leila Sales’s Mostly Good Girls is a story that really stands out in a crowd and would appeal to so many readers, but unfortunately, this cover kills me. It suggests the story is something else entirely, and while it will draw some readers in, it won’t draw the readers in who probably want this story most of all.

Violet and Katie are best friends, and they have been for a long time. The two of them attend an all-girls private school near Boston, and both of them are go-getting type of girls: Violet is working hard to improve her standardized test scores and put together the school’s literary journal, where she serves as editor, and Katie has earned a perfect score on her tests and works with Violet on the junior yearbook. We begin this story as the two of them list other girls in their class and “how far they’ve gone.” Both get a good giggle out of the girls who are more experienced, as neither of them is all that interested in any particular boys. But that will change. . .

Mostly Good Girls follows Violet and Katie’s changing friendship through their junior year of high school. When Katie earns her perfect test score, Violet becomes envious, and in her determination to outdo her best friend, she misses her best friend change. Katie, despite having everything, chooses to start dating Martin, a high school graduate who chose to work as a barista instead of attend college. In Violet’s eyes, Katie’s lowered her standards, but that’s because she can’s see the true problem brewing within Katie. This will be the tipping point in the story, and it will ultimately redefine their friendship and call to question what friendship even is.

Sales’s book is not written in a completely traditional narrative story but is instead told in vignettes. We know the story takes place over one school year, but the chapters are brief snippets in time and in place. This works exceedingly well in this book, as so much of what the story would do to fill in time and space holes would bore readers. Violet and Katie are normal characters. Neither has a particularly challenging aspect to their lives; they are utterly relatable but in the course of being so, they don’t have a huge obstacle to overcome physically or emotionally. Or at least, that’s kind of what we’re led to believe.

Not only is there a non-traditional method of story telling at work here, but the humor! This is a funny book. There was more than one time I laughed out loud while reading it, and there may or may not have been passages I read out loud for my husband because I found them spot on funny. Violet and Katie are a little snarky, and they conquer problems in a manner I would. When the literary journal had some extra space due to a profuse amount of garbage being submitted, the girls write a joint story that mocks their school. I may or may not have done that once in my life, too.

Besides being funny, the situations the girls find themselves in ring true on so many levels. When Katie pairs off with Martin, she invites Violet along. Violet, in the interest of being a good friend, follows along, despite being extremely uncomfortable in this environment. She wants to be a good friend. And when she sees what Martin and his roommates are like, she’s further unsettled. Who hasn’t found themselves in a similar situation?

There is a little romance in this book. We see Katie pair off with Martin, and while we don’t necessarily see the romance blossom as readers. But we do see and experience a number of great moments with Violet, as she develops a crush on Scott. He attends a nearby all-boys school. Unfortunately, a lot gets in the way of their relationship developing beyond friendship, and some of these interruptions are downright hilarious (in particular, Violet needs a ride home from a night out with a bunch of Scott’s classmates and Katie, and when Scott pipes in to offer the ride, we see her imagining this being what leads to their ultimate marriage. Unfortunately, another guy — a less appealing one — offers a ride over Scott’s, since he lives closer. A dream deferred, if you will). Did I mention I was laughing a lot while reading this because I could relate to more than one incident here?

Back to my cover comments: this cover does not work. It does not scream that this is a story about friendship or that it’s a funny book. Instead, it says this is a school drama, and it probably involves skanky girls (look at how short her skirt is). The cover will appeal to fans of Pretty Little Liars and similar titles, but this book will not necessarily make most readers of that series happy. This is a much lighter book, with little to no interpersonal drama. Instead, this is the kind of book fans of Sarah Dessen, Jenny Han, and Siobhan Vivian will love. Many teen girls will NEED this book, to show to them that friendship isn’t always constant and that things change and shift and that that is okay and normal. This is contemporary, realistic, and funny, and without a lot of good handselling, I’m afraid it might not get into the hands of those who need it most and those who would see themselves and their friendships played out here. But believe me when I say this is a title that most teen collections need; there are too few stories about friendship that play out so realistically.

* Review copy picked up at BEA.

Filed Under: aesthetics, cover designs, Reviews, Uncategorized, Young Adult

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