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Double Take: How Much is that Girl in the Window?

April 6, 2011 |

Here’s a cover double — but this one, they’ve mirrored the model’s position.



The Miracle Girls by Anne Dayton and May Vanderbilt was published by FaithWords in September 2008. It’s a pretty distinctive cover, though it comes off a bit blindingly white.

Then I saw this last week and knew immediately it was a cover double:


You Have Seven Messages by Stewart Lewis will be published by Delacorte in September 2011. Notice the girl’s leg and arm are reversed from what they are in the first cover? The title’s in the same position, but instead of feeling blindingly white, the designer chose to add a city building to the outside of the window. I think that really anchors the cover better, as does the fact the girl is cropped a little bit closer than in the first cover. The colors are also a little more bold in the clothes in this cover, which also adds to giving this cover a less blinding quality.

Is it me or does it appear the first cover has air brushed the girl’s leg, as well? It’s a little hard to tell because of the angles and the way the light filters through, but it appears to me that the first cover has taken a few liberties with thinning out the standing leg. It could simply be the fact the second cover is more closely cropped as well.

I think the second cover does it just a little better, given the background in the window, but what do you think? Do you prefer one over the other?

Filed Under: aesthetics, cover designs, Cover Doubles, Uncategorized

Aging Middle Grade Covers

March 22, 2011 |

Last week, I talked about covers changing from their hardcover debut to their paperback. This week, I thought I’d talk about another trend that I’m still wrestling with, and that is the aging up of middle grade covers. Middle grade for me has always been about cover art: there’s been less reliance on stock photos — particularly of people — and more use of actual art. There’s also been a lot of straight forward stock image use with a striking color background.

However, I’ve noticed this is also changing, as more and more middle grade covers are growing up. They’re getting covers with models on them — people — and they look more teen than tween appropriate. I think this is both a good and a bad thing; for many readers this age, it’s a good thing. It makes them feel older and makes them feel like they’re reading an older book. But the reverse is true: it could be what makes many unready readers feel they can tackle a tougher teen book.

Let’s look through some recent examples:


This is one of the common covers for Zia by Scott O’Dell. I like it: I really think the colors and the artistically rendered (note: not stock photo) person really give this cover its feeling. But there’s been a change for this one, and it’s one I quite like.

Isn’t it gorgeous? I think this cover has mega appeal and has a real contemporary feel to it. The only qualm I have with it is that it’s definitely not a middle school girl on the cover. She’s certainly older. But for this particular book, I’m not sure that’s problematic. I think the appeal is still to the right audience.

Here’s another one from Scott O’Dell, and this one’s going to be a rerelease. The original cover (dated, obviously):


They did update this one a few years later to this cover, which I quite like (it has a very Face On the Milkcarton feel to it).


They’re re-releasing this title in April this year with another new cover. You can guess what made me want to talk about this one a little.

I’m not sure how I feel about this one. The girl doesn’t work for me in this cover — too much attitude. I don’t know whether she’s appealing to readers; she’s a bit off putting. I do like what they’ve done with the newspaper ad as the background for the title and author, as it plays off the last cover.

Now, let’s take another well-known middle grade author and look at some of the cover make overs she’s had.

This is one of Bauer’s titles that leans a little more teen than middle grade, to be fair. But the cover is an artistic one. And it’s been remade.


There’s a couple other of her titles that have had such a makeover, too.

I don’t care much for this cover. It’s a little too technicolor for my tastes. I do like the makeover this one’s gotten, and I think it ups appeal too (but maybe for older readers more than middle grade readers):


Let’s look at another of Bauer’s cover make overs before talking about the last two books that have come out.

A little too much red for my taste. This one has gotten a mighty makeover, though:


This cover reminds me of a million others. I’m actually a little torn, though, since I think it increases appeal to the middle grade audience more than the prior cover. Part of that is, of course, simply because of the dating issue. But let’s look at the last two books released by Bauer. They’ve been released with stock photos first, and I think both make a real statement.


I love this cover. This is a book I’ve read, and I think it’s perfectly fitting. The story takes place in an area where apples are a big deal for the economy and tourism, and there’s also a big aspect of the story involving newspaper reporting. Definite middle school appeal on this one.


This is her latest book, and again, I consider it middle grade, but this cover reads older to me. I think that it will appeal to both the middle and high school readers. I’m also noticing a food trend on these books. Hmm…

Here’s another original release, and this one is quite recent.


I don’t think I care a lot for this cover. The girl definitely looks older than the target audience. And actually, the thing probably bothering me the most is the dumbest, and it’s the unbuttoned side of the overalls. I get what it’s trying to do but it doesn’t work for me. I’m curious about the appeal of this one — I think it will work for middle grade. I think the font and off-centeredness of the title and the girl are appealing and give this cover just enough difference to stand out on a shelf. But man, I wish she’d button the side of her pants!

A cover make over I really like this is one, and I think it will give this book an entirely new, fresh middle grade audience.


Dated, no? But original art, if nothing else. Fortunately, they’ve updated it. Sure, it’s a stock photo, but they’ve done enough manipulating to it to really jazz it up.


It’s got just enough creepiness to it, too. I think this is a fantastic middle grade cover, as it has loads of appeal to the target readership and it doesn’t try too hard to mimic covers of books meant for older readers.

One last one that stuck out to me for a while is this one:


This is the original cover of Erskine’s Mockingbird. It’s not bad and it’s not great. It’s quiet, which is what I understand of the book itself. This is the kind of cover that will let the reader find it; the right reader will know. I like it, since it doesn’t really age the book at all. It gives it a classicness but it does feel middle grade — I think that’s in the font use.

Naturally, the paperback gets a makeover, though.


Notice a few things with me. First, most middle grade novels do not have a blurb. They will include book subtitles or notes about the author’s prior works and awards. But this one? It gets the Publisher’s Weekly review blurbed on the front. Middle grade readers probably don’t care it’s “a moving and insightful masterpiece.” They want a good story.

They’ve kept the font for the cover, which I like, but they’ve ramped up the color a bit. I will say, though, I think the girl on the cover is the right age. But what’s she saying to the middle grade reader here? The cover is, no doubt, attractive and appealing, but this is where I want to talk a bit — for me, middle grade readers are less about the feelings conveyed by the cover than teen readers are. They want to know the story more. For me, this cover is almost off putting, since there is so much feeling conveyed in the way the girl is positioned, in how her back is to readers. She’s not inviting. It’s here where I begin questioning why books aimed at middle grade readers are looking more and more like teen books and almost more like they’re targeted at adults than the kids themselves.

For me, the clincher on this is the PW quote. There is nothing about the story in that comment, as it’s written to adults for adults. Why is it there?

I’m not sure this is a trend I like or dislike, as I’ve seen both sides. I know there are plenty of other covers that are doing this, so if you know of any particularly good ones, share them in the comments. I’m also interested in your take on this trend. Do you like it? Do you find it as a way to turn off readers or perhaps lead them into other books that they’re not ready for?

Filed Under: aesthetics, cover designs, middle grade, Uncategorized

Hardcover to Paperback: Big Changes

March 16, 2011 |

We all know a cover can make or break a book. Sometimes, a cover will make the story read younger or older than intended and sometimes, it’ll be spot on. A recent trend, though, has been changing the hard cover cover when a book goes to paperback. If you’re a regular reader over at Alea’s blog, she does a regular hardcover vs paperback feature, and it’s something that always interests me. Sometimes the changes are obvious and make sense and other times, I don’t get it at all.

Here’s a few I’ve noticed recently in the YA world that are both exciting me and confusing me greatly.



Sarah Dessen’s Along for the Ride in hard cover. I like this cover — it’s simple, yet it does pretty much capture the story right there. But, you know, it had to be redesigned for paper back release. This will be a shocking change.

Auden is now wearing a red dress. I don’t get it. I will admit that I think Auden is more of a red dress kinda girl than a pink dress kinda girl, but why the change for the paperback? Composition wise, I actually think pink was a better choice, as it didn’t overwhelm the cover in red.

Next up, a cover change I quite like and one I think will resonate with readers a little more.


Wolves, Boys, & Other Things That Might Kill Me by Kristen Chandler has the title trend I kind of hate, which is the trilogy of “things” in a row. Cover wise, this one doesn’t really grab me at all. The wolf looks like a nice dog, actually.


But this paperback? This is fantastic. I love the fact nature is the huge force in the cover, and I think that the girl being barefoot in the water really captures a sense of fear. The title font works, as do the different colors. There is an entirely different feel to this book, and it actually compels me to pick it up more than the other one (which looks a little too much like every other paranormal book, as the girl suffers windswept hair syndrome).


Here’s a cover I’ve talked about before. I like this cover, but it’s nothing too special. I’m not sure quite how much it conveys the story nor the tone of the story (which is pretty light-hearted). This one’s had a bit of a makeover, too.


It’s not bad, but it falls into yet another cover trend which is the orange cover. I love the color, but I think the impact has worn out a bit. The coffee mug with the heart in cream has been done a few times, as well. But what I do like here are the arms and the blue shirt sleeves against the orange. And the font works really well, too. This cover feels more light-hearted than the hard cover.


I love the cover of Julie Halpern’s Into the Wild Nerd Yonder and liked the story quite a bit (minus the fact the main character totally back tracks on her belief in not judging/changing people in the end). The image here works well, as it captures both the Ren fair idea and the role that Dungeons and Dragons plays in the story. The pink also really captures the mood and makes the story feel contemporary. Note the tag line: My life on the dork side.

But then they went and did this to the paperback:


I hate, hate, hate the change, both as a reader and as a librarian. First, it’s a horrific combination of colors that does nothing but go back to the idea that books are dated and old and not cool. It’s a weird yellow shade and the font and color selection for the title screams 1970s. Don’t get me started on the dorky clothing, either. The people in this story are not DORKS in that sense. They’re geeks — they like to play role playing games and go to Ren Fairs, which does not mean they dress like people who haven’t seen a mirror. This plays into some pretty ridiculous stereotypes I don’t like at all. And please note: the tag line now reads “High school on the dork side.” There’s just such a lower level of appeal to this cover, and it’s really unfortunate how much a disservice it does to potential readers. It tries way too hard.

While we’re on cover changes that don’t work for me, here’s another one.


I love the cover for Dirty Little Secrets by CJ Omololu. I think Lucy’s captured pretty well, and you just feel like you’re stepping into a story about hoarding and about broken promises and dreams. A book about a dirty secret. The cover has an immediacy and contemporary feel. It works for me as a reader.


But the paperback seems to suffer from the dating issue. This book reminds me of books from the 1980s. And actually, for some reason it reminds me of the original Babysitter’s Club book covers. I hate the font on the title, since it definitely dates it, and I just don’t find myself connecting with the girl on the cover. It makes the story feel like the story is about her secret, when really, it’s not a book about her secret. And the background within the key hole looks way too clean. Frankly, I don’t think she’s got much of a secret here, no less a dirty one. The paper back doesn’t work for me at all.

You know why I love the cover for Matthew Quick’s Sorta Like A Rock Star? It’s quiet. It’s not really a stand out kinda cover. And this is important — this isn’t the kinda story that needs a loud cover to grab a reader’s attention. The story does it all on its own. There’s enough mystery in just the title and the shadowy girl in the background to invite readers into the story.

But then…


I’m of mixed opinion about the paper back. First, I dig the reddish pink cover. I dig the font and title placement. Know what I hate? Hair-in-her-face girl. This isn’t a story about a rock star. That is a bit misleading. Also, she’s far too pretty. She’s dressed far too well to be the person in the story, too. I think this cover is a little too flashy for the story and might be the ultimate disappointment for readers expecting a much louder, more rock star-esque story.

One more! This one I share because I love how the cover change to this particular book lets it work for two entirely different audiences (in a good way).


Tanita Davis’s Mare’s War has such a great middle grade cover. I love that it features the fact the girls and the grandmother in the story who are African American are depicted as such on the cover. But here’s the thing: this cover doesn’t work for older readers. This book works easily for an 11-18 year old audience, but the cover appeal is geared younger. But oh, what an awesome thing they did for the paperback:


Is this not gorgeous? It gets to the badassness that the story portrays in the grandmother, while it also has incredible appeal and respect for what she was doing in the story. This is also not a black girl on a cover who has been Photoshopped to look white (which happens far more than anyone would admit). This book cover has appeal for older readers in particular. I love that the transformation in this one doesn’t change the story but instead opens it to a wider audience.

Thoughts? This is obviously just a small sample of some of the cover changes that have happened recently, but they’re all ones that really struck me as meaningful in one way or another.

Filed Under: aesthetics, cover designs, Cover Redesigns, Uncategorized

Double Take: Fearful Girls in Pretty Dresses

February 22, 2011 |

This pair of books sharing a cover image aren’t even out yet, but they’ll come out within a month of one another. . .across the pond from one another. It’s an image I really like, as I think the feeling it gives is spot on for both stories.

First up:


The Vespertine by Saundra Mitchell, which comes out March 7 by Harcourt. I really love the coloring in this one, as it reminds me of an old sepia photograph. The image itself looks like a modern Cinderella, with a girl in a pretty dress running. But unlike the horrible trend of sullen girls in pretty dresses, this one reminds me a lot more of a scared girl caught in a moment. She’s not weak or broken. The story itself is a historical fantasy, so the cover is spot on. The thin font done in gold adds to the historical feeling. And this cover is much, much better than the original one I saw for this months ago, which is this:


This one doesn’t work as well for me. Not only that, but it reminds me of this one:


Ahem. Back to the double take at hand. The Vespertine cover which I really like is replicated by Eden Maguire’s (of the “Beautiful Dead” series) forthcoming Dark Angel:


This one will release in the UK by Hodder Books in April (and from the looks of it may be available in the US sometime in August). I really dig the red on this — it pops. But what I think I like more is that despite how it’s the same image as The Vespertine, the coloring gives it a completely different feel. This book gives no hint of being historical — and it’s not — but rather a sort of dark romance with hints of the paranormal — which it is. The superimposed woods behind the girl in the red dress really adds to the creepy feeling. The font on this one for the title is perfect too, thick and loopy in the style many other paranormal type books have.

I don’t think either one of these covers does it better; I like both capture the feeling of the book perfectly.

Do you prefer one to the other?

Filed Under: aesthetics, cover designs, Cover Doubles, Uncategorized

Double Take: Friday Spirits

February 18, 2011 |

Kick back this Friday with another double take, and this one calls for celebration. I mean, whoever said you can’t drink champagne from a straw?


The Celebutantes by Amanda Goldberg and Ruthanna Khalighi Hopper was published in 2008 by St. Martin’s Griffin. This lady’s drinking from two straws. I love the way the red lips pop on this cover.


Drink Slay Love by Sarah Beth Durst will be published in September by Margaret McElderry/Simon and Schuster. This book’s about a vampire attacked by a were-unicorn (I’m sold!). The cover model on this one isn’t the same as the book above, but the set up and execution are darn similar.

I like both of these, with the slight advantage to Drink Slay Love only because I like the way the red pops against the pale skin coloring. Also: she’s drinking with a soda straw that has a red line on it and all. Classy!

Do you prefer one to the other?

Filed Under: aesthetics, cover designs, Cover Doubles, Uncategorized

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