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Guest Post: I Don’t Care About Your Band by Julie Klausner

February 14, 2011 |

Guest blogger Matthew Jackson, who writes about books, movies, and other nerdery at A Walrus Darkly, is back for a special Valentine’s Day review of a heartwarming book about true love.

The full title of Julie Klausner’s book – part memoir, part field notes on years of misadventures in the New York City dating battlefield (because Love, as Pat Benatar was so kind to remind us, is most certainly a battlefield) – is I Don’t Care About Your Band: What I Learned from Indie Rockers, Trust Funders, Pornographers, Felons, Faux Sensitive Hipsters, and Other Guys I’ve Dated.

When you reach the end, you realize it wasn’t just a clever hook, but a promise. Klausner’s collection of short, hilariously brutal stories runs the gamut from childhood tales of sexual curiosity and romantic optimism, to valiant efforts to make a long distance relationship come together, to good old fashioned terrible dates with perverts, textbook commitophobes and pretentious musicians, all wrapped up in Klausner’s pop culture-laden, self-deprecating style. It’s like what Carrie Bradshaw would sound like if she were Jewish, had a little more brains and a lot more balls.

Klausner begins this chronicle of broken hearts and bedroom farce with a little disclosure: “First of all, I will always be a subscriber to the sketch comedy philosophy of how a scene should unfold, which is ‘What? That sounds crazy! OK, I’ll do it. The other thing is, I love men like it is my job.”

Klausner spends absolutely no time feeling sorry for herself or offering excuses for her romantic missteps, but she makes no apologies for them either. She’s a comedy writer, after all, and may be thinking that what does not kill her will make her funnier. Whether it was all those bad dates or not, we may never know, but I Don’t Care About Your Band is definite proof that she is really damn funny.

But what moves this book beyond the level of “Men are Pigs” shtick and into the realm of something that’s not just giggle-worthy but lasting, is the wisdom of Klaunser’s work. She’s been through the kind of relationship hell you only see on HBO (and even they won’t show all of it), yet she’s come out the other side with a continued sense of optimism that’s neither cock-eyed (pun?) nor misplaced. There’s no bitterness here, no sense of vengeance, no “Here’s What’s Wrong With Me and It’s THEIR Fault” treatise on men and why they’re horrible.

Every chapter is peppered with a few little grains of relationship philosophy, but I Don’t Care About Your Band could never be mistaken for a “How to Meet Guys That Aren’t Nutbars” manual. At times it might seem like Klausner is sending mixed messages, but looking closer you find that all those layers of pontificating on this guy and that guy, this breakup and that one, this one night stand and that really awkward email, are just an expression of the chaos that is Klausner’s dating history. At times it makes you cringe, or even yell at the book like that guy in the back of the movie theatre (bitch, he got a knife!), but it never stops being funny, not just because it’s true, but because we’re in the hands of a talent who’s as brave with her writing as she is with her new suitors. All the miserable dates and ghosts of boyfriends past are churned up and deftly renewed as anecdotal evidence that God had comedy in mind when he invented sex.

I Don’t Care About Your Band is a hilarious book by a good writer, but it’s what is at its heart, a woman still believing in love despite encounters with bedbugs, narcissists and bad kissers, that makes it great. It sounds corny, but it’s what keeps you turning the pages.

Filed Under: Adult, Guest Post, Non-Fiction, Round Robin Review, Uncategorized

Dirty Secret: A Daughter Comes Clean by Jessie Sholl

January 14, 2011 |

When Jessie’s cancer-stricken mother makes a phone call asking her to fly out to sign the legal paperwork that would give her possession of her home when she passes, Jessie comes face to face with the reality of what has plagued her mother for years: hoarding. Although she knew her mother hoarded, nothing could prepare Jessie for what she was about to face head on — piles and piles of stuff, much of it in bags with tags still attached. While sitting in the lawyer’s office, Jessie debates whether or not she even wants the responsibility of the home in the future. Is the time and effort worth it?

As you may be aware, I have an interest in hoarding. In reading Sholl’s book, I found a unique take on the mental illness — here, the hoarding isn’t really at the center of the book nor is it made glamorous or hideous (as it has been on certain television shows). Instead, we have an honest exploration of family dynamics and relationships, many of which have little to do with the hoarding itself.

Sholl is an honest and, at times, perfectly snarky narrator: we see her ups and downs right along with her mother. What I found refreshing about her was her voice and her ability to not wallow in her sadness nor seek pity for what she’s dealt with in her life. As the child of divorce with a brother who has all together left the family, it’d be easy for her to go the pity route, but she doesn’t. Instead, she’s fair in her treatment of her mother and her mother’s problem, supplementing her impressions and experiences with research.

While cleaning her mother’s home, Jessie begins to notice a few mysterious bumps on her ankle. She ignores them, but when she flies back home to New York, it’s not long before they’re getting bigger and itchier. Then she passes them on to her husband. She thinks she may have been bitten by something while cleaning, and when she calls her mother, she says it’s entirely possible that the used pillow on her bed may be the culprit. But rather than get rid of the pillow, Jessie’s mother has kept it. It takes years of different treatments before Jessie and her husband are able to rid themselves of the bites.

I bring this aspect of the book up because I think it spoke well to how the memoir is structured — much of Jessie’s experience with her mother is like her experience with these bites. It’s an issue she can only ignore so long before it sneaks back up and demands attention. Although I thought this particular issue dragged on a little too long in the book, the parallel itself was done well while also giving a vivid picture of what her mother’s living situation is. Mom knows she lives among bugs and knows precisely where they’re coming from, but she cannot let herself let go of the object where they reside.

The fusion of fact and experience in this book is seamless; in fact, this may have been one of the most seamless memoirs of this ilk I’ve read. We learn, for example, that her mother is a “clean” hoarder, differentiated from those who are “squalor” hoarders, food hoarders, or animal hoarders. Clean hoarders don’t live among putrid water, piles animal or human feces, and generally don’t keep rotting food in their homes. Squalor hoarders are often so ashamed of their homes they don’t let repair people in when issues arise and thus often do not have running water or sometimes even gas or electricity. Another fact that struck me was that hoarding isn’t an American-based problem which many assume given our culture’s obsession with consumption; it’s a condition found on every continent on Earth, except for Antarctica. In fact, the illness might not be most prevalent in America — in Melbourne, Australia, it’s reported that 1 in 4 people who die in a house fire are hoarders. These bits of research further contextualize Jessie’s mothers problem and they help us as readers understand where she and her mother come from.

Dirty Secret is a must read for anyone who has an interest in shows like Hoarders or Clean House. The voice is honest but offers enough humor to make the sad situations (because this is extremely saddening to read about, particularly through the eyes of a family member impacted) easier to read. This isn’t a quick read nor one that offers a lot of conclusions. At times, the off-topic issues such as Jessie’s repetitive stress injury challenge compete with the bigger picture, but this is still a book worth reading. There is sensitivity in discussing a mental issue that has become a bit of a perverted interest in the last few years.

Readers interested in psychology will find this a satisfying read, as well those with an interest in well-written and approachable memoirs that stray from the trope of addiction and recovery. I found this to be an excellent companion to my reading experiences with Omololu’s fictional account of a daughter of a hoarder and Frost and Stekee’s non-fictional explanation of hoarding — this is where those two come together.

* Book accepted for review from author pitch.

Filed Under: Adult, Memoir, Non-Fiction, Uncategorized

Recent Reads, Twitter-Style

January 12, 2011 |

Yep, it’s my turn for another set of Twitter-style reviews: short, snappy reviews of some of my recent reads.


My Mos

t Exc

ellent Year: A Story of Love, Mary Poppins, and Fenway Park

Stev

e Klu

ger

I’ve bee

n meaning to read this book for ages, and finally purchased it last month. Oh, am I glad I did. In three alte

rnating narratives, the reader meets Tony Conigliaro

(T.C.), a die-hard Red Sox fan w

ho is crushing hard on the hard-to-get Ale; Ale, an ambassador’s

daughter whose real passion is

the stage; and Augie, a recently out of the closet musical theater fanatic who is developi

ng his first crush on a boy. The three come together when they stage a school variety show and become involved in the life of a young deaf boy. As a Massachusetts n

ative, the Brookline and Boston locations fascinated me and the format (a mix of narrative, journa

l entries, IM chats, and posters) pulled me quickly through the text. But it is the heart of this novel that truly grabs the reader. I fell in love with each and every one of these loving, quirky, and charming characters.

Prom and Prejudice
Elizabeth Eulberg
Lizzie Bennet is a scholarship student at Longbourn Academy, an institution where

prom is the social event of the season and wealth and privilege are prized commodities. As she is only at Longbourn because of her music abilities, Lizzie is an outcast, tormented and excluded by all except for her kindhearted roommate, Jane. Jane, who is dating the sensitive Charles Bingley, introduces Lizzie to Charles’ friend Will Darcy, a snobby, self-

righteous student at their brother school, Pemberly. Lizzie and Darcy’s eventual clashes and misunderstandings subsequently follow the plot of Jane Austen’s classic Pride and Prejudice. While this book was, of course, predictable, Eulberg does a wonderful job of modernizing this oft-redone tale. While this is a fairly short book, Lizzie becomes a three dimensional character, and the twists and turns of Lizzie and Darcy’s courtship, though predetermined by Austen’s plot, ring true to the modern time period.


Beautiful Darkness
Kami Garcia & Margaret Stohl
This sequel to Beautiful Creatures, while engrossing, suffers a bit for me under the weight of its mythology. Although Ethan and Lena evaded Lena’s potential fate as a Dark Caster at the end of Beautiful Creatures, Lena is just as confused as ever in Beautiful Darkness, suffering from the weight of her guilt over a loved one’s untimely death and fearing that her seventeenth birthday will now bring the determination of her fate. As Lena begins to avoid Ethan, hanging out instead with the eerie, inscrutable John Breed, Ethan is pulled even deeper into the Caster world beneath the town of Gatlin. Aided by Link, Ridley, and Liv, Marian’s new apprentice, Ethan must figure out how to stop Lena from leaving him–and Gatlin–forever. While the reappearance of old characters was welcome and the new characters were well-integrated into the already established universe, I felt like there was almost too much mythology in this sequel, too many details piled on to one another. Nevertheless, Garci and Stohl excel at both world-building and sensory details, creating a vivid world that leaps from the page.
NurtureShock: New Thinking About Children (audiobook)

Po Bronson & Ashley Merryman
A fascinating compilation of intriguing recent scientific studies of child development that purports to upend tradition thinking about both childhood and parenting. The authors reveal why lying is actually a good thing in children, how praising children can end up backfiring, why parents should speak to their children openly and honestly about race, and what exactly encourages optimal and advanced language development in children. Narrator and co-author Po Bronson has a warm, engaging voice that truly invites the reader in to his fascinating research, and the book itself is quite accessible. While some of the advice that claimed to be revelatory in fact seemed like plain common sense to me, NurtureShock was nevertheless an intriguing read.

Filed Under: Adult, audiobooks, Non-Fiction, Reviews, Uncategorized, Young Adult

2010 Year in Review: Kimberly’s Picks

December 23, 2010 |

Compared to previous years, I read a lot in 2010 – about 30 more books than I read in 2009.  Last year, I posted a run-down of the memorable books of the year, and I’m doing something similar for 2010.  Once again, these aren’t books that were necessarily published in 2010, just ones I read in 2010.

Best Book of 2010
Monsters of Men by Patrick Ness

This was an easy pick – it’s both the best book published in 2010 and the best book I read in 2010.  No other book even comes close to its combination of spectacular writing, important themes, and fascinating plot (I often say that these three things make up the Best Book Trifecta).

Best Book of 2010 – Runner Up
The True Meaning of Smekday by Adam Rex

Published in 2007, this book was such a delightful and refreshing surprise.  It’s interesting and oh so funny.  It’s not often I laugh out loud while reading, but this one made me do just that page after page.  I can still recall favorite lines, even though I’ve yet to read it more than once.  Do yourself a favor: read this book and be happy.

Best Audiobook
His Dark Materials trilogy by Philip Pullman

2010 was the year I decided to give the audiobooks of my most favorite books ever a try, and I’m glad I did.  Pullman narrates and the dialogue is brought to life by a full cast.  All the characters sounded right and everything just worked perfectly.  I’ll definitely be listening to these again soon.

Best Audiobook – Runner Up #1
Bog Child by Siobhan Dowd  

So lovely and heartbreaking – a coming of age story that breathes new life into the coming of age genre.  Wonderful combination of beautiful writing and excellent narration. 

Best Audiobook – Runner Up #2
Feed by M.T. Anderson

The story was good, but the audio production was amazing.  It’s also the only audiobook I’ve listened to that was able to use sound effects without sounding incredibly cheesy.  In fact, the sound effects made the audiobook.  Kelly raved that it was the “best audiobook ever,” and that’s pretty close to the truth.  Read her Twitter-style review here. 

Worst Narration
Tie: First Light by Rebecca Stead and Hattie Big Sky by Kirby Larson

Both pretty good stories (First Light in particular) made almost unbearable by poor narration – bad accents, voices that sound much too old for the characters, hokey inflections.  Too bad.

Best Graphic Novel
Fables by Bill Willingham

2010 is the year I really dove into graphic novels.  There have been some definite clunkers (Scott Pilgrim) but also some definite winners (Brain Camp).  My favorites by far, though, have been the Fables comics by Bill Willingham.  They’re full of clever ideas and interesting, three-dimensional characters, and I’ve been so impressed by how the story has developed.

Book I Most Look Forward to Giving to Patrons
Delirium by Lauren Oliver

This one doesn’t publish until 2011, and I’m so excited to be able to tell my patrons about it.  It’s a book whose subject matter (dystopian love story) is so in style right now, but it’s also not predictable and the writing is excellent.  Look for more on the book from us at STACKED in 2011.

Biggest Disappointment   
Across the Universe by Beth Revis

It wasn’t a bad book, but I was so psyched to read it after the stellar first chapter and so let down by the rest of it.  The concept is interesting and the cover is, in my opinion, terrific, so I know this one will sell itself, but I wanted so much more from it.

Worst Book Read in 2010

Going Bovine by Libba Bray
So bad.  Just so so bad.  I know many who love it, but no one could convince me that the book has any redeeming qualities.   The poor narration (I listened to it on audio) made it worse, but I would have disliked it intensely in print format as well.  Honorable Mention goes to Last Summer of the Death Warriors.

Most Anticipated of 2011

Clariel: The Lost Abhorsen by Garth Nix
I loved the Abhorsen Chronicles when I was a teenager and am so thrilled that a prequel about Chlorr of the Mask is planned for release in 2011.  Looks like I’d better get started re-reading.

Most Anticipated of 20??

A Dance With Dragons by George R.R. Martin
Who knows when this will be published.  Sigh.  At least I have the (what looks to be) awesome HBO series to look forward to in the spring.   

Filed Under: Adult, audiobooks, best of list, Favorite Picks, Graphic Novels, lists, Uncategorized, Young Adult

Guest Post: The Sherlockian by Graham Moore

November 30, 2010 |

Journalist and blogger Matthew Jackson joins us a second time for a guest review of The Sherlockian, a debut adult mystery/thriller from Graham Moore which went on sale today.  Jackson blogs about books, movies, and other nerdery at www.awalrusdarkly.blogspot.com. 
 Upon Arthur Conan Doyle’s death in 1930, his personal effects and papers were scattered among family members, universities and other scholarly organizations. Doyle was a writer in the most literal, compulsive sense, documenting the details of his life in a series of leather bound diaries. After his death, one of these diaries, documenting the latter portion of 1900, went missing. Sherlockians (scholars who study, often fanatically, the life and times of the world’s greatest detective, Sherlock Holmes, and his illustrious creator) of the highest caliber have searched for the diary, considered the Holy Grail of Sherlock Holmes studies, for eight decades without success.

Graham Moore uses this last mystery of one of the great mystery writers as the catalyst for his debut novel, The Sherlockian. In Moore’s highly fictionalized version of events, based loosely on the strange death of noted Sherlockian Richard Lancelyn Green, a noted Doyle scholar claims to have found the diary and promises to debut it to the world at the annual convention of the Baker Street Irregulars, the world’s largest Sherlock Holmes club. On the eve of this highly-anticipated lecture, the scholar turns up dead in his hotel room, and the diary is nowhere to be found. Newly-initiated Irregular Harold White and freelance reporter Sarah Lindsay are asked by a member of the Doyle family to get to the bottom of the mystery.

In between Harold and Sarah’s Da Vinci Code-like quest for the grail of Doyle studies, Moore tells the tale of what happened to Arthur Conan Doyle himself in the months the diary is said to document. After a mysterious package appears on his desk, Doyle, with the aid of his friend Bram Stoker (author of Dracula), sets out to solve the mystery of a trio of murdered suffragettes that takes him into the seedier sections of Victorian London.

The Sherlockian flits back and forth between these two stories, attempting to present two simultaneously satisfying mysteries while feeding out a number of scholarly nuggets on Sherlock Holmes, Victorian London, The Baker Street Irregulars and Doyle himself.

It sounds like a cool concept, is a cool concept, especially if you’re a fan of The Great Detective, but despite having a killer (pun intended) hook, a dynamic setting and the weight of one of mystery literature’s great icons in its corner, The Sherlockian falls flat.

Good thrillers, especially the kind that attempt to juggle two storylines, have to be fast. They have to be lightning fast, so hot in your hands that you can’t think about sleep, even when it’s 4 a.m. The Sherlockian’s premise achieves that, but its pacing does not. Once the initial fire of the early chapters wears off, it’s a stiff trudge to the next plot milestone, and when you get there the result is often underwhelming. Moore’s overuse of detail when his characters begin to lecture on Holmes, Doyle, Victorian London and the like, is part of the problem, but it’s not the only problem. Neither mystery is tight, or threatening, or even particularly complex. Both plot lines seem to meander along from clue to clue, often clumsily hitting on what are supposed to be huge revelations, but turn out to be either red herrings of flat-out disappointments.

Even the most flawed of plot-heavy fiction can be saved by the addition of a few intriguing, amusing or even disgusting characters, but everyone in The Sherlockian, even the towering figure of Arthur Conan Doyle, seems like a grayscale sketch of a person rather than anything real. Harold is little more than a talking encyclopedia most of the time, and the intended sexual tension between him and Sarah ends up as little more than weak banter. Every chapter seems to bring a new predictable archetype, no one seems to have any real face, and that means that the things they’re after mean even less as the book wears on.

Moore is an able enough writer, even a good writer, but The Sherlockian is a debut novel that reeks of timidity and second guessing. There are moments – a discussion between Doyle and Stoker on the changing world in front of them comes to mind – that soar with a kind of insight that makes your hands tighten around the book, but they are few and far between. The rest is a mass of almost-good, shrug-worthy storytelling of the kind that almost makes you angry; angry that you can see the potential, but not the follow-through.

Galley obtained at BEA.

Filed Under: Adult, Mystery, Reviews, Uncategorized

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