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    • Audiobooks
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      • Debut YA Novels
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So You Want to Read YA?: Guest Post by Heidi Zweifel (Middle School Librarian & blogger at YA Bibliophile)

July 29, 2013 |

Written by: Kelly on July 29, 2013.

This week’s guest post comes from the blogger/librarian who actually inspired the first incarnation of this series, Heidi Zweifel. She’s a local-to-me middle school librarian who asked me simply where to tell teachers they should begin if they wanted to give reading YA a shot. 


Of course, I had to ask her to weigh in and round out the second batch of posts on this very topic. 


Heidi is a middle school library media specialist. She gets to spend her day with seventh and eighth graders so she never knows what to expect. The best part? Getting to talk about books with teens at least once a day! Heidi is passionate about reading and young adult literature. Her goal is to show her students that even if they don’t love reading they can find books that are interesting to them. Her passion of young adult literature is expressed on her blog YA Bibliophile. Follow her on twitter for ramblings on YA lit, pictures of her adorable nieces and nephew, and far, far too many tweets about nothing in particular.



When I think of how I fell in love with young adult literature it’s not individual books that come to mind. It’s authors. I’m the kind of obsessive reader who finds an author they love and must read everything that author has ever written right now. This was especially true when I first started reading YA. Below you’ll find a few of the authors that showed me YA lit can be smart and clever and not “speak down” to it’s readers. They showed me that books can tackle the real issues that teens deal with and not have an “after school special” feel They showed me that YA books can be fun and light or dark and twisted or some combination of the two and still be authentic. If you’re looking at trying out young adult literature I highly suggest you start with any thing by any of these authors.

John Green: If you’ve been to my blog or you follow me on twitter you probably know that I am a total John Green fangirl. He is my favorite author. Ever. I stumbled across An Abundance of Katherines at my local public library. It was on display in the teen section and I passed it up a couple times. The whole math aspect threw me. I am so not a math girl. After seeing it a few times I added it to my pile. Best. Decision. Ever. It was funny and clever and there were footnotes! Basically it was everything I wanted from a book. I eagerly snapped up Looking for Alaska and have impatiently waited for every new book from John Green since.

Holly Black: My first introduction to her writing was her Modern Faerie Tale series. I didn’t think I liked Faery books. Then I read Tithe.  I don’t think I have the words to express how Holly Black’s writing captured me. She is so incredibly talented. The storytelling and world building blew me away. Her books were also some of the first I read that were considered “edgy.” Let’s just say the faeries aren’t of the Tinkerbell variety!

Chris Crutcher: This man published his first YA book in 1983. His books have been being challenged ever since. Crutcher is a child psychologist and doesn’t shy away from addressing issues like abuse and racism. Because of this, censors find his books to be “too mature” for teens. I find them amazing. They typically feature sports in some way but I would not call them “sports books.” There is so much more going on. Deadline is a great place to start. Another favorite of mine is Whale Talk. But really, they’re all good!

Tamora Pierce: I randomly picked up Alanna: The First Adventure when I got my job as a middle school librarian. The cover was pretty unappealing and I wanted to read it to decide if I should order an updated copy or just get rid of the book. Over the next couple months I read every book ever written by Tamora Pierce. The worlds that she creates are fascinating and her characters are authentic and diverse. I recommend starting where I did with the Song of the Lioness quartet.

Sarah Dessen: Sarah is my go-to author for contemporary romance with a bit “more.” The public library is to thank for my introduction to her as well. The Truth About Forever was on display and the cover appealed to me. I couldn’t put it down. I loved the characters and the story. It just seemed like the people and places could be anyone, anywhere. I  love accessibility in a book! I also love that many of her books are set in the same fictional locations so we get glimpses of characters we’ve met before. Just Listen is my all time favorite of hers.

Other authors I read when new to YA lit: Lisa McMann, Melissa Marr, Robin McKinley, Scott Westerfeld, Maureen Johnson, and Meg Cabot.

Filed Under: So you want to read ya, Uncategorized

Comments

  1. Audrey @ The Book Analyst says

    July 29, 2013 at 5:52 am

    Bonus points to Heidi for including Tamora Pierce! She's one of the most influential authors of my childhood and I still own every single one of her books published. This is a great post to lay out some great authors from many different YA genres.

  2. slayground says

    July 29, 2013 at 3:37 pm

    Nice picks! My favorite Sarah Dessen book is The Truth About Forever; my favorite John Green book is Looking for Alaska. Have you read Holly Black's Curse Workers series? I liked the Tithe books, but I LOVED the Curse Workers.

  3. danya says

    July 30, 2013 at 12:55 am

    Yay for the Tamora Pierce shout-out! The Song of the Lioness series were the books that first got me into YA fantasy 🙂

  4. Marmaladelibby (aka Ange) says

    July 30, 2013 at 2:12 pm

    It's so funny because I would literally day the EXACT SAME THING about Holly Black and her Faerie Tale series along with this same listing if I had to do it! It was my first taste of YA and fairies and it blew me away! Tamora Pierce and her Tortall world is just amazing!

So You Want to Read YA? Guest Post by Amy Stern, Literary Agent

May 20, 2013 |

Written by: Kelly on May 20, 2013.

This week’s contribution to So You Want to Read YA? comes from literary agent Amy Stern. 





Amy Stern is currently an assistant agent at the Sheldon Fogelman Agency. She taught science fiction and fantasy at the Simmons College Center for the Study of Children’s Literature, where she also got her MA in children’s literature and her MLS in library science. She is occasionally pretentious about children’s literature on her twitter @yasubscription and her blog yasubscription.wordpress.com. She reads a lot about superheroes, watches a lot of reality television, talks a lot about problems with gender normativity in popular culture, and spends entirely too much time on the internet.

We talk a lot about finding the “right book at the right time for the right reader” when we’re talking about getting things for other people to read. I don’t think that we give it nearly as much thought when we’re choosing what to read ourselves. We are people who crave good stories, and then talk about them on the internet. We are the opposite of the reluctant reader.

One of the hardest things I’ve had to do- as an agent, as a scholar, and perhaps most importantly as a person who loves stories- was come to terms with the fact that I can’t actually separate myself from the books I read. I can recognize the artistry and skill that goes in to telling a story without loving it; conversely, I can recognize there are parts of a novel that are deeply flawed while still connecting with it on a deep visceral level. But I will always see the best stories as the ones that combine those two for me, and that’s inherently subjective.

So for this blog post, I didn’t choose what I think of as the “best” novels by some kind of arbitrary external standard that probably doesn’t really exist. And I didn’t choose my favorites, because that’s more an exploration of my id than young adult as an overall category. Instead, I’m taking this opportunity to look at twelve novels that made me reexamine my own criteria for what makes YA something worth taking another look at- books that were the right book at the right time for me as a reader, and why each of them struck when they did.

A HOUSE LIKE A LOTUS by Madeleine L’Engle

The first time I read the novel, I didn’t get it. I mean, I really didn’t get it. I was in fifth grade, and I just kind of passed over the parts that didn’t fit into my world view. Looking back, I’m not sure how I got anything out of it without all of those parts, but I did have that emotional connection that made it one of my favorite books. A HOUSE LIKE A LOTUS is about Polly, a teenaged girl struggling with her understanding of the world in both practical and abstract ways. When I was older and reread the novel, I was stunned by how much of the world she discovers; the novel explores- sometimes delicately, sometimes clumsily- sex and sexuality, childhood and adulthood, belief and betrayal.

If you’re familiar with L’Engle’s work, it’s hard to separate LOTUS from the context of L’Engle’s other books. Polly is the daughter of Meg and Calvin, two of the protagonists of her Newbery-winning A WRINKLE IN TIME. This is never brought to the forefront, but it’s a constant undercurrent; if you’re familiar with L’Engle’s Time Quartet, the characters will ring very familiar. And it’s through that lens that it hits so hard when Max, Polly’s brilliant but troubled mentor, points out that Polly’s mother is unhappy.

Lots of young adult books deal with the complexity of realizing that the adults in your life have as many conflicting emotions as you do, but this was the first novel where I couldn’t escape the fact that the adult in question was a grown-up version of a teen protagonist I’d identified with. She hadn’t just grown up and lived happily ever after; she’d made choices, and those choices had consequences, both good and bad. A HOUSE LIKE A LOTUS is Polly’s story, but when I remember it, I think about how Charles Wallace is off on a secret mission and Calvin is performing cutting-edge surgery on animals and Sandy is an international diplomat and Meg is at home, helping with Calvin’s research and not getting her PhD because she doesn’t want any of her seven kids to feel “less than,” the way she did compared to her own mother.

A HOUSE LIKE A LOTUS isn’t the book that introduced me to intertextuality, but it’s the one that taught me- many years after my first read- that a series of books can be more than the sum of its parts.

EVIL GENIUS by Catherine Jinks

First, a word of warning: this novel starts when Cadel is seven and ends when he’s a young teenager. But this is not a middle grade novel. This is the first novel in a trilogy, and by the third book Cadel matches up to the age we expect in a YA novel, but this is not Harry Potter. There isn’t sexual content, and the violence isn’t horribly explicit, but a nine-year-old isn’t going to get much out of this. I’m 28 and some of the sociological and scientific concepts the book covers confuse me.

That said, this book is totally worth the time and effort it takes.

I love stories about giftedness, but hate stories about smart kids whose intellect is rivaled only by their failure at basic social interactions. As an awkward, nerdy kid who both had friends and liked spending time alone, I resented the idea that academic talent was inextricably linked to wanting desperately to belong and falling flat. When a friend gave me a copy of EVIL GENIUS and told me I’d love it, I cringed, but decided to give it a shot. And the book did the impossible, by turning that plot I hate into something I deeply care about.

Cadel’s genius lies largely in understanding complex systems, and he views everything as yet another case study. Being raised by not-terribly-well-meaning adults who are trying to make him the best super villain he can be does not increase his empathy. He doesn’t interact with other kids much, and while he may be lonely, he doesn’t have any real desire to be part of their world. He simply views them as gears in the larger machinery, and the story- told in close third person- allows the reader to see this as logically as he does. When Cadel slowly develops empathy, it feels earned, and we see that his intelligence wasn’t at all a blockade to connecting to other people. In fact, he’s able to use it as a bridge.

EVIL GENIUS is my reminder that there’s no story out there that’s been done to death, because there are always new angles making something old fresh. If that angle is supervillainy, so be it.

ON THE JELLICOE ROAD by Melina Marchetta

For context here, I have to explain that I am a pretentious jerk who desperately wants to be well-read enough that when the ALA awards are announced every January, I say “Oh, I read that” and promptly begin arguing whether or not the best story won. Some years, I get more into this goal than others.

The year JELLICOE won was probably the height of my commitment to this completely asinine goal. I basically stopped sleeping in favor of reading a YA novel every night. I read all of the prediction blogs, and used them to make lists that I took to libraries and bookstores. I started to get YA lit fatigue; each book I read started to feel more like a chore than a treat, and I was so stressed about reading what would win that I wasn’t registering the individual stories as much besides items to check off on a list. The day before the ALA awards were announced, though, I decided that if I hadn’t read it yet, I wouldn’t have read it. I’d read something for fun- something to relax. And I’d really liked SAVING FRANCESCA, so I figured I’d give this book I’d picked up on a whim a shot. Instead, JELLICOE wrenched me apart, and then it put me back together again.

I could talk for days about the ways JELLICOE uses various literary techniques to build an outstanding story, one which stands up even better on second read than on first. Structurally in particular, JELLICOE does what I love most in a novel: even unrelated parts parallel each other, adding depth, by the end, every aspect of the story feels complete and whole, without a beginning or an end; this is a Moebius strip of a novel. Nothing is extraneous; every piece has emotional or plot payoff, if not both, and even as the story comes full circle, so does the reader, as the appreciation of each part snowballs in the context of the pieces around it.

But more than anything, JELLICOE is a novel about the power of stories and of storytelling that also recognizes how things which help you heal are often the ones that hurt the most. None of its answers are easy, and that makes all of its answers, both good and bad, feel honest. And what matters most to me is that I found all of that in the story, not when I was looking at it with the lens of “will this win an award?”, but rather when I just sat down and let myself drown in it. When I got myself to a place where reading YA novels felt like work, JELLICOE reminded me why I choose to read in the first place.

HOUSE OF STAIRS by William Sleator

I love a good dystopia as much as the next YA aficionado, but I have to admit that every time I read one, my evaluation of it butts up against my feelings on this book. Nearly all of HOUSE OF STAIRS takes place in a single room, with only five characters. The novel is short, under 200 pages. The teenagers feel contemporary, but small details pop up which feel incongruous to what we know of our world. Gradually, the reader realizes how disturbing the world of HOUSE OF STAIRS is.

Everything about this novel is surprising, but in a way that’s earned; once you’ve read it, you’ll see how much all of the groundwork was expertly laid while you weren’t looking. My favorite part, though, is how the characters subvert stereotypes. I’m almost afraid to say more, because it gives away too much, but reading the novel there’s a sense of “Oh, I know all of the pieces in this game” that slowly dissolves as you realize you know nothing about this world- just like the characters! (Yeah, shit gets deep in this book.)

This is not a perfect book. On my most recent reread, I was horrified by the fat politics of the story; additionally, when you step back, the overall plot has some holes you could drive a truck through. But even when I was appalled or disbelieving, I never considered putting the book down; it’s that gripping. HOUSE OF STAIRS is my reminder that

YA isn’t about the biggest concept or the most ostentatious plot; a young adult novel is discovering more of your world, and that can be as big as the universe or as small as a single room with nothing but endless staircases.

DOING TIME: NOTES FROM THE UNDERGRAD by Rob Thomas

Like most librarians and publishing people on the internet, apparently, I saw Veronica Mars when it aired, fell in love, and immediately tracked down Rob Thomas’s YA novels. But I wasn’t just a quitter who stopped at RATS SAW GOD, or even SLAVE DAY. Oh no. I tracked down all of them. And while I understand why RSG was everyone’s favorite, there will always be a special place in my heart for DOING TIME.

DOING TIME: NOTES FROM THE UNDERGRAD is not technically a short story collection, but it feels like it; after the introductory chapter, each story is a first-person account from the perspective of a different kid completing their school’s mandatory volunteer hours. Nothing about this should work, but somehow it all fits together. When you hear the summary RATS SAW GOD, you say “Yes, this sounds fascinating and it definitely should work.” When you hear the summary of DOING TIME, you say “what the fuck? Are you at all familiar with the young adult market?” But the miracle of this book is that each story is successful, on its own and as a part of a larger whole.

Objectively (or as objectively as anyone can when talking about literature), this isn’t Rob Thomas’s best book. It’s self-consciously edgy, and some pieces feel like they’re just present for the sake of controversy. While every story in the collection works, some are much more successful than others, and the stories aren’t long enough to make me believe every character. DOING TIME isn’t a book I can get lost in. But it is a reminder that in the right hands, even the craziest concepts can work.

EMPRESS OF THE WORLD by Sara Ryan

There are queer novels that function primarily as Queer Novels. They are fundamentally about gayness; they are important in our canon because rather than shying away from queer relationships they dive into them headfirst. These novels are important; they pave the way. But they pave the way for books which have queer themes and queer characters but aren’t fundamentally ABOUT queerness, books that are primarily about characters discovering who they are, and if part of that is their sexuality, that isn’t the whole. EMPRESS OF THE WORLD was the first queer novel I read that wasn’t a Queer Novel, and I fell in love with it.

I can’t pretend I wasn’t predisposed to liking this. EMPRESS is about a group of teens at a summer camp for gifted students, and two of them- both girls- fall for each other. This is basically a checklist of things that would make me fall in love with a story. But EMPRESS uses all of these elements as a starting point, rather than the goal. There are both straight and queer romances in this novel, and obviously those are the focus, but what grabs me is the group’s immediate deep friendship, the kind that you only develop at summer camp. I knew enough of the concept to expect, going in, that we’d see characters explore their sexualities, but what struck me even more the first time I read it was that this book had non-white and non-Christian characters, just as a matter of course.

Sexuality, race, and religion are all just factors in the greater task of exploring who these characters are as human beings, and no one part of their identities exists in a vacuum.

EMPRESS OF THE WORLD is the story that reminds me a novel is only as strong as the relationships that form its foundation, and world building is only as strong as the people inhabiting that space.

[Note that may or may not be necessary: I’m using “queer” here as a catch-all term for QUILTBAG- queer, uncertain, intersex, lesbian, trans*, bisexual, asexual, gay.]

THE ABSOLUTELY TRUE STORY OF A PART-TIME INDIAN by Sherman Alexie

This is not a book I would recommend if you’re interested in young adult literature. This is a book I’d recommend if you live in the world.

A lot of these books I have a single explanation for, a specific thing that makes it special. The closest I can come with this book is that, while Junior is clearly the protagonist and we are definitely rooting for him, there isn’t anyone I’d identify as straight-up villain. There are antagonists, but everyone is complex and human, and characters who do awful things also show complexity when you least expect it. This is a universe filled with people who behave like people, and through all the plot twists and turns, the novel never loses sight of how the root of every action is in real humans beings.

One of my golden rules for exceptional novels is that you should genuinely believe that, outside of the protagonist’s point of view, every single character has a full life and is living out their own complex thematic arc that occasionally happens to intersect with the main character’s. For me, this novel is the gold standard in that.

AFTER TUPAC AND D. FOSTER by Jacqueline Woodson

Jacqueline Woodson’s novels tend to exist in the space between middle grade and young adult, and judging by the Newbery honor it got, I know that most people would classify this one as middle grade. The characters are only twelve, and while I’m sure some parts of the plot could be seen as “edgy,” the three girls in this story are constantly aware of the dangers of the world without ever succumbing to them.

What makes this novel YA for me, though, is how much the story exists on a precipice. Neeka, D, and the narrator (she’s never named) see all around them what growing up means- both becoming a teen and becoming an adult- and they’re simultaneously desperate to make that jump and determined to stay where they are. What makes AFTER TUPAC AND D FOSTER exceptional, for me, is that it manages this without ever being nostalgic. The text doesn’t romanticize adulthood, childhood, or adolescence. And that choice makes the emotional impact more, rather than less, because every development feels achingly real.

I’ve known for a while that young adult literature shouldn’t be nostalgic, but this novel is what I look toward when I think about how that doesn’t mean it can’t remember the beautiful moments and the terrible moments that you don’t always notice when you’re in the middle of them.

NORTH OF BEAUTIFUL by Justina Chen

Mixed-media is my favorite style of art. I’m constantly amazed at what can be done with collage, using several different materials to create something that’s more than the sum of its parts. But I’m always suspicious of art in literature. Too often, it’s just there because the writer and much of the target audience (I include myself in this!) views a creative outlet as a necessary part of existing. Art needs to be used deftly, I think, to capture the idea that the act of creating isn’t just a source of joy. It’s also frightening, and that’s part of what makes it so valuable.

The protagonist of NORTH OF BEAUTIFUL, Terra, loves working on collages even as she denies being an artist. Throughout the novel, she evaluates her circumstances in the context of her art. Her father doesn’t support her art, and she doesn’t have much faith in it herself, but at the same time, it shapes her world view. Terra is self-conscious about the birthmark on her face, and she uses her art to discover her own definition of beauty. She slowly learns to view each piece of her life as one item in a larger collage, and at the same time, to view her collages as things worthy of being seen and appreciated by others. Throughout this, though, the novel admirably refrains from hitting the reader over the head with the symbolism of collage. Terra is allowed to slowly discover how her art and her worldview are related, while rarely explicitly spelling it out.

NORTH OF BEAUTIFUL is about a lot of things. It’s about geocaching; it’s about living up to expectations; it’s about unrealistic standards of beauty. All of those are probably more central to the plot than the motif of artwork. But none are more important to me. When I think about this novel, I think about the excitement and terror of destroying things to make new and better things, and how expertly that’s woven into the text- one of many pieces that contributes to the novel being more than the sum of its parts. It’s really difficult to integrate symbolism in a way that feels honest to the reader and realistic in the text, and it’s to this book’s credit that it pulls it off so well.

BLEEDING VIOLET by Dia Reeves

I love and hate books about mental illness in equal measure. I love them because I think, done right, they’re some of the most brutally honest reflections on what it means to be a person. I hate them because, so often, a character is reduced to a stereotype of a disorder, and that stereotype is the plot of the story as well as the whole of what passes for personality.

Hanna identifies as bipolar. But that isn’t all she is. Even though she’s clearly unbalanced, far beyond bipolarity- within the first chapter we learn she talks to her father’s ghost and she’s probably killed someone- she’s learned to allow herself to live a life that works for her, sometimes in ways that are incredibly detrimental but often in ways that show how people are fundamentally resilient. It isn’t normal, but it’s how she’s learned to cope. So when she finds herself in the town of Portero, a town which is dangerously supernatural in ways no paranormal romance could prepare you for, she doesn’t get frightened and leave. Her abrupt mood shifts and her tenuous grip on reality, which have hurt her in so many other places, help her adjust to a town where things change on a dime and the surreal is a fact of life. As a reader familiar with unreliable narrators, it’s easy to place Hanna into that box, but that’s as unwise as trusting Hanna completely. She’s crazy, but she’s also often right.

This is a bleak book. If you’re squeamish, you don’t want to read this. (And you especially don’t want to read Dia Reeves’s other book; compared to that, this is tame.) It’s also a very disquieting reading experience. Much of the enjoyment in the book seems to stem from how much you believe Hanna, and how much you’re willing to go along with her for the ride. I don’t see this as a flaw with the writing, but rather a consequence of how successful the writing is. Hanna’s psyche is dangerous, and getting tangled up in her mindset is unsettling. But that discomfort lends to the atmosphere of the book, and when I think about books with such strong character and voice that they can take me anywhere, BLEEDING VIOLET is the first that comes to mind.

HOUSE OF THE SCORPION by Nancy Farmer

In the same year, HOUSE OF THE SCORPION got a Printz honor, a Newbery honor, and the National Book Award medal. The year it won, my writing prof told me I’d get a lot out of reading it. I saw how long the novel was, saw the family tree at the beginning that told me how complex the story would be, and decided to ignore her advice. I didn’t think any novel could be worth that much work. I was so, so wrong.

There are plenty of books for children and young adults about drugs, but very few are this nuanced. This isn’t about the dangers of opium, or even of the drug trade; this is a novel about power and identity, and it uses contemporary issues to create a dangerous science-fiction world that feels terrifyingly plausible. From the first pages, we know Matt is the clone of a powerful dictator, who rules over a strip of land between the United States and what was once Mexico. Over the course of the novel, although the story goes deep, we are aware we’re barely scratch the surface of what that means. We learn just enough to realize how many other layers lie just beneath.

Despite being blatant and even over-the-top about how terrible the world can be (there are multiple dystopias within the same universe, and the very idea of a place of safety is an illusion), HOUSE OF THE SCORPION is often quite subtle. It can achieve this because the novel is told from Matt’s point of view. The novel can be terrifying, but while occasionally it’s graphic, most of the true horror exists in the space between what Matt understands and what the reader does. When I want to remember how much authors can trust their audience to fill in the blanks, this is the text I return to.

WELCOME TO THE ARK by Stephanie S. Tolan

This book is a cheat to include on the list. I can’t tell you what about it makes it good, or even that it really is good. What I know is that the first time I read this book I couldn’t put it down, and that while the cover on my copy has fallen off, I refuse to replace it. This book is, for me, a marker in time and place; when and where I read it are as ingrained in me as the plot and the characters.

WELCOME TO THE ARK is ostensibly the first book of a trilogy (the third book still hasn’t come out, and it’s over ten years later), about two children and two teenagers who meet at an experimental group home within a mental institution. All four of them are extraordinarily gifted in different ways, and while alone each of them is isolated, they find themselves are able to connect with each other- and through that with the world- in ways which defy explanation. It’s a mostly-realistic story that has fantasy elements; it is wish fulfillment for every kid who feels like there’s no one in the world who sees the world as they do.

This is the book that reminds me that at the end of the day, the book that we need to read- whether or not we know why we need it, or even that we do- is a hell of a lot more important than any other standard we can place on the literature we read.

Filed Under: So you want to read ya, Uncategorized

Comments

  1. Liana says

    May 20, 2013 at 4:16 pm

    I really liked this list. It has some a-typical recs and great commentary! Thanks.

  2. Caroline Bock says

    May 22, 2013 at 3:15 pm

    I've read half these books and plan to read the other half!! Have to give my own work a shameless plug — LIE — from St. Martin's Press — about a murderous hate crime, told from 10 points of view, five teen and five adult, and yes, young adult. http://www.carolinebock.com

So You Want to Read YA?: Guest Post by Kate Testerman, Literary Agent

April 29, 2013 |

Written by: Kelly on April 29, 2013.

Today’s contribution to our series comes from an entirely different side of the book world: the agent side. And it’s our first — but not our last — agent who is contributing to the series this time. Welcome Kate Testerman!

Kate Schafer Testerman moved to Colorado and formed kt literary in early 2008, where she concentrates on middle grade and young adult fiction. Bringing to bear the experience of working with a large agency, she enjoys concentrating on all aspects of working with her authors, offering hands-on experience, personal service, and a surfeit of optimism. Her clients include Maureen Johnson, Ellen Booraem, Stephanie Perkins, Trish Doller, Thomas E. Sniegoski, Amy Spalding, and Matthew Cody, among other exciting and acclaimed authors. Kate is a graduate of the University of Delaware’s Honors Program, a former cast member of the New York Renaissance Faire, and an avid collector of shoes. Her interests cover a broad range including teen chick lit, urban fantasy and magical realism, adventure stories, and romantic comedies. She is an active member of the SCBWI and AAR.

Before I represented YA (and MG), I devoured it like some sort of book dinosaur. Every week found teenage me in either my local library, or, when that got too small for me, in the county library, diligently pouring over the shelves and carousels for new books to read. I was voracious, but was I discerning? Not exactly.

I read dozens of Sweet Valley High novels, every Nancy Drew I could find, anything with horses on the cover or promised inside, and piles of titles by Paula Danzinger before I started dipping in to the adult books, skipping from Judy Blume straight to Judith Krantz.

As a freshman in college, when other students were knuckling under the pressure of organic chemistry and engineering classes, I lucked into what remains my favorite college class I ever took – “Popular Fiction and its Literary Antecendents.” In it, we looked at some of the top genre titles of the time, and traced them back to their forebearers – from Heinlein and LeGuin back to Mary Shelley, and from Sandra Brown to Charlotte Bronte.

In looking at today’s Young Adult field, so much wider than the meager shelves that contained what was considered YA when I was a teen, I want to pay homage to that English professor at the University of Delaware back in 1991, and pick a few old and new classics to get you on your way.

So you want to read YA? Awesome! Start here:

Contemporary classics 

Those Paula Danzinger and Judy Blume titles I read as an awkward teen? Still fab. Their literary heirs today include E. Lockhart (The Disreputable History of Frankie Landau-Banks and the Ruby Oliver series, starting with The Boyfriend List), Maureen Johnson (start with 13 Little Blue Envelopes), and Stephanie Perkins (Anna and the French Kiss and Lola and the Boy Next Door). And of course, John Green’s entire oeuvre, especially Will Grayson, Will Grayson, co-written with David Levithan, which takes awkwardness and coincidences to a new level.

Wish fulfillment 

Heir to Frances Hodgson Burnett’s A Little Princess, Meg Cabot’s Princess Diaries brought the princess in every girl to modern San Francisco, and turned her into a Greenpeace activist who still found time to crush on her best friend’s brother. Princesses not your thing? Maybe you’d like to be a god instead? Rick Riordan’s Percy Jackson & The Olympians starts as MG, but takes our half-blood hero up to age 16. Or how about a spy? Try I’d Tell You I Love You, But Then I’d Have To Kill You by Ally Carter.

Fairies/faeries/fae

If you were more interested in Tinker Bell than Peter Pan in J.M. Barrie’s classic, today’s urban fantasy puts the spotlight directly on fairykind, with all their quirks, odd habits, and continuing interest in us regular folks. I still push Tithe by Holly Black into the hands of everyone I know who likes reading about humans and the fae, and if all you know of Laini Taylor is her international Daughter of Smoke and Bone, you’re in for a treat with her Fairies of Dreamdark books.

Otherworldy adventures 

If you haven’t stepped through a portal into another world since that wardrobe opened into Narnia, ring a bell and step into Garth Nix’s The Old Kingdom in Sabriel, Lirael, and Abhorsen, or visit Katsa’s Seven Kingdoms in Graceling, Fire, and Bitterblue.

Historical 

Even if Esther Forbes’ Johnny Tremain wasn’t your cup of tea (dumped in Boston Harbour), historical novels kept being assigned, and every once in a while, if you were lucky, one of them would turn out to be The Witch of Blackbird Pond by Elizabeth George Speare or Island of the Blue Dolphins by Scott O’Dell. Scratch that historical itch with Code Name Verity by Elizabeth Wein, The Astonishing Life of Octavian Nothing by M.T.Anderson, or Chains by Laurie Halse Anderson. And if you want a dose of magic in your historical fiction, dive into Libba Bray’s A Great and Terrible Beauty series.

Classic retellings

The final entry on our list takes the classics and retells them directly, adding a modern spin on a treasured story. I love Diana Peterfreund’s For Darkness Shows The Stars, a retelling of Persuasion by Jane Austen, and can’t wait for her new one – Across a Star-Swept Sea, a retelling of The Scarlet Pimpernel by Baroness Orczy.

Enjoy reading!

Filed Under: So you want to read ya, Uncategorized

Comments

  1. slayground says

    April 29, 2013 at 2:17 pm

    Kate: High-five, lady. For Frankie, for Tithe, for so many and so much. Also, a resounding YES for Tinker Bell being more interesting than Peter Pan.

  2. Mariah says

    April 29, 2013 at 9:57 pm

    I totally agree with all of these! Though The Princess Diaries takes place in NYC not San Francisco.

    • theenglishist.com says

      April 30, 2013 at 2:15 am

      I was coming to say the same thing. Movie Princess Diaries is in SF; book Princess Diaries is in NYC.

  3. Rachel says

    April 30, 2013 at 3:05 pm

    I was also about to say that the Princess Diaries books take place in NYC! I see people above me did so already 🙂

    I love Diana Peterfreund's books based on retellings and I am so excited to read her 2nd. More people should know about them – beautifully written, slow moving/building lovely stories. 🙂

So You Want to Read YA?: Guest Post by Daniel Kraus (author of Scowler)

March 11, 2013 |

Written by: Kelly on March 11, 2013.

This week’s “So You Want to Read YA?” guest post comes to us from Daniel Kraus.

DANIEL KRAUS is Senior Editor of Booklist Magazine. His debut novel, The Monster Variations, (Random House, 2009), was selected to New York Public Library’s “100 Best Stuff for Teens.” Fangoria called his multi-starred, multi-award-winning second novel, Rotters (Random House, 2011), “a new classic horror.” 

Upcoming novels include the Junior Library Guild-selected Scowler (Random House, 2013) and Trollhunters (Hyperion, 2014), co-written with Oscar-winning filmmaker Guillermo del Toro. Go to danielkraus.com for more.

If someone says, “I don’t read YA,” I have the same reaction as if they said “I don’t read science fiction” or “I don’t read fiction” or “I don’t read.” It’s their prerogative, of course, but it pains me to know what they’re missing. It works both ways. I don’t read a lot of comic books. I don’t watch a lot of TV shows. No doubt there are brain-melting tour de forces coming out right and left that I am a sad little fool for skipping. But I think we understand each other, right? There are only so many hours. So I’m going to limit this list to a few outright masterpieces. No, even that would take too long. A few recent masterpieces. I respect your time.

33 Snowfish by Adam Rapp

You probably have a thing for Cormac McCarthy. That’s okay, most of us do. Was it The Road? It was The Road, wasn’t it? Oh, it was Blood Meridian? Even better. Here’s a book you can sit right alongside those decorated tomes. So raw it’ll burn the flesh off your fingers.

Andromeda Klein by Frank Portman

It’s a love story, I guess, but one of (romantically?) deep conviction that risks losing wide swaths of readership with its (romantically?) tireless catalog of what it’s like in the tar pit of a young woman’s obsessive brain. Things get stuck down there. You will too.

The Astonishing Life of Octavian Nothing, Traitor to the Nation; v.1: The Pox Party by M.T. Anderson

You’ve heard of this one, dearest non-YA reader? Maybe not? Let me assure you it won just about every award a young-adult book can win. No doubt you’re rolling your eyes imagining the stultifying groupthink that led to such a feat, but fear not. This book punches naysayers and uppity-ups in the face and is riveting from the first paragraph. Riveting.

Nothing by Janne Teller

This book exists out of time. It feels like something foisted upon your great-grandparents in a one-room schoolhouse back when books came in cloth-bound readers with tiny print—and there were rulers that would crack down on knuckles if you looked away from the text. Which you would because, page by page, your stomach would twist and your skin would sweat as you became convinced by Teller’s calm logic that you and your children and your grandchildren were doomed—and always had been.

The Watch that Ends the Night: Voices from the Titanic by Allan Wolf

Historical fiction. Written in poetry. In two dozen different voices. And one of the voices is an iceberg? Kill me now. Wait, don’t. This is no gimmick. This has the heft and passion of a life’s work. I don’t know Mr. Wolf but as far as I’m concerned he can retire and spend his days contemplating his brilliance because that’s what I’m doing. How can someone write so many words in a row and not screw up any of them?

***




Daniel Kraus’s next novel, Scowler, comes out tomorrow, March 12, from Random House. You can learn more about it on Goodreads.

Filed Under: So you want to read ya, Uncategorized

Comments

  1. ChristasBooks says

    March 11, 2013 at 6:12 pm

    This is a great list because I'm not familiar with most of these titles. I find these kind of lists often get repetitive and it's nice to see some variety.

  2. ringothecat says

    March 11, 2013 at 7:21 pm

    What an AMAZING selection of books! I don't know the Allan Wolf book, but if it's up to the standard as the other ones…boy oh boy! Daniel Kraus is my new hero!

  3. Little Willow says

    March 12, 2013 at 1:04 am

    I've read 33 Snowfish and Octavian Nothing. Have you read any of Rapp's plays? I enjoyed Nocturne.

  4. crunchingsandmunchings says

    March 25, 2013 at 8:00 pm

    Andromeda Klein!!! I never thought I'd meet another lover of that book. Your books are already on my to-read list, but if they weren't, I'd add them now in a second. – Tessa

So You Want to Read YA?: Guest Post by Kate Hart

June 25, 2012 |

Written by: Kelly on June 25, 2012.

This week’s “So You Want to Read YA?” post comes from the crazy talented queen of infographics, Kate Hart. 

Kate Hart is a YA author and blogger extraordinary, represented by Michelle Andelman of Regal Literary. She blogs at katehart.net and she’s a regular contributor to YA Highway.  You can find Kate all over the internet (you may recall her infographics about YA book covers, among other things), and she tweets @kate_hart.

My presents are never much of a surprise. Holidays, birthdays, baby showers, or any other gift-giving occasion, I’m like Oprah: “YOU get a book! And YOU get a book! YOU ALL GET BOOKS!”

Which is why I relish opportunities to foist YA on unsuspecting adults, whose minds are consistently blown by the fact that “young adult” doesn’t mean “dumbed down” or “written in teen slang” or “vampires 101.” At least I get to surprise them a little. But for the sneak attack to work, I have to consider the recipients’ particular interests. Here are a few category suggestions to help you plan your own YA ambush.

For the Wanderlust-er

Anna and the French Kiss by Stephanie Perkins: Paris.

Revolution by Jennifer Donnelly: Paris with history nerd bonus.

Wanderlove by Kirsten Hubbard: Beautifully-written and illustrated backpacker romance that traverses Central America.

Red Glass by Laura Resau: Love and family on both sides of the Mexico border.

Going Bovine by Libba Bray: Road trip with a garden gnome. (I mean really, what more do you need.)

Tearjerkers

If I Stay by Gayle Forman: Two tissue minimum.

Before I Die by Jenny Downham: Get the whole box.

The Fault In Our Stars by John Green: Might as well break out a bedsheet.

For People Who Think YA Can’t Be “Real” Literature

The Scorpio Races by Maggie Stiefvater: It takes a lot to make me like a book about flesh-eating horses, but Stiefvater somehow did it.

How I Live Now by Meg Rosoff: It takes a lot to make me root for a cousin couple, but Rosoff somehow did it.

Wintergirls by Laurie Halse Anderson: Unflinching look at anorexia that manages to neither glamorize nor trigger.

The Sky Is Everywhere by Jandy Nelson: Found poetry plus a little heartbreak.

Lips Touch Three Times by Laini Taylor: Daughter of Smoke and Bone is a critical darling, but this short story collection is the one that almost killed me with writer jealousy.

For the Dirty South

Hourglass by Myra McEntire: This time travel romance has just the right touch of contemporary southern city life.

Knights of the Hill Country by Tim Tharpe: Heavy on the east Oklahoma dialect, but the on-field football scenes are exciting even for non-sports fans.

Texas Gothic by Rosemary Clement: A fun combination of north Texas, lost mines, and campy witchcraft.

Where Things Come Back by John Corey Whaley: Having characters named for Arkansas towns was distracting to me, but Whaley shows a great balance of the good and bad of a small I-40 town.

For Badasses (or Badass Wannabes)


Shipbreaker by Paolo Bacigalupi: Working in southern Louisiana heat is tough enough, but Nailer has a whole cutthroat post-apocalyptic world to deal with on top of it.

Some Girls Are by Courtney Summers: Mean girls on steroids. (The story, I mean. Not the girls.)

Ashfall by Mike Mullin: Darla is a badass where Alex is not, which is always helpful when you’re trying to survive deadly volcano fallout.

Divergent by Veronica Roth: Tris chooses to be a badass when she doesn’t have to, which gives this dystopia an interesting twist.

The Absolutely True Diary of a Part Time Indian by Sherman Alexie: You think you have it hard? Try Junior’s rez life on for size.

Will Grayson Will Grayson by John Green and David Levithan: Two words: Tiny. Cooper.

Filed Under: Guest Post, So you want to read ya, Uncategorized

Comments

  1. LinWash says

    June 25, 2012 at 2:38 pm

    What's not to love about a Kate Hart post! Great picks! Thanks, Kate! (I would add Insurgent to that list.)

    • Kate Hart says

      June 26, 2012 at 6:17 pm

      Thanks Lin! I haven't read Insurgent yet (because my mother stole my copy!)

  2. thatcovergirl.com says

    June 25, 2012 at 6:09 pm

    Bahaha, "might as well break out a bedsheet." Love seeing Kate here!

    • Kate Hart says

      June 26, 2012 at 6:17 pm

      <3<3<3<3<3

  3. Sarah says

    June 25, 2012 at 7:00 pm

    These are awesome suggestions, and ones I often recommend as well.

    But I am shocked–shocked!–that I have not read or even heard of the Kings of the Hill Country. I am reading that one ASAP, as it sounds like a total Sarah book.

    • Kate Hart says

      June 26, 2012 at 6:18 pm

      😀 I just checked out your blog and I'm guessing yes, it's right up your alley.

  4. Liviania says

    June 25, 2012 at 9:39 pm

    Terrific choices! I love all the ones I've read and thus will trust you on the others. (And go out to find copies immediately.)

    • Kate Hart says

      June 26, 2012 at 6:18 pm

      Thanks Liviania– I hope my picks hold up!

  5. Shelver 506 says

    June 25, 2012 at 11:52 pm

    Nice! I'd add "Code Name Verity" to the tearjerkers and "The Book Thief" to the real literature, but I know the list wasn't meant to be all-inclusive.

    • Kate Hart says

      June 26, 2012 at 6:19 pm

      Ooh, CNV is on my TBR list for sure, and The Book Thief is literally in my backpack for a trip I'm about to take.

So You Want To Read YA?: Guest Post by Laura Arnold

April 2, 2012 |

Written by: Kelly on April 2, 2012.
 
This week’s “So You Want to Read YA?” comes from one of my friends from college who has made a name for herself in the book world, Laura Arnold. 
                                                                                                       Laura Arnold is a senior editor at Razorbill, an imprint of Penguin Young Readers Group. She lives in Brooklyn, NY.                                                                                                             
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I was chatting with my YA editor colleagues about the task of writing this blog post, and the more we tossed around titles, the more we became panicked. So many good books! Where do you start? Where do you even think of starting? So I decided to look at a few distinct categories…and my choices flowed quickly from there.

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Start with the beginning: When I think of the origin of “young adult literature,” my brain jumps instinctively to The Outsiders by S.E. Hinton (1967) and I Am the Cheese by Robert Cormier (1977). To suggest that these novels and these alone are the beginning of YA is an entirely unscholarly remark, of course (also, sacrilegious in that I’ve omitted Judy Blume). Yet, read today, each of these stories crackles with the same pent-up energy with which they electrified readers decades ago.

 

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Start with the bestsellers: First it was Twilight. Then it was The Hunger Games. Right now I think it might be John Green’s The Fault in Our Stars. I can’t get on the subway without witnessing an adult absorbed in one of these YA smash hits. These books aren’t bestsellers just because of their marketing campaigns. Their success speaks to one element above all: passionate word of mouth.



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Start with the perennials: Two titles spring to mind for me here as books that will never stop being talked about: Thirteen Reasons Why, by Jay Asher, and The Book Thief, by Markus Zusak. Conceptually they’re quite different, though both seemingly dark. Thirteen Reasons Why is about teen suicide, The Book Thief about the Holocaust. Yet each is powerful, unforgettable and, ultimately, life-affirming.
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Or start with the fun: Maybe you just want to kick off your shoes and curl up with something ridiculously enjoyable. What’s your poison? Werewolves? Try Shiver or Nightshade. Angels? Allow me to plug Immortal City (which, full disclosure, I edited). Fantasy? How about Graceling? Doctor Who fan? You’ll love Across the Universe. Rom-com? Float up into the more thoughtful world of Sarah Dessen.
The point is, YA has something for everyone, young adult or not. There’s a rich trove waiting to be discovered. Dig in, and enjoy!

Filed Under: Guest Post, So you want to read ya, Uncategorized

Comments

  1. Care says

    April 2, 2012 at 10:53 am

    Hi, can I ask a stupid question? you have The Book Thief listed and you suggest "start witht the perrenials". Can you define this for me? What do you mean by a book is a perrenial? i only know whatit means for flowers! Thanks.

  2. admin says

    April 2, 2012 at 11:58 am

    It means the same thing as it does with flowers — it's a book that's going to be around for a long time.

  3. Janssen says

    April 3, 2012 at 1:31 am

    I love this series and I love this post!

  4. Anonymous says

    April 4, 2012 at 12:26 pm

    For adults who don't read YA or children's books, I always start with the bestsellers: The Hunger Games or Harry Potter. They generally seem more willing to read widely-publicized titles so that they can understand the buzz and be "in the know," especially with hyped movie releases. Also, I feel like THG and HP appeal to both sexes.

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