Apparently I have a thing for graphic novels featuring plucky heroines who fight monsters and other scary creatures. Curiously, all five of these, including Scarlett Hart, are written and illustrated by men. Is it the archetype of the “strong female character” – meaning physical strength and a lot of fighting rather than force of personality or conviction – that so appeals to male creators? It also appeals to me, and certainly did so when I was a kid too. And I’m sure there are graphic novels featuring this kind of girl created by women too, I just haven’t read enough of them. (This is a longer discussion for a different post.)

Scarlett Hart is tons of fun. It’s set in an alternative Victorian England that’s been overrun by actual monsters: mummies, ghosts, killer dogs, and more. Scarlett’s parents, wealthy aristocrats, were the best of the monster hunters, but they were killed during a fight while Scarlett was a little kid, leaving her an orphan. Scarlett is a bit older now, but not old enough to legally fight monsters. That doesn’t stop her, of course – she just has her faithful butler/sidekick, Napoleon White, take the credit. Scarlett and Napoleon have a nemesis in Count Stankovic, who steals their monsters and constantly tries to turn Scarlett in for underage monster hunting. When they discover the Count is involved in a conspiracy to – well, if I told you, that would be spoiling things – they know they must stop him.

The book doesn’t break new ground in terms of the adventure comic, but it retreads existing tropes well. It’s funny throughout: Scarlett has a lot of inventive and innocuous “curse” words that will make young readers giggle, and sometimes Scarlett and Napoleon are just comically bad at monster hunting, which they acknowledge by repeating the phrase “we stink” at well-timed parts of the story. Scarlett uses Napoleon’s beloved car, which he’s named Dorothy, to travel around to find monsters, and Napoleon’s fear that Dorothy will be irreversibly harmed in the course of the hunt is a recurring theme (you can imagine how well a car survives a fight against a twenty foot tall monster). The monsters themselves are creatively depicted, and Scarlett has a number of contraptions to fight them that echo those of Bruce Wayne or James Bond.

Thomas Taylor created the cover art for the original UK edition of Harry Potter and the Philosopher’s  Stone, and his art is well-suited to the graphic novel format here (it differs slightly in style from the image in the link). Scarlett is characterized by large, expressive eyes and a red braid that always flips out to the side. The determination on her face contrasts humorously with Napoleon’s facial expressions, which usually communicate “This is a very bad idea but I suppose we’re doing it anyway.” Taylor’s monsters are delightfully detailed, toeing the line between silly and scary. Colors are bold with an emphasis on reds, lending a gothic/steampunk atmosphere to the story.

This is the first Marcus Sedgwick book I’ve actually finished. After trying a few, I’ve learned his prose novels just aren’t my speed. But I appreciated his weirdness here, and he certainly knows how to tell a fun, fast-paced story. He wraps up the main storyline in this volume while leaving plenty of stories to tell in subsequent ones, which I hope we’ll get. This is a good pick for older middle grade readers who like their comics a little spooky but don’t want to be truly terrified.