Over on Book Riot this week……
- An A to Z guide to the parts of a book.
- A giant roundup of children’s book illustrators who sell their art on Etsy and Society6.
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Over on Book Riot this week……
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Remember a couple of years ago there was a trend for book cover design where the title repeated itself over and over? If I were a big GIF user, I’d insert the one from Twin Peaks saying “It’s happening again.” Because in 2021, the repeating title trend carries on after a small break for 2020.
Obviously, not every 2021 book cover has yet to be shared, so chances are we may see more leaning into this trend. I’ve included adult and YA book titles that have crossed my screen — if you can think of other 2021 repeating titles, I’d love to hear about them in the comments. Descriptions come from Goodreads.
Elite white women have branded feminism, promising an apolitical individual empowerment along with sexual liberation and satisfaction, LGBTQ inclusion, and racial solidarity. As Rafia Zakaria expertly argues, those promises have been proven empty and white feminists have leant on their racial privilege and sense of cultural superiority. Drawing on her own experiences as an American Muslim woman, as well as an attorney working on behalf of immigrant women, Zakaria champions a reconstruction of feminism that forges true solidarity by bringing Black and brown voices and goals to the fore.
Ranging from the savior complex of British feminist imperialists to the condescension of the white feminist–led “development industrial complex” and the conflation of sexual liberation as the “sum total of empowerment,” Zakaria presents an eye-opening indictment of how whiteness has contributed to a feminist movement that solely serves the interests of upper middle-class white women.
They’re not the most popular freshmen at their Florida prep school, but at least everyone knows their name(s). The Brittanys.
Brittany Rosenberg: drives her golf cart around her subdivision to meet boys.
Brittany Gottlieb: insists you can’t lose your virginity if you haven’t gotten your period. (She heard it somewhere!)
Brittany Tomassi: is from New York.
Brittany Jensen: once threw her tampon into a stranger’s swimming pool. A brash, bold, unapologetic tomboy. And the greatest person in the whole wide world.
At least as far as the fifth Brittany–our narrator–is concerned. Even within their friend group, she and Jensen are a duo: with their matching JanSport backpacks, Tiffany chokers, and Victoria’s Secret push-up bras, they are unstoppable. And now that they’re finally growing up, they’re going to do everything: dye their hair, attend no-parent parties, try pot . . . maybe even lose their virginities. 2004 is totally going to be their year!
Except Jensen’s interests may be diverging from her friends’. And within our narrator’s own family–in the lives of her exhausted mother and beloved, genius older brother–life-changing events may be taking shape. Events that only years later, looking back, she has the perspective to see.
In her powerful new book, critically acclaimed author Melissa Febos examines the narratives women are told about what it means to be female and what it takes to free oneself from them.
When her body began to change at eleven years old, Febos understood immediately that her meaning to other people had changed with it. By her teens, she defined herself based on these perceptions and by the romantic relationships she threw herself into headlong. Over time, Febos increasingly questioned the stories she’d been told about herself and the habits and defenses she’d developed over years of trying to meet others’ expectations. The values she and so many other women had learned in girlhood did not prioritize their personal safety, happiness, or freedom, and she set out to reframe those values and beliefs.
Blending investigative reporting, memoir, and scholarship, Febos charts how she and others like her have reimagined relationships and made room for the anger, grief, power, and pleasure women have long been taught to deny.
Written with Febos’ characteristic precision, lyricism, and insight, Girlhood is a philosophical treatise, an anthem for women, and a searing study of the transitions into and away from girlhood, toward a chosen self.
Interrupting the Soria family’s Christmas Eve feast, childish teenager Emily requires the hospital emergency room for an apparent attack of appendicitis. But a blunt nurse explains the truth: Emily is giving birth. The seventeen-year-old has tricked her mind and body into believing she isn’t pregnant, when—in a rare but not unheard-of occurrence—the baby is full term and already being born.
A life-affirming, feel-good story of love, family and the special way Christmas can inspire, Making Hearts introduces a character readers will strongly care about and root for. Noelle wins the hearts of all with her loving enthusiasm for life, her wit, and by personally defeating the villain’s lowdown scheme in an astonishing climax readers will never forget.
For seventeen-year-old Denver, music is everything. Writing, performing, and her ultimate goal: escaping her very small, very white hometown.
So Denver is more than ready on the day she and her best friends Dali and Shak sing their way into the orbit of the biggest R&B star in the world, Sean “Mercury” Ellis. Merc gives them everything: parties, perks, wild nights — plus hours and hours in the recording studio. Even the painful sacrifices and the lies the girls have to tell are all worth it.
Until they’re not.
Denver begins to realize that she’s trapped in Merc’s world, struggling to hold on to her own voice. As the dream turns into a nightmare, she must make a choice: lose her big break, or get broken.
Inspired by true events, Muted is a fearless exploration of the dark side of the music industry, the business of exploitation, how a girl’s dreams can be used against her — and what it takes to fight back.
Raised in sleepy English suburbia, Georgina Lawton was no stranger to homogeneity. Her parents were white; her friends were white; there was no reason for her to think she was any different. But over time her brown skin and dark, kinky hair frequently made her a target of prejudice. In Georgina’s insistently color-blind household, with no acknowledgement of her difference or access to black culture, she lacked the coordinates to make sense of who she was.
It was only after her father’s death that Georgina began to unravel the truth about her parentage—and the racial identity that she had been denied. She fled from England and the turmoil of her home-life to live in black communities around the globe—the US, the UK, Nicaragua, Cuba, the Dominican Republic, South Africa, and Morocco—and to explore her identity and what it meant to live in and navigate the world as a black woman. She spoke with psychologists, sociologists, experts in genetic testing, and other individuals whose experiences of racial identity have been fraught or questioned in the hopes of understanding how, exactly, we identify ourselves.
Raceless is an exploration of a fundamental question: what constitutes our sense of self? Drawing on her personal experiences and the stories of others, Lawton grapples with difficult questions about love, shame, grief, and prejudice, and reveals the nuanced and emotional journey of forming one’s identity.
Throughout her life, Elissa Washuta has been surrounded by cheap facsimiles of Native spiritual tools and occult trends, “starter witch kits” of sage, rose quartz, and tarot cards packaged together in paper and plastic. Following a decade of abuse, addiction, PTSD, and heavy-duty drug treatment for a misdiagnosis of bipolar disorder, she felt drawn to the real spirits and powers her dispossessed and discarded ancestors knew, while she undertook necessary work to find love and meaning. In this collection of intertwined essays, she writes about land, heartbreak, and colonization, about life without the escape hatch of intoxication, and about how she became a powerful witch. She interlaces stories from her forebears with cultural artifacts from her own life—Twin Peaks, the Oregon Trail II video game, a Claymation Satan, a YouTube video of Stevie Nicks and Lindsey Buckingham—to explore questions of cultural inheritance and the particular danger, as a Native woman, of relaxing into romantic love under colonial rule.
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Over on Book Riot this week…
There’s also a brand-new episode of Hey YA, wherein Hannah and I talk about books set in short time frames, as well as YA books about the apocalypse. Tune in!
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Things may feel pretty much the same in 2021 as they did in 2020, but one thing is for sure: we can get excited about new books. January 2021 debut YA novels are here and there are so many great reads among them.
This round-up includes debut novels, where “debut” is in its purest definition. These are first-time books by first-time authors. I’m not including books by authors who are using or have used a pseudonym in the past or those who have written in other categories (adult, middle grade, etc.) in the past. Authors who have self-published are not included here either.
All descriptions are from Goodreads, unless otherwise noted. If I’m missing any debuts that came out in these last two months from traditional publishers — and I should clarify that indie/small presses are okay — let me know in the comments.
As always, not all noted titles included here are necessarily endorsements for those titles. List is arranged alphabetically by title and publication month. Starred titles are the beginning of a new series.
Ella’s life was picture perfect. She had a circle of close friends, a jam-packed social life, and an amazing boyfriend. But then something completely unexpected happened: a car accident after a Valentine’s Day dance. When Ella woke up in the hospital, she couldn’t remember the accident . . . or anything about the weeks before it, including the reason she broke up with her boyfriend.
Now, a year later, she begins receiving paper hearts from a mysterious admirer who seems to have the answers she craves. Ella is intrigued. The hearts contain clues to help Ella remember her life before . . . and take her on a journey she never imagined. Following the paper hearts is the most spontaneous thing Ella has ever done . . . but will she find love?
Adraa is the royal heir of Belwar, a talented witch on the cusp of taking her royal ceremony test, and a girl who just wants to prove her worth to her people.
Jatin is the royal heir to Naupure, a competitive wizard who’s mastered all nine colors of magic, and a boy anxious to return home for the first time since he was a child.
Together, their arranged marriage will unite two of Wickery’s most powerful kingdoms. But after years of rivalry from afar, Adraa and Jatin only agree on one thing: their reunion will be anything but sweet.
Only, destiny has other plans and with the criminal underbelly of Belwar suddenly making a move for control, their paths cross…and neither realizes who the other is, adopting separate secret identities instead.
Between dodging deathly spells and keeping their true selves hidden, the pair must learn to put their trust in the other if either is to uncover the real threat. Now Wickery’s fate is in the hands of rivals..? Fiancées..? Partners..? Whatever they are, it’s complicated and bound for greatness or destruction.
A novel-in-verse about a young girl coming-of-age and stepping out of the shadow of her former best friend. Perfect for readers of Elizabeth Acevedo and Nikki Grimes.
She looks me hard in my eyes
& my knees lock into tree trunks
My eyes don’t dance like my heartbeat racing
They stare straight back hot daggers.
I remember things will never be the same.
I remember things.
With gritty and heartbreaking honesty, Mahogany L. Browne delivers a novel-in-verse about broken promises, fast rumors, and when growing up means growing apart from your best friend.
Charity is a fairy godmother. She doesn’t wear a poofy dress or go around waving a wand, but she does make sure the deepest desires of the student population at Jack London High School come true. And she knows what they want even better than they do because she can glimpse their perfect futures.
But when Charity fulfills a glimpse that gets Vibha crowned homecoming queen, it ends in disaster. Suddenly, every wish Charity has ever granted is called into question. Has she really been helping people? Where do these glimpses come from, anyway? What if she’s not getting the whole picture?
Making this existential crisis way worse is Noah—the adorkable and (in Charity’s opinion) diabolical ex of one of her past clients—who blames her for sabotaging his prom plans and claims her interventions are doing more harm than good. He demands that she stop granting wishes and help him get his girl back. At first, Charity has no choice but to play along. But soon, Noah becomes an unexpected ally in getting to the bottom of the glimpses. Before long, Charity dares to call him her friend…and even starts to wish he were something more. But can the fairy godmother ever get the happily ever after?
Sixteen-year-old Tessa Johnson has never felt like the protagonist in her own life. She’s rarely seen herself reflected in the pages of the romance novels she loves. The only place she’s a true leading lady is in her own writing—in the swoony love stories she shares only with Caroline, her best friend and #1 devoted reader.
When Tessa is accepted into the creative writing program of a prestigious art school, she’s excited to finally let her stories shine. But when she goes to her first workshop, the words are just…gone. Fortunately, Caroline has a solution: Tessa just needs to find some inspiration in a real-life love story of her own. And she’s ready with a list of romance novel-inspired steps to a happily ever after. Nico, the brooding artist who looks like he walked out of one of Tessa’s stories, is cast as the perfect Prince Charming.
But as Tessa checks off each item off Caroline’s list, she gets further and further away from herself. She risks losing everything she cares about—including the surprising bond she develops with sweet Sam, who lives across the street. She’s well on her way to having her own real-life love story, but is it the one she wants, after all?
To All the Boys I’ve Loved Before meets Save the Date in this sweet and hijinks-filled rom-com about a teen girl who will do whatever it takes to find a date for her sister’s wedding.
Mia’s friends love rom-coms. Mia hates them. They’re silly, contrived, and not at all realistic. Besides, there are more important things to worry about—like how to handle living with her bridezilla sister, Sam, who’s never appreciated Mia, and surviving junior year juggling every school club offered and acing all of her classes.
So when Mia is tasked with finding a date to her sister’s wedding, her options are practically nonexistent.
Mia’s friends, however, have an idea. It’s a little crazy, a little out there, and a lot inspired by the movies they love that Mia begrudgingly watches too.
Mia just needs a meet-cute.
When Catherine Ellers returns home after her first semester at college, she is seeking refuge from a night she can barely piece together, dreads remembering, and refuses to talk about. She tries to get back to normal, but just days later the murder of someone close to her tears away any illusion of safety.
Catherine feels driven to face both violent events head on in hopes of finding the perpetrators and bringing them to justice with the help of her childhood friend, Henry. Then a stranger from college arrives with her lost coat, missing driver’s license–and details to help fill in the gaps in her memory that could be the key to solving both mysteries. But who is Andrew Worthington and why is he offering to help her? And what other dangerous obsessions is her sleepy town hiding?
Surrounded by secrets and lies, Catherine must unravel the truth–before this wolf in sheep’s clothing strikes again.
Seventeen-year-old Evie Beckham has never been interested in dating. She’s been fully occupied by her love of mathematics and her frequent battles with anxiety (and besides, she’s always found the idea of kissing to be a little bit icky). But with the help of her best friend and her therapist, Evie’s feeling braver. Maybe even brave enough to enter a prestigious physics competition and to say yes to the new boy who’s been flirting with her.
Caleb Covic knows Evie isn’t ready for romance but assumes that when she is, she will choose him. So Caleb is horrified when he is forced to witness Evie’s meet cute with a floppy-haired, mathematically gifted transfer student. Because Caleb knows the girl never falls for the funny best friend when there’s a mysterious stranger around, he decides to use an online forum to capture Evie’s interest. Now, he’s got Evie wondering if it’s possible to fall in love with a boy she’s never met.
Told in the alternating voices of Evie and Caleb, THE QUANTUM WEIRDNESS OF THE ALMOST KISS is a YA romantic comedy, sure to satisfy fans of Jenny Han, Rainbow Rowell and Stephanie Perkins.
The South Asian Province is split in two. Uplanders lead luxurious lives inside a climate-controlled biodome, dependent on technology and gene therapy to keep them healthy and youthful forever. Outside, the poor and forgotten scrape by with discarded black-market robotics, a society of poverty-stricken cyborgs struggling to survive in slums threatened by rising sea levels, unbreathable air, and deadly superbugs.
Ashiva works for the Red Hand, an underground network of revolutionaries fighting the government, which is run by a merciless computer algorithm that dictates every citizen’s fate. She’s a smuggler with the best robotic arm and cybernetic enhancements the slums can offer, and her cargo includes the most vulnerable of the city’s abandoned children.
When Ashiva crosses paths with the brilliant hacker Riz-Ali, a privileged Uplander who finds himself embroiled in the Red Hand’s dangerous activities, they uncover a horrifying conspiracy that the government will do anything to bury. From armed guardians kidnapping children to massive robots flattening the slums, to a pandemic that threatens to sweep through the city like wildfire, Ashiva and Riz-Ali will have to put aside their differences in order to fight the system and save the communities they love from destruction.
When you look like us—brown skin, brown eyes, black braids or fades—people think you’re trouble. No one looks twice at a missing black girl from the projects because she must’ve brought whatever happened to her upon herself. I, Jay Murphy, can admit that, for a minute, I thought my sister, Nicole, got too caught up with her boyfriend—a drug dealer—and his friends.
But she’s been gone too long now.
If I hadn’t hung up on her that night, she’d be spending time with our grandma. If I was a better brother, she’d be finishing senior year instead of being another name on a missing persons list. It’s time to step up and do what the Newport News police department won’t.
Nic, I’m bringing you home.
Sixteen-year-old Sabine Braxton doesn’t have much in common with her identical twin, Blythe. When their father dies from an unexpected illness, each copes with the loss in her own way—Sabine by “poeting” (an uncontrollable quirk of bursting into poetry at inappropriate moments) and Blythe by obsessing over getting into MIT, their father’s alma mater. Neither can offer each other much support . . . at least not until their emotionally detached mother moves them into a ramshackle Bay Area mansion owned by a stranger named Charlie.
Soon, the sisters unite in a mission to figure out who Charlie is and why he seems to know everything about them. They quickly make a life-changing discovery: their father died of an HIV- related infection, Charlie was his lover, and their mother knows the whole story. The revelation unravels Sabine’s world, while practical Blythe seems to take everything in stride. Once again at odds with her sister, Sabine chooses to learn all she can about the father she never knew. Ultimately, she must decide if she can embrace his last wish for their family legacy—along with forgiveness.
“Make a way out of no way” is just the way of life for Rue. But when her mother is shot dead on her doorstep, life for her and her younger sister changes forever. Rue’s taken from her neighborhood by the father she never knew, forced to leave her little sister behind, and whisked away to Ghizon—a hidden island of magic wielders.
Rue is the only half-god, half-human there, where leaders protect their magical powers at all costs and thrive on human suffering. Miserable and desperate to see her sister on the anniversary of their mother’s death, Rue breaks Ghizon’s sacred Do Not Leave Law and returns to Houston, only to discover that Black kids are being forced into crime and violence. And her sister, Tasha, is in danger of falling sway to the very forces that claimed their mother’s life.
Worse still, evidence mounts that the evil plaguing East Row is the same one that lurks in Ghizon—an evil that will stop at nothing until it has stolen everything from her and everyone she loves. Rue must embrace her true identity and wield the full magnitude of her ancestors’ power to save her neighborhood before the gods burn it to the ground.
Things can change in a second:
The second Frankie Green gets that scholarship letter, he has his ticket out of Jamaica.
The second his longtime crush, Leah, asks him on a date, he’s in trouble.
The second his father gets shot, suddenly nothing else matters.
And the second Frankie joins his uncle’s gang in exchange for paying for his father’s medical bills, there’s no going back…or is there?
As Frankie does things he never thought he’d be capable of, he’s forced to confront the truth of the family and future he was born into—and the ones he wants to build for himself.
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Over on Book Riot this week…