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STACKED

books

  • STACKED
  • About Us
  • Categories
    • Audiobooks
    • Book Lists
      • Debut YA Novels
      • Get Genrefied
      • On The Radar
    • Cover Designs
      • Cover Doubles
      • Cover Redesigns
      • Cover Trends
    • Feminism
      • Feminism For The Real World Anthology
      • Size Acceptance
    • In The Library
      • Challenges & Censorship
      • Collection Development
      • Discussion and Resource Guides
      • Readers Advisory
    • Professional Development
      • Book Awards
      • Conferences
    • The Publishing World
      • Data & Stats
    • Reading Life and Habits
    • Romance
    • Young Adult
  • Reviews + Features
    • About The Girls Series
    • Author Interviews
    • Contemporary YA Series
      • Contemporary Week 2012
      • Contemporary Week 2013
      • Contemporary Week 2014
    • Guest Posts
    • Link Round-Ups
      • Book Riot
    • Readers Advisory Week
    • Reviews
      • Adult
      • Audiobooks
      • Graphic Novels
      • Non-Fiction
      • Picture Books
      • YA Fiction
    • So You Want to Read YA Series
  • Review Policy

This Week at Book Riot

August 7, 2015 |

Over on Book Riot this week (…and last week, as I totally forgot to round them up):

  • For 3 On a YA Theme, I talked about rock stars and the rock star life in YA fiction, as well as YA books set in space. For some reason, despite my current obsession with Pluto, two of the three space books are about the moon. 
  • I talked about a handful of books that help me reignite my creativity when I’m feeling like I’m in a lull. 
Here’s a look at how the Some Girls Are book donation drive is going so far.  I’m…blown away. If you want to help get this book into the hands of the West Ashley High School students, here are all of the details. 
I had to have my post office box mail forward to my home address, too, since making the trip every day to carry home boxes and envelopes was getting tricky. That’s a pretty great thing. 
Thanks to everyone who generously reached out to help. We’re doing right by these kids, and they’re going to know they have people who care deeply about them in their very own community. 

Filed Under: book riot, Uncategorized

Committing to Diversity When You’re White: A Primer

August 6, 2015 |

I used to read pretty white. And honestly, despite paying a lot of attention to what I’m reading, I still read a lot of white people. My goal is roughly 1/3 of my books being written by people of color this year, and though I think I am on target — half of the books I read in July were by authors of color — I know 1/3 is still a small target.

Making a commitment to diversity as a white person is hard, but it’s essential. For people like me who are gatekeepers in some capacity, it’s vital to be aware of the entirety of the world around you, not just your immediate space.

 

stackedbooks.org (1)

 

Intersectionality is essential. I’m privileged, and I have no problem saying as much. I’m white, able bodied, cis gendered, and present heterosexual. I fall on the lower end of middle class, but I can pay all my bills and afford the small things I want in life without worrying how dinner will get on the table. While I’ve got mental illness to contend with, I’m able to afford medical care and treatment to make them manageable. The biggest roadblock for me anywhere is that I’m female and that I’m fat (a social disadvantage that yes, indeed, has ramifications, but it’s not insurmountable). I take it as my responsibility, then, with this level of privilege to make sure I shut up and listen to those dealing with any disadvantages I don’t have. Black women are faced with racism and sexism, and if they’re queer, that’s a third intersection of disadvantage they contend with. It’s not feminism or being an ally to only consider one of those aspects as societal disadvantage. The challenges are amplified through those intersections.

I’m not an expert by any means, and there are plenty of people who have written about this, but because race and consciousness of race have been on my mind lately, I thought it would be worthwhile to write a quick and dirty primer to better committing to a mindset that thinks about, embraces, and promotes diverse voices, creators, and writing. Many of these ideas can be applied across topics, too; that is, if you want to be a better reader or ally to the LGBTQIA community, many of these should be applicable, as well.

1. Set Reading Challenges

I’m 100% conscious of who and what I am reading. At first, this was tough. I was used to picking up whatever I wanted, whenever I wanted. But when I became conscious of who I was reading, things began to change. It wasn’t that I had to sit and research the background of the author of any book I considered reading. Rather, as I began reading more diversely, I naturally gravitated toward more diverse reading.

At some point, this clicks.

One easy way to better diversify your reading is to set a challenge for yourself. My goal is 1/3 of my books being written by people of color. It might sound daunting to do the math here, but it’s not: that’s one out of every three books. And when you start noticing that every third book you read is written by an author of color, you begin to just pick up books by authors of color when you’re doing your book shopping or borrowing from the library.

This is, of course, challenging when you’re faced with the realities of a world where authors of color aren’t as prominent or advertised or marketed the way white (especially male) authors are. In those cases, go to those authors of color you know and read through their backlist. Jacqueline Woodson, for example, has a marvelous backlist. Same with Walter Dean Myers.

Likewise, really pay attention to debut authors. When debut groups begin popping up for each new year in YA, I look through the author lists and pay special attention to those who identify as authors of color. I give those books priority because I know how many challenges are already present, on top of being a debut.

Here is the thing with this, though: you can’t pride yourself on being open and aware of who you’re reading. It cannot be your selling point and it certainly doesn’t make you an expert when you’re white. Rather, you need to do this because you need to do this. I read diversely because it’s my responsibility to do so; setting up parameters is how I keep myself in check. No one is holding me accountable here except myself, and I’m not going to ever expect another person to pat me on the back nor congratulate me for doing what I am responsible for doing.

2. Diversify the voices in your every day life

If you’re on social media, look at who it is you’re following. Do all of the people look the same? Sound the same?

Are they all white?

I follow a broad spectrum of people in my social media life. I don’t keep the same people on all social media accounts, either — I follow some people in one place, some in another, and yet more in other places. This makes sense for me and how I work with and within social media.

I don’t interact with all of the people I follow, in part because my responsibility as a white person in most cases is to shut up and listen. With racial tensions high in this country, I want to know what it is people who aren’t white have to say about it. I want to listen, rather than talk, because I have been granted so much permission to talk throughout my life. The history I learned in school — while progressive, especially in college — still was written from the perspective of white people doing the right things for and by the minds of white people. Black history was a subset of a history class once in a while, or it was an elective you could take. I remember zero classes on Latino/a history, Japanese history, Indian history, or the role of Native Americans through the course of American history. Women’s history lessons were very white, as well, even when relegated to elective, once-in-a-while when-we-have-time sessions.

I’ve heard enough of that. It’s my responsibility as an adult to educate myself, and in doing so, I sit back and listen. If I have a question from something that a person of color says, then it’s also my responsibility to do research about it.

No one is responsible for my education but me.

What’s amazing is that when you begin listening to more diverse voices through the course of your every day life, the more you also gravitate towards reading more diversely because you want to and need to better educate yourself.

3. Amplify diverse voices and perspectives

Something I am conscious of, and I know that Kimberly here is, too, is that when we write a book list or create a genre guide, we do our research before reinventing the wheel. There are so many people writing incredible blog posts and creating great resources for readers that we’d be dumb not to take advantage of that work and share it with our readers. I try to do the same thing on Book Riot, especially when I write about diverse issues.

One of the most annoying things for me to see is when a white person, especially someone with a large platform, misses an opportunity to amplify diverse voices when being asked for recommendations for reading. Is it that hard to find a person of color who has written a killer book list on diverse urban fantasy? Nope. Is it hard to find a person of color who has developed a list of comics creators of color? Nope. What about lists of diverse YA books created by authors of color? Also nope.

The reason this matters is because no matter what you’re doing, you’re probably not the first to do it. And more, it was probably — and continues to be done — by someone of color first. Don’t shout over them. Instead, give their voices the opportunity to be heard before sharing yours.

The more resources that other people have at their finger tips, the more exposure artists and authors of color are able to get that they might not otherwise get. It’s simple. Blog readers don’t read everything on the internet, so for bloggers especially, taking the ten minutes to do research before diving into a post can be hugely beneficial to those voices that you take the time to link to. They are given new audiences, and then those new readers have a new go-to resource to help better educate themselves, to help hear more diverse voices, and in turn, read more diversely.

4. Put your money where your mouth is

I do not buy books by white men.

I read them, absolutely, but I make a point to only check them out from the library, rather than plunk down $20 or $30 for one of their books.

Instead, when I go out to buy books, I make sure I am only buying the work of people of color or women. This is because that $20 or $30 makes a much larger difference to their career than it does to the career of a white man, already benefitting from a system where he’s a winner.

And here’s the best part: I have yet to be disappointed in this shopping experience. It forces me to look harder, to browse more deeply, and to pick up books that may otherwise fall outside my comfort zone.

We all know, or at least should know, that what’s available in the chain bookstores is hardly representative of what’s actually being published. The most diverse section in the YA area is, without much question, the non-fiction area — which is also the most undermarketed, under seen, section of the store.

So sometimes, what putting your money where your mouth is means walking out of a bookstore without buying a book and instead, going home, doing some research, and buying the book online. I keep a running list of titles that catch my attention; when I can’t find something in store, I’ll pick up one of those titles online later.

Like the other tips on this list, this particular one makes a huge impact. It might not seem like buying one book by an author of color matters, but that’s one sale not otherwise had, and it’s a book that then gets put into your reading rotation, which then becomes a book you talk about, which then amplifies a voice which otherwise might not be heard, which then encourages more people to pick up the book.

It does matter.

5. Be prepared to be wrong — and be okay with that

The biggest, most important, and yet hardest commitment to make when you choose to be a better ally is that you’re going to be wrong and you’re going to be called out for it. It absolutely hurts. But being told you’ve misstepped in something you’ve said or shared or that you could do better is absolutely nothing in comparison to being told your life is wrong or has less value than a white person’s.

A few years ago, an author of color contacted me privately about a review I wrote that hurt her. I didn’t say anything offensive, but I conflated discrimination against fat people with racism. Both are types of discrimination, but she noted in conflating the two, I didn’t take into account the long-standing history of racism.

And you know, she was right.

That was not my intention in the review, but when I went back with her concerns in my mind, I 100% saw what she saw, and I realized it mattered to do right. I apologized profusely, I listened to her criticism, and then I committed to do better. She in no way owed me the head’s up, and she in no way owed me a kind private email about it. But she did those things.

I’m often wrong on a lot of things. But I am comfortable enough with that. I’d rather try and screw up than not try at all. This has made me many enemies over the course of my life, but I believe in my convictions strongly enough that I know those who choose to walk away weren’t really there with me from the beginning anyway.

6. Read non-fiction, essays, and other personal works by people of color

This is a bit repetitive of numbers 1 through 3, but it’s important enough to pull out on its own. We’re in an amazing age of communication and sharing, especially when it comes to long form essays and personal anecdotes on the internet.

The number of people of color who are given platforms remains small, especially compared to white people and white men especially, but those voices? Listen to them. Read them. Share them. Engage with them thoughtfully and purposefully. Sometimes the best course of action is to share them and offer none of your own insight or reaction out loud. Rather, the important take aways are the internal ones that you and you alone wrestle with.

If you don’t know where to start — and this can be hard because knowing where to begin is intimidating when you’ve never purposefully set out to change your reading and thinking habits as an adult — some suggestions include The New Jim Crow by Michelle Alexander, Between the World and Me by Ta-Nehisi Coats, Citizen by Claudia Rankine, and Bad Feminist by Roxane Gay. Once you read one of these books, finding more isn’t difficult and it becomes almost imperative. Because these are the stories we don’t hear on a daily basis, and they’re stories and insights we simply do not get in our white media.

Once you read more non-fiction, once you dedicate yourself to listening to these personal stories online and off, and once you begin investing time and money into diverse reading, you will change your life and you will change your approach to interacting with different people in your life. Writers don’t share their stories or perspectives just for fun. They do it because it is important and because if they don’t, no one will do it for them.

When you open yourself up to the possibility you are wrong, that you’re biased, or that you could do better, you will do better.

Likewise, when you open yourself up to those possibilities, you better believe the stories people of color tell you, you better believe their life experiences, and you’re better able to be an ally to them, rather than an ally for them.

Because here’s the thing: I am only responsible for the truths in my life, and the truths in my life are that I’m pretty privileged. And it’s by being privileged I could choose to ignore the truths of other people’s lives. But I can’t.

I believe everyone’s truth matters, and I want to better understand those truths.

Looking for more ways you can be a better advocate for diverse voices and stories? Here’s a round-up of other people talking about actionable and mental steps you can take. These are not posts on why, because there’s no reason to even ask the question. They’re posts on the how:

 

  • Angie talks about the role libraries and librarians play in diversity, how they can be advocates for diverse books, and how readers can work with their local libraries to raise awareness.

 

  • Justina Ireland shares non-negotiable random thoughts on diversity. Also, her recent post on why you’re not really colorblind is required reading.
  • Leonicka’s #DiverseCanLit chats are all Storifyed and organized by topic. These are must-reads.

 

  • Malinda Lo’s look at perceptions of diversity in professional reviews should be required reading for anyone considering reviewing books, either professionally or as an amateur. I think about this series of posts every time I read a book that’s not about a white girl/boy.
  • On Book Riot, the “Diversity FAQ” series covers a lot of the whys and hows of diversity.

 

  • Aarti talks about reading diversely AND authentically — a series of really worthwhile comments about how reading a single experience doesn’t tell a whole story.

 

  • I pulled together a list of bloggers, Book Tubers, and Tumblr book fans who are people of color.

 

  • Edi Campbell has built a tremendous collection of diversity resources, ranging from publishers who focus on diverse titles to professional associations for librarians with a diverse focus, and more.

 

  • Rebekah Weatherspoon talks about taking actual action behind the talk of reading and being more open to diversity.
  • Read and share the books on this beautiful and thoughtful inclusive summer reading list.

Filed Under: big issues, diversity, Professional Development, Uncategorized

The Warrior, the Lover, and the Cultist: Three Brief Reviews

August 5, 2015 |

With the increased flexibility at my new job, I’ve had a lot more free time in the afternoons, which means I’ve been reading a lot more. In fact, over the past week, I’ve finished six whole books, which is quite a lot for me (and I’m well on my way to finishing the seventh, which would average a book a day). Aside from dedicating my newfound afternoon time to reading, I’ve also deliberately been eclectic in what I pick up. Two of those books have been romances, two of them graphic novels (one a memoir and one fiction), and two of them YA (a cult story and a thriller).




The Divine by Asaf Hanuka, Tomer Hanuka, and Boaz Lavie
The art in this – done by twins Asaf and Tomer Hanuka – is gorgeous, with really rich colors. The story it helps tell, though, isn’t well-crafted. It aims to be a sort of mish-mash of modern war story and ancient magic, but it comes off as kind of half-baked. It’s ostensibly about child soldiers in Thailand (the story takes place in a fictional Asian country called Quanlom), but I only knew that because of the creators’ afterword, which is a good deal more resonant than their story. The protagonist is kind of dull, his best friend is a caricature, and the central conflict about two twin Quanlom kids committing acts of violence for their country (helped along by some magical powers) never gels into anything meaningful. I wish I liked this one better; it’s a fine purchase for adult collections (for the art especially), but a bit of a letdown overall.

The Earl’s Mistress by Liz Carlyle
I read a lot of historical romance, and I enjoy pretty equally books that are on the tame side as well as those that are rather spicy. This one is definitely on the spicy side. It may be the spiciest historical romance I’ve yet read, which is saying something. Isabella Aldridge goes to interview for the position of governess with the Earl of Hepplewood, and he turns her down, but offers her a different role instead, which you can guess by the title of the book. He’s kind of skeezy in the beginning, and the book gives off a bit of a Fifty Shades vibe, though the earl isn’t really tortured like Christian is supposed to be. He gets better later in the story, and this isn’t the only historical romance guilty of making its hero a little too unlikeable at the beginning. The developing affection between the two leads is done well, though. The narration by Carolyn Morris is good and the book was enjoyable enough despite its flaws – I checked out a few others by Carlyle on its merits.

The Sacred Lies of Minnow Bly by Stephanie Oakes
Kelly reviewed this one not too long ago, which made me want to read it myself. So now you have two people (at least) telling you that it’s absolutely worth a read. I normally shy away from stories set primarily in prison, but this one wasn’t all about fights and how awful prison life is (which just makes me feel sad). It was a very personal story about Minnow and how she comes to terms with what happened with the cult and what she did to land herself in the detention center (refreshingly, she actually did do what she was convicted of doing, which we learn straight off). Minnow emerges at the end of the story a much stronger person with a stronger voice and a better understanding of what she wants from her life. What really made this story stand out for me, though, was the writing. I read a lot of YA books with fairly straightforward writing styles, good for much of the fast-paced action-oriented stories I enjoy. It was nice to read a book by an author who clearly enjoys playing with language – and is good at it – for a change.

Books received from the publisher, except for the Carlyle, which I borrowed from the library.

Filed Under: audio review, Graphic Novels, Reviews, Romance, Uncategorized, Young Adult

Fuzzy Mud by Louis Sachar

August 4, 2015 |

I received Louis Sachar’s latest middle grade, Fuzzy Mud, in the mail a couple weeks ago and deliberately read it before I looked up any professional reviews. It’s a given I would purchase it for my library, but I wanted to make up my mind as to its quality without other librarians telling me about it first. This is unusual for me since I normally read (or at least skim) a copious amount of reviews for every book I read before I dive in. But I’m glad I went into this one pretty blind. (In case you’d like to know now, it’s gotten positive reviews from all major trade journals, with a starred review from Booklist.)

My verdict: It’s good, but it’s not great. It’s going to be compared to Holes; of course it is. In comparison to that nearly perfect middle grade book, Fuzzy Mud is not quite as deftly plotted, its characters not as rich. It feels a little thin. Taken separately from Holes, it’s still a worthwhile read with a great middle grade voice, but even then, I wouldn’t call it a great book. It is a very good one, though.

Tamaya Dhilwaddi is in the 5th grade, and her mother forces her to walk to and from school with 7th-grader Marshall Walsh. They’re supposed to avoid the woods, but one day Marshall shoots right for it, telling Tamaya angrily that he knows a shortcut. Unbeknownst to her, Marshall is being bullied by Chad, another 7th grader, who has threatened to beat him up on his way home that day. Marshall hopes to avoid the bully, and he doesn’t particularly want to explain it to Tamaya, who rushes to keep up with him.

It turns out there’s a good reason to avoid the woods. Tamaya stumbles across something she can only call “fuzzy mud,” because that’s exactly what it looks like. And Chad finds them anyway. In their rush to escape the bully, Tamaya throws some of the fuzzy mud into Chad’s face. They go home and try to forget the incident – except Tamaya now has a strange rash that won’t go away.

As Tamaya’s rash worsens, the school notices that Chad hasn’t been seen in a while. Tamaya is stricken, knowing that while she just got some of the fuzzy mud on her hands, Chad got it in his face. Marshall won’t tell anyone that Chad is in the woods, but Tamaya knows she has to go see if he’s still there, if he’s still alive. By now, the school is on lockdown, but Tamaya manages to get away. This time, Marshall follows her.

The story is told from Tamaya’s and Marshall’s alternating points of view, though Tamaya’s is a bit more memorable. Interspersed are transcripts from a national hearing about the fuzzy mud, which takes place sometime after the other events of the book and show how catastrophically things escalated. There are also some ominous mathematical equations whose sums demonstrate the same thing in a different way. Both plot devices are well-used and very Louis Sachar.

Just what exactly the fuzzy mud is unravels over the course of this pretty short (under 200 pages) book. It’s a cool and somewhat unsettling concept having to do with clean energy and more broadly environmentalism and scarcity of resources – plus some animals rights issues, possibly, and the science of mutation. These are absolutely concepts kids can get, and placing them in the context of bullying and an adventure in the woods makes them digestible and interesting. The book has a dash of Wayside School since an understanding of exponents is essential to the story. It’s a slightly weird book (and a funny one), perhaps not as weird as Holes, but it has the same sort of flavor. It’s definitely a Sachar book, with writing that speaks well to a middle graders. He just knows how to write for this audience.

Where I felt a little let down was the overall thinness of the story. Middle grade books definitely don’t have to be (and most shouldn’t be) doorstoppers, but 192 pages feels not quite long enough to tell this story adequately. There are a lot of big ideas presented very quickly, particularly in the sections with the hearing/debriefing of the fuzzy mud incident. And because these sections split up the adventure in the woods at several points, Tamaya and Marshall’s story feels a bit scant, too. I felt that the bullying subplot with Chad was a little underdeveloped as well – its resolution felt too pat and a bit touchy-feely, with Chad’s about-face coming easily and quickly.

These weaknesses aside, this is a unique, fun, and interesting book for kids from a writer who excels at writing middle grade. There will be high demand and the concept should make it an easy sell.

Review copy received from the publisher. Fuzzy Mud publishes today.

Filed Under: middle grade, Reviews, Science Fiction, Uncategorized

On The Radar: 10 Books for August

August 3, 2015 |

One of the most popular posts I do over at Book Riot is the round-up of upcoming YA fiction titles, and one of the most popular questions I seem to get on Twitter and in my inboxes is “what should I be looking out for in YA?” For a lot of readers, especially those who work with teens either in classrooms or in libraries, knowing what’s coming out ahead of time is valuable to get those books into readers’ hands before they even ask.

Each month, I’ll call out between 8 and 12 books coming out that should be on your radar. These include books by high-demand, well-known authors, as well as some up-and-coming and debut authors. They’ll be across a variety of genres, including diverse titles and writers. Not all of the books will be ones that Kimberly or I have read, nor will all of them be titles that we’re going to read and review. Rather, these are books that readers will be looking for and that have popped up regularly on social media, in advertising, in book mail, and so forth. It’s part science and part arbitrary and a way to keep the answer to “what should I know about for this month?” quick, easy, and under $300 (doable for smaller library budgets especially).

For August, here are 10 titles to have on your radar. All descriptions are from WorldCat, and I’ve noted why it should be included. 
A History of Glitter and Blood by Hannah Moskowitz: Beckan, an immortal teenage fairy, and Tier, a young activist, are on opposite sides of a war, but strike up an unlikely friendship anyway.
Why: I have read nothing but positive reviews of this title, and Moskowitz continues to emerge in the YA world as an author to watch. This is her second release this year, and it’s in a completely different genre than Not Otherwise Specifed. 
The Accident Season by Moira Fowley-Doyle: Every October Cara and her family become mysteriously and dangerously accident-prone, but this year, the year Cara, her ex-stepbrother, and her best friend are 17, is when Cara will begin to unravel the accident season’s dark origins. 
Why: This one has had a ton of publicity and press, and it sounds like a fun, different supernatural tale. 

Bright Lights, Dark Nights by Stephen Emond: Walter Wilcox’s first love, Naomi, happens to be African American, so when Walter’s policeman father is caught in a racial profiling scandal, the teens’ bond and mutual love of the Foo Fighters may not be enough to keep them together through the pressures they face at school, at home, and online.
Why: I read this one, and while it’s imperfect, it’s timely and should evoke some great discussion. The romance here is well-drawn and through the perspective of Walter, which makes it stand out in the current YA world. This is also a hybrid novel with illustrations, so it has tremendous appeal. 
Court of Fives by Kate Elliott: When a scheming lord tears Jess’s family apart, she must rely on her unlikely friendship with Kal, a high-ranking Patron boy, and her skill at Fives, an intricate, multi-level athletic competition that offers a chance for glory, to protect her Commoner mother and mixed-race sisters and save her father’s reputation.
Why: I’ve read nothing but great reviews of this one, and it’s had some good publicity. Elliott is no novice in the SFF world, but this is her first foray into YA. 
Slasher Girls & Monster Boys edited by April Genevieve Tucholke: Inspired by classic tales and films, a collection of fourteen short stories ranging from bloody horror, to psychological thrillers, to supernatural creatures, to unsettling, all-too-possible realism, by acclaimed YA authors of every genre.
Why: Again, really positive reviews of this one have piqued my own curiosity, as well as a stellar lineup of writers with short horror stories. There’s always room for more horror in YA, and in this instance, a collection of short stories is a unique way to offer it. With the names included, an awesome opportunity for new readers to discover the longer works by authors’ stories they enjoy, too.
Legacy of Kings by Eleanor Herman: Katerina, on a mission to kill the queen, falls in love with Alexander, Prince of Macedonia. Jacob will go to unthinkable lengths to win Katerina, even if it means having to compete with Hephaestion, a murderer sheltered by the prince. And far across the sea, Zofia, a Persian princess and Alexander’s unmet betrothed, wants to alter her destiny by seeking the famed and deadly Spirit Eaters.
Why: Aside from the big push this one has gotten from the publisher, adults might be familiar with the author, who has written the adult non-fiction titles Sex With Kings and Sex With The Queen. She knows her stuff, and I suspect it’ll be interesting to see her take that knowledge and apply it into a YA novel. 
The Dead Girls of Hysteria Hall by Kate Alender: Sixteen-year-old Cordelia and her family move into the house they just inherited in Pennsylvania, a former insane asylum the locals call Hysteria Hall–unfortunately the house does not want defiant girls like Delia, so it kills her, and as she wanders the house, meeting the other ghosts and learning the dark secrets of the Hall, she realizes that she has to find a way to save her sister, parents, and perhaps herself.
Why: Again, this is a solid horror novel, and Alender has sort of carved a niche for herself here, too. She’s an excellent writer of suspense and tension, and this particular novel features a smart main character who knows how horror works, so there’s an extra layer of tension added therein. It plays with the tropes horror readers love in unexpected ways.
Reawakened by Colleen Houck: A visit to an Egyptian exhibit brings teen Lilliana Young face to face with a recently awakened mummy-turned-handsome-sun-god as she gets caught up in an adventure with more twists and turns than the Nile itself
Why: Houck has written a series before that did quite well, and this is the first entry into a new one. A mythology-based fantasy sounds fun and different. 

After The Red Rain by Barry Lyga, Peter Facinelli, and Robert DeFranco: Set in a future world of environmental collapse and mass poverty, where a mysterious boy named Rose discovers he possesses inhuman powers that can irrevocably change the lives of everyone on the planet.
Why: While the description really doesn’t make this one sound particularly unique, look at the names on this book. They’re huge and this collaborative effort has seen some good reviews. 
Most Likely To Succeed by Jennifer Echols: Sawyer and Kaye fall in love despite hating each other.
Why: Weak description from WorldCat, but Echols continues to produce well-written romance-driven YA novels, and this entire series has been solid. Bonus: look at that black girl on the cover, right in the center. 

Filed Under: on the radar, Uncategorized, Young Adult, young adult fiction

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