One of our readers — more than one, actually — requested we blog about contemporary YA from Australia, since we’re becoming more aware of it as it makes its way to the US. We’re familiar, of course, with Melina Marchetta (The Piper’s Son and Jellicoe Road), but there are plenty of other Aussies making a splash on this side of the world. Simmone Howell, one such author, is here to talk about what is in the water down under. . . and introduce us to some killer Australian contemporary YA.
In the event you see an Australian book you’re interested in and can’t get it here or don’t want to wait to get it, you can always try searching Fishpond World for a title. Shipping is free (though some have said they’ve ordered and not received items in the past).
Simmone Howell is the author of Notes from the Teenage Underground, Everything Beautiful and Girl Defective. In her youth she did indeed sink tinnies and chuck punches but now she is more highly evolved and does it through her characters. She lives with her family in Melbourne and likes coffee and Wes Anderson movies. Find her at simmonehowell.com and @postteen on Twitter. Girl Defective will be out with Simon & Schuster Antheneum in fall 2014.
“What’s in the water?” a little think on Australian YA contemporary Fiction
It is a fine and flattering question I get asked sometimes by US writers and readers regarding Australian young adult fiction (ozya). (The Brits rarely ask it, I think because, we’re still part of the Commonwealth, and it would not be done to admire blossoms sprung from convict soil.) What’s in the water? I looked it up. Lots of stuff — Hydrogen and Oxygen and Flouride.
Australians are self-effacing creatures, inept humble-braggers. Most of the YA authors I know worry that they might be a little bit crap. Australia is not a country for claiming success. It is wrong to think highly of yourself and anyone who does so in public must arm themselves for the storm of abuse! Traditionally, Australian characters fall into these categories: Good Blokes, Lovable Larrikins and Bonza Sheilas.
Our leading men cannot be confident and hunky – there should be issues, a certain attractive inarticulateness. The blurb to Marcus Zuzak’s The Messenger said something like: ‘Ed is in hopeless love with Audrey.’ – and that seems to me to be an eminently Australian condition – in any endeavour there should be the likelihood of failure.
Our leading ladies are emphatically not manic-pixie dreamgirls. Ideally, they should be able to knock back a tinnie, chuck a punch, save their best friend from getting date-raped, get the boy in the end but decide he’s not worth it. They’re multi-taskers and they refuse to be concerned with thigh gap.
http://diannetouchell.blogspot.com.au/
http://www.readings.com.au/news/the-way-we-work-kim-kane-and-marion-roberts
Obviously there are more. Ozya is chock-full of writers to admire and learn from, and most of them are lovely people. I love to see our books travel – I come over all jingoistic. I was in San Francisco a few weeks ago and saw Cath Crowley’s Graffiti Moon at Green Apple books and I felt quietly thrilled. I’m very excited that my own novel Girl Defective will be published next fall (so long to wait!) and I hope to come over again to lurk in bookstores. Lost and alienated, flawed and funny, my favourite Australian characters are all these things. They fuck up but it’s okay. Go find them!
Kat C @ Books and Sensibility says
I read about 3 Australian contemps this year and I really liked them all ! My favorites have to be between I am Messenger and Graffiti Moon. I'm glad to see more of these in the US.