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STACKED

books

  • STACKED
  • About Us
  • Categories
    • Audiobooks
    • Book Lists
      • Debut YA Novels
      • Get Genrefied
      • On The Radar
    • Cover Designs
      • Cover Doubles
      • Cover Redesigns
      • Cover Trends
    • Feminism
      • Feminism For The Real World Anthology
      • Size Acceptance
    • In The Library
      • Challenges & Censorship
      • Collection Development
      • Discussion and Resource Guides
      • Readers Advisory
    • Professional Development
      • Book Awards
      • Conferences
    • The Publishing World
      • Data & Stats
    • Reading Life and Habits
    • Romance
    • Young Adult
  • Reviews + Features
    • About The Girls Series
    • Author Interviews
    • Contemporary YA Series
      • Contemporary Week 2012
      • Contemporary Week 2013
      • Contemporary Week 2014
    • Guest Posts
    • Link Round-Ups
      • Book Riot
    • Readers Advisory Week
    • Reviews
      • Adult
      • Audiobooks
      • Graphic Novels
      • Non-Fiction
      • Picture Books
      • YA Fiction
    • So You Want to Read YA Series
  • Review Policy

A Few Cybils Reads – Part X

December 23, 2014 |

Cybils season is almost over. I really enjoyed participating in Round 1 this year, and I hope you’ve enjoyed reading about a few of the nominated titles each week. As it does every year, the Cybils force me to read books I never would have read otherwise, and I’ve been pleasantly surprised by many of them. That said, it’s going to be really nice to kick off 2015 reading books that I’ve been so eager to dive into but have neglected due to Cybils duties (The Winner’s Crime, I’m looking at you).

Here’s my last roundup of Cybils titles for the year.

Monstrous Affections: An Anthology of Beastly Tales edited by Kelly Link and Gavin J. Grant
I generally don’t read short story collections. They’re usually uneven, with some stories that are fantastic, some that are awful, and most that fall somewhere in between. Monstrous Affections is no different, though I’m glad I got a chance to read the standouts.

Out of the fifteen stories in the anthology, I really dug two of them: Ten Rules for Being an Intergalactic Smuggler (the Successful Kind) by Holly Black and Wings in the Morning by Sarah Rees Brennan. Black’s story is set in outer space and has a sort of Firefly feel, but it’s a touch darker and uses the second person perspective in a clever way to great effect. Plus it has aliens! Brennan’s story is set in a world populated with humans, harpies, elves, and other magical creatures who must keep their border safe from invaders. It opens with our protagonist’s mother telling him he’s half-harpy because she has needs when his father is away and she hooked up with a harpy once because she’s rather adventurous and well wouldn’t you know, the harpy is his biological father and not the human man who raised him. It’s done in such a funny way, I was hooked immediately – there’s so much character and voice in the story. The bulk of the story is a romance between the main character and his best (male) friend/enemy, but there’s also some interesting stuff with the elf culture, whose gender roles are the opposite of humans’ traditional roles. I would definitely read a novel-length book about these characters and their world.

Honorable mentions go to Patrick Ness and Joshua Lewis, whose stories I liked but didn’t love. Also of note is the Introduction, which may be my third favorite “story.” It includes a fun, funny little quiz that sets a great tone for the collection. The book itself is beautiful, slightly oversize with a unique cover and designed with ample white space. It would sit very pretty on your shelf.

The Strange and Beautiful Sorrows of Ava Lavender by Leslye Walton
Sixteen year old Ava narrates this book, telling first the story of her grandmother, then her mother, focusing mainly on the way love has destroyed their lives. This family has always been foolish when it comes to love, and Ava – a girl born with wings – is perhaps no different. The events of the story, beginning with Ava’s grandmother and her doomed siblings, all lead up to a terrible tragedy hinted at by Ava’s brother in cryptic language that becomes clear much too late.

This is a beautifully-written book, using magical realism in a way that makes you hurt. It’s also a tremendous downer. It’s certainly unique and ambitious – it tells a three-generation story in about 300 pages, and it feels fully developed. I think it’s successful in what it tried to do, but it also gave off a very strong adult feeling to me rather than YA. Perhaps that’s because the teenage narrator never felt like the main character – she has an omniscient POV and narrates in a somewhat detached way. It’s her mother, whom we see as a child, then a young woman, then a middle-aged woman, who feels like the most central character. She’s also the one who seems to grow the most. The Goodreads description is a little misleading since Ava herself (as a character, not a narrator) doesn’t enter the picture until pretty late in the book. This is a Candlewick book, which doesn’t surprise me in the least.

Death Sworn by Leah Cypess
Ileni was a magical prodigy, brought to a magic school that promised to sharpen her talents. Key word: was. She’s been losing her magic steadily, trying to hide it from her teachers. Ileni supposes they’ve suspected this, because she’s sent to be the new magic tutor for a group of assassins with whom the magicians have an uneasy alliance. The last two magic tutors died mysteriously, and Ileni figures they were probably murdered. Though Ileni figures her assignment is a death sentence, she’s determined to survive as long as she can, and hopefully figure out what happened to her predecessors.

This is a high fantasy novel with a very strong sense of place. The assassins live in a set of caves, giving the book a claustrophobic feel and enhancing Ileni’s sense of being trapped. It also features a complicated backstory, with shifting alliances, exiled magicians, assassins who may be rebels, and lots of political maneuvering – off the page and on it. What is said is not always what is meant. Ileni must learn to listen for subtext; her life depends on it. She also must learn to defend herself without the aid of her magic, and hide the fact that her magic is disappearing as long as she can. As a reader, I felt Ileni’s persistent danger keenly, and I appreciated that Ileni showed fear and didn’t always know how best to protect herself. There’s a minor romance here, but the real highlight is the plot, whose pieces fall together so neatly and brilliantly at the end. I’m a sucker for a well-plotted book, and this one fits the bill. This is a great read for fans of high fantasy – it’s got magic, kingdoms, royalty, war, and all the other good stuff we love so much.

Filed Under: cybils, Fantasy, magical realism, review, Reviews, short stories, Uncategorized, Young Adult

2015 YA Book Cover Trends: Part II

December 18, 2014 |

On Monday, I highlighted some of the trends showing up in the 2015 YA book covers that have popped up so far. Because there are so many, I had to break them up across two posts. Thus today, welcome to part two.

This round-up of trends features some that are obvious and some which are simply interesting or fun coincidences that emerged when looking at tons and tons of covers. All links will take you to the Goodreads page for the book, so you can read the description and add it to your to-be-read list. When you click through, see if you’re as keen on the most popular comparison title of the year as I am (spoiler, it’s We Were Liars — so many YA books are being compared to it this coming year).

If you know of other 2015 covers that fit any of these trends, feel free to let me know in the comments. If there’s another trend popping up I’ve missed or not talked about here or in Monday’s piece, I’d love to hear about those, too.

Turn Your Back On The Reader


This isn’t a new trend, but it caught my attention this year after looking at so many covers. It’s mostly females, but not without a male or two or three, and it’s when the model on the cover has their back to the reader. It’s a way to avoid putting a face on a book cover. Note how much long hair there is on the girls, too.

After the Red Rain by Barry Lyga, Peter Facinelli, and Robert DeFranco

All Fall Down by Ally Carter

The Bargaining by Carly Anne West

Better Than Perfect by Melissa Kantor

The Boys of Fire and Ash by Meaghan McIsaac

A Cold Legacy by Megan Shepherd

Deceptive by Emily Lloyd-Jones

The Distance Between Lost and Found by Kathryn Holmes

The Eternity Key by Bree Despain

Etherworld by Claudia Gabel and Cheryl Klam

The Heart of Betrayal by Mary E. Pearson

I Am Her Revenge by Meredith Moore

I Was Here by Gayle Forman

Infected by Sophie Littlefield

Inherit Midnight by Kate Kae Myers

The Leveller by Julia Durango

A Matter of Heart by Amy Fellner Dominy

The Nightmare Charade by Mindee Arnett

Polaris by Mindee Arnett

Positively Beautiful by Wendy Mills

The Remedy by Suzanne Young

Rogue Wave by Jennifer Donnelly

Scripted by Maya Rock

The Shadow Cabinet by Maureen Johnson

Skyscraping by Cordelia Jensen

Sophomore Year is Greek to Me by Meredith Zeitlin

A Book of Spirits and Thieves by Morgan Rhodes

The Heir by Kiera Cass

Unmade by Amy Rose Capetta

Until the Beginning by Amy Plum

Between Us and the Moon by Rebecca Maizel

When Reason Breaks by Cindy L. Rodriguez

Carnivals


Who doesn’t enjoy a good carnival scene, complete with a ferris wheel, on their book cover?



Our Brothers at the Bottom of the Sea by Jonathan Kranz

Undertow by Michael Buckley

Butterflies


We’ve seen birds and planes, so it almost makes sense there’s also quite a few butterflies showing up on covers in 2015. I prefer to this to the insects that were showing up in past years.

The Darkest Part of the Forest by Holly Black

Dream A Little Dream by Kerstin Gier

Note that both of these feature the Blue Morphos. Are they coming back?

Hold Me Like A Breath by Tiffany Schmidt

The Stars Never Rise by Rachel Vincent

Illustrated Covers


This trend won’t be going away any time soon. I’m still not sure it’s one I love, though many of these are pretty great. The challenge is that after a while, they sort of blend into each other, even when they’re all original designs.

7 Days by Eve Ainsworth

The Improbable Theory of Ana & Zak by Brian Katcher

The Art of Being Normal by Lisa Williamson

Between the Notes by Sharon Huss Roat

Breakout by Kevin Emerson

Conviction by Kelly Loy Gilbert

Eden West by Pete Hautman

The Game of Love and Death by Martha Brockenbrough

Hold Tight, Don’t Let Go by Laura Rose Wagner

If You Were Me by Sam Hepburn

Invincible by Amy Reed

The Kidney Hypothetical by Lisa Yee

Everybody Knows Your Name by Andrea Seigel and Brent Bradshaw

Little Bit by Alex Wheatle

Lois Lane: Fallout by Gwenda Bond

Love, Fortunes, and Other Disasters by Kimberly Karalius

Made You Up by Francesca Zappia

Mosquitoland by David Arnold



My Best Everything by Sarah Tomp

The Nightmare Charade by Mindee Arnett

Pretending to be Erica by Michelle Painchaud

The Prom Goer’s Guide to Interstellar Excursion by Chris McCoy

Silver in the Blood by Jessica Day George — Not sure why I can only find a draft cover, but it’s gorgeous and I hope that’s what they go with for a final look.

The Rise and Fall of a Theater Geek by Seth Rudetsky

The Truth Commission by Susan Juby

Valiant by Sarah McGuire

Vanished by E. E. Cooper

Simon vs. The Homo Sapiens Agenda by Becky Albertalli

Eyes


We’ll get to see some more big eyes this year. Oh, and I’m putting in one that’s a little harder to pull out but they’re there. Watching you.

5 to 1 by Holly Bodger

City 1 by Gregg Rosenblum

Reawakened by Colleen Houck

Salt & Stone by Victoria Scott

Skandal by Lindsay Smith

Purple, with Spools of Thread


This is just a two cover coincidence, but strange that they’re purple covers with spools of thread on them. I think Fig‘s cover might be my favorite so far of 2015, though I don’t think it’s a YA book cover at all. It feels more like it’s either middle grade or adult (and to be fair, I think Valiant may be a middle grade book, not YA).

Valiant by Sarah McGuire

Fig by Sarah Elizabeth Schantz

Fractured Pieces


Or maybe in some cases, it’s more like a collage than fractured pieces. These all kind of have an Instagram-y feel to them, too.

99 Days by Kate Contugno

The Conspiracy of Us by Maggie Hall

Duplicity by N. K. Traver

Making Pretty by Corey Ann Haydu

Tracers by J. J. Howard

I


Hearts. Are. Everywhere. Not only are there a ton of hearts on the covers as part of the image, but there is more than one book where the heart image is used in place of the word “heart” in the title.

Alive by Chandler Baker

The Improbable Theory of Ana and Zak by Brian Katcher

Apple and Rain by Sarah Crossan

Bright Lights, Dark Nights by Stephen Emond

Emmy and Oliver by Robin Benway

Encore to an Empty Room by Kevin Emerson

Flirty Dancing by Jenny McLachlan

From Where I Watch You by Shannon Grogan

Killer Within by S. E. Green

Love, Fortunes, and Other Disasters by Kimberly Karalius

My Heart and Other Black Holes by Jasmine Warga

Not After Everything by Michelle Levy

Play On by Michelle Smith

Revenge, Ice Cream, and Other Things Best Served Cold by Katie Finn

Sophomore Year is Greek to Me by Meredith Zeitlin

Things We Know By Heart by Jessi Kirby

We Can Work It Out by Elizabeth Eulberg

What Remains by Helene Dunbar
The Wrong Side of Right by Jenn Marie Thorne

Bows & Arrows


While there are still a lot of daggers on YA covers — a trend I noted last year — I thought the look of the bow and arrow being on covers was more eye-catching this year.

Arrows by Melissa Gorzelanczyk

The Glass Arrow by Kristen Simmons

Ignite by Sara B. Larson

The Storyspinner by Becky Wallace

Gold Objects


The reason that the bow and arrow covers caught my eye was because I’d initially seen a lot of golden objects appearing on cover images. So why don’t we look at the gold objects? There’s nothing connecting the objects but their color and how they stand out on the cover because of it.

Ignite by Sara B. Larson

Mark of the Thief by Jennifer A. Nielsen

Miss Mayhem by Rachel Hawkins — Another cover that’s on my short list of favorites for 2015.

Woven by Michael Jensen and David Powers King

Into the Woods


Since I’ve looked at plenty of objects on covers, how about settings on covers? I haven’t read these to know, but I have a feeling that the woods here aren’t going to be a great place to be heading.

Andreo’s Race by Pam Withers

The Bargaining by Carly Anne West

The Distance Between Lost and Found by Kathryn Holmes

The Eternity Key by Bree Despain

The Revelation of Louisa May by Michaela MacColl

Renegade by Kerry Wilkinson

Strange Skies by Kristi Helvig

Unspeakable by Abbie Rushton –Add this to my favorite covers short list, too, and it reminds me quite a bit of Amy Reed’s gorgeous cover for Invincible.

What Waits in the Woods by Kieran Scott

Girls Behind Words


Another way to obscure the face of a cover model is to put her behind the text for the book’s title.

Damage Done by Amanda Panitch

Dead to Me by Mary McCoy

The Notorious Pagan Jones by Nina Berry — I hope this is a mistake about being YA because, while it’s fitting with the time frame of the story, that cover model is older than me, which is older than a teenger.

The Wrath and the Dawn by Renee Ahdieh

Four Teens, Just Hanging Around


I’m not sure what’s special about the number four, but I have noticed more covers with multiple people on them seem to have groups of four. Even better if they’re in groups of four and in the distance and shadow-y.

The Cost of All Things by Maggie Lehrman

Get Dirty by Gretchen McNeil

The Night We Said Yes by Lauren Gibaldi

Promposal by Rhonda Helms

A Bright, Fully-Saturated Color Palate


To wrap up this post, let’s look at the color trend for 2015: bright, bold, saturated colors. These are covers that are standing out because they’re using so many colors on them.

All We Have Is Now by Lisa Schroeder

The Brilliant Light of Amber Sunrise by Matthew Crow

Between the Notes by Sharon Huss Roat

Black Dove, White Raven by Elizabeth Wein

City Love by Susane Colasanti

The Cost of All Things by Maggie Lehrman

Dreamfire by Kit Alloway

Faking Perfect by Rebecca Phillips

Fire Fall by Bethany Frenette

First There Was Forever by Juliana Romano

Lair of Dreams by Libba Bray

One Thing Stolen by Beth Kephart



Parallel Triangles by Kimberly Ann Miller

Positively Beautiful by Wendy Mills

Rogue Waves by Jennifer Donnelly

Shadowshaper by Daniel Jose Older

The Start of Me and You by Emery Lord

The Summer After You and Me by Jennifer Salvato Doktorski

Survive the Night by Danielle Vega — Such a neat cover!

Three Day Summer by Sarvenaz Tash

Under a Painted Sky by Stacey Lee

Unspeakable by Abbie Rushton

What You Left Behind by Jessica Verdi

The Wrong Side of Right by Jenn Marie Thorne

You and Me and Him by Kris Dinnison

Filed Under: aesthetics, book covers, cover design, cover designs, Cover Trends, Uncategorized, Young Adult

Reviews, Reviews, Reviews

December 17, 2014 |

I spend a good amount of time on Goodreads. I’ve built up a solid group of friends whose reviews I see first beneath a book, and they generally give me a good idea of whether that book is worth my time.

But sometimes I venture lower, to the reviews from people I don’t know. Sometimes when I’m feeling particularly masochistic, I’ll view only the one star reviews for a book I loved. But usually, it’s out of simple curiosity. I want different perspectives. I want to know what good things people see in a book I thought was terrible. I want to be reminded that a book I love isn’t for everyone, and I want to see why. Most of these reviews actually have good points and help to broaden my own perspective. 

Inevitably, though, I’ll read a review that will irritate me. And I don’t mean the one star reviews of books I loved. I can get over that. I mean the ones that get the facts wrong, or dismiss a book because its characters are unlikeable. You know the kind. Lately, three specific things have jumped out at me, three things that I wish people would stop doing when they write their reviews.

1. “TSTL”

In case you’re unaware, “tstl” means “too stupid to live” and is used in reference to characters whose actions seem, well, stupid. It’s all well and good to call out a stupid action that stems not from character, but from the need to further the plot, but this “tstl” designation is not relegated to those instances. It’s used to describe protagonists – overwhelmingly girls – who do things the reader, personally, would not have done, things that have negative consequences.

There are so many problems with this. Firstly, you as the reader are not the character. We place a lot of importance on characters being “relatable” to us, perhaps too much. But the author’s job is not to create a character that would act the same way you would in a particular situation. Her actions don’t have to be relatable. In fact, they should be strange to us sometimes, because humans are strange and don’t act sensibly. They don’t act in the ways we would all the time. That’s why we have conflict, and conflict is why we have stories.

Secondly, teenagers do stupid things. I’m a smart person and I did tons of stupid shit as a teenager. Be honest: so did you. Heck, a lot of them were probably over someone you had a crush on. You probably still do stupid things as an adult. A character behaving in a way that is stupid does not make a book bad, nor does it make that character inherently stupid. It just means the book is about a human being.

2. “Selfish” characters

In multiple reviews of Mary E. Pearson’s The Kiss of Deception, Lia is called out for being selfish. She’s the princess of a kingdom and her parents are about to marry her off to a prince from another kingdom whom she has never met. She decides she’d rather not, and she runs away. 

Let’s just set aside the fact that teens (and grown ups) often do things that are selfish, just like they often do things that are stupid. There is a larger problem at work here, and it’s one I see as very gendered. In a lot of our social discourse, women and girls are expected to sacrifice for others, and the lack of sacrifice is framed as selfishness. Women who choose not to have children or who uproot their families for a lucrative job are often called selfish. Girls who turn down a date with a “nice” guy they’re not attracted to are often called selfish. Women and girls who want to choose the way they live their lives are called selfish over and over again.

It shouldn’t have come as a surprise to me that Lia – one of my favorite fictional characters this year – was subjected to this as well, but it did. I read so many fantasy novels when I myself was a teenager that featured girls escaping unwanted arranged marriages. There wasn’t even a question in my mind of the girl’s selfishness or selflessness. Why would she marry someone she didn’t love? Of course she’d want to escape! I was so floored reading these reviews from all these readers who apparently expected Lia to marry someone she had never met, sleep with him, have babies, and so on, to facilitate a political treaty. She’s selfish because she doesn’t want her entire life, literally her entire existence, to be one giant sacrifice? Because she dares to choose her own life? Would you choose this for yourself or your daughter? What are we teaching our kids when we say that Lia’s actions are selfish? That girls should be meek and accept their parents’ directives, even if they know it will make them unhappy? That the only life worth living is the one where all your own wants and desires are subservient to someone else’s?

So no, Lia’s decision to flee this marriage, one that she knows is predicated on a lie (she can’t do what her parents say she can do, remember!) is not selfish. It’s normal. It’s brave. It’s feminist. It’s what draws so many teen girls to fantasy fiction – girls standing up and saying to others, through their words or actions, that their lives belong to them. What’s selfish is the continued demand that girls continually give away pieces of themselves to make others happy. Lia refuses to do this. It’s not easy for her to do. It’s hard. It’s painful. It takes immense courage. But it’s empowering to say “no.” It’s empowering to realize that you can demand the right to your own decisions, especially for teenagers. That you can demand the right to own your life and you don’t have to apologize for it.

3. “I have never read a successful book about _______.”

Fill in the blank with whatever topic you like, and you will probably have a sentence I object to. In this case, it was time travel, but it could easily be shapeshifters or romance or anything else under the sun. There are successful books about every topic. The fact that you haven’t read a successful one is due to one of two factors: 1. You haven’t read very many of them; or 2. You just plain don’t like that topic. I don’t think it’s a huge leap to assume that most of the time, it’s the second reason.

I say this as a huge fan of time travel who didn’t care for this particular book that was being reviewed. I have read lots of successful time travel books. They probably wouldn’t work for someone who doesn’t like paradoxes and plots that can make your head hurt. They probably wouldn’t work for someone who wants their science fiction to be completely plausible, because time travel is inherently implausible. (If time travel existed, wouldn’t we have time travelers in our midst right now?) That’s the fun of it. It’s likely that someone who doesn’t think any time travel books she’s read are successful can’t get past these things, and that’s fine. You don’t have to like books about time travel. That doesn’t mean they’re not successful; it just means they’re not for you.

Are there any other trends in book reviews that bug you (or enrage you)? Let me know in the comments, and please weigh in on the ones I’ve pointed out here. I’d like to know I’m not alone.

Filed Under: feminism, review, Reviews, Uncategorized, Young Adult

A Few Cybils Reads – Part IX (Time Travel Edition)

December 16, 2014 |

Glory O’Brien’s History of the Future by A. S. King
A. S. King’s books are in a class by themselves, both in terms of genre and writing. Set solidly in our own world, they also use fantastical elements in such clever, creative, and meaningful ways. I’m always amazed by the level of craft in each of her novels. Her latest is no different.

Glory and her friend-by-default Ellie find a dead bat, which eventually disintegrates to something resembling ash. They decide to mix the remains with beer and then drink it (as you do). The next day, whenever they meet another person’s eyes, they see glimpses of that person’s past, present, and future – including ancestors and descendants. Glory’s visions show her a terrible near future, one where women are
denied the right to work and the United States splits into two, spawning
a second Civil War. The people participating in these acts, both the
atrocious and the heroic, are often the descendants of the people she
knows, and possibly of herself as well.

A more traditional novel would have focused most of its attention on the mystery of the future, and there’s certainly some of that going on. But it focuses an equal amount of attention on how the future informs Glory’s present – her mother’s suicide, her pseudo-friendship with Ellie, her relationship with her father, her plans for her own future. How do you live your life knowing that these things you see will come to pass? It’s also a staunchly feminist novel, the extremism of the future tempered by the everyday sexism Glory experiences. Teens will easily see how one leads to the other. Because this is a King novel, I’ve only scratched the surface of its depth. There’s a lot going on, and it all fits together to tell the complicated, messy story of Glory’s teenage life. This might be my favorite of King’s books. It has a few killer ending lines that legitimately gave me chills and rank right up there with the last lines of The Book Thief.

The Here and Now by Ann Brashares
This is the most traditional time travel story in this grouping. Prenna comes from a future not far off, one where a disease transmitted by mosquitoes has killed off millions of people. Though they haven’t cured the illness, apparently they have figured out time travel, because Prenna, her mother, and a few others travel back to our own time in order to stop the plague from happening in the first place (it’s tied to climate change).

Here’s where the internal logic of the story loses me, because Prenna and the other time-colonists have a lot of rules to follow, and one of the rules is not to interfere with history. Which is kind of the whole point of them being there – to interfere and create a better future. So um, what is their point, after all? And none of the other characters seem to notice or care about this discrepancy. There’s a somewhat engaging romance with a “time native,” and some nifty plotting with a potential paradox and a couple of other surprise time travelers, but this was a mess overall. There are scads of better time travel novels out there, both better written and better-conceived. Recommended for only the most ardent time travel fans.

Subway Love by Nora Raleigh Baskin
I read this a couple weeks ago and already my memory of it is weak. The book focuses on two different characters – Laura in the 70s and Jonas in the present day. They each have problems within their homes. Laura’s mother has gone full hippie, plus she’s married a man just a few years older than Laura. He hits Laura and Laura’s mom doesn’t do anything about it. Jonas is dealing with his parents’ recent divorce. The two teenagers meet each other on the subway, which is the only place where their two time periods overlap. They fall in love.

Baskin’s writing style has always seemed more middle grade than YA to me. The content of this one is more mature, though, making it hard to recommend for a specific age group. It’s a slim novel, easily absorbed in an afternoon, but its impact is equally fleeting. There’s some interesting stuff about graffiti artists on the subway, which will definitely appeal to kids into street art. Ultimately, the book is a rumination on how some relationships can change us, even if those relationships do not – and cannot – last. I wonder if I would have appreciated it more as a short story.

Filed Under: cybils, review, Reviews, Science Fiction, Uncategorized, Young Adult

2015 YA Book Cover Trends: Part I

December 15, 2014 |

Every year when the end of December is in sight, I like to spend a little time looking through the covers for books coming out in the new year. It’s always interesting to spot trends going on in design. Covers are a big part of the marketing of a book, and this is especially try in YA — trends for book cover design tend to come and go in waves, hoping to capitalize off what looks are doing particularly well.

As interesting to me is seeing what sorts of design trends or micro-trends or similarities are similar to those which have come in years past. For 2015, as seen in the last couple of years, there’s an abundance of birds appearing on covers, either as the main image of the cover or as part of a bigger image. I’ve skipped including a section on font-driven covers or covers where the title takes up more than have the cover real estate because not only has it been a trend for the last two years or so, but it’s so common that pulling them together would take a long, long time.

This is a two-part post, with part two coming on Thursday, as there are a lot of interesting and unique trends and commonalities worth looking at and thinking about. Some covers fall into only one category, while others have found themselves across multiple trend groups.

I’d love to know if you are aware of other covers fitting any of these categories. Because this would otherwise be too long a pair of posts, I’m not including book descriptions, but rather, links to the titles on Goodreads so you can check them out for yourself and, if you want, add them to your to-be-read lists. Hopefully, some of these books will be new ones to get on your radar.

Put a Bird on It


I feel like I’ve made the same Portlandia joke in a few posts, but it still stands. Birds continue to be popular on covers of YA books.

Because You’ll Never Meet Me by Leah Thomas

All The Bright Places by Jennifer Niven

The Conspiracy of Us by Maggie Hall

Dearest by Althea Kontis

Delicate Monsters by Stephanie Kuehn

Fig by Sarah Elizabeth Schantz

Hold Tight, Don’t Let Go by Laura Rose Wagner

If You Were Me by Sam Hepburn

Little Bit by Alex Wheatle

Magonia by Maria Dahvana Headley

Paperweight by Meg Haston

Positively Beautiful by Wendy Mills (I’m not sure why I can only find a draft cover for this)

Save Me by Jenny Elliott

A Sense of the Infinite by Hilary T. Smith

The Summer After You and Me by Jennifer Salvato Doktorski

Tether by Anna Jarzab

The Last Leaves Falling by Sarah Benwell

Things I’ll Never Say edited by Ann Angel

Three Day Summer by Sarvenaz Tash
Tracers by J. J. Howard (Which uses the same stock image seen in this post)

Until the Beginning by Amy Plum

When My Heart Was Wicked by Tricia Stirling

Legs


One body part there’s a lot of in 2015? Legs. Some of them are covered and some of them aren’t. But legs!

All The Rage by Courtney Summers

Jesse’s Girl by Miranda Kenneally

Joyride by Anna Banks

One of the Guys by Lisa Aldin

Seriously Wicked by Tina Connolly

Tracers by J. J. Howard

The Truth About My Success by Dyan Sheldon

Tunnel Vision by Susan Adrian

Wrong About The Guy by Claire LaZebnik

Post-It Notes


I’m fond of using post-its, almost to a fault, and I think they make for a nice look on a book cover.

All The Bright Places by Jennifer Niven

The Last Time We Say Goodbye by Cynthia Hand

The Queen of Bright and Shiny Things by Ann Aguirre

That “Instagram” Look


A number of cover images are being filtered in a very Instagram-style way, not to mention they’re styled either like selfies or the kind of pictures you’d see scrolling through a teen’s Instagram account. I’m pretty sure there are more covers that would fit this Instagram-y trend, but I’m limiting to the obvious ones.

Anything Could Happen by Will Walton

Faking Perfect by Rebecca Phillips

Finding Paris by Joy Preble

First There Was Forever by Juliana Romano

The Law of Loving Others by Kate Axelrod

Like It Never Happened by Emily Adrian

Love is in the Air by A. Destiny and Alex Kahler

Making Pretty by Corey Ann Haydu

Stand Off by Andrew Smith

We All Looked Up by Tommy Wallach

Devils


There may only be 2 of them, but I find this cover commonality amusing and enjoyable. I think the Schreiber cover is especially clever.

Con Academy by Joe Schreiber

Hellhole by Gina Damico

Thorns and Vines


There’s something crawling along the sides or centers of these covers, be they thorns or vines or flowery twigs.

About A Girl by Sarah McCarry

Blood Will Tell by April Henry

A Court of Thorns and Roses by Sarah J. Maas

The Darkest Part of the Forest by Holly Black

The Girl at Midnight by Melissa Grey

The Glass Arrow by Kristen Simmons

Poppy in the Field by Mary Hooper

The Ruby Circle by Richelle Mead

Tear You Apart by Sarah Cross

The Walls Around Us by Nova Ren Suma

Willowgrove by Kathleen Peacock

Light-up Place Signs


I can’t wait for two of these three covers to be continuously confused next year because they’re so similar.

Finding Paris by Joy Preble

I’ll Meet You There by Heather Demetrios

Kissing in America by Margo Rabb

Fingerprints


While there are a couple of noteworthy covers featuring hands, I think the fingerprints on covers is more interesting to look at.

Emmy & Oliver by Robin Benway

If You Were Me by Sam Hepburn

Soulprint by Megan Miranda

Cityscapes


This has been a trend for a while, probably because having a nice cityscape on a cover feels like it’s action-adventure or a good post-apocalyptic/dystopian story.

After the Red Rain by Barry Lyga, Peter FAcinelli, and Robert DeFranco

All Fall Down by Ally Carter

Bright Lights, Dark Nights by Stephen Emond

City 1 by Greg Rosenblum

City Love by Susane Colasanti

The Conspiracy of Us by Maggie Hall

Deceptive by Emily Lloyd-Jones

Feral Pride by Cynthia Leitich Smith (I love that this is the Austin skyline — I’ve never seen that on a book cover before!)

Fire Fall by Bethany Frenette

Firefight by Brandon Sanderson

If You Were Me by Sam Hepburn

Infected by Sophie Littlefield

Invasion by Galaxy Craze

One Stolen Thing by Beth Kephart

Quake by Patrick Carman

Rook by Sharon Cameron

Shadowshaper by Daniel Jose Older

Skyscraping by Cordelia Jensen

The Rise and Fall of a Theater Geek by Seth Rudetsky

Tracers by J. J. Howard (When your cover is made up of a ton of images collaged together, you’re going to fit into a ton of trends)

The Wrong Side of Right by Jenn Marie Thorne

We’re on a Boat


The popular mode of transportation on YA covers in 2015 is the boat.

The boat.

Love, Fortunes, and Other Disasters by Kimberly Karalius

The Nightmare Charade by Mindee Arnett

Tangled Webs by Lee Bross

The Trouble with Destiny by Lauren Morrill

Planes Aren’t Disappearing Though


Maybe it’s just popular to have a mode of transportation on a cover, since it seems as though planes are doing well, too. When you don’t want a bird, why not use a plane?

Black Dove, White Raven by Elizabeth Wein

Breakout by Kevin Emerson

Deceptive by Emily Lloyd-Jones

Promposal by Rhonda Helms

Sophomore Year is Greek to Me by Meredith Zeitlin

Floating Heads on a Blue Background

Let’s end the first post in this two-part series with one of the weirder commonalities. This isn’t a trend, per se, but it caught my eye as I was looking through covers. I can’t wait to see how quickly these two become confused by readers and those who work with readers because they’re both weird and weirdly similar.

Playlist for the Dead by Michelle Falkoff

In A World Just Right by Jen Brooks

Filed Under: aesthetics, book covers, cover design, cover designs, Cover Trends, trends, Uncategorized, Young Adult

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