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books

  • STACKED
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  • Categories
    • Audiobooks
    • Book Lists
      • Debut YA Novels
      • Get Genrefied
      • On The Radar
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      • Cover Doubles
      • Cover Redesigns
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Zenn Scarlett by Christian Schoon

April 12, 2013 |

Zenn Scarlett was such a nice surprise. If it hadn’t been pitched to me, I doubt I would have even noticed it. It’s a futuristic science fiction story (not a dystopia!) about a teenage exo-veterinarian in training named – you guessed it – Zenn Scarlett. She lives in a cloister on Mars, treating a few injured Earth animals, but mostly focusing on the care of alien animals from places all over the known universe. She studies under her exovet uncle; her mother was an exovet who died in an accident many years ago, and her father has been offworld for a while on some potentially shady business.
The exovet cloister sits uneasily among a town of human colonists from Earth. For the most part, these people have nothing to do with the cloister. They’re farmers who work the terraformed land, and the relationship between the town and the cloister is an uneasy one. Mars doesn’t have much contact with Earth anymore, due to some tricky political events, and land on Mars is at a premium. It gets used up quickly, and there are many Mars residents who say the land the cloister occupies should be relinquished to the people, to be used for something “useful” rather than the care of dangerous animals.
It’s in this political climate that Zenn finds herself. Most of the people on Mars don’t regard her, her uncle, or the animals they care for positively. To make matters worse, there have been a series of animal escapes, and since many of the animals can indeed be very dangerous, such escapes make the cloister look bad. Zenn must discover how the animals are escaping (and worry if it’s her own neglect or sabotage), plus contend with the town council, a lot of anti-alien hostility, her tests, and a strange ability she’s recently acquired that enables her to almost commune with the animals she cares for.
Zenn Scarlett has some pretty common debut author problems, mostly with the dialogue. Schoon uses the dialogue for a lot of infodumps. It’s interesting information for sure (I loved learning about how Zenn cares for the animals), but it’s not always presented in the best way. He also tends to overuse the non-word “alright,” which is something I hope will be fixed before final publication.
The plot is good, although the mystery of who is sabotaging the cloister and why isn’t much of one. There aren’t really many viable suspects, and the clues dropped are a bit too obvious. That doesn’t stop the book from being fascinating. World-building is where it shines. The politics of the colony on Mars, how the cloister interacts with the town and its council, how people grow crops and make the planet liveable all seemed believable to me.
The animals are the real highlight, though. I’ll be the first to admit that I am not an animal person (I make exceptions for most dogs). But the animals that Zenn works with at the cloister are so creative and fascinating. How the sentient beings (human and alien) live with, use, and treat the animals is equally fascinating. There’s the whalehound, an animal so huge, humans actually go inside of it via a pod to treat its internal injuries. There’s the sandhog, which burrows underneath farmland and secretes chemicals that make the soil fertile. And there’s the sunkiller, a huge animal which uses a combination of gases in its wings to float and hosts cities of sentient aliens in gondolas underneath it and in buildings on top of it. Schoon also weaves a deep sense of respect throughout the novel for all of his living creatures – those that harm people and those that don’t.
The aliens are interesting, too. My favorite is the eight foot tall insectoid alien named Hamish, who is on a sort of exchange program from his home planet, assisting at the cloister. The snippets we get of his culture are quite interesting, as are his interactions with Zenn. He is very polite, always asking for permission before doing anything and taking it in stride when the non-cloister Martian residents poke or spit at him. Making him such a prominent character seems like a huge risk, because who wants to read about a giant sentient cockroach outside of a horror novel? Apparently, I do.
I’m a review-reader. Reading others’ reviews of a book helps me to collect my own thoughts, allowing me to see where I agree and disagree with people. I was a little amazed to see that many Goodreads reviewers felt this book was unoriginal, and their complaints mainly had to do with the animals. Some readers felt the animals were too mammalian, too Earth-like, not different enough from what we see on our own planet. This critique was strange for me to read, because I felt the animals were quite imaginative. They were the main reason I liked the book so much. No two people read the same book.
The end of the book sets up a sequel that delves more into Zenn’s mother’s death and what her father has been doing offworld. It involves Zenn’s ability to commune with the animals she works with, and it promises to be fascinating. I’m really curious to see where Schoon goes with the next book, particularly since it appears to take us off Mars, perhaps onto completely new planets (with new and interesting aliens and animals).
Zenn Scarlett is a Strange Chemistry release. We’ve talked a little bit about Strange Chemistry (an imprint of Angry Robot) before, and judging by how much I liked this book, I’ll be wanting to check out their other releases. It makes me really excited to discover a new press or imprint that publishes creative, edited material. Though it’s not as polished, I would compare this to Pete Hautman’s Klaatu Diskos trilogy – they’re both SF with some very imaginative and just plain different world-building.
Review copy provided by the publisher. Zenn Scarlett will available April 30.

Filed Under: Reviews, Science Fiction, Uncategorized, Young Adult

Twitterview: Karen Healey + Giveaway of When We Wake

April 9, 2013 |

Karen Healey is the author of the 2010 Morris finalist Guardian of the Dead, the 2011 Cybils finalist The Shattering, and the recently-released When We Wake, which I reviewed here. She joins us for a Twitterview this month, where she discusses her fictional future in When We Wake, writing advice, favorite dystopian reads, and upcoming projects.

We’ve also got a finished copy to give away to one lucky reader, courtesy of Little, Brown.

Pitch When We Wake in 140 characters or fewer.

Girl dies on best day of her life; wakes up 100 years later. Then everything gets worse.

What inspired you to write the book?

I wanted to write a Sleeping Beauty story! A sci-fi version that deals with climate change and politics worked for me.

How would you describe Tegan?

Passionate, persistent, honest, and so stubborn that she’d batter down stone walls with her head.

How would you describe the future world Tegan finds herself in?

Complicated! Much like our own, really – but with new ethical and environmental issues to face.

How realistic do you think that future is?

Well, the general social tolerance is realistic! But as for the worst aspects, I’m really hoping it’s not realistic at all.

The future setting is full of interesting details. What research did you do to determine what 2127 would be like?

I must admit the truth – I’m secretly a time traveller.

Would you volunteer to be cryonically frozen?

Volunteer, yes! Pay for it, never – it’s a terribly expensive process, with very little hope of success.

Tegan is a big Beatles fan, and you thank them in your acknowledgments. What’s your favorite Beatles song?

I rather like “Revolution”, “Here Comes The Sun” and “Blackbird”.

The end of the book seems purposely open-ended. Is there more to Tegan’s story waiting to be told, or do you feel it’s complete now?

There’s a sequel on its way! While We Run should come out next year. But Tegan won’t be telling that story – Abdi will.

When We Wake comes amid a YA dystopia craze. What do you think sets it apart from other books with a similar concept?

It’s actually a pre-dystopia! The world hasn’t collapsed yet – but it’s certainly on its way.

What are your three favorite dystopian reads?
I love Winter of Fire by Sherryl Jordan, Taronga by Victor Kelleher, and George Orwell’s 1984.

[Kimberly’s note: I loved Winter of Fire too, and am so glad I am reminded of it now. I highly recommend it, if you can find a copy.]

What was the most fun part of writing the book?

Definitely all the free running research! I got to sit there and watch these parkour vids and be super impressed.

Your first book, Guardian of the Dead, was a Morris finalist. How has that impacted your writing career?

It’s certainly helped get my work to librarians, and from there to readers, which is terrific!

Who do you think is breaking ground in YA right now?

Sarah Rees Brennan – she has a massive range, and an excellent take on familiar tropes.

What did you like to read as a teenager?

Masses of big map fantasy, and anything by Sherryl Jordan, Gaelyn Gordon, and Margaret Mahy.

Describe your writing process.

Let an idea sit at the back of my head and have tons of idea babies. When the idea family is too big for the space, get it out in words!

What’s the best writing advice you ever received?

Keep writing – Gaelyn Gordon said that of an early thing she read of mine. And I did.

What’s your best writing advice to give?

Keep writing! It’s the only way you’ll ever produce and improve your work!

Outside of writing, what do you do with your free time?

I’ve heard of free time. It’s a mythical beast, right, like a unicorn?

Tell us a little about your next project.

While We Run takes place six months after When We Wake. Abdi has a lot of things to say.

Filed Under: Author Interview, Giveaway, Uncategorized, Young Adult

When We Wake by Karen Healey

April 5, 2013 |

It’s 2027, and Tegan Oglietti is a happy, relatively angst-free teenager. She’s just made her crush her boyfriend, and she and her group of friends spend their time doing parkour, playing guitar, and protesting the various ills of the world: environmental degradation, social injustice, and more. Her world is a little different from our own in 2013, but not so much to be unbelievable. 
Then, on the way to a protest, Tegan dies. But it’s not the end of her life. She wakes up 100 years in the future, having agreed to donate her body to science and therefore unwittingly also agreed to be a part of the government’s experimental cryonics program. She’s the first to be successfully frozen and revived, and she’s told that this procedure will be used to help other people living in the year 2127.
Anyone who has read a futuristic story like this will know that Tegan is being lied to. There’s clearly something else going on with the cryonics experiment. Tegan herself is kept on a very short leash, given just enough freedom to keep her from outright rebellion. As Tegan makes her way in this new world, learning how its changed for the better and how its changed for the worse, making a few friends along the way, she starts to unravel the truth.
Tegan is a terrific character. She’s a budding activist in her “home” time, but a bit unsure about it. She wants so desperately to make things better, and when she wakes up in the future to discover that yes, some things are better, but some are much, much worse, it’s a little heartbreaking. One of the most moving moments for me was when Tegan finally breaks down and shouts at those around her who have helped make this world the way it is, telling them to “Be better!” Her disappointment is palpable and devastating.
When We Wake is, in some ways, a bit of a throwback for a dystopia, and I mean that in a good way. It seems most of the dystopias churned out recently envision future worlds full of the most lurid, shocking, and frankly ridiculous social systems the author could think up. Healey brings us back to Earth – her future is very different from our present, but it’s also believable. For example, there’s less racial prejudice but a good deal more environmental crisis. She extrapolates a set of realistic issues for her future society to deal with from the same issues that we tackle today. More importantly, though, When We Wake brings back some actual commentary – social, political, environmental. She shows that the actions we – as humans – are taking now matter, that they impact the future, our children and grandchildren and beyond. What we do now makes a difference – both good and bad. Healey doesn’t hit you over the head with it, but it’s there, and thank goodness.
The writing is excellent, which is what I’ve come to expect from a Karen Healey book. Tegan has a great voice, and the first person perspective is completely warranted: by the end of the book, it’s clear she’s telling her story to a specific audience for a specific reason. It is, perhaps, not as emotionally resonant as The Shattering, but not much is. It packs a punch nonetheless.
Next week, we’ll be sharing a Twitterview with Healey, who gives us a little more insight into Tegan and her future world(s). We’ll also be giving away a finished copy of the book, courtesy of Little, Brown, and this is a giveaway you’ll want to enter.
Review copy provided by the publisher. When We Wake is available now.

Filed Under: Reviews, Science Fiction, Uncategorized, Young Adult

Get Genrefied: Mysteries (+ Thrillers)

April 3, 2013 |

Angela’s reader’s advisory challenge this month focuses on mysteries, and we’ve thrown in thrillers as well, since the two are often found together. But they’re not quite the same. Wes Miller at Mulholland Books breaks down the two here, and it’s a good summary of what mysteries and thrillers have in common and how they differ. Kimberly’s basic rule is this: if there’s a solution at the end, it’s a mystery. If not, it’s a thriller. Many books are both, but not all, and there’s certainly a lot of crossover appeal between the two.

Because of their nature, mysteries can have a lot of genre crossover: historical mysteries (YS Lee’s The Agency series, Kathryn Miller Haines’ The Girl is Murder series); paranormal (Kim Harrington’s Clarity series, plus lots of ghost stories); science fiction (especially with technology, such as Michelle Gagnon’s Don’t Turn Around); humor (Heist Society, Marlene Perez).

Mysteries are also heavy on series, and they lend themselves well to the form. They provide an easy way to build long character arcs over many books while also telling a complete story in one volume. There’s plenty of crossover between teen and adult mysteries as well, particularly with the cozies, which tend to be cleaner and less gruesome. (As any librarian who serves adults knows, mysteries are HUGE in the adult market.) The Flavia de Luce series by Alan Bradley is a great example of an adult series with teen crossover appeal.

Below is a list of recently-published YA novels that can all be classified as mysteries or thrillers. It really shows just how broad this category can be – historical, contemporary, paranormal, horror, literary. All descriptions come from either WorldCat or Goodreads. If you know of any more notable titles, please leave us a comment!

Heist Society by Ally Carter (sequels: Uncommon Criminals, Perfect Scoundrels): A group of teenagers uses their combined talents to re-steal several
priceless paintings and save fifteen-year-old Kat Bishop’s father,
himself an international art thief, from a vengeful collector. Kimberly’s reviews

Amelia Anne is Dead and Gone by Kat Rosenfield: Unveils the details of a horrific murder, its effects on permanent and
summer residents of the small Appalachian town where the body is
discovered, and especially how the related violence shakes
eighteen-year-old Becca’s determination to leave home as soon as
possible. Kelly’s review

All Unquiet Things by Anna Jarzab: After the death of his ex-girlfriend Carly, Northern California high
school student Neily joins forces with Carly’s cousin Audrey to try to
solve her murder.
 

 
Deadly Cool by Gemma Halliday (sequel: Social Suicide): When sixteen-year-old Hartley Featherstone finds out that her boyfriend
is cheating on her, she goes to his house to confront him and suddenly
finds herself embroiled in a murder mystery. Kelly’s review

I Hunt Killers by Barry Lyga (sequel: Game): Seventeen-year-old Jazz learned all about being a serial killer from his
notorious “Dear Old Dad,” but believes he has a conscience that will
help fight his own urges and right some of his father’s wrongs, so he
secretly helps the police apprehend the town’s newest murderer, “The
Impressionist.” Kimberly’s review

Clarity by Kim Harrington (sequel: Perception): Sixteen-year-old Clare Fern, a member of a family of psychics, helps the
mayor and a skeptical detective solve a murder in a Cape Cod town
during the height of tourist season–with her brother a prime suspect. Kimberly’s review

The Dead and Buried by Kim Harrington: New student Jade uncovers a murder mystery when she moves into a house
haunted by the ghost of a beautiful, mean girl who ruled Jade’s high
school.

The Butterfly Clues by Kate Ellison: Having experienced compulsive behavior all her life, Lo’s symptoms are
getting her into trouble when she witnesses a murder while wandering
dangerous quarters of Cleveland, Ohio, collecting things that do not
belong to her, obsessing about her brother’s death.

Notes From Ghost Town by Kate Ellison: Young artist Olivia Tithe struggles to keep her sanity as she unravels
the mystery of her first love’s death through his ghostly visits.

 
The Body Finder by Kimberly Derting (sequels: Desires of the Dead, The Last Echo, Dead Silence): High school junior Violet uses her uncanny ability to sense murderers
and their victims to try to stop a serial killer who is terrorizing her
town, and although her best friend and would-be boyfriend Jay promises
to keep her safe, she becomes a target.

The Space Between Trees by Katie Williams: When the body of a classmate is discovered in the woods,
sixteen-year-old Evie’s lies wind up involving her with the girl’s best
friend, trying to track down the killer.

The Night She Disappeared by April Henry: Told from various viewpoints, Gabie and Drew set out to prove that their
missing co-worker Kayla is not dead, and to find her before she is,
while the police search for her body and the man who abducted her. Kimberly’s review

Shelter by Harlan Coben (sequel: Seconds Away): After tragic events tear Mickey Bolitar away from his parents, he is
forced to live with his estranged Uncle Myron and switch high schools,
where he finds both friends and enemies, but when his new new
girlfriend, Ashley, vanishes, he follows her trail into a seedy
underworld that reveals she is not what she seems to be. Kimberly’s review

Crusher by Niall Leonard: After he discovers his father murdered, Finn, now the prime suspect,
scours the London underworld, exposing secrets and facing danger, to
determine the true killer. Kimberly’s review

A Spy in the House by Y. S. Lee (sequels: The Body at the Tower, The Traitor in the Tunnel): Rescued from the gallows in 1850s London, young orphan and thief Mary
Quinn is offered a place at Miss Scrimshaw’s Academy for Girls where she
is trained to be part of an all-female investigative unit called The
Agency and, at age seventeen, she infiltrates a rich merchant’s home in
hopes of tracing his missing cargo ships. Kimberly’s review

Don’t Turn Around by Michelle Gagnon: After waking up on an operating table with no memory of how she got
there, Noa must team up with computer hacker Peter to stop a corrupt
corporation with a deadly secret. Kimberly’s review

The Girl is Murder by Kathryn Miller Haines (sequel: The Girl is Trouble): In 1942 New York City, fifteen-year-old Iris grieves for her mother
who committed suicide and for the loss of her life of privilege, and
secretly helps her father with his detective business since he, having
lost a leg at Pearl Harbor, struggles to make ends meet. Kimberly’s review

Kill You Last by Todd Strasser: When three teenage clients of her fashion photographer dad go
missing, Shelby’s near perfect life crumbles when her dad is named a
prime suspect in the girls’ disappearance. Kimberly’s review

Texas Gothic by Rosemary Clement-Moore: Seventeen-year-old Amy Goodnight has long been the one who makes her
family of witches seem somewhat normal to others, but while spending a
summer with her sister caring for their aunt’s farm, Amy becomes the
center of weirdness when she becomes tied to a powerful ghost. Kimberly’s review

Escape Theory by Margaux Froley: Bound by her oath of confidentiality and tortured by unrequited love,
sixteen-year-old Devon, a peer counselor at a prestigious California
boarding school, finds herself on a solitary mission to get to the
bottom of a popular student’s apparent suicide.

Be sure to also check out Kelly’s guide to YA mysteries and thrillers on Scribd, in handy printable brochure form.

Here are a few forthcoming titles to look out for later this year.

Spies and Prejudice by Talia Vance: Berry Fields’s life working for her dad’s investigation firm and
searching for clues to her mother’s death unravels when gorgeous Tanner
arrives in town and changes everything.

The Waking Dark by Robin Wasserman: After a series of suicide-killings and a deadly storm, the residents of
the town of Oleander, Kansas, start acting even more strangely than
would be expected. Only the 5 witnesses of the murders retain their
sound minds, and must band together to save the town from whatever has
come over it

Dangerous Girls by Abigail Haas: It’s Spring Break of
senior year. Anna, her boyfriend Tate, her best friend Elise, and a few
other close friends are off to a debaucherous trip to Aruba that
promises to be the time of their lives. But when Elise is found
brutally murdered, Anna finds herself trapped in a country not her own,
fighting against vile and contemptuous accusations. As Anna sets out to
find her friend’s killer, she discovers harsh revelations about her
friendships, the slippery nature of truth, and the ache of young love.

Absent by Katie Williams: Seventeen-year-old Paige Wheeler died in a fall off the high school
roof and now her spirit seems bound to the school grounds, along with
Brooke and Evan, two other teen ghosts who died there–but maybe if she
can solve the mystery of her apparent suicide they will all be able to
move on.

Truth or Dare by Jacqueline Green: In the affluent seaside town of Echo Bay, Massachusetts, mysterious
dares sent to three very different girls–loner Sydney Morgan, Caitlin
“Angel” Thomas, and beautiful Tenley Reed–threaten both their
reputations and their lives.

Strangelets by Michelle Gagnon: Forcibly sucked into an abyss at the moment of their deaths, six
smarter-than-most teenagers wake up in a deadly, desolate future world,
where only one of them holds the key to getting everyone back home.

The Sweet Dead Life by Joy Preble: After dying in a car accident, fourteen-year-old Jenna’s older brother
returns as an angel to help Jenna solve a mystery that not only holds
the key to her survival, but also to their mother’s mysterious
depression and their father’s disappearance.

The Girl Who Was Supposed to Die by April Henry: When Cady wakes up, she
has no memory of who she is. All she knows is that there is a pillowcase
over her head and a person in the room has instructed another to “take
her out back and finish her off.” Cady must find a way to save herself.
But how can she do this when she doesn’t even know her name?

Like other genres we’ve focused on, there are many resources to turn to broaden your knowledge.

  • The Edgar Awards (given by the Mystery Writers of America) and the Agatha Awards are probably the two most well-known awards given to mystery novels, and they both feature young adult titles. The Edgar Awards guidelines are fairly broad, honoring books that are classified as mystery, crime, suspense, or intrigue. The Agatha Awards are noteworthy because they honor titles that are what they call “traditional mysteries” in the vein of Agatha Christie. To them, this means closed mysteries with no gratuitous sex, violence, or gore. This might make some of the adult titles honored suitable for younger readers as well.
  • The Crime Writers Association gives the Dagger Awards for crime writing. These aren’t necessarily mysteries, but many are, and most can at least be classified as thrillers. They do not give out an award for YA or children’s books, though some titles with crossover appeal have been honored (such as Alan Bradley in 2007).
  • I’m going to plug Fantastic Fiction again, since there are so many mystery series and this is the best resource I know of for keeping track of them accurately.
  • Generally speaking, all publishing houses publish mysteries and thrillers, though there are some imprints that specialize. Soho Teen, a newly launched imprint of independent publishing house Soho Press, is one of these, focusing on mysteries and thrillers for young adults. 
  • Sleuths, Spies, and Alibis is a new-to-us blog resource run by thirteen middle grade and YA authors who have books out in 2012 or 2013. 
  • The Book Smugglers did a mystery appreciation week earlier this year.

Filed Under: genre fiction, Get Genrefied, Mystery, Uncategorized, Young Adult

Rotten by Michael Northrop

April 2, 2013 |

Jimmer Dobbs — who goes by “JD” — just got back into town after being away from the summer. No one really knows why he was gone, but more than that, no one buys his story that he was visiting his aunt. But he’s sticking to it because he’s not yet ready to admit the truth.

When he gets home, JD is greeted by a new addition to his household: a dog. It’s a rottweiler and JD is really skeptical. He’s not really a dog person and even though his mom is really excited about having done a good deed by rescuing this dog who had no other future (and who came from a bad home), JD just can’t get behind it.

Until he names the dog. Johnny Rotten is the full name, but JD refers to him as JR for short. And now that JD has some ownership over the dog, he starts to feel protective of the animal, so when one of his friends gets his hand bitten by JR, JD jumps in to defend the dog at any length he can.

You know how there are those books featuring male main characters in YA who are 16 and they are very smart, very philosophical, and sometimes really edgy and dark and gritty? That’s not the story Michael Northrop writes in Rotten. That’s not to say that JD is a dumb kid. In fact, JD is kind of smart and he’s savvy about how he interacts with his friends, especially when it comes to the truth about how he spent his summer. But the thing is, JD is a dork. He’s a real dork, and he’s funny, and he’s unashamed in being either of those things. He’s not intentionally funny, either. It’s humor delivered in single lines that are so 16-year-old dorky boy. These aren’t cheap shots, as they’re authentic to JD’s voice, and yes, the lines are laugh out loud funny. That ability to deliver humor even in a story that’s not meant to be funny is one thing I really appreciate about Northrop’s writing, and I think it’s what makes his books especially appealing to teen boys.

Someone commented recently about a teen boy in class wanting books that weren’t about “girls with problems” — Rotten is that. Even though JD has problems, they’re not the focus of the story. In fact, his problem is one that’s also somewhat funny.

Before I get there, I should talk a bit more about the fact that one of JD’s friends was hurt by his dog. Johnny Rotten, of course, was an abused dog, and as such, his temperament and his interactions with people are different than a typical dog’s would be. In this instance, he’s sort of skittish, and JD not only recognizes this, but he comes to relate to JR’s skittishness. He becomes protective of the dog. So when his friend (which is a loose term) claims that JR hurt him, JD can’t help but become skeptical. Did his friend provoke the incident or did JR really lash out? What happens when that friend goes to his parents and points out the injury.

You bet the answer is lawsuit.

What I didn’t add to this is that JD lives only with his mom, and the two of them aren’t exactly rich. His mom just barely makes ends meet, so the introduction of a lawsuit brings up the real questions of whether or not they’ll be able to pay for any damages. It’s possible they could lose their house.

It’s also possible that JR may have no future, too.

JD approaches his friend when he realizes all of this, and he makes a deal: if his friend can calm down his parents, he’ll share what it was that got him sent away from home during the summer. The friend is, of course, curious and says he’ll do it. So JD tells him the secret — he’d been sent away for shoplifting.

I won’t talk more about the shoplifting incident because it is during that admission we learn so much about JD and his character.

The question remains then what happens to the lawsuit? And the possibility of losing their home? Worse, what’s the outcome for JR? Does the friend convince his parents to let things go, that he’s okay, and that it’s time to move on?

Rotten is a quick-paced read that will hook younger YA readers, as well as those older YA readers who love a story that has humor in it. There are some references to drinking, but there’s nothing that would make me uncomfortable handing this book to middle grade readers ready for a more advanced story. This is a book for animal lovers, especially those who want a story where the relationship between person and pet isn’t automatic. This is a story about the development of that relationship, which I don’t know I’ve ever read before — I’ve read plenty of stories where the character has a relationship with a pet already or the pet plays a significant role in the story, but never one where the development of that relationship and trust happens. Obviously, one of the biggest reasons JD and JR bond is because they’re both fighting to overcome their own pasts and move forward. It’s sweet without being saccharine or inauthentic.

JD is a good kid, and sometimes, you need to read a story about a good kid. Bonus points for not having a romantic storyline here, too, and even more points for an interesting look at male friendship. Again, I think it’s rare to explore those lines and they’re done well here.

Since I know this is a trigger point whenever there is a story that involves animals: you want to know whether the animal lives or dies. I’m going to tell you, but you have to highlight the rest of this paragraph to know. No worries, animal lovers — this is a story where the dog lives. It’s a really happy and satisfying ending to the story. JD and Johnny Rotten get to continue bonding. 



Rotten is available now from Scholastic. Review copy received from the publisher.

Filed Under: Reviews, Uncategorized, Young Adult

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