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Revisiting YA Verse Novels: A 2014 Guide to the Format

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April is poetry month, and while we didn’t write a lengthy genre guide to verse novels that month to celebrate, we did write one in May. If you’re curious about the format of YA novels in verse, that should get you set on what it is, why it’s so appealing, and it offers a pretty extensive reading list to titles published in the last few years.

Since I didn’t want to replicate work and write another guide to the genre, I thought it would be worthwhile to talk about the books in 2014 that are verse novels. Some of the titles are out already, while others will be publishing before the end of the year. This list is for titles published by traditional publishers, and it’s very possible that I’ll overlook some, so feel free to jump in with additional titles in the comments. A couple of titles below could easily be middle grade, as they fall into that strange category of being good for readers from age 10 to 14. I’m including them anyway. 

All descriptions are from WorldCat, and I’ve included publication dates for titles not yet available. Of course, if you’re a fanatic of verse novels, make sure you check out Verse Novels and that you stay tuned for the third annual verse novels series over at Clear Eyes, Full Shelves, which will take place the last week of April. 

Of note: a nice percentage of these titles are diverse. 

And We Stay by Jenny Hubbard: Sent to an Amherst, Massachusetts, boarding school after her ex-boyfriend shoots himself, seventeen-year-old Emily expresses herself through poetry as she relives their relationship, copes with her guilt, and begins to heal. **This book is partially in verse and partially in traditional prose. 

The Sound of Letting Go by Stasia Ward Kehoe: At seventeen, Daisy feels imprisoned by her brother Steven’s autism and its effects and her only escape is through her trumpet into the world of jazz, but when her parents decide to send Steven to an institution she is not ready to let him go.



Kiss of Broken Glass by Madeline Kuderick (September 9): After she’s caught in the school bathroom cutting herself with the blade from a pencil sharpener, fifteen-year-old Kenna is put under mandatory psychiatric watch. She has seventy-two hours to face her addiction, deal with rejection, and find a shred of hope. Description via Goodreads. 

Two Girls Staring At The Ceiling by Lucy Frank (August 5): Chess, the narrator, is sick, but with what exactly, she isn’t sure. And to make matters worse, she must share a hospital room with Shannon, her polar opposite. Where Chess is polite, Shannon is rude. Where Chess tolerates pain silently, Shannon screams bloody murder. Where Chess seems to be getting slowly better, Shannon seems to be getting worse. How these teenagers become friends, helping each other come to terms with their illness, makes for a dramatic and deeply moving read. Description via Goodreads. 

A Time To Dance by Padma Venkatraman (May 1): In India, a girl who excels at Bharatanatyam dance refuses to give up after losing a leg in an accident.

Rumble by Ellen Hopkins (August 26): Eighteen-year-old Matt’s atheism is tested when, after a horrific accident of his own making that plunges him into a dark, quiet place, he hears a voice that calls everything he has ever disbelieved into question.

Like Water on Stone by Dana Walrath (November 11): Inspired by a true story, this relates the tale of siblings Sosi, Shahen, and Mariam who survive the Armenian genocide of 1915 by escaping from Turkey alone over the mountains.

Silver People: Voices From the Panama Canal by Margarita Engle: Fourteen-year-old Mateo and other Caribbean islanders face discrimination, segregation, and harsh working conditions when American recruiters lure them to the Panamanian rain forest in 1906 to build the great canal.

Dust of Eden by Mariko Nagai: Thirteen-year-old Mina Tagawa and her Japanese-American family are forced to evacuate their Seattle home and are relocated to an internment camp in Idaho, where they live for three years. 

Caminar by Skila Brown: Carlos knows that when the soldiers arrive with warnings about the Communist rebels, it is time to be a man and defend the village, keep everyone safe. But Mama tells him not yet — he’s still her quiet moonfaced boy. The soldiers laugh at the villagers, and before they move on, a neighbor is found dangling from a tree, a sign on his neck: Communist. Mama tells Carlos to run and hide, then try to find her … Numb and alone, he must join a band of guerillas as they trek to the top of the mountain where Carlos’s abuela lives. Will he be in time, and brave enough, to warn them about the soldiers? What will he do then? A novel in verse inspired by actual events during Guatemala’s civil war, Caminar is the moving story of a boy who loses nearly everything before discovering who he really is.

Poisoned Apples by Christina Heppermann (September 23): Christine Heppermann’s powerful collection of free verse poems explore how girls are taught to think about themselves, their bodies, their friends–as consumers, as objects, as competitors. Based on classic fairy tale characters and fairy tale tropes, the poems range from contemporary retellings to first person accounts set within the original stories. From Snow White cottage and Rapunzel’s tower to health class and the prom, these poems are a moving depiction of young women, society, and our expectations. Poisoned Apples is a dark, clever, witty, beautiful, and important book for teenage girls, their sisters, their mothers, and their best friends. **While not a traditional novel in verse, I’m including this title since verse lovers will definitely be interested. 

Get Genrefied: Verse Novels

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Angela’s genre this month for her reader’s advisory challenge is one of my favorites, even though it’s not technically a genre. It’s the verse novel. Like graphic novels — which we will talk about later this year — verse novels are a format. They’re also a style of telling a story. Rather than making use of traditional prose, verse novels are narrative poetry. There’s not one specific means or style of writing the verse either; it can range from free verse (with no guidelines for construction of words) to verse written in a strict style with specific stanza limitations. Sometimes, the verse rhymes but most of the time it does not. 

Verse novels can take on a very visual aspect to them, depending upon the author and how he or she chooses to build and construct the verse. Anyone who has opened one of Ellen Hopkins’s novels, for example, can see she purposefully builds her verse to have a visual layer on top of the language itself (Identical is a strong example of how she does this). 

Since novels written in verse are constructed with a format and style in mind, rather than a genre, they can range from contemporary stories to historical, and they can include mysteries, fantasy, science fiction, and more. Non-fiction can be written in verse, as well, and Margarita Engle is one author who has published a number of YA non-fiction books in verse. 

Despite being written in poetry, verse novels can be quite appealing to more reluctant readers because they’re less intimidating to look at visually and because — for the most part — they read fairly quickly. There are exceptions to this, of course, but the format is one which has wide appeal across a spectrum of readers.

Below are recent — and not-so-recent — YA novels in verse. These showcase the range of voices and genres where readers may experience the verse format. All descriptions are from WorldCat, and this list is not exhaustive, so we welcome your comments with additional titles, particularly books which might be coming out later this year. I’ve included just a single title per author, but I have noted where the author has additional verse titles.

Karma by Cathy Ostlere: In 1984, following her mother’s suicide, 15-year-old Maya and her Sikh father travel to New Delhi from Canada to place her mother’s ashes in their final resting place. On the night of their arrival, Prime Minister Indira Gandhi is assassinated, Maya and her father are separated when the city erupts in chaos, and Maya must rely on Sandeep, a boy she has just met, for survival.

Shakespeare Makes the Playoffs by Ron Koertge: Fourteen-year-old Kevin Boland, poet and first baseman, is torn between his cute girlfriend Mira and Amy, who is funny, plays Chopin on the piano, and is also a poet. Shakespeare Bats Cleanup is the first book in this two-book series, and it’s also written in verse (and you don’t have to read them both to get the story).

The Day Before by Lisa Schroeder: Sixteen-year-old Amber, hoping to spend one perfect day alone at the beach before her world is turned upside down, meets and feels a strong connection to Cade, who is looking for his own escape, for a very different reason. As of this writing, Schroeder has written all of the rest of her titles in verse, as well, except for Falling For You. 





Make Lemonade by Virginia Euwer Wolff: In order to earn money for college, fourteen-year-old LaVaughn babysits for a teenage mother. This is the first book in a trilogy.

Song of the Sparrow by Lisa Ann Sandell: In fifth-century Britain, nine years after the destruction of their home on the island of Shalott brings her to live with her father and brothers in the military encampments of Arthur’s army, seventeen-year-old Elaine describes her changing perceptions of war and the people around her as she becomes increasingly involved in the bitter struggle against the invading Saxons.

The Watch That Ends the Night by Allan Wolf: Recreates the 1912 sinking of the Titanic as observed by millionaire John Jacob Astor, a beautiful young Lebanese refugee finding first love, “Unsinkable” Molly Brown, Captain Smith, and others including the iceberg itself.

The Geography of Girlhood by Kirsten Smith: Novel in poetry about a girl navigating the unknown, the difficult limbo between youth and adulthood. A novel written in verse follows Penny Morrow in her transition from middle school to high school as her father remarries, she acquires a new stepbrother, and she experiences her first dance, first kiss, and other hazards of growing up. Smith’s recent novel, Tricks, features the voice of a character written in verse, as well.

Tricks by Ellen Hopkins: Five troubled teenagers fall into prostitution as they search for freedom, safety, community, family, and love. As of this writing, all of Hopkins’s books are written in verse. 

What My Mother Doesn’t Know by Sonya Sones: Fourteen-year-old Robin Murphy is so unpopular at high school that his name is slang for “loser,” and so when he begins dating the beautiful and popular Sophie her reputation plummets, but he finds acceptance as a student in a drawing class at Harvard. This is the first book in a series of two, the second titled What My Girlfriend Doesn’t Know. Sones also wrote One of Those Hideous Books Where The Mother Dies, which is also written in verse. Later in 2013, Sonya Sones will release a new novel-in-verse titled To Be Perfectly Honest.

All the Broken Pieces by Ann Burg: Two years after being airlifted out of Vietnam in 1975, Matt Pin is haunted by the terrible secret he left behind and, now, in a loving adoptive home in the United States, a series of profound events forces him to confront his past.

Because I Am Furniture by Thalia Chaltas: The youngest of three siblings, fourteen-year-old Anke feels both relieved and neglected that her father abuses her brother and sister but ignores her, but when she catches him with one of her friends, she finally becomes angry enough to take action. Displacement, Chaltas’s other novel, is also written in verse.

Sold by Patricia McCormick: Thirteen-year-old Lakshmi leaves her poor mountain home in Nepal thinking that she is to work in the city as a maid only to find that she has been sold into the sex slave trade in India and that there is no hope of escape.

Love & Leftovers by Sarah Tregay: When her father starts dating a man, fifteen-year-old Marcie’s depressed mother takes her to New Hampshire but just as Marcie starts falling for a great guy her father brings her back to Iowa, where all of her relationships have become strained.

Wicked Girls by Stephanie Hemphill: A fictionalized account, told in verse, of the Salem witch trials, told from the perspective of three of the real young women living in Salem in 1692–Mercy Lewis, Margaret Walcott, and Ann Putnam, Jr. Hemphill’s prior titles, Your Own, Sylvia and Things Left Unsaid are also written in verse, as is her more recent title, Sisters of Glass.

Psyche in a Dress by Francesca Lia Block: A young woman, Psyche, searches for her lost love and questions her true self in a modern retelling of Greek myths.

Glimpse by Carol Lynch Williams: Living with their mother who earns money as a prostitute, two sisters take care of each other and when the older one attempts suicide, the younger one tries to uncover the reason. Williams’s Waiting is also written in verse.

Hidden by Helen Frost: When fourteen-year-olds Wren and Darra meet at a Michigan summer camp, both are overwhelmed by memories from six years earlier when Darra’s father stole a car, unaware that Wren was hiding in the back. Frost’s other books, including Crossing Stones, The Braid, and Diamond Willow are written in verse. 

Three Rivers Rising by Jame Richards: Sixteen-year-old Celestia spends every summer with her family at a resort at Lake Conemaugh, an Allegheny Mountain reservoir held in place by a 70-foot dam. Tired of the society crowd, Celestia much prefers to swim and fish with Peter, the hotel’s hired boy. It’s a friendship she must keep secret from her parents, and when companionship turns to romance, it’s a love that could get Celestia disowned. These affairs of the heart become all the more wrenching on a single, tragic day in May of 1889.

Audition by Stasia Ward Kehoe: When sixteen-year-old Sara, from a small Vermont town, wins a scholarship to study ballet in New Jersey, her ambivalence about her future increases even as her dancing improves.

Exposed by Kimberly Marcus: High school senior Liz, a gifted photographer, can no longer see things clearly after her best friend accuses Liz’s older brother of a terrible crime.

Family by Micol Ostow: In the 1960s, seventeen-year-old Melinda leaves an abusive home for San Francisco, meets the charismatic Henry, and follows him to his desert commune where sex and drugs are free, but soon his “family” becomes violent against rich and powerful people and she is compelled to join in. Told in episodic verse, this is a fictionalized exploration of cult dynamics, loosely based on the Manson Family murders of 1969.



After the Kiss by Tera Elan McVoy: In alternating chapters, two high school senior girls in Atlanta reveal their thoughts and frustrations as they go through their final semester of high school. 

Shark Girl by Kelly Bingham: After a shark attack causes the amputation of her right arm, fifteen-year-old Jane, an aspiring artist, struggles to come to terms with her loss and the changes it imposes on her day-to-day life and her plans for the future. Bingham wrote a companion novel to this one, titled Formerly Shark Girl.

You Are Not Here by Samantha Schutz: Annaleah’s grief over the tragic death of seventeen-year-old Brian is compounded by the fact that her friends did not like him, while his friends and both of their families knew nothing of their intimate relationship.



Becoming Billie Holiday by Carole Boston Weatherford: Jazz vocalist Billie Holiday looks back on her early years in this fictional memoir written in verse.

My Book of Life by Angel by Martine Leavitt: 16-year-old Angel struggles to free herself from the trap of prostitution in which she is caught.

Under the Mesquite by Guadalupe Garcia McCall: Throughout her high school years, as her mother battles cancer, Lupita takes on more responsibility for her house and seven younger siblings, while finding refuge in acting and writing poetry. Includes glossary of Spanish terms. 

Want some more reading about verse novels? Then check out the following:

  • Also, keep the blog and web resource Verse Novels on your radar. We’re taking part today in their year-long Thursday feature that aims to have verse novels highlighted throughout the blogging world.

Contemporary YA Fiction in Alternative Formats Book List

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Looking to read a book written in an alternative format? I’ve got you covered. Here are a host of recently published contemporary YA titles written in an alternative format. I’ve included epistolary, verse, and multiple point of view books in this list. None of these books are published after 2010, and all descriptions come from WorldCat. I’ve kept it to one book per author, since some authors choose to write multiple books in an alternative format. 

This is obviously not a comprehensive list, so feel free to add any additional titles in the comments.

The Day Before by Lisa Schroeder (verse): Sixteen-year-old Amber, hoping to spend one perfect day alone at the beach before her world is turned upside down, meets and feels a strong connection to Cade, who is looking for his own escape, for a very different reason.

Cracked by KM Walton (multiple POV): When Bull Mastrick and Victor Konig wind up in the same psychiatric ward at age sixteen, each recalls and relates in group therapy the bullying relationship they have had since kindergarten, but also facts about themselves and their families that reveal they have much in common.

Crazy by Amy Reed (epistolary and multiple POV): Connor and Izzy, two teens who met at a summer art camp in the Pacific Northwest where they were counsellors, share a series of emails in which they confide in one another, eventally causing Connor to become worried when he realizes that Izzy’s emotional highs and lows are too extreme.

Getting Somewhere by Beth Neff (multiple POV): Four teenaged girls participating in a progressive juvenile detention facility on a farm have their lives changed by the experience.

Graffiti Moon by Cath Crowley (multiple POV): Told in alternating voices, an all-night adventure featuring Lucy, who is determined to find an elusive graffiti artist named Shadow, and Ed, the last person Lucy wants to spend time with, except for the fact that he may know how to find Shadow.

The List by Siobhan Vivian (multiple POV): Every year at Mount Washington High School somebody posts a list of the prettiest and ugliest girls from each grade–this is the story of eight girls, freshman to senior, and how they are affected by the list.

34 Pieces of You by Carmen Rodrigues (multiple POV): After Ellie dies of a drug overdose, her brother, her best friend, and her best friend’s sister face painful secrets of their own when they try to uncover the truth about Ellie’s death.

The Children and the Wolves by Adam Rapp (multiple POV): Abducted by teen genius Bounce and her drifter friends Wiggins and Orange, three-year-old Frog seems content to eat cereal and play a video game about wolves all day–a game that parallels the reality around her–until Wiggins is overcome by guilt and tension and takes action.

Tilt by Ellen Hopkins (verse and multiple POV): Three teens, connected by their parents’ bad choices, tell in their own voices of their lives and loves as Shane finds his first boyfriend, Mikayla discovers that love can be pushed too far, and Harley loses herself in her quest for new experiences.

My Book of Life by Angel by Martine Leavitt (verse): 16-year-old Angel struggles to free herself from the trap of prostitution in which she is caught.

Pieces of Us by Margie Gelbwasser (multiple POV): Four teenagers from two families–sisters Katie and Julie and brothers Alex and Kyle–meet every summer at a lakeside community in upstate New York, where they escape their everyday lives and hide disturbing secrets.

How to Save a Life by Sara Zarr (multiple POV): Told from their own viewpoints, seventeen-year-old Jill, in grief over the loss of her father, and Mandy, nearly nineteen, are thrown together when Jill’s mother agrees to adopt Mandy’s unborn child but nothing turns out as they had anticipated.

The Absolute Value of -1 by Steve Brezenoff (multiple POV): Three teenagers relate their experiences as they try to cope with problems in school and at home by smoking, drinking, using drugs, and running track.

Audition by Stasia Ward Kehoe (verse): When sixteen-year-old Sara, from a small Vermont town, wins a scholarship to study ballet in New Jersey, her ambivalence about her future increases even as her dancing improves.

Confessions of the Sullivan Sisters by Natalie Standiford (multiple POV): Upon learning on Christmas Day that their rich and imperious grandmother may soon die and disown the family unless the one who offended her deeply will confess, each of the three Sullivan sisters sets down her offenses on paper.

Displacement by Thalia Chaltas (verse): After tragedy strikes her family, Vera runs away to a small desert town where she tries unsuccessfully to forget her grief and sorrow.

Exposed by Kimberly Marcus (verse): High school senior Liz, a gifted photographer, can no longer see things clearly after her best friend accuses Liz’s older brother of a terrible crime.

Leverage by Joshua Cohen (multiple POV): High school sophomore Danny excels at gymnastics but is bullied, like the rest of the gymnasts, by members of the football team, until an emotionally and physically scarred new student joins the football team and forms an unlikely friendship with Danny.

LIE by Caroline Bock (multiple POV): Told in several voices, a group of Long Island high school seniors conspire to protect eighteen-year-old Jimmy after he brutally assaults two Salvadoran immigrants, until they begin to see the moral implications of Jimmy’s actions and the consequences of being loyal to a violent bully.

Orchards by Holly Thompson (verse): Sent to Japan for the summer after an eighth-grade classmate’s suicide, half-Japanese, half-Jewish Kana Goldberg tries to fit in with relatives she barely knows and reflects on the guilt she feels over the tragedy back home.

Rival by Sara Bennett-Wealer (multiple POV): Two high school rivals compete in a prestigious singing competition while reflecting on the events that turned them from close friends to enemies the year before.

Shakespeare Makes the Playoffs by Ron Koertge (verse): Fourteen-year-old Kevin Boland, poet and first baseman, is torn between his cute girlfriend Mira and Amy, who is funny, plays Chopin on the piano, and is also a poet.

Tweet Heart by Elizabeth Rudnik (Tweets, emails, blogs): Lottie wants to help her friend Claire find love, and Claire thinks that she is on the right track when her crush starts following her on Twitter, while Will hides his crush on her and a mutual friend tries to get them together.

Unlocked by Ryan G Van Cleave (verse): While trying to impress a beautiful, unattainable classmate, fourteen-year-old Andy discovers that a fellow social outcast may be planning an act of school violence.

Waiting by Carol Lynch Williams (verse): As the tragic death of her older brother devastates the family, teenaged London struggles to find redemption and finds herself torn between her brother’s best friend and a handsome new boy in town.

You Are Not Here by Samantha Schutz (Verse): Annaleah’s grief over the tragic death of seventeen-year-old Brian is compounded by the fact that her friends did not like him, while his friends and both of their families knew nothing of their intimate relationship.

Guest Post: Lisa Schroeder on Alternate Formats in Contemporary YA Fiction

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Alternative Formats in Contemporary YA by Lisa Schroeder




Some things in life are exact. Baking great grandpa’s favorite cookies from a recipe that’s been passed down through generations. Planting bulbs in the fall so you’ll have flowers that bloom in the spring. Balancing a checkbook. Writing, however, is not one of these tasks where there is a step-by-step process that gets you guaranteed results. Creativity does not like guidelines. It does not want to have a “right” way and a “wrong” way. Instead, it wants a thousand possibilities, at least.


That’s the beauty of writing, really. It is an art, like painting or making music or sculpting clay. Would anyone ever say to an art student – you must draw with a black pencil? Or to a musician – you must play with a piano?

And although writers aren’t told there is only one way to write a novel, I think it can be a difficult decision to do something outside of the norm.
Sometimes, however, an author feels strongly that a story would be better served by something other than one point of view, or a straight timeline, or traditional chapters, and so, she chooses to take the path less traveled.

I think we see alternative formats in contemporary YA especially because in today’s world, many teens don’t want a “right” way and a “wrong” way to live. Whether it’s their interests, their sexuality, or even their world views, things often aren’t black and white. There are choices. Sometimes, lots of choices, and so, it makes sense to me that contemporary young adult novels would push the boundaries, not only in exploring tough topics, but also in exploring different formats for the storytelling itself.

As the author of four verse novels for teens, I get asked over and over again, why? Why write in verse? I have given different answers over the years. Sometimes I say it’s because it creates an atmosphere I can’t get with prose. Sometimes I say it’s because it gets at the heart of the emotional story. And sometimes I say, because that’s the way the story wanted to be told.

The truth is, I don’t even think about why I’m doing it, really. All I’m doing is trying to tell the story that is in my heart the best way I can. If a story wants to be told in a sparse, poetic way, then I’m going to honor the story and tell it the way it wants to be told. Some people are turned off by this format, some think it’s a stupid gimmick, some think it’s not poetry at all, some HATE VERSE NOVELS WITH ALL THE CAPITAL LETTERS IN THE WORLD. I know these things all too well. But I also know that every week I get letters and e-mails from teens who say, “I usually hate to read, but I love your books…”

I think it’s important for people, and adults especially, to not be too quick to judge the alternative formats we see in YA novels. These alternative formats speak to the way teens live and communicate. As YA author Stasia Kehoe said in this great blog post (http://swardkehoe.blogspot.com/search/label/verse novels), “I live in a world of Twitter (haiku?), of texts from my teens, of vlogs and cartoons, of compact little Facebook status reports. I live in a world of cool fonts and snarky signage. I live in a world of rap music and catchy advertising slogans.”

Shouldn’t contemporary YA authors be allowed to play with their stories the way teens love to play with words and images on tumblr? Because when an alternative format works, it can really make an impact.

One of the books my now 15 YO reluctant reader son read and enjoyed last year was CRACKED by K.M. Walton. CRACKED is a book with two points of view, Victor and Bull. Whenever an author decides to do more than one point of view, she’s taking a risk, because the reader is going to want a good reason for doing so. In this case, it works well, because Victor is the victim and Bull is the bully. It’s fascinating to see things from Bull’s viewpoint, to see how he came to be the way he is.

I recently read Matt de la Pena’s novel I WILL SAVE YOU, and Matt chose to tell the story by alternating between the past and present day, something I do as well in my upcoming novel FALLING FOR YOU. There’s a lot of tension in a book written this way, but that’s why it’s so great. At least I think so. Others may become frustrated and want to throw the book across the room. Only certain stories are going to work this way, and the reader has to put a lot of trust in the author, because answers to questions don’t come for a long time about what exactly is going on. The whole time the reader is thinking, the payoff better be worth it. I thought the ending to I WILL SAVE YOU was brilliant, and I didn’t see it coming.

Every time an author writes a novel in an alternative format, he/she is taking a risk. There is more to pick apart. There is more to criticize. “It would have been better in regular prose” some people say about my verse novels. Maybe. Maybe not. I’ll never know, because I chose my path and I followed it and it got me to the end of something I was proud of and something I was happy to share with others.

It’s not always easy being the author who does something different. But writing a novel is never easy. We do it the way we choose to because our creativity whispers to us, I like this. Keep going. If there is one voice the author must listen to above all else, it is that one.

As readers, I say let’s be glad there are choices. Let’s be thankful we have authors willing to take risks. And most of all, let’s celebrate and respect differences.
***
Lisa Schroeder is the author of five YA novels, all with Simon Pulse, including THE DAY BEFORE, a contemporary novel which was a 2012 Oregon Book Award finalist and a 2012 ALA Quick Pick for Reluctant Readers. Realistic teen fiction is on her list of favorite things, right up there with cupcakes and the TV show Friday Night Lights. Look for her new contemporary YA, FALLING FOR YOU, coming 1/1/13. You can find her on the web atwww.lisaschroederbooks.com and on twitter at @lisa_schroeder.

May B by Caroline Starr Rose

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It’s the late 1800s on the east Kansas prairie. Times are tough, and May B’s parents need money. Their plan is to send their daughter to work at a homestead 15 miles away. They’ll make a little money, and it’ll teach May B the value of hard work. She’s 12 and young to move away from home, but at this time and in this place, it wasn’t entirely uncommon for these things to happen. She packs a few pairs of clothes, along with her Reader, for the stay. She doesn’t need much else, since she’ll have a roof over her head and food in her stomach — food she’ll make.

May isn’t thrilled with the family she’s working for — Mrs. Oblinger is cold toward her, often giving her the side eye for choosing to work through her Reader rather than find some household task to complete, and Mr. Oblinger isn’t really around enough. Oh, and the house? It’s hardly a house. It needs a lot of work. To say the living conditions for May here are nothing like they were at home would be an understatement.

During one afternoon, Mrs. Oblinger confesses to May B that she hates her life here on the prairie. She left a bigger place to be with her husband, and she would like nothing more than to get away. It takes nearly no time for her to act upon this either, and it’s within pages that May went from being the help in the house to being the only person in the house. The Oblingers abandon her completely — and without giving her any idea of when or if they plan on coming back.

Now, she’s on her own, and home is a long 15 miles away.

May B is a fast-paced middle grade novel written in verse. The setting in this story plays as much a huge role as do the characters. This is partially because the only character we really get to know in the story is May. May’s a strong character, and she’s thrown into a crummy situation. She’s lonely when she begins her job with the Oblingers, but she becomes truly lonely when she’s abandoned at their home. She knows now she has to fend for herself and figure out how to live in this place alone. There’s not only the fact seasons are changing and winter’s knocking at the door, but she’s running out of food and there are the beasts of nature with which to contend. Before snow falls, May tries to make a run for it back home, knowing that while 15 miles is a long way, it’d be worth it. But she stops herself. She goes back to the Oblinger’s home and lets winter take over.

Something I didn’t mention is that May B’s real name is Mavis Elizabeth Betterly. And the reason she brings her Reader with her to the Oblinger house is because she wants to be a teacher. But to be a teacher, she has to overcome her learning disability: dyslexia. This isn’t something we know about her right away as readers. We know she wants to be a teacher and she wants to be a better reader. It’s not until the winter really descends and May is completely alone that she offers us the insight into her personal struggle with reading. We see it in spurts, but it’s when May owns it that we understand the full depths of her character. Her isolation is much greater than being at the Oblinger’s home on the prairie without her family.

Rose is very smart in the execution of May B because of this — it would be easy to build sympathy for May because of her learning disability. The thing is, we build that sympathy well before we’re in the know. We get it when we see her being shipped away from home for a few dollars, and we get it again when Mrs. Oblinger treats her poorly, and we get it again when she’s completely abandoned. She’s been given up over and over. Then we reach the moments of flashback when her teacher has given up on her, and when May hits her lowest point in the winter, she lets us in on this secret. We’re not sorry for her because of this; we want her to get better and fulfill her dream of becoming a teacher.

I’m a fan of verse novels, even though I usually find them problematic. Rose uses the format exceptionally well, though. The sparseness in the writing translates further into the sparseness of the Kansas landscape and into May herself. This is the way May thinks. Her language is rich and picturesque, as well, without diverging into the literary. It’s important to note that because it’s May’s voice, and it rings true to a 12-year-old, particularly one who struggles herself with reading.

Though I liked the novel, I wanted a little bit more. At times, it felt like May got through things a little bit too easily, particularly at the very end of the story. While this feels right for the middle grade readership, it could have been pushed even further. I also hoped to get a little bit more of Mr. Oblinger, since it’s ultimately his actions that leave May B alone in his house.

It’s worthwhile to read the author’s note at the end of the book, as Rose talks about her inspirations. In it, she discusses her love of Little House on the Prairie and I think that this book would appeal to that readership. Your middle grade historical fiction readers will eat this one up. I’d be comfortable handing this one off to the tween readers easily, as there’s nothing content wise to be worried about, and the strong female lead will strike the right notes with many readers. It’d be a nice stepping stone to books like The Year We Were Famous by Carole Estby Dagg and Kirby Larson’s Hattie Big Sky. This is an impressive debut and I’m eager to see where Rose goes next — my fingers are crossed for another historical novel, since she’s got a knack here.

Review copy received from the publisher. May B is available now.