2020 YA Books in Verse

March 30, 2020 |

April is right around the corner, and even if we find ourselves still quarantined for the next month, one thing is for certain: we’re going to see a lot of creative poetry popping up. Whether it’ll be on Instagram, via book spines on Twitter, or even in the books that will be highlighted around the book world, poetry will be celebrated in honor of the season.

Every year, I love rounding up the year’s upcoming YA verse novels, and this year, we’re in for a treat. There are a ton, and they range from novels to non-fiction, digging into topics like racism, to fictional biographies, to the Donner Party, and so much more.

I’ve done the best I can to make this as comprehensive as possible. But getting every 2020 YA verse novel on this list isn’t possible, given that not all book descriptions for the year are out and also because not every description makes it clear. If you know of a traditionally published YA book — fiction or nonfiction, despite my continued use of “novel” here, which we know means fiction — hitting shelves that’s in verse this year, drop it in the comments.

Descriptions and publication dates come from Amazon. Know that because of the daily changes going on in publishing with the pandemic, some publication dates might not be accurate. Preorder them anyway if they appeal to you and be surprised when it arrives.

2020 YA Verse Novels

Apple (Skin To The Core) by Eric Gansworth (October 6)

How about a book that makes you barge into your boss’s office to read a page of poetry from? That you dream of? That every movie, song, book, moment that follows continues to evoke in some way?

The term “Apple” is a slur in Native communities across the country. It’s for someone supposedly “red on the outside, white on the inside.”

Eric Gansworth is telling his story in Apple (Skin to the Core). The story of his family, of Onondaga among Tuscaroras, of Native folks everywhere. From the horrible legacy of the government boarding schools, to a boy watching his siblings leave and return and leave again, to a young man fighting to be an artist who balances multiple worlds.

Eric shatters that slur and reclaims it in verse and prose and imagery that truly lives up to the word heartbreaking.

Beauty Mark: A Verse Novel of Marilyn Monroe by Carole Boston Weatherford (September 8)

From the day she was born into a troubled home to her reigning days as a Hollywood icon, Marilyn Monroe (née Norma Jeane Mortenson) lived a life that was often defined by others. Here, in a luminous poetic narrative, acclaimed author Carole Boston Weatherford tells Marilyn’s story in a way that restores her voice to its rightful place: center stage. Revisiting Marilyn’s often traumatic early life—foster homes, loneliness, sexual abuse, teen marriage—through a hard-won, meteoric rise to stardom that brought with it exploitation, pill dependency, and depression, the lyrical narrative continues through Marilyn’s famous performance at JFK’s birthday party, three months before her death. In a story at once riveting, moving, and unflinching, Carole Boston Weatherford tells a tale of extraordinary pain and moments of unexpected grace, gumption, and perseverance, as well as the inexorable power of pursuing one’s dreams. A beautifully designed volume.

Being Toffee by Sarah Crossen (July 14)

I am not who I say I am,
and Marla isn’t who she thinks she is.

I am a girl trying to forget.
She is a woman trying to remember.

Allison has run away from home and with nowhere to live finds herself hiding out in the shed of what she thinks is an abandoned house. But the house isn’t empty. An elderly woman named Marla, with dementia, lives there – and she mistakes Allison for an old friend from her past named Toffee.

Allison is used to hiding who she really is, and trying to be what other people want her to be. And so, Toffee is who she becomes. After all, it means she has a place to stay. There are worse places she could be.

But as their bond grows, and Allison discovers how much Marla needs a real friend, she begins to ask herself – where is home? What is a family? And most importantly, who is she, really?

The Black Flamingo by Dean Atta (May 26)

A fierce coming-of-age verse novel about identity and the power of drag, from acclaimed UK poet and performer Dean Atta. Perfect for fans of Elizabeth Acevedo, Jason Reynolds, and Kacen Callender.

Michael is a mixed-race gay teen growing up in London. All his life, he’s navigated what it means to be Greek-Cypriot and Jamaican—but never quite feeling Greek or Black enough.

As he gets older, Michael’s coming out is only the start of learning who he is and where he fits in. When he discovers the Drag Society, he finally finds where he belongs—and the Black Flamingo is born.

Told with raw honesty, insight, and lyricism, this debut explores the layers of identity that make us who we are—and allow us to shine.

Clap When You Land by Elizabeth Acevedo (May 5)

Camino Rios lives for the summers when her father visits her in the Dominican Republic. But this time, on the day when his plane is supposed to land, Camino arrives at the airport to see crowds of crying people…

In New York City, Yahaira Rios is called to the principal’s office, where her mother is waiting to tell her that her father, her hero, has died in a plane crash.

Separated by distance—and Papi’s secrets—the two girls are forced to face a new reality in which their father is dead and their lives are forever altered.

And then, when it seems like they’ve lost everything of their father, they learn of each other.

Every Body Looking by Candice Iloh (September 22)

Candice Iloh weaves the key moments of Ada’s young life—her mother’s descent into addiction, her father’s attempts to create a home for his American daughter more like the one he knew in Nigeria, her first year at a historically black college—into a luminous and inspiring verse novel.

I Am Here Now by Barbara Bottner (August 4)

Set in the 1960s, Barbara Bottner’s I Am Here Now is a beautiful novel in verse about one artist’s coming of age. It’s a heartbreaking, powerful and inspiring depiction of what it’s like to shatter your life―and piece it all back together.

You can’t trust Life to give you decent parents, or beautiful eyes, a fine French accent or an outstanding flair for fashion. No, Life does what it wants. It’s sneaky as a thief.

Maisie’s first day of High school should be exciting, but all she wants is to escape.

Her world is lonely and chaotic, with an abusive mother and a father who’s rarely there to help.

So when Maisie, who finds refuge in her art, meets the spirited Rachel and her mother, a painter, she catches a glimpse of a very different world―one full of life, creativity, and love―and latches on.

But as she discovers her strengths through Rachel’s family, Maisie, increasingly desperate, finds herself risking new friendships, and the very future she’s searching for.

Junk Boy by Tony Abbott (October 13)

Junk. That’s what the kids at school call Bobby Lang, mostly because his rundown house looks like a junkyard, but also because they want to put him down. Trying desperately to live under the radar at school―and at the home he shares with his angry, neglectful father―Bobby develops a sort of proud loneliness. The only buffer between him and the uncaring world is his love of the long, wooded trail between school and home.

Life grinds along quietly and hopelessly for Bobby until he meets Rachel. Rachel is an artist who sees him in a way no one ever has. Maybe it’s because she has her own kind of junk, and a parent who hates what Rachel is: gay. Together the two embark on journeys to clean up the messes that fill their lives, searching against all odds for hope and redemption.

Narrated in Bobby’s unique voice in arresting free verse, this novel will captivate readers right from its opening lines, urging them on page after page, all the way to its explosive conclusion.

Kent State by Deborah Wiles (April 21)

May 4, 1970.

Kent State University.

As protestors roil the campus, National Guardsmen are called in. In the chaos of what happens next, shots are fired and four students are killed. To this day, there is still argument of what happened and why.

Told in multiple voices from a number of vantage points — protestor, Guardsman, townie, student — Deborah Wiles’s Kent State gives a moving, terrifying, galvanizing picture of what happened that weekend in Ohio . . . an event that, even 50 years later, still resonates deeply.

The Language of Cherries by Jen Marie Hawkins (Available now)

When Evie Perez is cut off from everything she loves and forced to move to Iceland for the summer, she takes her canvas and paintbrushes into the picturesque cherry orchard behind her guesthouse. She stains her lips with stolen cherries in the midnight sun and paints a boy she’s never met. Oskar is startled to discover Evie in his family’s orchard, and even more surprised to see himself on her canvas. Too ashamed to reveal his stutter, he remains quiet as Evie returns day after day to paint, spilling confessions she wouldn’t even tell her priest.When the magic intensifies and their connection deepens, everything they share is at stake, forcing Oskar to decide how long to maintain his silence.

Punching The Air by Ibi Zoboi and Yusef Salaam (September 1)

From award-winning, bestselling author Ibi Zoboi and prison reform activist Yusef Salaam of the Exonerated Five comes a powerful YA novel in verse about a boy who is wrongfully incarcerated. Perfect for fans of Jason Reynolds, Walter Dean Myers, and Elizabeth Acevedo.

The story that I thought

was my life

didn’t start on the day

I was born

Amal Shahid has always been an artist and a poet. But even in a diverse art school, he’s seen as disruptive and unmotivated by a biased system. Then one fateful night, an altercation in a gentrifying neighborhood escalates into tragedy. “Boys just being boys” turns out to be true only when those boys are white.

The story that I think

will be my life

starts today

Suddenly, at just sixteen years old, Amal’s bright future is upended: he is convicted of a crime he didn’t commit and sent to prison. Despair and rage almost sink him until he turns to the refuge of his words, his art. This never should have been his story. But can he change it?

With spellbinding lyricism, award-winning author Ibi Zoboi and prison reform activist Yusef Salaam tell a moving and deeply profound story about how one boy is able to maintain his humanity and fight for the truth, in a system designed to strip him of both.

Run, Rebel by Manjeet Mann (Available now — this appears to be a UK title)

When Amber runs, it’s the only time she feels completely free – far away from her claustrophobic home life. Her father wants her to be a dutiful daughter, waiting for an arranged marriage like her sister Ruby.

Running is a quiet rebellion. But Amber wants so much more – and she’s ready to fight for it.

It’s time for a revolution.

The Snow Fell Three Graves Deep by Alan Wolf (September 8)

In 1846, a group of emigrants bound for California face a choice: continue on their planned route or take a shortcut into the wilderness. Eighty-nine of them opt for the untested trail, a decision that plunges them into danger and desperation and, finally, the unthinkable. From extraordinary poet and novelist Allan Wolf comes a riveting retelling of the ill-fated journey of the Donner party across the Sierra Nevadas during the winter of 1846–1847. Brilliantly narrated by multiple voices, including world-weary, taunting, and all-knowing Hunger itself, this novel-in-verse examines a notorious chapter in history from various perspectives, among them caravan leaders George Donner and James Reed, Donner’s scholarly wife, two Miwok Indian guides, the Reed children, a sixteen-year-old orphan, and even a pair of oxen. Comprehensive back matter includes an author’s note, select character biographies, statistics, a time line of events, and more. Unprecedented in its detail and sweep, this haunting epic raises stirring questions about moral ambiguity, hope and resilience, and hunger of all kinds.

Three Things I Know Are True by Betty Culley (Available now)

Life changes forever for Liv when her older brother, Jonah, accidentally shoots himself with his best friend Clay’s father’s gun. Now Jonah needs round-the-clock care just to stay alive, and Liv feels like she’s the only person who can see that her brother is still there inside his broken body.

With Liv’s mom suing Clay’s family, there are divisions in the community that Liv knows she’s not supposed to cross. But Clay is her friend, too, and she refuses to turn away from him—just like she refuses to give up on Jonah.

This powerful novel is a stunning exploration of tragedy, grief, compassion, and forgiveness.

Turtle Under Ice by Juleah del Rosario (Available now)

Rowena feels like her family is a frayed string of lights that someone needs to fix with electrical tape. After her mother died a few years ago, she and her sister, Ariana, drifted into their own corners of the world, each figuring out in their own separate ways how to exist in a world in which their mother is no longer alive.

But then Ariana disappears under the cover of night in the middle of a snowstorm, leaving no trace or tracks. When Row wakes up to a world of snow and her sister’s empty bedroom, she is left to piece together the mystery behind where Ariana went and why, realizing along the way that she might be part of the reason Ariana is gone.

Haunting and evocative—and told in dual perspectives—Turtle Under Ice examines two sisters frozen by grief as they search for a way to unthaw.

What Goes Up by Christine Heppermann (August 18)

When Jorie wakes up in the loft bed of a college boy she doesn’t recognize, she’s instantly filled with regret. What happened the night before? What led her to this place? Was it her father’s infidelity? Her mother’s seemingly weak acceptance? Her recent breakup with Ian, the boy who loved her art and supported her through the hardest time of her life?

As Jorie tries to reconstruct the events that led her to this point, free verse poems lead the reader through the current morning, as well as flashbacks to her relationships with her parents, her friends, her boyfriend, and the previous night.

With Poisoned Apples: Poems for You, My Pretty and Ask Me How I Got Here, Christine Heppermann established herself as a vital voice in thought-provoking and powerful feminist writing for teens. Her poetry is surprising, wry, emotional, and searing. What Goes Up is by turns a scorchingly funny and a deeply emotional story that asks whether it’s possible to support and love someone despite the risk of being hurt. Readers of Laura Ruby, E. K. Johnston, Elana K. Arnold, and Laurie Halse Anderson will find a complicated heroine they won’t soon forget.

With a Star in My Hand by Margarita Engle (Available now)

As a little boy, Rubén Darío loved to listen to his great uncle, a man who told tall tales in a booming, larger-than-life voice. Rubén quickly learned the magic of storytelling, and discovered the rapture and beauty of verse.

A restless and romantic soul, Rubén traveled across Central and South America seeking adventure and connection. As he discovered new places and new loves, he wrote poems to express his wild storm of feelings. But the traditional forms felt too restrictive. He began to improvise his own poetic forms so he could capture the entire world in his words. At the age of twenty-one, he published his first book Azul, which heralded a vibrant new literary movement called Modernismo that blended poetry and prose into something magical.

In gorgeous poems of her own, Margarita Engle tells the story of this passionate young man who revolutionized world literature.

The Poet X by Elizabeth Acevedo

May 9, 2018 |

I don’t read a lot of verse novels, but I really should: they’re fast reads (despite a hefty page count for many), immediately give me a sense of the narrator’s voice, and offer a new way to tell sometimes old stories. In the case of Xiomara in The Poet X, hers is a story that has been told before in that it’s a story about coming of age, about finding your voice when others try to silence you. At the same time, it’s a story not told often enough – that of a young girl of color finding her way in this country.

Xiomara is the fifteen year old daughter of Dominican immigrants, a girl whose curves developed early and whose devout Catholic mother forces her to adhere to a strict code of behavior. This code of behavior has no room for dating and boys, but it also has no room for poetry, the only outlet Xiomara has for expressing herself. She tells her story in poems, a story that includes falling in like with a Trinidadian boy from her school, her struggles with and questions about the religious faith she was raised with, and her talent for both writing and performing her poetry. When Xiomara learns about a poetry club at school, she decides to join, letting her mother believe she is going to confirmation class instead. Even as Xiomara starts to blossom in this area of her life, as she’s drawn out by a trustworthy teacher, a dependable friend, and a kind boy who treats her as a person and not as a body, her home life closes in: these secrets Xiomara keeps cannot remain secret forever.

Acevedo’s writing is so good; it’s no surprise that she’s won awards for her poetry (written and performed). Xiomara tells her story in short poems of no more than 2-3 pages each. Often the title of the poem doubles as its first line; sometimes the titles refer to each other, creating a deliberate contrast, as when Xiomara shares the draft of an assignment in English class and then shares the final version on the next page. Sometimes the poems are in Spanish or Xiomara quotes her mother in Spanish, though a translation soon follows. Xiomara tells her story mostly in free verse, but she also sometimes experiments with haiku and unconventional spacing or line breaks. Each poem furthers the story while also giving us more of Xiomara’s voice, and the resultant package is one of beauty, depth, and intensity. This is a stellar example of the verse novel format.

Acevedo’s treatment of the harassment Xiomara receives simply for being a girl that exists in physical space – especially one with well-developed curves – is particularly well-done. She’s harassed by the men on the street as well as the boys in school. She’s had to learn to stand up for herself, to protect herself against these men and boys and their words and hands, because no one else will do it for her. Acevedo also excels at portraying the relationship between Xiomara and her twin brother, Xavier, who is gay but must hide it from his parents, who at best would disapprove and at worst would subject him to the same (or worse) punishment that Xiomara receives for her many perceived transgressions. Xiomara’s Harlem neighborhood comes alive in her poems, too: the characters and the place they reside live and breathe.

Xiomara’s authentic voice, which includes some slang in both vocabulary and structure as well as a few pop culture references (Nicki Minaj and Drake, for example), will resonate with today’s teens, many of whom will find a welcome mirror in her story. Acevedo’s dedication reads, “To Katherine Bolaños and my former students at Buck Lodge Middle School 2010-2012, and all the little sisters yearning to see themselves: this is for you.” At a panel at the Texas Library Association, Acevedo explained a bit about Katherine, a girl in the English class she taught who had no interest in reading – until Acevedo was able to give her books where she could see at least a little of herself and her life. As librarians, we know these kids, and we know that the non-reader is just the reader who hasn’t been given the right book. The Poet X will be that book for many girls who haven’t found theirs yet.

CLICK, CLICK, SEE: Revisioning the Verse Novel as a Genre, a Guest Post from Author Cordelia Jensen

March 26, 2018 |

I’m really excited to share this fascinating and insightful piece from YA (and middle grade!) author Cordelia Jensen. Jensen’s debut novel, Skyscraping is one I adored, and when I heard she had another verse novel coming, I couldn’t wait to read it.

Earlier this month, you might remember poet Amanda Lovelace sharing some of her favorite YA novels in verse. This essay digs into how those verse novels are structured, and offers up a wealth of additional verse novels for your reading needs. It will also pique your interest about The Way The Light Bends, out tomorrow, March 27.

But without further ado, Cordelia!

There is a wide debate about what makes a verse novel a verse novel. Generally, verse novels incorporate some conventions of poetry while telling a story. The most common poetic conventions used are: an increased use of white space and line breaks, an emphasis on imagery and on a playfulness with words, for instance by using repetition, alliteration or rhyme. However, something freeing about the verse novel is that each author essentially gets to decide how much poetic convention they might incorporate into their book. For example, some verse novelists tell a story in individual poems like in Melanie Crowder’s Audacity, whereas others use more of a stream-of-consciousness format such as Martine Leavitt’s My Book of Life By Angel, which is broken up only with lines from Milton’s Paradise Lost. How do these poetic choices then come to inform their story construction? What do verse novels have to do to make a story work? What do they get to bypass? How do the poetry conventions actually work to reveal story and lend themselves to creating a stronger novel?

For Skyscraping’s debut I wrote a post on imagery construction for E. Kristin Anderson’s blog Write All the Words! The post outlines the way Thanhaa Lai uses the image of the papaya to reflect the emotional growth of Hà in Inside Out & Back Again. I did my graduate work at Vermont College of Fine Arts on how authors can use imagery to reflect the psychosocial developmental stage and changing identity of the main character. Verse novels, because of their hybrid nature, have the ability to do this more than poetry or story. Skyscraping uses celestial imagery throughout the book because Mira, the main character, is studying astronomy and this pursuit helps her reflect upon the changing constellation of her family. In The Way the Light Bends, Linc is a photographer and, therefore, photography is used as the lens through which she sees the world and ultimately fuels her emotional growth. When writing verse novels, it is important to ground your image system in the reality of the main character. For example, in Home of the Brave, Kek’s emotional state is reflected in the weather since there is such a stark contrast between the weather where he lived in the Sudan versus the weather in Minnesota. The imagery makes sense because it describes what is on that character’s mind. This is often not true in poetry itself—a poet may skip from image connection to image connection because poetry does not need to be grounded in context or character. In fact, it is often purposefully not. However, in verse novels, imagery construction is as much reliant on poetic convention as it is on story convention.

As a verse novelist, having the ability to play with white space freely is great fun. In The Way the Light Bends, the main character is a gifted artist and this allowed me to play more with white space—to see myself as a sculptor—more so than I ever had before. Sometimes the play was just about the word itself, such as the word “up” being up a line from the word that precedes it. But, often, the interplay with white space doubled in meaning because of the story. So, for example, in the beginning of the book Linc sees herself as alone and as the rest of the world partnered around her, therefore she describes herself this way:

Here, the white space is used in a poetic way but it is a testament again to character and context that gives the lines their emotional depth. If this poem was read without the rest of the story you may not understand why Linc is feeling isolated. Read in context, you not only understand this but there is also a story promise set up that Linc will find a sense of belonging.

There are a few aspects of verse novels that make storytelling different than writing a conventional novel. The first is less emphasis on, and more creative freedom with regards to, dialogue. For example, in Skyscraping, I used recorded conversations between the main character and her father to give readers more access to the father’s voice. But no matter what, there will be less dialogue in a verse novel than a conventional novel because of the poetic form. This often presents a challenge to the author: How do you create fully fleshed out secondary characters with minimal dialogue? Even more challenging, how do you do this without having the lengthy narrative description you might in a novel? There are a number of ways verse novelists deal with this. The first might be to use multiple points of view that are stylistically different. This is something I explored in Every Shiny Thing, the co-authored Middle Grade book I have coming out in April. In this story, my character’s point of view is in verse, whereas my co-author, Laurie Morrison’s, character is in prose. Often, she was able to round out characters in her sections—through dialogue and description—that I, writing in verse, could not. There are other verse novels that span the thoughts of many characters, such as The Last Fifth Grade at Emerson Elementary by Laura Shovan, which incorporates eighteen points of view. But what about in a singular point-of-view verse novel? Can you show a secondary character’s emotional growth without including their point of view?

The answer is yes, but it is harder. One way to do this is to go back to a poetry device—imagery. In Caminar by Skila Brown, Carlos describes animal spirits as a way for us to see people in his life. And this comparison allows for the reader to see people as “proud” roosters or “smooth and fast” jaguars, giving us a deeper vision of that character. Another way to give more information about a secondary character can be if this character takes up a lot of room in the main character’s head. If so, the character will often speak to the point of view of this character in their minds, and, if there is a great sense of longing, come back in flashbacks, as in Jacqueline Woodson’s Locomotion.

Another storytelling difference in verse novels is the fact that you don’t need to transition the reader from scene to scene as much as you might in a novel. So, for example, you might begin a poem “the next day…” without having to write a whole paragraph about what happened between one day and the next. While this can sometimes feel jarring to the reader, linking imagery from one poem to the next, or keeping the tone of the poems similar, may help build connective tissue throughout and establish a more fluid and continuous narrative. Of course, it’s all a matter of personal preference, and some readers say the white space itself makes a verse novel more readable because it offers time to breathe, time to transition.

When I am writing verse novels, I often think of poems not as scenes but as moments or snapshots. In fact, one “scene” might be comprised of 3-4 overlapping poems or, just as often, one “scene” might be just one poem. Regardless, each of these “scenes” needs to bring your reader somewhere new. And, in addition, each scene must use white space, and incorporate some poetic language while developing character and story. That is quite a lot to do.

There are some poets and some novelists who look down on the verse novel form as something that doesn’t match the standards of their genre. I believe verse novels are their own genre and ought to be seen as both defying and incorporating the “rules” of poetry and the “rules” of storytelling. In an article for the ALAN review entitled “Verse Novels and the Question of Genre,” author Michael Cadden shows the verse novel in the center with its genre influences around it: novel, poetry and drama. He argues the drama genre is also an influence over the genre in as much as the verse itself can be seen as a sort of inner-monologue. Cadden argues that the modern verse novel is a great starting point to teach all three of these traditional genres plus teaching students about the creative strengths of the verse novel itself. Cadden says: “What the verse novel lacks in description and extended narration, it makes up for in its insistence that the reader provide those things on his or her own, both demanding and enabling the reader to imagine appropriate and personally satisfying images that match the context of the soliloquy and/or dialogue-driven narrative. By using the verse novel as touchstone text to learn more about three distinct genres, we would be learning how the verse novel itself is its own thing rather than a failed version of something else.”

Maybe more useful than thinking about what a verse novel isn’t, we might think about what it is: a highly-readable, emotional journey of a character(s) undergoing life-changing events as shown in a series of image-driven moments.

As photographer, Linc in The Way the Light Bends would say, we might envision the experience of reading or writing a verse novel this way: “Click/Click/See.”

***

Cordelia Jensen holds an MFA from Vermont College of Fine Arts and teaches creative writing in Philadelphia, where she lives with her husband and children. She is also the author of Skyscraping. Follow her on Twitter @cordeliajensen.

About The Way The Light Bends

A powerful novel in verse about fitting in, standing out, defining your own self-worth, and what it takes to keep a fracturing family whole.

Virtual twins Linc and Holly were once extremely close. But while artistic, creative Linc is her parents’ daughter biologically, it’s smart, popular Holly, adopted from Ghana as a baby, who exemplifies the family’s high-achieving model of academic success.

Linc is desperate to pursue photography, to find a place of belonging, and for her family to accept her for who she is, despite her surgeon mother’s constant disapproval and her growing distance from Holly. So when she comes up with a plan to use her photography interests and skills to do better in school–via a project based on Seneca Village, a long-gone village in the space that now holds Central Park, where all inhabitants, regardless of race, lived together harmoniously–Linc is excited and determined to prove that her differences are assets, that she has what it takes to make her mother proud. But when a long-buried family secret comes to light, Linc must decide whether her mother’s love is worth obtaining.

A novel in verse that challenges the way we think about family and belonging.

Poet Amanda Lovelace Recommends Great YA Novels in Verse

March 5, 2018 |

I’m really excited to share a guest post today from none other than Amanda Lovelace. You may know her as the author of the Goodreads award winning poetry collection the princess saves herself in this one. Her next book of poetry, the witch doesn’t burn in this one, hits shelves tomorrow (March 6). Amanda loves YA lit and I’m thrilled she’s here to share some of her favorite YA verse novels — and as much as it’s a format I read a lot of, Amanda’s offered up a selection of books I needed to add to my TBR myself.

Without further ado, welcome Amanda!

____________________

In the wake of Rupi Kaur’s two massively successful poetry collections, milk and honey and the sun and her flowers, the world has decided it’s ravenous for more poetry. One of the many reasons why Kaur’s collections resonate with so many is because they both tell a tale, from beginning to end, in what some might consider a series of poem vignettes. Unfortunately, these types of poetry collections don’t seem to be too common (yet!), but you’re in luck, because novels told in the verse style get the same job done, and there’s plenty of them out there for you to devour while you wait for your next poetry fix!

Here are 5 of my favorites (all descriptions from Goodreads), in no particular order:

1) Blood Water Paint by Joy McCullough (March 6th) (YA) – “Her mother died when she was twelve, and suddenly Artemisia Gentileschi had a stark choice: a life as a nun in a convent or a life grinding pigment for her father’s paint.

She chose paint.

By the time she was seventeen, Artemisia did more than grind pigment. She was one of Rome’s most talented painters, even if no one knew her name. But Rome in 1610 was a city where men took what they wanted from women, and in the aftermath of rape Artemisia faced another terrible choice: a life of silence or a life of truth, no matter the cost.”

2) The Lightning Dreamer by Margarita Engle (YA) – “Opposing slavery in Cuba in the nineteenth century was dangerous. The most daring abolitionists were poets who veiled their work in metaphor. Of these, the boldest was Gertrudis Gómez de Avellaneda, nicknamed Tula. In passionate, accessible verses of her own, Engle evokes the voice of this book-loving feminist and abolitionist who bravely resisted an arranged marriage at the age of fourteen, and was ultimately courageous enough to fight against injustice. Historical notes, excerpts, and source notes round out this exceptional tribute.”

3) A Time to Dance by Padma Venkatraman (YA) – “Veda, a classical dance prodigy in India, lives and breathes dance—so when an accident leaves her a below-knee amputee, her dreams are shattered. For a girl who’s grown used to receiving applause for her dance prowess and flexibility, adjusting to a prosthetic leg is painful and humbling. But Veda refuses to let her disability rob her of her dreams, and she starts all over again, taking beginner classes with the youngest dancers. Then Veda meets Govinda, a young man who approaches dance as a spiritual pursuit. As their relationship deepens, Veda reconnects with the world around her, and begins to discover who she is and what dance truly means to her.”

4) Paper Hearts by Meg Wiviott (YA) – “A novel in verse, Paper Hearts is the story of survival, defiance, and friendship. Based on historical events about a group of girls who were slave laborers at the munitions factory in Auschwitz.”

5) Brown Girl Dreaming by Jacqueline Woodson (MG) – “Raised in South Carolina and New York, Woodson always felt halfway home in each place. In vivid poems, she shares what it was like to grow up as an African American in the 1960s and 1970s, living with the remnants of Jim Crow and her growing awareness of the Civil Rights movement. Touching and powerful, each poem is both accessible and emotionally charged, each line a glimpse into a child’s soul as she searches for her place in the world. Woodson’s eloquent poetry also reflects the joy of finding her voice through writing stories, despite the fact that she struggled with reading as a child. Her love of stories inspired her and stayed with her, creating the first sparks of the gifted writer she was to become.”

growing up a word-devourer & avid fairy tale lover, it was only natural that amanda lovelace began writing books of her own, & so she did. when she isn’t reading or writing, she can be found waiting for pumpkin spice coffee to come back into season & binge-watching gilmore girls. (before you ask: team jess all the way.) the lifelong poetess & storyteller currently lives in new jersey with her husband, their bunnycat, & a combined book collection so large it will soon need its own home. she has her B.A. in english literature with a minor in sociology. her first collection, the princess saves herself in this one, won the goodreads choice award for best poetry of 2016.

A Round-Up of Recent & Upcoming YA Novels in Verse

April 10, 2017 |

It’s been a couple of years since I’ve done a round-up of YA novels in verse, but seeing it’s National Poetry Month and there’s been a slight uptick in verse novels this year, it feels like time for an update.

The list below isn’t comprehensive, but it’s close. If I’m missing something, please let me know in the comments. Titles span both 2016 and 2017, and I’ve noted publication dates for those not yet released. All descriptions come from Goodreads. Some of these verse novels are only partially in verse — it may be a single voice in the story with multiple narrators.

If you’re looking to bulk up your knowledge of verse novels, we put together a “Get Genrefied” piece in 2013, complete with resources and additional classic titles in the format, and last year at Book Riot, I compiled a list of 100 must-read YA novels in verse.

American Ace by Marilyn Nelson

Connor’s grandmother leaves his dad a letter when she dies, and the letter’s confession shakes their tight-knit Italian American family: The man who raised Dad is not his birth father.

But the only clues to this birth father’s identity are a class ring and a pair of pilot’s wings. And so Connor takes it upon himself to investigate—a pursuit that becomes even more pressing when Dad is hospitalized after a stroke. What Connor discovers will lead him and his father to a new, richer understanding of race, identity, and each other.

Ask Me How I Got Here by Christine Heppermann

Addie has always known what she was running toward. In cross-country, in life, in love. Until she and her boyfriend—her sensitive, good-guy boyfriend—are careless one night and she ends up pregnant. Addie makes the difficult choice to have an abortion. And after that—even though she knows it was the right decision for her—nothing is the same anymore. She doesn’t want anyone besides her parents and her boyfriend to know what happened; she doesn’t want to run cross-country; she can’t bring herself to be excited about anything. Until she reconnects with Juliana, a former teammate who’s going through her own dark places.

Bull by David Elliott

Much like Lin-Manuel Miranda did in Hamilton, the New York Times best-selling author David Elliott turns a classic on its head in form and approach, updating the timeless story of Theseus and the Minotaur for a new generation. A rough, rowdy, and darkly comedic young adult retelling in verse, Bull will have readers reevaluating one of mythology’s most infamous monsters.

Finding Wonders: Three Girls Who Changed Science by Jeannine Atkins

Maria Merian was sure that caterpillars were not wicked things born from mud, as most people of her time believed. Through careful observation she discovered the truth about metamorphosis and documented her findings in gorgeous paintings of the life cycles of insects.

More than a century later, Mary Anning helped her father collect stone sea creatures from the cliffs in southwest England. To him they were merely a source of income, but to Mary they held a stronger fascination. Intrepid and patient, she eventually discovered fossils that would change people’s vision of the past.

Across the ocean, Maria Mitchell helped her mapmaker father in the whaling village of Nantucket. At night they explored the starry sky through his telescope. Maria longed to discover a new comet—and after years of studying the night sky, she finally did.

Forget Me Not by Ellie Terry

Calliope June has Tourette syndrome. Sometimes she can’t control the noises that come out of her mouth, or even her body language. When she and her mother move yet again, she tries to hide her TS. But soon the kids in her class realize she’s different. Only her neighbor, who is also the class president, sees her as she truly is—a quirky kid, and a good friend. But is he brave enough to take their friendship public?

As Callie navigates school, she must also face her mother’s new relationship and the fact that she might be moving again—just as she’s starting to make friends and finally accept her differences. This story of being true to yourself will speak to a wide audience.

Girls Like Me by Lola StVil

Fifteen-year-old Shay Summers is trying to cope with the death of her father, being overweight, and threats from a girl bully in school. When she falls in love with Blake, a mysterious boy online, insecure Shay doesn’t want to tell him who she is. But with the help of her two best friends, as well as an assist by Kermit and Miss Piggy, ultimately Shay and Blake’s love prevails.

The Lonely Ones by Kelsey Sutton (April 26)

With parents too busy to pay her attention, an older brother and sister who would rather spend their time with friends, and peers who oscillate between picking on her and simply ignoring her, it’s no wonder that Fain spends most of her time in a world of her own making. During the day, Fain takes solace in crafting her own fantastical adventures in writing, but in the darkness of night, these adventures come to life as Fain lives and breathes alongside a legion of imaginary creatures. Whether floating through space or under the sea, climbing mountains or traipsing through forests, Fain becomes queen beyond – and in spite of – the walls of her bedroom.

In time, Fain begins to see possibilities and friendships emerge in her day-to-day reality. . . yet when she is let down by the one relationship she thought she could trust, Fain must decide: remain queen of the imaginary creatures, or risk the pain that comes with opening herself up to the fragile connections that exist only in the real world?

Long Way Down by Jason Reynolds (October 17)

A cannon. A strap.
A piece. A biscuit.
A burner. A heater.
A chopper. A gat.
A hammer
A tool
for RULE

Or, you can call it a gun. That’s what fifteen-year-old Will has shoved in the back waistband of his jeans. See, his brother Shawn was just murdered. And Will knows the rules. No crying. No snitching. Revenge. That’s where Will’s now heading, with that gun shoved in the back waistband of his jeans, the gun that was his brother’s gun. He gets on the elevator, seventh floor, stoked. He knows who he’s after. Or does he? As the elevator stops on the sixth floor, on comes Buck. Buck, Will finds out, is who gave Shawn the gun before Will took the gun. Buck tells Will to check that the gun is even loaded. And that’s when Will sees that one bullet is missing. And the only one who could have fired Shawn’s gun was Shawn. Huh. Will didn’t know that Shawn had ever actually USED his gun. Bigger huh. BUCK IS DEAD. But Buck’s in the elevator? Just as Will’s trying to think this through, the door to the next floor opens. A teenage girl gets on, waves away the smoke from Dead Buck’s cigarette. Will doesn’t know her, but she knew him. Knew. When they were eight. And stray bullets had cut through the playground, and Will had tried to cover her, but she was hit anyway, and so what she wants to know, on that fifth floor elevator stop, is, what if Will, Will with the gun shoved in the back waistband of his jeans, MISSES.

And so it goes, the whole long way down, as the elevator stops on each floor, and at each stop someone connected to his brother gets on to give Will a piece to a bigger story than the one he thinks he knows. A story that might never know an END…if WILL gets off that elevator.

Loving Vs. Virginia by Patricia Hruby Powell; Shadra Strickland

From acclaimed author Patricia Hruby Powell comes the story of a landmark civil rights case, told in spare and gorgeous verse. In 1955, in Caroline County, Virginia, amidst segregation and prejudice, injustice and cruelty, two teenagers fell in love. Their life together broke the law, but their determination would change it. Richard and Mildred Loving were at the heart of a Supreme Court case that legalized marriage between races, and a story of the devoted couple who faced discrimination, fought it, and won.

Ronit and Jamil by Pamela L. Laskin

Ronit, an Israeli girl, lives on one side of the fence. Jamil, a Palestinian boy, lives on the other side. Only miles apart but separated by generations of conflict—much more than just the concrete blockade between them. Their fathers, however, work in a distrusting but mutually beneficial business arrangement, a relationship that brings Ronit and Jamil together. And lightning strikes. The kind of lightning that transcends barrier fences, war, and hatred.

The teenage lovers fall desperately into the throes of forbidden love, one that would create an irreparable rift between their families if it were discovered. But a love this big can only be kept secret for so long. Ronit and Jamil must face the fateful choice to save their lives or their loves, as it may not be possible to save both.

Saving Red by Sonya Sones

Right before winter break, fourteen-year-old Molly Rosenberg reluctantly volunteers to participate in Santa Monica’s annual homeless count, just to get her school’s community service requirement out of the way. But when she ends up meeting Red, a spirited homeless girl only a few years older than she is, Molly makes it her mission to reunite her with her family in time for Christmas. This turns out to be extremely difficult—because Red refuses to talk about her past. There are things Molly won’t talk about either. Like the awful thing that happened last winter. She may never be ready to talk about that. Not to Red, or to Cristo, the soulful boy she meets while riding the Ferris wheel one afternoon.

When Molly realizes that the friends who Red keeps mentioning are nothing more than voices inside Red’s head, she becomes even more concerned about her well-being. How will Molly keep her safe until she can figure out a way to get Red home? In Sonya Sones’ latest novel, two girls, with much more in common than they realize, give each other a new perspective on the meaning of family, friendship, and forgiveness.

The Sky Between You and Me by Catherine Alene

Raesha can’t let go. Not of the ache she feels at the loss of her mother. Or her loneliness from the long hours her father spends on the road. And certainly not of her jealousy of the new girl who keeps flirting with her boyfriend and making plans with her best friend. So she focuses on training for Nationals.

For Raesha, competing isn’t just about the speed of her horse or the thrill of the win. It’s about honoring her mother’s memory. Raesha knows minus five on the scale will let her sit deeper in her saddle, make her horse lighter on her feet. And lighter, leaner, faster gives her the edge she needs to win—to run that perfect race that will make everyone proud.

But the more Raesha focuses on the win, the more she starts to push away the people she loves. And if she’s not careful, she will lose herself and all she loves to lighter. Leaner. Faster.

Stone Mirrors: The Sculpture and Silence of Edmonia Lewis by Jeannine Atkins

A sculptor of historical figures starts with givens but creates her own vision. Edmonia Lewis was just such a sculptor, but she never spoke or wrote much about her past, and the stories that have come down through time are often vague or contradictory. Some facts are known: Edmonia was the daughter of an Ojibwe woman and an African-Haitian man. She had the rare opportunity to study art at Oberlin, one of the first schools to admit women and people of color, but lost her place after being accused of poisoning and theft, despite being acquitted of both. She moved to Boston and eventually Italy, where she became a successful sculptor.

But the historical record is very thin. The open questions about Edmonia’s life seem ideally suited to verse, a form that is comfortable with mysteries. Inspired by both the facts and the gaps in history, author Jeannine Atkins imagines her way into a vision of what might have been.

This Impossible Light by Lily Myers (June 6)

Sixteen-year-old Ivy’s world is in flux. Her dad has moved out, her mother is withdrawn, her brother is off at college, and her best friend, Anna, has grown distant. Worst of all, Ivy’s body won t stop expanding. She’s getting taller and curvier, with no end in sight. Even her beloved math class offers no clear solution to the imbalanced equation that has become Ivy s life.
Everything feels off-kilter until a skipped meal leads to a boost in confidence and reminds Ivy that her life is her own. If Ivy can just limit what she eats the way her mother seems to she can stop herself from growing, focus on the upcoming math competition, and reclaim control of her life. But when her disordered eating leads to missed opportunities and a devastating health scare, Ivy realizes that she must weigh her mother’s issues against her own, and discover what it means to be a part of and apart from her family.

To Stay Alive by Skila Brown

The journey west by wagon train promises to be long and arduous for nineteen-year-old Mary Ann Graves and her parents and eight siblings. Yet she is hopeful about their new life in California: freedom from the demands of family, maybe some romance, better opportunities for all. But when winter comes early to the Sierra Nevada and their group gets a late start, the Graves family, traveling alongside the Donner and Reed parties, must endure one of the most harrowing and storied journeys in American history. Amid the pain of loss and the constant threat of death from starvation or cold, Mary Ann’s is a narrative, told beautifully in verse, of a girl learning what it means to be part of a family, to make sacrifices for those we love, and above all to persevere.

Vanilla by Billy Merrell (October 17)

Hunter and Van become boyfriends before they’re even teenagers, and stay a couple even when adolescence intervenes. But in high school, conflict arises — mostly because Hunter is much more comfortable with the sex part of sexual identity. As the two boys start to realize that loving someone doesn’t guarantee they will always be with you, they find out more about their own identities — with Hunter striking out on his own while Van begins to understand his own asexuality.

We Come Apart by Brian Conaghan; Sarah Crossan

Nicu has emigrated from Romania and is struggling to find his place in his new home. Meanwhile, Jess’s home life is overshadowed by violence. When Nicu and Jess meet, what starts out as friendship grows into romance as the two bond over their painful pasts and hopeful futures. But will they be able to save each other, let alone themselves?

When My Sister Started Kissing by Helen Frost

Claire and Abi have always loved their summers at the lake house, but this year, everything’s different. Dad and Pam, their stepmom, are expecting a new baby, and they’ve cleared out all of Mom’s belongings to make room. And last summer, Abi was looking at boys, but this summer, boys are looking back at her. While Abi sneaks around, Claire is left behind to make excuses and cover up for her. Claire doesn’t want her family to change, but there doesn’t seem to be a way of stopping it. By the end of their time at the house, the two sisters have learned that growing up doesn’t have to mean their family growing apart.

The You I’ve Never Known by Ellen Hopkins

For as long as she can remember, it’s been just Ariel and Dad. Ariel’s mom disappeared when she was a baby. Dad says home is wherever the two of them are, but Ariel is now seventeen and after years of new apartments, new schools, and new faces, all she wants is to put down some roots. Complicating things are Monica and Gabe, both of whom have stirred a different kind of desire.

Maya’s a teenager who’s run from an abusive mother right into the arms of an older man she thinks she can trust. But now she’s isolated with a baby on the way, and life’s getting more complicated than Maya ever could have imagined.

Ariel and Maya’s lives collide unexpectedly when Ariel’s mother shows up out of the blue with wild accusations: Ariel wasn’t abandoned. Her father kidnapped her fourteen years ago.

What is Ariel supposed to believe? Is it possible Dad’s woven her entire history into a tapestry of lies? How can she choose between the mother she’s been taught to mistrust and the father who has taken care of her all these years?

Zero Repeat Forever by Gabrielle Prendergast (August 29)

He has no voice, or name, only a rank, Eighth. He doesn’t know the details of the mission, only the directives that hum in his mind.

Dart the humans. Leave them where they fall.

His job is to protect his Offside. Let her do the shooting.

Until a human kills her…

Sixteen year-old Raven is at summer camp when the terrifying armored Nahx invade, annihilating entire cities, taking control of the Earth. Isolated in the wilderness, Raven and her friends have only a fragment of instruction from the human resistance.

Shelter in place.

Which seems like good advice at first. Stay put. Await rescue. Raven doesn’t like feeling helpless but what choice does she have?

Then a Nahx kills her boyfriend.

Thrown together in a violent, unfamiliar world, Eighth and Raven should feel only hate and fear. But when Raven is injured, and Eighth deserts his unit, their survival comes to depend on trusting each other.