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Reminder: The Best Books You Aren’t Reading

March 24, 2012 |

Don’t forget to join Lenore and I this Thursday for our first Twitter book discussion of CK Kelly Martin’s My Beating Teenage Heart. Chat with us starting at 6 pm EST, using the hash tag #MBTH.

This was one of my favorite books last year, and I’m eager to not only reread it, but Lenore and I are excited to get other people talking about it.

Filed Under: overlooked books, Uncategorized

The Hunger Games: Movie Review

March 23, 2012 |

You may not know this about me, but I have connections. Namely, this guy. Thanks to his press status (he’s the movie critic for our local newspaper), he scored two press passes to see The Hunger Games on Wednesday.  I know we usually stick to books here at STACKED, but I figured this film was big enough to merit a review.
Overall: I really, really liked it. This is one of the better movie adaptations of a novel that I’ve seen. It stays true enough to the book to please most fans, but it doesn’t follow it so closely that it becomes awkward or tedious. Film and paper are two very different media formats, and changes need to be made from one to the other to make a successful adaptation. Luckily, the Hunger Games does it right.
Perhaps the “change” that I most appreciated in the movie is the inclusion of the gamemakers’ actions during the Games themselves. Due to Katniss’ first-person narration in the novel, we’re unable to see what it is exactly that the gamemakers are doing. Sure, Katniss tells us a little bit of what must be going on, but it’s not the same as seeing it. In the movie, the camera will often cut away from the Games to show us the gamemakers at work: creating fireballs to hurtle at Katniss, engineering vicious dogs to sic on the tributes, placing a tree in Katniss’ path. It gives the moviegoer a chance to see some very cool futuristic technology that isn’t as present in the book.
This is a slick production. The sets, costumes, and special effects are all very lavish and very detailed. It all screams “blockbuster” – as it should. The first shots of the Capitol are nearly breathtaking, as Peeta remarks. The costumes on the Capitol’s denizens are just the right amount of ridiculous. The “girl on fire” costume that Katniss wears during the tribute parade is perhaps not as amazing as I was hoping, but it was still pretty neat to look at. The arena – filmed in exotic Asheville, North Carolina – is beautiful, too, in a very deadly way. The Hunger Games is a pretty film with much to draw the eye.
I think what most people will be talking about after seeing the film, though, is the acting. The two male leads are kind of duds (mediocre, but inoffensive), but Jennifer Lawrence as Katniss was an inspired casting choice. She channels a bit of her character Ree from Winter’s Bone, frequently remaining silent but able to communicate a lot through her face and body language without making it seem like she’s emoting. Thanks to the book’s first-person POV, we get inside Katniss’ head very easily there; Lawrence is able to do the same thing to the viewing audience without the benefit of an inner monologue, which is mighty impressive.
The supporting cast does a terrific job too. The roles of Seneca Crane and President Snow have both been beefed up for the film, which I liked. Crane was almost a nonentity to the me in the book, so much so that I didn’t even remember what his role was when I read Catching Fire. Here, he is interesting. He gets a few key scenes with President Snow that help demonstrate his own motivations as well as Snow’s.
Effie is mainly there for comic relief, which isn’t a bad thing. Elizabeth Banks is a scene-stealer. She’s got some really funny lines that keep the movie from being completely depressing, which I always appreciate. I’ve read some people complain about Haymitch, but I thought he was solidly portrayed as well. Lenny Kravitz as Cinna is equally good. And Stanley Tucci as Caesar Flickerman has the most batshit insane camera smile you will ever see.
And Rue. Oh Rue. She’s adorable and easy to like, and her death is wrenching. It hurts to see her die and to see Katniss’ reaction to it, but the full impact of it isn’t felt until we see District 11 rioting over it, fighting the peacekeepers, prompted by a man whom I assume is Rue’s father.
The only thing that I really disliked about the film was its overuse of the “shaky cam” technique. It’s used consistently during the Games themselves, and I assume it was done at least in part to keep the rating PG-13. If the camera remained still, the audience would get a much better view of the violence. As it is, though, it was sometimes difficult to tell exactly what was going on. And the technique was also used as the potential tributes walked to the Reaping ceremony – not necessary for rating purposes. It got to the point where I wanted to look away until the camera was steadied again. I am not a fan of this technique.
I have to mention just one more thing that has nothing to do with the film, really, but instead the audience’s reaction to it. I was in a packed theater full of fans, and they were all very enthusiastic. So it makes sense that they would cheer when something good happens to Katniss, yes? There were cheers when Thresh saved Katniss by taking out another tribute, when Cato finally kicked it, and when Katniss and Peeta won the Games. Cheering and applauding for the death of children is nice, isn’t it? Doesn’t it make you think a little bit of the spectators in the Capitol, choosing favorites, making bets, cheering and booing the tributes? Doesn’t it make you feel a little bit like the audience is just another pawn in the Games?
(That was your deep thought for the day. I hope you appreciate it.)

Filed Under: Hunger Games movie, Uncategorized, Young Adult

Famous for Thirty Seconds by P.G. Kain

March 22, 2012 |

Twelve-year-old Brittany Rush is the toast of the commercial and print advertising scene. Ever since she was a gurgling baby and was discovered to become the face of Good Baby formula, she hasn’t known a life where her face hasn’t graced television screens, magazine pages, or massive displays in fast food restaurants. Other girls cower when she walks into auditions and her prestigious agent practically worships the ground she walks on. To Brittany, life is lights, makeup, and pretense. And she loves every minute of it. But when her mother, a journalist, is transferred to Hong Kong for a year, Brittany has no choice but to leave the world she loves. At least she’s content in the knowledge that it’s just a year. A year can’t change much, can’t alter her status and fame. Right? Wrong. Because when Brittany returns to New York, her agent tells her that everything has changed. Being thirteen is way different than being twelve, and Phoebe, a girl who previously couldn’t even remember her lines, is now booking jobs left and right. Brittany is left in the dust, relegated to “friend” status while Phoebe shines in the limelight. But Brittany soon has a plan to bring Phoebe down. But will her guilt–and a burgeoning interest in both Phoebe’s brother Liam and a new art class–get in the way of the career she yearns to regain?

Famous for Thirty Seconds, the first book in P.G. Kain’s new Commercial Breaks series, was a cute, fun, fast read that, while quite predictable, still managed to hold my attention. Brittany’s determined, bubbly personality will appeal to many readers. and I was quite surprised to discover that P.G. Kain is a male, as the female voice is quite realistic. The behind-the-scene details of the world of commercial and print casting were fascinating and detailed, and you can tell that the author has experience in the field. In fact, a lot of these inside details reminded me a lot of Jen Calonita’s Secrets of My Hollywood Life series, if with a younger tone here.
However, something about Brittany’s character rubbed me the wrong way. While her transformation from a determined career girl to a more well-adapted and well-rounded tween was the point of the story, this transformation almost seemed too rushed, the conclusion too sudden and pat. Similarly, her “before” side often seemed too ruthless and determined, almost to the detriment of the character’s likability.
Nevertheless, I definitely enjoyed this one, and my middle school self would have gobbled up the glamorous details of Brittany’s life. Hand this off to fans of Lauren Barnholdt’s middle grade books. I can also see fans of Lisa Yee and of Lauren Myracle’s middle grade books liking this one.
Disclosure: Copy received from the author for review.

Filed Under: middle grade, Reviews, Uncategorized

Let’s talk about stats, baby

March 21, 2012 |

I have been sitting on this topic for a long, long time, and after seeing it become an issue earlier today on Twitter, I thought there was no better time than now!

Stats: we’ve all got ’em. They tell us all kinds of useful things, like how many people subscribe to our blogs, how many hits our blog gets, how many page views we have, where our viewers are reading from, and so on. They’re like circulation numbers in print media: stats give a good idea on how much and how many things are going on on a blog. In addition to stats as useful numbers, there’s also commenting numbers that can provide some interesting information.

These numbers can be passed along to publishers in exchange for, say, receiving advanced copies of titles — those numbers can show your reach and your ability to spread the word about a title — and they can be used if you’re seeking out advertising and revenue for your blog. Stats are important because they help separate out and help file bloggers into different categories. Bloggers who get a lot of comments and a lot of hits appear to have bigger reaches in the blogging world, and they then are more entitled to receiving certain “high interest” galleys and receiving some of the perks and promotional opportunities that can come with working with publishers or publicity agencies. These are the bloggers making bigger impressions, and they’re the ones who’ll give the most exposure to the most people. It makes sense. Numbers can say a lot!

When bloggers approach publishers seeking ARCs, sometimes they will lay out their stats for the publisher, and sometimes they publisher will ask directly. There are some publishers on Netgalley who have in their requirements that bloggers wishing to receiving an egalley put their information right in their bios, so that the publisher can make an easier decision on whether the blogger’s numbers match what their ideal numbers are. If a blogger meets that number, they have a better chance at receiving one of the limited number of ARCs available (it’s not guaranteed, but it’s a plus point to them).

Bloggers work exceptionally hard to make sure they’re getting good numbers — they blog regularly, write features that garner traffic, spread the word about their posts in any social media outlet possible, teach themselves search engine optimization to ensure their posts are among the first results popping up when people Google a book. They check their stats daily, weekly, monthly, and they note trends they’re seeing and work to ensure it’s an upward, not downward, movement.

Honestly, it’s at times mind blowing to see how much work bloggers put into their blog — they’re impassioned, they’re loyal, they’re dedicated, and they’re always looking for the next opportunity. Those who work hard SEE the rewards, through not only stats, but also through commenting, through their posts being spread wide and far, through being asked to take part in a huge promotional push on a big title (which then helps their blog’s exposure, the stats, and so on and so forth). But my question is this, and it will continue to be this: what does it even mean? What value does it have? Is there a value at all?

There aren’t answers and there never will be. That right there is why stats, in my mind, are not at all a useful means of measuring a blogger’s worth.

Here’s a screen shot of our stats from the last month (February 20 – March 20), as provided by blogger. As you can see, we’ve had almost 500 hits today, and we’ve had over 22,000 hits in the last month. It’s pretty astounding, considering these numbers do not take into account our readers who subscribe via RSS (I’ll get there in a second). This is only people who go to stackedbooks.org.

And here’s a comparative screen grab of what Google Analytics says our stats are in the same time frame. We’ve had somewhere between 4,100 and 6,800 visitors, and we’ve had 11,300 page views. As you can see, our traffic patterns vary, depending on the day and depending on the content. I can tell you that the peaks are when we have guest posts and when we have posts that elicit conversation, and our valleys are when we post book reviews (the bread and butter of what we do garners the least amount of traffic – go figure!). We also know we get more hits on weekdays as opposed to weekends, and during holidays and during conference seasons (ALA, etc.) we have declines in our readership. The traffic pattern information is useful to us when we’re planning our posts, so that we don’t post something we want people to read when we know our readership will be lower.

 

One more statistical compilation to look at — this is what sitemeter (the little button at the very bottom of our blog and many other blogs) says about our blog. We have far fewer hits per day and week according to this site than we do account to either Blogger or Analytics’s numbers. It also has our overall page views much lower than the other two.

Now those numbers all show the information for how many people are going to our blog directly and interacting with it at stackedbooksblog’s worth on these numbers at all. As both Kimberly and Jen can attest to, this is probably the first time they’ve actually SEEN all of these numbers in one place. Same here. We have them but we never pay attention. We pay attention to writing strong reviews, interesting features, and doing so on a consistent schedule.

So, when we’re asked for our stats, we average out the numbers and get a good idea of what our page views are.

In theory.

We have never once been asked to provide our stats for anything. Never. Once.

I mentioned earlier that these numbers do not take into account readers who subscribe by RSS. But that’s a number that’s always changing and inconsistent, much like the stats listed above. We can, however, get a bit of an idea thanks to Feedburner and thanks to the stats feature in Google Reader (which only gives information about GoogleReader subscribers).

Here’s our Feedburner readout:

Here’s what Google Reader says for our feed:

These two numbers are reading our feeds by different addresses but I know that FeedReader shows our GoogleReader subscribers as much higher than GoogleReader shows our GoogleReader subscribers. But these are two wildly different numbers! And then there’s the complication of numbers of people who are “following,” rather than “subscribing” to our blog.

I’ve talked before about readership and about critical reviews and about different types of bloggers, and that conversation is worth thinking about when we look at stats.  Different bloggers are going to garner different readerships and different stats. They reach different audiences and have different goals. I’ve believed for a long time this is something people were aware of, but I know the case is that that’s not true. There are bloggers who have astronomical stats because they’re promoting titles and they’re working as publicity for titles, rather than as reviewers for titles. Then there are bloggers who only review popular titles. Then there are bloggers who seek out lesser-known titles or bloggers who work primarily backlist titles. Their stats are going to be much different than those who are, say, doing cover reveals (and racking up hits that way) or those who are the first to review a very popular title (say Bitterblue). And that is okay. It is okay. Everyone reaches a different audience and everyone has different goals, and the entire beauty of the blogging world is that everyone can coexist like this.

One of the things we know about our readership is that the bulk are librarians or educators. It’s not our entire audience by any means, but a good chunk are. These are people who are gatekeepers to other readers. They spread information by word of mouth and, often, by opening their budget, too. We have readers who tell us they purchase books because we’ve given it a positive (or critical!) review. We know we have readers who look to us to find out what book they can next hand to a teen who loved x-titled book and needs something similar.

And that — that right there — is exactly why we do this.

We don’t do it for the stats, and we don’t do it to see our numbers explode. We don’t do it so we can get the next greatest promotion nor the next biggest title. We can get them from the library or purchase them ourselves when they’re available. Sure, being the first to review an exciting title is neat, but it’s never our goal here. That’s not to say the folks who do do those things are wrong. It’s just that their goals are much different than ours. And that. is. okay.

So why the long and detailed discussion of stats?

Stats tell us NOTHING.

They tell us absolutely NOTHING about a blog.

The truth of the matter is that while blogs certainly have a role in buzz marketing and in helping sell books and in putting books on people’s radars, we are only hitting certain audiences. Each blog hits different audiences and different readers, and those readers do different things with that information. They pass it along to colleagues or teens, they use it to buy books or avoid buying books, they use it to keep up-to-date on what’s coming out. But do we, as bloggers, know what they’re doing?

The answer is no. We don’t. We have ideas, and we can be told, but the truth is, unless we’re the ones buying a title, we don’t know how many titles we’re selling of certain books. We don’t know our true REACH. We never can and we probably never will.

All these stats do is give us a number. They give us something to look at and to pass along, something that can feel good or feel bad, depending on the day the blogger looks at it. But the truth is, these stats don’t tell us about content or quality of content. It just tells us something was looked at a lot or not looked at at all. It tells us when things are looked at more and when they’re looked at less. They’re a tool for the blogger to plan and think through what they’re doing. And if you take our numbers at their value, our biggest days come when we aren’t reviewing books, which is what we like doing most here. Which is what publishers provide ARCs for — the review. Our stats aren’t useful except to ourselves and whatever meaning we ascribe to it; they’re not useful for publishers because for them, it’s a raw number without meaning behind it.

Stats, as interesting as they are, really don’t tell us anything. They don’t tell us the true impact of what we’re doing. They don’t tell us whether what we said made someone buy a book. They don’t tell us how many people added a book to their GoodReads to-read shelf (sure you could extrapolate, but that’s giving yourself a lot of credit). They don’t tell us anything about ourselves except that we exist and, in some cases, we should be paid attention to. Because we ARE reaching someone. Just . . . we can’t know more than that.

Back to an earlier point: we have never been asked to provide our stats for anything, and I’ve laid them out right here for you to look at because as much as people are protective of their own, they’re also perversely interested in other people’s numbers. Publishers often talk about bloggers providing stats but they’ve not — as far as I know — given any indication of what good stats are. They haven’t laid out publicly what they’re looking for in terms of numbers or reach. At Kid Lit Con in 2010, there was a discussion about this very topic, and the response from the publishers was that they look at quality of work, they look at stats, and they look at comments. To which savvy bloggers cried precisely what I have said — numbers. mean. nothing. Reviews get the lowest views. Reviews get the fewest comments. But it doesn’t make the work any less valued or valuable or worthwhile.

There’s a lot of interest in comparing one another in the blogging world (and in the greater book world, too). But the truth is, comparing yourself to anyone else is pointless. Looking at your stats and seeing they’re better than or worse than ours says absolutely nothing about the quality of what you’re doing nor does it say anything about what your readers are taking away from your work.

Filed Under: big issues, Data & Stats, Professional Development, Uncategorized

What I’m Reading Now

March 21, 2012 |

The Traitor in the Tunnel by Y. S. Lee
Mary Quinn is back, this time posing as a maid at Buckingham Palace so she can investigate some petty thefts for Queen Victoria. What should be a small but delicate job turns into something much more serious when the Prince of Wales is involved in a scuffle with a Lascar and a friend of his ends up dead. The Lascar in question just may be Mary’s father, a man she has never met and presumed dead all her life. Everything I loved about the first two novels in this series reappears here: historical detail that doesn’t ever seem tedious, a plot that surprises me, and the ever-engaging Mary Quinn as protagonist. James Easton also returns. I’m excited about the fact that this case seems much more personal for Mary than the last two.

Incarnate by Jodi Meadows
I had heard the buzz about this book leading up to its publication, but what really made me want to read it was Lenore’s review. One of my favorite books of all time is Biting the Sun, a duology by Tanith Lee about a future society where death is impossible – once dead, people’s consciousnesses are simply removed from the shell and placed into a new body of their choosing. You can read all about my love for it here. Incarnate seems to have a similar conceit, so I’m interested to see how it compares.

Perception by Kim Harrington
Clarity was a surprise favorite of mine last summer, so I was eager to pick up its sequel, particularly since the weather in Texas has gotten warm enough for hammock reading. I’ve come to the conclusion that it’s just wrong to read this series unless you can do it outside in the sun. In this volume, Clare starts to receive some notes from a secret admirer that later take a decidedly sinister turn. The trademark snarky voice that I loved so much is back, making this a thoroughly enjoyable read.

The Book of Blood and Shadow by Robin Wasserman
I wrote a little bit about this one in my Midwinter recap. I’m only a few pages in, but so far I’m really digging the budding mystery involving letters from a young woman who lived centuries ago and how it connects to the present-day murder that the protagonist has so far only alluded to. (Also, for the first fifty pages, I read “Adriane” as “Ariadne” and I kind of wish I hadn’t realized I was reading it wrong. Ariadne just seems so much more appropriate for this kind of story.)

Filed Under: Uncategorized, Young Adult

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