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STACKED

books

  • STACKED
  • About Us
  • Categories
    • Audiobooks
    • Book Lists
      • Debut YA Novels
      • Get Genrefied
      • On The Radar
    • Cover Designs
      • Cover Doubles
      • Cover Redesigns
      • Cover Trends
    • Feminism
      • Feminism For The Real World Anthology
      • Size Acceptance
    • In The Library
      • Challenges & Censorship
      • Collection Development
      • Discussion and Resource Guides
      • Readers Advisory
    • Professional Development
      • Book Awards
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      • Data & Stats
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  • Reviews + Features
    • About The Girls Series
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      • Contemporary Week 2012
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      • Book Riot
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    • So You Want to Read YA Series
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STACKED is looking for a contributor!

June 3, 2012 |

Are you a book lover? A librarian (or library school student)? Looking for a chance to engage in book blogging on an established site where you can share your thoughts on books with an audience of readers? We’re looking to bring a new voice on board at STACKED.

Our qualifications are pretty straightforward: we want someone who has a passion for talking books and for writing about them and can do so thoughtfully and critically. We’re looking for a librarian who can commit to posting 1-2 times a week with us. We don’t care what it is you like to read. We just want you to be a reader and share your enthusiasm for it. If you’ve never blogged before, don’t let that stop you. We’re happy to help you.

Although we can’t offer any financial incentive for joining us, we do offer a great readership, enthusiasm, and a forum for discussing books. This is a chance to dive into the blogging community feet first. We’re supportive and incredibly flexible at STACKED, and we’re eager to try new things, too. We want you to have your own voice, and we’re happy to help you find it.

We’re hoping to fill our slot by early July. To be considered, please email us at stacked.books@gmail.com with your name, a few sentences on who you are and what you do, a sample review of any book you’d like, and a couple of ideas for posts you’d love the chance to write. And because we like our egos stroked, please tell us why you want to write with us here!

Filed Under: Uncategorized

Links of Note

June 2, 2012 |

It’s been a quieter couple of weeks in the book world, presumably as everyone is gearing up for Book Expo America. Or they’re preparing for the end of school. Or they’re cowering under their desks in anticipation of summer reading club starting. There have been some good things to share, though, so grab a drink and enjoy. (After writing this up I realized that my initial statements of these last couple of weeks being quiet was sort of wrong — there is a LOT here).

  • If I may first start by sharing the week’s incredible contributions to the Unconventional Blog Tour? I’m absolutely blown away not only by the posts everyone wrote but also the response we got. I read on one of the blogs that linked up to the tour that they were interested in this since it was blogger-driven and without any goal behind it except to educate and to share. If my experience of reading these posts is any indication, I’d say it was successful. I want to spend a special shout out to Kate Hart’s post, which came in later in the afternoon yesterday — not only is it informative about the importance of citing your sources, the graphical representation is PERFECT. If you’re teaching anything about citation, I think you might have a new tool, courtesy of Kate.
  • The ladies at Crunchings and Munchings have shared a post of YA inspired apparel, food, and more. Anyone else remember playing The Baby-Sitters Club board game to death as a kid?
  • Andrew Karre explains why the YA doom-and-gloom sorts of articles exist. Of all the blog posts to come out of the profanity non-story, this is the best.  I saw someone on Twitter mention that the YA community is trolled hard, and it’s hard not to believe that.
  • I haven’t had a legitimate reason to link to anything related to The Jersey Shore (which I love without shame) but now I do! Guess who is getting a comic book? And not just getting a comic book, but starring as the superhero? No, it’s not Snooki. It’s The Situation. Oh and does it ever look riveting. I am not usually a fan of The Situation (he’s the bottom rung on my ladder of Jersey Shore characters) but I might have to pick this one up. Just….because. Thanks to Matt for giving me the heads up on this one!  
  • Stephen King’s forthcoming Joyland looks like it will be the thing of many nightmares to come. Small towns and carnies. Let me tell you where I live and what I fear. 
  • Lest you think I only link to articles in The Atlantic when they annoy me, I’d like to link to this week’s edition of YA for Grownups and applaud it for asking current authors to talk about what they’re recommending for summer reading. 
    • Blogger/reviewer Wendy Darling finally says something about the really crummy interaction she had with an author and agent that started 2012 off to a rocky start for book reviewers. I really wish she’d broken this up into a couple of posts because there are two big things discussed: the actual interaction and fallout thereafter, and then there’s the discussion of what it is book blogger reviewers DO and should be ABLE to do. I’ve been really burned out on blogging — reviews in particular — lately and have been very open about this. Her post nails a few reasons why I’ve felt that way. For the most part, book blogging is a thankless thing with immense pressure to produce and produce quickly. And when you do put your thoughts out there, sometimes what you get back makes you regret doing it either responses which are completely inappropriate or responses which just…don’t exist at all. Ahem. Anyway, read Wendy’s post. Oh, actually, my other comment about her post is this — while this incident is clearly an instance of an author and agent putting people to task about down voting her review, I think it’s important to remember that what people choose to do is their own prerogative. If an author suggests down voting reviews, for example, the people who do that are choosing to do it themselves. That’s not authorial control.
      • Have you ever been charged with creating a classroom or organizational library and have no idea where to start? Check out Sarah’s post about how she built her classroom collection, how she organizes it, and what she does to let her kids have at the books. Sarah has another post you should read if you’re interested in teen perspectives on covers. A couple weeks ago, she shared what her YA Lit students thought of YA covers; this time, she asks her freshmen their thoughts.
      • Over at Pub(lishing) Crawl, Mandy Hubbard talks about the backdoor to publishing, which is through working with a packaging company. I have a lot of opinions on book packaging companies. I understand them and think they have a real value to many writers as a means of getting a foot in the door and honing skills. But I always question the passion behind the books and stories themselves. They’re products, rather than art. And something about that makes me sad.  
      • Read this one for 2 reasons: gay relationships are called dark and edgy (unintentionally, I’m assuming) and because it doesn’t say YA books are ruining our world. 
      • The nearest chain bookstore to me is about an hour drive, but we have a really neat used book store in town I don’t get to check out nearly enough. I went last weekend with my best friend, though, because we’re both huge cookbook nerds, and we spent a good portion of the morning poring over vintage, outdated, and downright disgusting ones. So when I saw this post of 11 Vintage Cookbooks on Mental Floss, I fell in love. I’m a tiny bit disappointed neither of my books my friend ended up buying made the list, because this and this are GEMS.
      • YALSA apologized for locking down their award lists without telling anyone. It’s sincere and pretty transparent, which I appreciate, but their arguments are still terrible and illogical. The comparison to a database is terrible — we pay to be members of YALSA and we pay to attend meetings where these lists are created. WE don’t get paid to make them. We PAY to make them. Also, if you gave them your email, now you’re on their campaign mailing list. Congrats.
      • Greg Rucka on why he writes strong female characters. I love this because he emphasizes that being a strong female character doesn’t mean they’re not flawed. Quite the opposite. They should be flawed. But because they’re smart and savvy, they know this and work with it, rather than against it. 
      • Looking for a book or two to read this summer? Amazon’s Omnivoracious has a roundup of many of the publications who have posted their own list of summer reads. I’m adding the list published by the Milwaukee Journal Sentinel with 99 of their summer picks.
      • France apparently has some scary children’s books.  
      • I found this article too long to read through, but the point of it is something I’ve thought a lot about: are books getting too long?  I admit to being really turned off by the trend for very long YA books. Most of the time, it feels like too much is being packed into the story when it could be trimmed down so the story actually shines through stronger. We don’t need to know everything. Just give the essentials. For me, the perfect books are those falling in the 250-350 page range. They’re long enough to get the whole story and short enough to not bog me down in minutiae I don’t need to know. Of course, this isn’t always the case because there are many long books I’ve enjoyed, but this trend of length is starting to wear on me.
        • When I lived down in Austin, Texas, my favorite place in the city to go to was BookPeople. I can’t express how much I miss that book store. Turns out, they’ve started a blog run by their teen corps, and it is worth keeping an eye on if you have an interest in what teens who read think about books.  
        • This is not even book related but I am sharing because I am in shock! What happened to the original Power Rangers? This show was my life when I was younger and may have been the reason my best friend broke her arm with me once. Why the shock, you ask? Well, one of the cast members died in 2001. And I’m just hearing about it now. Is it now insensitive to slide in that I’m hoping a copy of the DVD of the original episodes (due out in August) shows up at my house? Because I do.  

          That should cover things for a couple of weeks, I think. And as a note, we’re going to be running our Twitterview a little late this month, to account for taking part in the Summer Blog Blast.

          Filed Under: Links, Uncategorized

          Level 2 by Lenore Appelhans: Cover & (P)review

          June 1, 2012 |

          Over the last couple of years of blogging, I’ve had the chance to meet so many great people, and one of them is Lenore Appelhans. We had the chance to spend quite a bit of time together at last year’s BEA, where we talked about books we loved, about authors we’re huge fans of, and about her book. Since then, we’ve talked more often than not, and earlier this year, she approached me about beta reading Level 2. It meant a lot to be asked to offer feedback and suggestions and I was so excited to do it for her.

          I can’t imagine how nerve-wracking it was for her to ask that, but I’ll tell you this much: I was just as nervous to read and give honest feedback on her story. It’s a different world than when you’re reading a finished book and review it. You have to remove your own preferences or preconceptions of genre and instead evaluate the story as it stands. You also have to completely separate story from writer, too, in a way that’s much more challenging than when you review a book.

          I was scared, too, because Level 2 wasn’t my kind of book.

          As I was reading and offering feedback, though, I found myself invested in this story. These characters were so well-developed and the world was well-built. It’s never quite clear who is good and who is bad, and what the characters tell you about themselves doesn’t necessarily end up being the case. There’s palpable and fierce romantic tension here, too.

          But before I offer you up my review — which is less a review and more a recommendation because I cannot possibly review this book without bias — Lenore asked me if I’d be willing to share the full finished jacket of her book. You’ve already seen the behind-the-scenes work of what went into the creation of the jacket, but what I’ve got here is the full deal.

          When I first saw this cover, I fell in love. Aside from fitting the story so well, it avoids many of the things I don’t care for in YA covers. First, it’s bright: this is a book that’s going to stand out on bookshelves because it’s white and pinkish orange, a combination that pops. The use of the circles all over exist in the story. The cover model, who looks a little bit like Bjork, is how I imagined Felicia to appear. She’s facing readers in the image, and it’s clear she is pained. It’s clear she’s aching. But rather than looking passive, the girl on the cover here doesn’t look like she’s ready to just take it. The tension in her body language says she’s going to fight.

          If there were a few words I could use to describe Felicia, Level 2‘s main character, they would be pained, aching, and….a fighter.

          The cover is so clean and crisp, and that’s precisely how I imagined the world of Level 2. But there’s something amiss in a world that’s so sterile. And I think this captures that well. I’m also a huge fan of how the title and author name is sideways, and that style is mimicked on the chapter headings, too.

          Anyone who follows me on Goodreads has probably seen my comments on this title already, but now that the cover’s out there, I’m going to share them again here. Before I do, I want to put the disclaimer out there that I read this in manuscript form — well before this made it to galley form — and some elements of the story have been changed since my read.

          Felicia’s life in Level 2 is comfortable. She’s got everything she needs, and she’s able to be so content because she can slip into her machine and relive her memories. Except she is unable to be happy because she can’t put her finger on what happened to her. The problem is she keeps reliving a memory that breaks her heart: she keeps living through the time she lost her chance with Neil, the boy she’d fallen for. When she’s about to reach the truth, it slips away from her cruelly.

          So when Julian shows up in Level 2 and promises he can reunite Felicia with Neil, she jumps at the chance to know the truth about her life, her death, and to reunite with Neil.

          Appelhans’s debut is a dystopia with a dash of the supernatural, written in compelling, action-packed prose. What seems like a fairly straightforward story of escaping from what looks like a utopian world — Level 2 — turns out to be something much more sinister. Felicia is caught between two worlds, and the success or failure of either and both depend upon her. The story is told both in the present and in the past, through Felicia’s memories, which gives the reader not only a sense of who she is now, but a real feel for the whole girl who has lost so much in her life.

          What made this book work for me was that it’s never clear cut who is good and who is bad. It’s easy to see Felicia as the good girl, but there are many times I wondered if she wasn’t. If she was just as bad as people like Julian…or if Julian himself was even bad. He did offer Felicia a chance to meet Neil again, even if it meant giving away a part of herself. When it looks like he wants to do nothing more than use her as a tool, he flips the switch and gives readers (and Felicia) reason to wonder if he really DOES want the best for her. That he’s not being selfish and greedy. Appelhans does a great job of never hand-holding the reader.

          I’m not a romantic, but the moments between Felicia and Neil made my heart swell quite a bit, especially since it was so uncertain. But I can so see readers thinking they’re very wrong for each other. That Julian is the person to whom Felicia should give her heart. There’s also the question of whether Felicia deserves to be with anyone, given her less-than-perfect history.

          Level 2 is a complete story, though there are enough threads left open to warrant another installment. 

          As a thanks for giving feedback, Lenore sent me a copy of the soundtrack she made while writing the story (and German chocolate!).  If I could pick one song that really captures the essence of Level 2, it would be this: 

          Interested yet? Make sure you head over to Lenore’s blog for a chance to win an ARC of Level 2 and add this book to your Goodreads shelves here. Level 2 is slated for a January 15, 2013 release.

          Filed Under: cover designs, Reviews, Uncategorized, Young Adult

          Profanity in YA: Research, Assumption, and Feminism

          June 1, 2012 |

          I’ve mentioned that my educational background is in psychology. I love research and I love the idea of studying behavior to better understand it. Throughout my coursework, I had to do a lot of my own research and paper writing, along with a number of my own full-blown studies. I also had to take a course in research methods, and the professor I took it with had us work with him on his personal research. His project was utterly fascinating — he explored dating advertisements to see whether there was any sort of script to which those seeking mates sold themselves to the opposite gender.

          The project involved reading a lot of dating ads and coding them (the ads were randomly selected). My partner and I in the project had to make hash marks for each time we read a word that fit a certain category; some of the categories included mentions of appearance, wealth, jobs and whether these mentions were in relation to the person writing the ad or the person they were seeking, along with the gender of each. The two of us coded each ad separately, then we checked with one another to verify whether we had the same number of coded terms each. This is standard research practice, as it helps eliminate bias or misinterpretation. We had a really strict set of parameters to follow in terms of what did and did not count as something worth coding.

          At the end of coding, our professor used the information to figure out whether there was any correlation between dating ads and gender scripts. From his extensive research on gender norms and on relationship psychology, he had a solid set of hypotheses about the behavior he’d expect to see played out in the advertisements. Using the coded data we’d provided, he was able to determine whether his hypotheses were supported or not (note: supported, not true or false). From the analyses (we as students) ran on the data, he was able to write about what this support could suggest about behavior. And since he studied behavior via the advertisements, he could draw those sorts of conclusions.

          The long introduction to this is necessary in explaining why I had such a fascination with reading the study being interpreted by media and bloggers about profanity in YA. I was interested in both what the study looked at and how it was presented, along with how it was being interpreted (spoiler: it was being interpreted and is STILL being interpreted wrong).

          The thesis of Coyne et al’s “A Helluva Read: Profanity in Adolescent Literature” is not even a thesis. It’s a statement presented in research form stating that the study’s aim was to provide a content analysis. Content analysis means the researchers looked at something intensely in order to understand communication patterns, rather than draw conclusions. It’s sort of a pre-study, meant to be the first step in doing more in-depth studies, if that makes sense. For the purposes of this study, researchers looked at how often there was profanity in a set of books, who said the profanity, who the profanity was directed at, and what sort of characteristics were associated with either the swearer or the sworn at.

          In the next section of the paper, the researchers discussed why they chose this topic to explore. They talked about how media can influence adolescent thinking, and they were curious why it had never been studied in print material the way it had been in television or video games. Other research somewhat suggested that reading has a greater influence on adolescent thinking by virtue of how reading impacts the brain and processing (it’s higher level in that it’s engagement with material, rather than being lower level and passive in consumption). The researchers’ final words in this section say that “it is important to examine negative content in print media, such as profanity, as it may represent a significant cognitive and ultimately behavioral influence on the use of profanity.”

          From all of the research they cite, this sort of conclusion is wild. First, they slip in the word “significant” for no reason; in research, the word “significant” is related to statistical analysis, not behavior. Once you have found stat analysis to be “significant” when researching, you can explore the correlation among variables (i.e., if you are reading dating ads and notice a significant difference between the way men and women identify themselves with objects of wealth, you can correlate that perhaps men emphasize wealth as something women would find attractive in a mate). Likewise, if you read the sentence a few more times, you’ll note the only thing they believe is that if teens are exposed to profanity, they will think about profanity more. It doesn’t say they will use it more. Just that their thinking and behavior could be influenced.

          Ahem.

          The third section of the study lays out the exact questions the researchers were curious about:
          1. How frequent is profanity use in adolescent novels?
          2. What type of profanity is used most often?
          3. Is profanity more frequent and intense in novels aimed at older adolescents?
          4. Does author gender influence use of profanity in adolescent novels?

          Let’s break this down a tiny bit. Their questions were mostly developed to help guide collecting raw data. They wanted numbers — frequency of profanity and types of profanity. Then they were curious whether profanity was more frequent in books meant for older readers. And then, out of the blue, is the final curiosity: does an author’s gender (note: they use the word gender, not sex) influence the frequency of profanity use.

          Tied up in their interest in counting the instances of profanity, these researchers were attempting to draw conclusions about whether or not the gender of the author impacted the frequency of swearing. Their choice to include commentary on what impact the women’s liberation movement may have had on profanity in a handful of YA books baffles me. After the researchers presented the question, they offered a little more research. Their first study (1973!) talks about how men used profanity more than women; their second study (1997) said the ladies were using “coarse language more than ever before.” How many conflicting variables happened between 1973 and 1997?

          Oh right.

          The researchers then offer up a bit of research from 1991 that says there’s still a stigma for girls to swear in a way there is not one for boys. They then ran with the info of the 20-year-old study to make the leap that because the “focus of adolescent novels is on the adolescent characters, the frequency of swearing should be higher among male characters than among female.” After this line, the researchers then give a series of hypotheses about the information they expect to cull from their data coding:

          1. Male characters will use profanity (especially strong profanity) more frequently than female characters.
          2. Adolescent characters will use profanity (especially strong profanity) more frequently than adult characters.
          3. Profanity will be more frequent in humorous situations than in non-humorous.

          The researchers at this point slipped in another research question, but it doesn’t interest me as much as the gender ones do. The question, if you’re curious, is about whether social status had any bearing on profanity (i.e., do richer, prettier characters swear more?).

          So far, we have a study that is going to count things. Then they’re going to look at the things they counted and draw some conclusions based on those numbers. Note: not a single one of their questions was about behavior, about influence of profanity, or any other measure of the impact of the profanity in adolescent lit. Since they had no way to run such a study without first understanding the prevalence of swearing in the lit, they instead chose to go after an odd factor and attempt to draw conclusions of no impact: whether or not the author’s gender or the character’s gender influenced profanity.

          As for methodology, Coyne et al used the books that were listed on the New York Times Best Seller List the week of June 23, 2008 and the week of July 6, 2008 and pulled out the 40 most popular titles. Any books geared for those over age 9 were included, and books in a series were limited to just the two most recently published books in the series. They then divided the books up into age categories, such that 9-11 were together, 12-13 were together, and 14 and older were together. One of the books was an outlier in that it had so many instances of profanity they did a little statistical work to make it less of a problematic title in the sample (and the way they did this was legitimate, especially since the book wasn’t even a novel but a memoir).

          In studying the books, the researchers used the same system of coding profanity that prior researchers who studied profanity on television used. There were 5 categories:

          1. The Seven Dirty Words — things the FCC won’t let you say: shit, piss, fuck, cunt, cocksucker, motherfucker, and tits.
          2. Sexual Words — things that described body parts or sex in a less-than-nice way (so, “dickwad” is their example)
          3. Excretory words — anything describing poop. This includes the word “crap,” even if it’s used in a way to express frustration. I suppose that makes sense.
          4. Strong others — words that are offensive and taboo: bitch being one of them.
          5. Mild others — words that are only kind of offensive and taboo: damn being one of them.

          They drew their list of words in the 4th and 5th category from a book called Cursing in America (1992) so they had an objective list. At least, I’m led to believe that. The study does not offer an appendix with the actual list of words they coded for (a huge oversight). However, a word like “hell” used in the right context was not considered profane. The researchers only coded each word once — but they put it in the highest level category first. So, if the word “piss” was used, it went to the Seven Dirty Words category and not the excretory words.

          Gender coding was straightforward: they went based on names and pronouns. They didn’t have a big deal with non-gendered characters except in the case of aliens or robots, and they were just left as “unknown.” They also coded for age (who said the swear, who received it) and for whether it was uttered in a funny or not funny situation. Social status stuff was explored too, but again, doesn’t interest me. They used multiple researchers to code the data, did verification of the coding, and all looks pretty good.

          Their methodology was solid, aside from the fact the sample was so tiny (2 weeks worth of books in the middle of one summer). Also problematic was that it wasn’t random.

          But rather than dwell on those little facts, let’s talk about the results!

          In regards to their first research question, the researchers found 1,522 separate uses of profanity in the 40 books. Only 5 books did not contain a single profane item they were looking for. And 4 of the 5 were for books in the 9-11 age group. In doing a little more number crunching, the researchers found the average adolescent reading and average size book would encounter 6.66 profane words per hour. Let that number sit with you a few minutes.

          For their second research question, researchers found that 51% of the profane instances were mild profanity. The Seven Dirty Words made up 20% of profanity. The other categories were much smaller.

          The next research question relating to target age of the book and instances of profanity includes a large table that, if you can get your hands on the study, is worth looking at. But some of the interesting findings included seeing that the Diary of a Wimpy Kid books had virtually no profanity, whereas Harry Potter, Pendragon, and Ranger’s Apprentice books were coming in with 20+ instances each. For books published with the 9-11 year group in mind, there were 166 instances of profanity total. Cory Doctorow’s Little Brother had 175 instances of profanity, whereas the Summer Collection of Gossip Girls books had between 16 and 70 instances. Sarah Dessen’s Lock and Key had 53 instances. For books published with the 12-13 market in mind, there were a total of 654 instances of profanity. As for books geared for the 14 and older crowd, there were 1,522 instances of profanity, with The Book Thief having 101 instances of profanity, and the two Pretty Little Liars books having 40 and 80. Anna Godbersen’s The Luxe had 14 instances of profanity.

          Looking at those raw numbers would suggest something, wouldn’t it? That The Book Thief is a terrible book because it has so much swearing in it, but that the Pretty Little Liars books were better because there weren’t as many instances? Or that Little Brother is the worst offender out there with its hulking 175 instances of profanity. But I’d say that The Book Thief and Little Brother are modern YA classics because I’ve read them and know the content, and I know as a reader that goes a lot further than the instances of profanity. Yet, researchers who are not invested in the content of the books are looking instead at word frequency, and in doing so, they’re intentionally developing a system of ranking the books based on it. But I’m not going to talk about this more because I think the YALSA blog post does a fine job expressing these things.

          Of course the researchers found that there was more swearing in book for older adolescents than for those meant for younger ones. However, and I go back to my earlier discussion of the word “significant.” The research showed no significant difference in the instances of profanity for books published for those age 12-13 and those published for the 14 and older crowd. What that means is there cannot be any real correlations drawn. However, there was a significant difference in profanity between books aimed at those age 9-11 and those age 14 and older. To that I say, no shit. Oh, and books aimed at those for 14 and older were six times more likely to use the seven dirty words than those aimed at 12-13 year olds.

          On to the thing that interested me the most in the results: gender. Again, gender. Not sex. There was no difference between the use of profanity in a book written by a male author and a book written by a female author. Even in terms of what kind of profanity was used (lady authors are using piss and fuck as much as the men are). The only differences found in the numbers came when the researchers looked at who was swearing in the text. Books written by females had more frequently swearing female characters than books written by males did, and vice versa.

          When the researchers broke down the data they collected and explored their hypotheses, more things emerged worth looking at. First and foremost, gender of characters did not matter when it came to profanity use. In other words, female characters kept pace with male counterparts (the percentage break down was 49% of profanity came from a female character and 51% from a male). Likewise, there wasn’t a difference in the types of profanity uttered between the genders. And in results that aren’t surprising, adolescents swore a lot more in books than adults did. The researchers then drilled down even further and found that minor female characters swore significantly more than adult female characters except when it came to the seven dirty words (apparently adult females needed their fucks and cunts more than minor female characters did).

          The other result I want to note was that profanity happened 23 times more often in non-funny books than in funny books. Again, a total no-brainer for anyone who has read one of these books in the last few decades.

          My favorite part of any research study and the one I focused on most in this one is the discussion section. This is where the researchers have a chance to speculate upon the things they found. This is also where the bulk of misinformation about this particular study has stemmed from. The bulk of discussion in this piece boils down to this: while 88% of the books studied had profanity, some books had a lot of it, while others only had one or two instances (and I imagine many of those books were instances of saying “crap” or “damn” or other inoffensive, mildly profane words). They also state that in comparison to television, YA books aren’t pumping out more profanity. They’re on par with one another. And in an hour, the researchers found adolescents would hear 12 instances of profanity on television, as opposed to 6.66 in reading a book.

          The researchers mentioned, too, YA books have more profanity than video games rated T for teen (this is based on a study they cite). But you know what they say about this? They suggest this is the case because most of the video games marketed for this age range are not heavy in dialog. And thus, when there is little dialog going on, then there’s going to be less profanity.

          In their own research, they state that there is not more profanity in adolescent books than there is on television nor in video games.

          More curious in the discussion, though, are the bits about gender. As the researchers showed, gender didn’t matter in terms of profanity use — that is, male and female authors wrote their swears equally, and they didn’t discriminate against the character’s gender either. But what the researchers had the gall to say here is what is worth thinking about. They write, “In previous years, women seemed to conform more to gender stereotypes, being kind, considerate, well mannered, and well spoken. In fact, it was often seen as a man’s obligation to protect women from profanity.” I want to note this was attributed to a source dating from 1975.

          They continue with this, “With the women’s movement of the 1960s, however, activists challenged the idea that women should not use expletives. Later, women were encouraged to use expletives as a symbol of power they had gained through this movement.” Note, this was attributed to another source. Dated 1975 (not a typo — both sources are from 1975).

          The researchers then dazzle us with this conclusion drawn from the antiquated research and their own work, “In books at least, it appears authors are moving with this trend and are portraying women to be just as crass as men.” 

          Let that sink in a second.

          Coyne and her associates explored how many instances of profanity appeared in adolescent literature. But their conclusions come to involve the notion that the loose lips (or fingers) of lady writers is thanks to the women’s liberation movement. Not even thinking about the fact their sources about dainty and demure women date 1975, this sort of commentary is mind-blowing and discredits everything else said in the study for me. Because men are no longer dominant and women have some equal rights, they’re mucking up books with their crass language? If women were demure and well spoken and kind, they wouldn’t be contributing to the downfall of our children? To me, the message is between the lines here that, thanks to women having the ability to do what they want to do without the guidance of men, they’re ruining the future. They’re swearing! And they’re letting their young people in fiction swear! And forbid it all, but those young people then might use a profane word here!

          Stepping back a little bit further, I’d like to point out that this study was conducted at Brigham Young University, regularly listed as one of the top conservative universities in the country.  Moreover, the researchers were split between the department of family life and the department of communication. This is also an LDS university. Absolutely none of these things in and of themselves is wrong or questionable, but given what the commentary is in the discussion, the questionable research framing, and the topic at hand, it is hard for me to give this much credence. It is unabashedly biased and it is, without question, influenced by the source.

          There’s more to the discussion section worth highlighting too. The researchers bring up the notion of social learning theory (we learn things via other people) and suggest that the more young people are exposed to profanity, the more likely they accept it. They become, in the study’s words, “desensitized.” That’s quite a leap to make, given that never once did this research set out to study behavior, but I suppose they’re pulling upon historical research on other, unrelated topics (they didn’t cite anything here though). But as much as I am giving this a hard time, I give the researchers huge credit when they state for themselves that they did not study behavior and that they were only speculating upon what the effects of reading profanity could do for cognitive and behavior of adolescents.

          This is the line that those news articles everywhere failed to mention.

          All Coyne et al’s study did was count instances of profanity and compare it to a number of other quantifiable variables like gender.

          While the study talks about how finding books appropriate for adolescent readers can be challenging for parents, it states explicitly that the researchers do not advocate for a ratings system on books. They acknowledge that including a rating on a book is cause for hot debate and it is incredibly controversial.

          What the researchers are curious about for future studies is how adolescents are using profanity in books. They set out believing that profanity would be used in humorous situations and were blown away to discover the bulk of swearing came in non-funny situations. As they state in the discussion, “Future research might more fully explore to what purposes profanity is used. Specifically, is use meant to exercise power, to assert superiority, to threaten, to warn, or to add emphasis or force to other utterances?” They also advocate for continued research of adolescent books in order to better understand it as a media form and to better learn about how it can impact behavior.

          Okay.

          Here is an idea that could help both future endeavors:

          How about reading the books?

          This is not a study about context and it is not a study about the impact of profanity in books on teenage behavior. This is also not a study about how important it is to label content nor does it even advocate for that. This is not a study about how women swear more now than they did in the past nor about how crass and filthy characters in books are. This is not a study about how books for 11-year-olds are going to ruin them for life. This is not a study about what does and does not make an adult uncomfortable reading in books meant for kids. This is not a study about how much better or worse books for young readers are than watching television or movies for that age group are nor is it a study about how video games and books compare to one another in terms of how they impact a teen’s mind. This is not a study written by the researchers meant to incite others to react and decry these books.

          All they did was code data.

          When I brought up the research project I helped out with, I mentioned that once we had coded the data, my professor was able to explore the statistical results and draw some interesting connections among the data. From there, he could suggest that men often spoke more to things of wealth in their dating ad while soliciting mentions of beauty in what they were seeking in a mate. He could then suggest that women made mention of their appearance in dating ads while their solicitations made mention of age quite frequently. In looking at this data, he could say that, in general, men are seeking mates who are good looking and do so by showing off the financial security they could offer and that women seek older, established mates while emphasizing their attractiveness. Through the research, my professor could draw these sorts of conclusions because he had not only the raw data, but he’d gotten it through the study of behavior (writing and submitting a dating advertisement), context (dating advertisements again) and through use of solid and up-to-date research done by others about intimate relationships and gender. It’s an incredibly careful methodology.

          What Coyne and her team did was not this. They studied frequency of words in a non-random selection of books that were on the NYT Best Sellers list during two separate weeks. They studied those words out of context. They then went as far as to attempt to define behavior in a sexist and problematic way by looking at author gender and the number of profane words used in a book. Again, without context.

          So what we should be making of this study and of the news articles that came out suggesting what this study said is this: nothing. What we should be doing when we attempt to describe what this study said is this: nothing. I will not be linking to any of the erroneous blog posts I’ve seen talking about this study because each time I saw one, I got a little bit more frustrated.

          Misinformation is problematic. As much as this study in and of itself is silly, it wasn’t wrong and it didn’t actually suggest anything in regards to what we should be doing with profane teen books. It never once explored whether or not there has been an increase in profanity in teen books (that would have required them to study books over a period of time or from different periods of time and that is not what they did).

          Part of being an advocate for books and reading and teenagers or, hell, anything worth being an advocate for, is being critical. It requires you go to the source material when you read a claim that feels outrageous or inflammatory. In this case, we’ve done precisely what the media, which didn’t even read the study correctly, has wanted us to do: panic. It’s caused erroneous stories to spread. Misinformation continues to be fed to people who take what they hear at face value. They then worry and fret about how everything is going to hell in a hand basket.

          This is a non-story and a non-issue. But it has been a damn good exercise in critical reading, critical thinking, and, really, a damn fine opportunity to learn a hell of a lot about profanity and just what books are chock full of it.

          It’s also been an opportunity to say thank you to authors for not censoring their stories and not conforming to gender roles. For pushing boundaries and challenging 1970s societal norms.

          And the biggest thank you goes out to all of the women who pushed for liberation and for all of the men who have embraced equality.

          Because, as I learned, feminism is about showing your power through one’s fucking words. For both men and women.

          All data, citations, and statistics come from Sarah M. Coyne, Mark Callister, Laura A. Stockdale, David A. Nelson & Brian M. Wells (2012): “A Helluva Read”: Profanity in Adolescent Literature, Mass Communication and Society, 15:3, 360-383.

          Filed Under: big issues, censorship, Discussion and Resource Guides, feminism, Uncategorized

          Dystopia vs. Science Fiction

          June 1, 2012 |

          Gentle Readers,

          We have a problem. To many of you, this missive will not be a surprise. To others, it may come as a great shock, but I feel that it is something we need to discuss, no matter the discomfort it may cause.

          The problem is this: so many of you are wrong.

          I know, I know. Someone is wrong on the Internet! I must correct them posthaste! I sense your mockery. But I cannot let it stop me from proclaiming a truth that has lain dormant for too long, too many of us taking it for granted as legions of ignorant readers brazenly flout it.

          What truth is it that I write of? Only this simple fact: not all science fiction novels are dystopias.

          Let that percolate for a while. Take all the time you need.

          Are you ready to move on? Then let’s. 

          The hallmark of a dystopia is the presence of a repressive or controlling society, usually presented initially as utopian. I also posit that this must necessarily be done on a large scale. Failing that, it must seem to be large-scale. (Teenage readers, just because your parents repress your ability to party on Friday nights does not mean your home is a dystopia.)

          When one considers this all-important defining factor, one can easily determine the difference between a solid science fiction tale and a dystopia. And yet so many of you insist on conflating the two! Yes, dystopias are science fiction stories, but the opposite is not always true.

          Perhaps some examples will help shed light on the situation.

          Not dystopias: Variant (157 Goodreads readers have been misled into calling this a dystopia). Cinder (422 befuddled creatures). Tankborn (59 confused souls). The Obsidian Blade (1 lonely reader). Daughter of Smoke and Bone (22 readers who need to stop reading fantasy while under the influence of certain substances). The Fault in Our Stars (not even the professionals are immune).

          Dear, gentle readers who have read any of the above-named books: please review them in your mind. I have no doubt that once you carefully consider the defining criterion for a dystopia, you will acknowledge the error of your ways.

          Sometimes it’s difficult to tell! you insist. And I acknowledge this. Some science fiction novels do have dystopian themes or portions that involve a dystopian society. I can think of two easily: Across the Universe by Beth Revis and Ashes by Ilsa Bick. The repressive and controlling society is there, even if it’s not present through the entire book. If you choose to call these dystopias, I shall not shame you for it. Still, I urge you to use caution.

          Perhaps now you are beginning to doubt yourself. Is anything a true dystopia? you ask. I feel like my whole life is a lie! you exclaim. Fear not. You may keep your Hunger Games, your Divergent, your Delirium and Wither. Do not doubt all you read. All I ask is that you examine carefully what it is you read before you proclaim it a dystopia. Pause, and consider.

          So join with me, readers, and proclaim your resolve to not call all gardening tools spades. No more shall we be subject to the tyranny of incorrect labels. No more shall we allow the varied, vast, and endlessly creative field of science fiction to be ignorantly winnowed down to a slender subgenre. We shall strive for accuracy in all our categorization endeavors, and we will not back down from the truth!

          Yours in Labeling Veracity,

          A Concerned Reader

          Filed Under: Dystopia, Science Fiction, Uncategorized

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