Three Mini Reviews of Recent Reads
A fantastic conclusion to a compelling trilogy that still manages to stand alone. This is a great caper that weaves together multiple threads: Cassel’s new involvement with the Fed’s Licensed Minority Division (and his confusion about whether he can truly go ‘good’ when he’s been ‘bad’ for so long), solving the mystery of Zacharov’s missing Resurrection Diamond, figuring out the reasons behind the blackmailing of a classmate, and getting back at Governor Patton, who is still aiming to take away the rights of curse workers. All while trying to win back Lila Zacharov’s heart, of course. As usual, Jesse Eisenberg’s narration of the audio is brilliant, and he is the perfect combination of humble, earnest, scheming, and anxious.
Now available. Audiobook received from my local library.
Burn for Burn by Jenny Han and Siobhan Vivian:
Burn for Burn, Jenny Han and Siobhan Vivian’s first collaborative
effort, has an intriguing premise–what happens when three wronged girls
team up to get back at those who hurt them? This was a fast read, and
the short chapters and quick plot will entice reluctant readers.
However, I never quite connected with the three characters of Mary,
Lillia, and Kat, perhaps because of these short, alternating chapters.
And the extra element added in took this out of the contemporary genre
entirely and seemed a bit unnecessary to me. Regardless, I was still
compelled and will most likely pick up the sequel.
Review copy received from NetGalley. Burn for Burn will be be published on September 18, 2012.
Time Between Us by Tamara Ireland Stone
Time Travel is my weak spot, that quality that will make me pick up a book right away. Stone uses it to great effect in this love story, where Anna (from 1985) and Bennett (from 2012) meet because of Bennett’s unique ability to travel through time and space. His talent does have rules and stipulations, however, and these are both unique and well-thought out by the author. The story was compelling, but the romance didn’t sell me 100%, as it seemed a bit of a case of “meet quick, fall in love fast,” without much connection between the two. While Anna’s character was well-developed and three-dimensional, Bennett’s left a bit to be desired. It was lovely to read a stand-alone book, however.
Review copy received from NetGalley. Time Between Us will be be published on October 9, 2012.
Mid-year Morris and Printz Predictions
Since it’s the mid-year point and we’ve read a number of YA titles for the year, we thought we’d give it a go on our predictions for potential Printz and Morris titles. This is in no way scientific but rather based on what we’ve read ourselves, what we’ve read via the various reviews, and just some good old gut feelings.
Kelly’s Predictions
To be honest, very little has stood out to me this year so far as Printz-worthy. There have been way more books that have sort of emerged into the Morris-worthy pile for me, and I’m going to make the bold prediction that the future Printz winner will be a debut novelist.
Printz Contenders
I’m pretty sure it’s heresy to not list the John Green book here, right? I’m okay with that. Green’s book garnered a lot of praise and earned a number of stars. I don’t plan on reading it, so I can’t comment on what it does or doesn’t accomplish on a literary scale. But what I can say is this: I think it’s going to be very hard to fairly assess his book and separate John Green from it. So while it’s made a bunch of Printz contender lists, I wonder how much of it has to do with the book itself and how much has to do with it being a John Green product. Either way, I don’t see it making the list.
The Children and the Wolves by Adam Rapp is one of my leading contenders. I’ve reviewed it and called it as much. It’s literary, it’s dark, it’s gripping, and it’s memorable. If I were to compare it to past Printz books, I’d put it up there with Janne Teller’s Nothing in terms of what it accomplishes.
Catch & Release was another early standout in my mind this year, and it’s another one I’ve reviewed. Woolston’s reputation for strong, literary writing was cemented when she won the Morris award for The Freak Observer, and as much as I liked that book, I think Catch & Release was an even stronger book.
Drowning Instinct by Ilsa J. Bick stands out in my mind because it has great voice, strong writing, and it sort of resonates with me on the same level that Lucy Christopher’s Printz honored Stolen did. I reviewed this one earlier.
Perhaps the biggest book of the year in terms of buzz (after the Green book, of course) is Elizabeth Wein’s Code Name Verity. This book is either going to be all or nothing in my mind, and by that I mean, it’s either going to sweep the awards or it’s going to be like that time Gary Schmidt didn’t get any love for Okay for Now when everyone thought it was a no-brainer to sweep the awards. My opinion on Wein’s book is the unpopular one — I found it incredibly slow and boring. I think the book required a lot of interest on the part of the reader in a lot of niche subject areas. I’m not a huge World War II era fan, and stories about pilots and spies don’t resonate with me. That said, I get what Wein accomplished in the book and see why so much love has been bestowed.
Paulo Bacigalupi’s The Drowned Cities has also gotten a ton of great reviews, and despite having already won a Printz award, the reviews of this one suggest it might even be stronger than Ship Breaker. I have not read this one, but reviews like this make me want to.
I was really unimpressed with Karen Hesse’s Safekeeping, but I think a lot of what made me dislike the book will be what is appealing for many others. It’s a dystopia, but it’s not futuristic. It’s a series of cohesive vignettes that are layered with photographs to give readers a sense of this world being wholly ours and not anything but our world. It’s a twist on the trope, and the writing itself is strong. I just found the plot to be disappointing.
Those are my biggest picks for the Printz right now — excluding a few I’m going to talk about under the Morris category. A couple other possibilities I’ve thought about are AS King’s Ask the Passengers (which was my favorite of King’s books to date), Lindsey Barraclough’s Long Lankin (which I loved and will blog about soon), Melina Marchetta’s Froi of the Exiles, Pete Hautman’s The Obsidian Blade, and maybe Matthew Quick’s Boy21.
Morris Contenders
The number of contenders in this category is pretty large, in my mind, and I think so many of them are crossover contenders for the Printz.
If there was one book all year that has stood out to me as a Morris (and Printz) contender this year based on reviews alone, it’s J Anderson Coats’s The Wicked and the Just. It’s received three star reviews and the blog reviews I’ve read have found it to be great.
Also racking up a few stars is SD Crockett’s After the Snow, which I reviewed here. I think the writing itself was decent though I found the plot to be a bit confusing and I found the main character to have been a bit inconsistent and underdeveloped. But professional reviews seemed to have seen a lot more to this book than me. This one is also a potential Printz book in my mind.
Amelia Anne is Dead and Gone by Kat Rosenfield is one of my favorites this year (and the review is forthcoming). It’s eerily reminiscent of Nova Ren Suma’s Imaginary Girls, except it is not at all magical realism. It’s a contemporary with a mystery woven in it about growing up and making choices about whether to leave the place you’re comfortable with or leave it all behind. The writing is top notch.
I wasn’t thrilled with Emily Danforth’s The Miseducation of Cameron Post but without doubt, it is a literary heavyweight and deserves recognition for what it achieves. It racked up four starred reviews, as well. This is another one I can see the Printz committee spending a little time with as well.
Erin Saldin’s The Girls of No Return is a story that I keep returning to in my mind. It’s risky, and it’s well-written, and I think those two things will give it a boost with the committee.
I have not read Rachel Hartman’s Seraphina because it’s not really my cup, but I’ve read some great reviews of this fantasy title. It’s supposed to be well written and have great world building. I like that the cover has a dragon on it, which ultimately is what will push the Morris committee over to this title (I jest).
There are a couple other titles I think could be Morris titles at this stage in the game, but I’ve had a harder time committing them down in my predictions. The Morris award does a good job of selecting books that fall on both sides of the literary/commercial divide, so it’s hard to know precisely what will or won’t make a book stand out to them (they care more about appeal to audience than the Printz award does). I’ve personally nominated a title for consideration, which is Trish Doller’s Something Like Normal, and obviously, I’d love to see that one among the selected.
Kimberly’s Predictions
I think these sort of predictions are always tough for me, mostly because I read so much genre fiction, which is usually overlooked by awards committees. I’ve read some novels that I thought were terrific this year, but not a whole lot that I feel could be real contenders for the Printz or the Morris.
Of the 2012 books I’ve read, Grave Mercy and Cinder are my favorites so far. Cinder is a debut, but I don’t think it has the “literary chops” (whatever that really means) to nab a Morris. That said, the Morris committee usually shortlists a good mix of genre and contemporary books, so it’s not out of the running. Grave Mercy is not a debut and I don’t consider it a Printz contender, despite its quality. (Perhaps it’s because I had too much fun reading it? Sorry, that’s an unfair jab at the Printz committees.) I also thoroughly enjoyed Monstrous Beauty (full review to come later – this one should be on your radar), but it’s not a debut, so it’s out of the running for the Morris. Meg Rosoff’s There is No Dog has gotten some positive critical feedback, and she’s a previous Printz winner, so there’s some possibility there.
The only book I’ve read that I believe could be a serious Printz contender, though, is A. S. King’s Ask the Passengers. Strangely enough, the only one of hers that’s garnered Printz love is the one I liked the least, but I’m hoping that doesn’t hold true here. Ask the Passengers is a fantastic book – expertly written, interesting, important, and timely. We’ll be covering it in more depth a bit later in the year. There aren’t many authors who make reading contemporary realistic fiction enjoyable for me, but King does it every time.
Of the 2012 books I haven’t read, there are a few standout titles worth mentioning that have gotten some award buzz. Kelly’s mentioned a few of them and I agree with most of her picks – they’re definite contenders – so won’t rehash them here. I will add a few: Under the Never Sky by Veronica Rossi has gotten at least two starred reviews and could be a contender for the Morris; Shadow and Bone by Leigh Bardugo is another Morris contender I’ve also heard many good things about; Insignia by S. J. Kincaid could be under consideration for the Morris as well. (All three of these books are also ones I plan to read myself!)
As for the Printz, I don’t have much to add that Kelly hasn’t already mentioned. I’ve been concentrating on reading books I know I will enjoy this year, and, well, Printz-worthy titles usually aren’t ones that make my favorites list.
What are your thoughts? Anything we missed or anything we’re way off on?
Something Like Normal by Trish Doller
Travis has leave time from the Marines and he’s heading home to Ft. Myers, Florida to his family. But when he returns, he’s not exactly happy. Not exactly thrilled to enter back into his former life. First, his parents aren’t doing so hot — they’re on the brink of divorce and the tension between his mom and dad is palpable. Second, he knows he’s going to have to deal with his ex-girlfriend Paige who dumped him via letter. And not only did she dump him, she left him for his brother. On top of that, Travis keeps having nightmares about his best friend being killed and they haunt him so much he can’t sleep. So much he sees Charlie all over the place.
Oh, and then there’s Harper. Travis runs into her at a party, where she tells him she does not like him. Hasn’t since middle school, when he spread a rumor about her promiscuity and trashed her reputation. But he apologizes, and in that apology, Travis finds himself attracted to her. He knows Harper is the kind of girl he needs right now.
Trish Doller’s Something Like Normal is an emotional read and one that hits every single note right. Travis is a fully-fleshed and authentic male narrator who is grappling with not only the challenges of the home life he returns to, but also with post-traumatic stress disorder (PTSD). He’s kept the PTSD private and quiet because he believes it’s something that will just go away. Except it only continues to get worse during his time at home. There are so many stresses in Travis’s life: he’s struggling with how to be a support system to his mother when she and his father argue, and he’s finding himself having a difficult time figuring out what his relationship to his father is. When he was younger, his dad pushed him to be a football player like he had been, and while Travis played along living his father’s dream for a while, he eventually put his foot down and said no more. That’s why he decided to enlist in the Marines in the first place. It was his way of sending a middle finger to his father and his father’s dreams.
There’s also tension between Travis and his brother Ryan. While Travis is in Afghanistan, his girlfriend Paige has been sleeping with Ryan. She dumps him (the classy move, of course) and tells him she’s leaving him for his brother. Ryan sees it as no big deal, and while Travis acts like he’s stronger than some girl’s behavior, he’s really not. We see this when he and Paige confront one another upon his return, and they become intimate again. But rather than make Travis feel better or worse, it sort of leaves him all together empty. It won’t be the only time they get together when he’s back either; when Travis and Harper are seeing one another, he sleeps with Paige again.
The relationship between Travis and Harper is one of my favorite aspects of the story. I’m not a huge romantic and I find often those story lines come off as forced or as underdeveloped in YA novels, but Doller gets it right here. Travis and Harper grow close over the course of his time back at home, and rather than experiencing instant chemistry, the beginning of their relationship is extremely tentative, careful, and cautious. Travis hurt Harper pretty bad in the past, and even though he’s apologized and hasn’t even thought about it for years, she’s nervous to spend time with him. She’s nervous to forgive him completely, too, since she has to protect herself. At the beginning, their relationship is a friendship, and it is the sort of thing Travis needs in his life so badly. He needs that person to turn to and talk with, and she offers him that space. It’s safe to him and, as she learns, it’s safe for her too. While things grow increasingly tense at home and with his PTSD, she’s a solid place for him. Then when he finds out the parents of his friend Charlie — the one killed in Afghanistan and the one who has been haunting him regularly — are hosting a memorial service for him and have asked him to speak at it, Travis knows he can’t go alone. He asks Harper, and she agrees and it’s in those moments where we see the true depths of their relationship. Except, this trip is not just about putting his best friend to rest. It’s putting his mind to rest over the fact he slept with Paige and while he and Harper aren’t anything official, the guilt he has about returning to his ex eats him up.
Travis and Harper have a very healthy relationship, and while she’s understandably angry with Travis when he confesses what he’s done, she also realizes at that point just what she is to him and what he is to her. She seethes, and it’s understandable. But when Travis needs her after the service, when he’s unable to keep himself together alone anymore, she is there for him. It’s in this moment one of my favorite scenes happens, and one that made my heart explode a tiny bit because it was so well-done, so thoughtful, and so realistic — and it’s a spoiler, so drop down to the next paragraph if you don’t want it. While Travis and Harper have been together, they have not been at all intimate with one another, which is part of why their relationship works so well. It’s based on a real emotional connection and understanding of one another’s needs — what Travis needs after a major PTSD experience is Harper’s support and what Harper needs is to give that to him.
That’s a lot of explanation for why Travis was a knock out character, but it amounts to this: he’s not portrayed as a hero in this story. He’s flawed, he makes mistakes, and he has to learn how to deal with the consequences. He’s got to figure out his role as a son, as a brother, as a friend, and as a boyfriend. It’s not easy, and he’s not given short cuts. He has to work through. Being a Marine doesn’t mean anything more than it has to here, and I think that in and of itself is what makes Travis realistic.
I haven’t touched on the PTSD stuff too much because, as integral as it is to the plot, it’s not the entire story. However, it is addressed near the end of the book in an honest manner that was not only fitting with Travis’s character, but fitting with how I think anyone who is as young as Travis would deal with it. First with ignoring, with repressing, with hiding it, with trying to face it, with hiding it again, and then finally with addressing it through therapy. It’s not at all overly sentimental nor cliche in how it’s presented or dealt with.
There are a lot of plot lines in the book, and while I remained nervous about the resolution of a few of them, Doller successfully ties each of them up by the end of the book. That’s not to say they’re all solved nor are they all closed cases, but each of them is addressed as Travis would address them. While that in and of itself isn’t necessarily the noteworthy thing, what is noteworthy is that this is a relatively short novel — it’s just over 200 pages. It’s tightly written, and there aren’t wasted passages or scenes. Each contributes directly to the execution of the story and the development of the characters. There’s no dwelling. We know how things play out with his parents and we learn how he figures out the best way to approach Paige and Ryan in his life. We also get to see just what happens with Charlie, too.
Something Like Normal will have appeal for both male and female readers, despite the cover that appeals much more heavily to female readers (which is a real shame). Travis is the kind of guy male readers will relate to. He wants to take care of business. His dialog is authentic, his relationships believable, and his struggles are the kinds of things teens deal with regularly. The family and romantic dynamics work without becoming too complicated, overwritten, or just too much. I can see people who loved Dana Reinhardt’s The Things a Brother Knows finding this a great next title — in fact, I can see fans of any of Reinhardt’s titles finding this to be similar in style. While I was reading, though, I couldn’t help think how much Travis reminded me of Nick from CK Kelly Martin’s I Know It’s Over and I think fans of Martin’s books will find Doller writes in a very similar manner. Add this one to your great contemporary stories with great male voices list, as well as your lists about military fiction, as it addresses the issues of the life of a Marine beyond the in-world. Something Like Normal will, without doubt, find itself on my favorites list for 2012 and well beyond. It is an impressive debut, and if you want to know the truth: it made me cry more than once.
Review copy received from the publisher. Something Like Normal comes out today.
So You Want to Read YA?: Guest Post from Andrew Karre
This week’s guest post for our “So You Want to Read YA?” series comes from Andrew Karre.
This is the first line of Anthony Burgess’s masterpiece, A Clockwork Orange, a great novel almost always overshadowed by a great movie (one of those rare instances of the two works occupying the same level of achievement). I would argue that, if Salinger’s Holden Caufield is the father of all YA protagonists, then Burgess’s Alex is their wicked unacknowledged uncle. “What’s it going to be” is, not coincidentally, also the main question of adolescence. It’s a question one asks when one has leisure, education, and the expectation of some rapidly approaching but ultimately unknowable future. Clockwork also captures the pure linguistic inventiveness that is native to teenage experience. You need only read the first page to get a sense of Burgess’s powers in this regard.
Peter Cameron’s Someday This Pain Will Be Useful to You does many things brilliantly, but perhaps what it does best is capture the absolute loneliness of adolescence, which is, paradoxically, one of the most universal and collective experiences of modern life. If you don’t want to throttle and hug James Sveck at nearly every turn, you, gentle reader, have no heart.
There. I humbly submit this as a delightfully circuitous path to adolescent aesthetic bliss.
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