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On Books Changing Titles

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Cover changes can be hit or miss for me. Sometimes, the redesigns are worlds better than the original and other times, the change doesn’t seem to make a lot of sense. That’s why I love thinking about and writing about those changes — who will the new look appeal to? Does it better reflect the story? 

But one thing I can say I almost universally dislike is a title change. 
Titles are a marketing tool in YA. It’s what can grab a reader immediately. If you spend any time looking through author Q&As, you’ll see many of them talk about title changes that happened well before the book went to press. A number of authors have mentioned they’ve never once named a book themselves. 
So when a title changes, it’s most likely because it wasn’t selling well. The change in title, like the change in cover image, is an attempt to grab new reader attention in a way the original concept did not. 
But for anyone who works in a library or who works with readers in a bookstore, classroom, or similar situation, a title change is a big pain in the ass. Did you order the book already? Will readers be asking for one title and then be disappointed when they’re handed a book with a different one? While there are ways to indicate a title change — you see it on the cover itself and in most library catalog systems, there’s a line you can add for it — it’s not a change that’s necessarily beneficial to readers themselves. 
I know sometimes when an older title comes back into print, the title change can spark a new interest (especially with combined with a fresh cover). But over the last couple of years, it seems there have been a number of YA books getting the title change treatment when a book goes from its original hardcover to paperback. It’s getting sort of challenging to keep track of them at this point, especially when those title changes are paired with a cover change. Are you supposed to keep track? I suspect it’s not an issue to double order books, but it’s certainly not going to make confusion less of a problem. 
Here’s a look at some of the recent YA title changes. I’d love to know of others that you have seen or know about, so feel free to let me know in the comments. I’d also be curious what you think of this: pain in the ass or something you’re willing to deal with? Which of these changes do you think benefit readers better? And more, have you seen this happen much in adult fiction? While it’s not an arena I’m as familiar with, I can’t come up with any examples as I’m thinking about it. 
All descriptions are from WorldCat. I’m putting the original title and cover on the left, with the redesign and renamed book on the right.

Better Than Perfect is the renamed Wild Cards by Simone Elkeles. Interesting, this one is going to keep the idea of “Wild Cards” as the series name. 

Derek Fitzpatrick is kicked out of boarding school and must move with his stepmother to her childhood home in Illinois, where he meets Ashtyn Parker, who may be able to achieve her dream with Derek’s help.

Level 2 by Lenore Appelhans has been renamed The Memory of After. The same model who was on the original cover graces the redesign, too. 

Seventeen-year-old Felicia Ward is dead and spending her time in the hive reliving her happy memories–but when Julian, a dark memory from her past, breaks into the hive and demands that she come with him, she discovers that even the afterlife is more complicated and dangerous then she dreamed.

I Am The Weapon by Allen Zadoff is the renamed Boy Nobody in paperback. The cover changed a tiny bit and I actually think it made the retitling more confusing since they’re so similar. 

Teen assassin Boy Nobody is sent on a mission to assassinate the head of a domestic terrorism cell, but his mission turns up more questions about his job than answers.

Ketchup Clouds by Annabel Pitcher will be renamed Yours Truly when it comes out in paperback in October. This one’s keeping the same cover. 

Zoe, a teenager in Bath, England, writes letters to a death-row inmate in Texas, hoping to find comfort in sharing her guilty secret over the death of a friend with someone who can never tell her family.

Christopher Pike’s Witch World was renamed and repackaged as Red Queen. But the “Witch World” phrase sticks around as the title of the series. 

On a high school graduation road trip to Las Vegas, Jessie, still in love with ex-boyfriend Jimmy, discovers that she possesses extraordinary powers and the ability to exist in both the real world and an alternate one.

Here are some backlist books that have gotten ye old title change: 

Nova Ren Suma’s Dani Noir was originally published as a middle grade title and was updated and repackaged/titled as a YA novel, Fade Out.

Imaginative thirteen-year-old Dani feels trapped in her small mountain town with only film noir at the local art theater and her depressed mother for company, but while trying to solve a real mystery she learns much about herself and life.

The Babysitter Murders by Janet Ruth Young was retitled and repackaged as Things I Shouldn’t Think.

Imaginative Massachusetts seventeen-year-old Dani Solomon confesses she has been troubled by thoughts of harming Alex, the little boy she loves to babysit, triggering gossip and a media frenzy that makes “Dani Death” the target of an extremist vigilante group.

Maureen Johnson’s The Bermudez Triangle was rereleased as On The Count of Three. 

The friendship of three high school girls and their relationships with their friends and families are tested when two of them fall in love with each other.

& Titled: Ampersands in YA Fiction

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The ampersand is my favorite punctuation mark. I love it because it’s so versatile, and I love the history behind the mark (if you look at ampersands from the past, it began as a way to write the Latin word “et,” and it eventually moved from being “et” to standing up and looking like it does now as “&”). 

Over the last few years, more and more YA titles have featured the ampersand. And while I love how it looks aesthetically, it’s sometimes hard to search for book titles in a library catalog that feature an ampersand. The search operators can sometimes get caught up on it; often, though, a simple switch to a search by the author’s name or using “and” in place of the ampersand can solve the problem. 

Because I love ampersands and because I think it’s become a trendy title punctuation in the last few years, here’s a look at YA titles featuring them. All of these are books published between 2010 and now, with a couple of books that will be out in 2014. I’d love other traditionally published YA titles featuring ampersands, and I’m totally open to older titles. I’ve limited it to one book per series, as well as one book per author. Also excluded are short story anthologies — a number of the ones out in the last year or two especially use ampersands. 

All descriptions come from WorldCat.

Catch & Release by Blythe Woolston Eighteen-year-old Polly and impulsive, seventeen-year-old Odd survive a deadly outbreak of flesh-eating bacteria, but resulting wounds have destroyed their plans for the future and with little but their unlikely friendship and a shared affection for trout fishing, they set out on a road trip through the West.

Dash & Lily’s Book of Dares by Rachel Cohn and David Levithan: Told in the alternating voices of Dash and Lily, two sixteen-year-olds carry on a wintry scavenger hunt at Christmas-time in New York, neither knowing quite what–or who–they will find.

Rot & Ruin by Jonathan Maberry (the entire series carries on the ampersand titling): In a post-apocalyptic world where fences and border patrols guard the few people left from the zombies that have overtaken civilization, fifteen-year-old Benny Imura is finally convinced that he must follow in his older brother’s footsteps and become a bounty hunter.

Cinders & Sapphires by Leila Rasheed: The intertwined lives of the prominent Averley family and the servants of Somerton Court are forever changed when an old secret comes to light.

Sharks & Boys by Kristen Tracy: Feeling betrayed, fifteen-year-old Enid follows her boyfriend, Wick, from Vermont to Maryland where he and six others they know from twin studies rent a yacht, but after she sneaks aboard a storm sets them adrift without food or water, fighting for survival.

Charm & Strange by Stephanie Kuehn: A lonely teenager exiled to a remote Vermont boarding school in the wake of a family tragedy must either surrender his sanity to the wild wolves inside his mind or learn that surviving means more than not dying. 

A & L Do Summer by Jan Blazanin: In Iowa farm country, sixteen-year-old Aspen and her friend Laurel plan to get noticed the summer before their senior year and are unwittingly aided by pig triplets, a skunk, a chicken, bullies, a rookie policeman, and potential boyfriends.

Eleanor & Park by Rainbow Rowell: Set over the course of one school year in 1986, this is the story of two star-crossed misfits–smart enough to know that first love almost never lasts, but brave and desperate enough to try”.

Flicker & Burn by T M Goeglein (second book in the “Cold Fury” series): Sara Jane Rispoli continues searching for her missing mafia family, now running from mysterious creatures.  

17 & Gone by Nova Ren Suma: Seventeen-year-old Lauren has visions of girls her own age who are gone without a trace, but while she tries to understand why they are speaking to her and whether she is next, Lauren has a brush with death and a shocking truth emerges, changing everything.

Blink & Caution by Tim Wynne-Jones: Two teenagers who are living on the streets and barely getting by become involved in a complicated criminal plot, and make an unexpected connection with each other.

The Daughter of Smoke & Bone by Laini Taylor (all three books in the series carry out the ampersand in the title): Seventeen-year-old Karou, a lovely, enigmatic art student in a Prague boarding school, carries a sketchbook of hideous, frightening monsters–the chimaerae who form the only family she has ever known.

Etiquette & Espionage by Gail Carriger (all books in this series so far follow this pattern): In an alternate England of 1851, spirited fourteen-year-old Sophronia is enrolled in a finishing school where, she is suprised to learn, lessons include not only the fine arts of dance, dress, and etiquette, but also diversion, deceit, and espionage.

Extraordinary Secrets of April, May & June by Robin Benway: After their parents’ divorce, teenaged sisters April, May, and June recover special powers from childhood and use them to cope with moving to a new home and high school, but wonder if the gifts have a greater purpose.

Freshman Year & Other Unnatural Disasters by Meredith Zeitlin: Smart, occasionally insecure, and ambitious Brooklyn fourteen-year-old Kelsey Finkelstein embarks on her freshman year of high school in Manhattan with the intention of “rebranding” herself, but unfortunately everything she tries to do is a total disaster.

Between You & Me by Marisa Calin: Phyre, sixteen, narrates her life as if it were a film, capturing her crush on Mia, a student teacher of theater and film studies, as well as her fast friendship with a classmate referred to only as “you.”

Sex & Violence by Carrie Mesrobian: Sex has always come without consequences for Evan. Until the night when all the consequences land at once, leaving him scarred inside and out.

Tumble & Fall by Alexandra Coutts: With an asteroid set to strike Earth in just one week, three teens on an island off the Atlantic Coast wrestle with love, friendship, family, and regret as they decide how to live their final days.

And coming in 2014 are at least two more books featuring the ampersand title:

House of Ivy & Sorrow by Natalie Whipple: Seventeen-year-old Josephine Hemlock has spent her life hiding the fact that she’s a witch–but when the mysterious Curse that killed her mother returns, she might not be able to keep her magical and normal lives separate. 

Fire & Flood by Victoria Scott: Tella’s brother Cody is sick and getting worse, so when she finds instructions on how to become a contender in the dangerous Brimstone Bleed race where she can win a cure for him, she jumps at the chance–but there is no guarantee that she will win, or even survive.