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The Evolution of Calpurnia Tate by Jacqueline Kelly

October 1, 2009 |


As the school year starts picking up momentum, the writers at Stacked finally agreed on a title for our next round robin review. We have a lot of YA fiction representation, but our coverage of children’s literature is lacking at times. So, we all decided to pick up the highly discussed title, The Evolution of Calpurnia Tate. We keep hearing possible Newbery talk bandied about when this book is mentioned… so the contributors were intrigued!

Jennifer:

Two things really stood out for me after I read this book.

1. The setting – Fentress, Texas seems like a stereotypical little town in the middle of Central Texas. As a former resident of Austin (and a Texas native), I recognized many of the peculiar quirks so integral to Texas living – the prominence of cotton and the pecan tree, the excitement over staying at the Driskill Hotel on Congress Avenue in Austin, the constant reminders of Civil War battles, and the importance of county fairs in rural life. I especially loved the names of the Tates – 5 of the 6 Tate brothers are named after important Texas heroes of independence… and a cursory glance at my own family tree would reveal similar naming tactics for my own forebears. My mother’s family was from a small Texas town near Mexia – and again, the Calpurnia’s family stories sound very familiar when compared to the folklore of my relatives.

2. The main character – Calpurnia was inquisitive without being precocious. Obedient without being too goody-two shoes. Independent without being impractical. Towards the end, I felt like the author made Calpurnia’s distress about being a woman a little too modern in tone, but I suppose it works for a book about the dawning of the 20th century. Calpurnia also seemed very grown-up in her narrative – the book felt like it was written by her, but ten, twenty years in the future, after she attended that “university in Austin.” Her voice isn’t that of a child.

Kelly got more things right than wrong in this book. She was able to write with an authentic voice, and the reader really fell in love with so many members of the Tate family and Fentress community. I was especially partial to Travis, the tender-hearted younger brother who adored his animals.

But Kelly’s talent for writing these smaller tableaux may also be the book’s greatest weakness. This is a “small” book; very little actually happens plot-wise over the expanse of time. After reading it, I found it difficult to describe what it’s about beyond “Oh, a little girl learns about Darwin and her grandfather in turn of the century Texas.” In the end, I think that’s okay. We don’t always need overly-complicated storylines when the relationships between characters seem so real.

Kelly
Jacqueline Kelly can write, there’s no doubt about it. The prose is lovely, intricate, and challenging, even for the adult reader. This is a book that will require the intended audience to digest the language and the work of art that has been developed.
That said, this story really, really did not do it for me.
The Evolution of Calpurnia Tate was a very slow moving story with no real problem or resolution; instead, it’s a portrait of a girl growing up in small town Texas at the turn of the twentieth century and the challenges she faces with her interest in science and her family and society’s pressures for her to be a housewife-in-training. Each chapter is a bit of a different time of year, from spring time and the summer fair to Thanksgiving, Christmas, and finally the new year.
What bothered me the entire time was that this book has been done before, and because there’s no compelling story line and no real climax nor action, I don’t think this is a memorable read other than for the language aspect. To put it bluntly, I was really bored reading this, and it took me far longer to read than it should have simply because I never felt compelled enough by it to want to read it more.
The Evolution of Calpurnia Tate certainly screams traditional Newbery for me — this is the sort of book that adults think that kids should read, even if it really doesn’t seem to have a lot of kid appeal. I have a hard time envisioning 10-13 year old girls picking this one up by choice and loving it. I suspect an older audience of teens may find more success with it, but because the main character is 11, they may be turned off. Although the historical accuracy with age and maturity is solid, this will read as dated or strange for current intended audiences, I think. Moreover, this book reminds me a lot of A Northern Light by Jennifer Donnelly, which is a similar story set in a historical era where females had desires to be something other than what society has determined for them. Although the concept and theme are great, it is a book than languishes on the shelf.
I found the characters to be flat, particularly the ancillary characters. Callie never gave me a reason to like her nor care about her story; in fact, I wished that the story had been told from the perspective of her grandfather, who seemed a heck of a lot more interesting to me. And while the use of Texas war heroes as the names of her brothers was creative, they were all the same character to me.
Like Jennifer mentioned, this wasn’t written with the voice of a child. I think that’s precisely why I had a hard time figuring this one out. Had this book been written for adults, I think it would find so much more power and popularity. A story from the voice of Callie as an adult reflecting on her childhood could have developed her a lot more and made me care about her whys and hows. But as it is now, I just couldn’t. I don’t think that an 11-year-old reading this can possibly “get” it in any sense — they won’t have the appreciation for the language nor will they understand the importance of the historical setting nor will they get the importance of the message here. I also have a hard time thinking a lot of 11-year-olds would quite have the knowledge of Darwin and the implications of his findings that DO make this book rich.
Fortunately, for a language lover, there were long periods of just falling in love with Kelly’s word weaving. I look forward to seeing what she does in the future, even though Calpurnia Tate is one book I don’t think will make any of my personal favorite lists.

Kimberly

My main opinion about The Evolution of Calpurnia Tate can be expressed as follows: I liked it, but I’m not sure an eleven-year-old would. The book is a beautifully-written, leisurely series of vignettes about young Calpurnia in turn of the twentieth century Texas. Each chapter tells a different story about Calpurnia and her family, and Darwin’s ideas form a unifying theme that also functions as a metaphor for Calpurnia’s coming of age.

There are two main reasons why I believe the book doesn’t really work for its intended age group, and Kelly (my fellow blogger) has touched upon them both. Firstly and most prominently, Calpurnia’s voice is that of an adult. Jacqueline Kelly’s choice to write the book from the perspective of a grown Calpurnia is a baffling one to me, because it removes the reader from the thick of the emotional eleven-year-old experience. Kelly’s voice often comes across as nostalgic, and it’s hard for an eleven-year-old reader to feel nostalgic about being eleven. Calpurnia’s voice makes the book more suitable for an adult.

Secondly, and almost as importantly, there is no driving force behind the book. The individual stories are endearing and amusing, and Calpurnia’s family is lovable and usually interesting (particularly her wonderful, wish-I-were-related-to-him grandfather), but nothing really seems to be at stake here. True, at times we worry that Calpurnia will be relegated to domestic slavery like the other girls of her time, but as a reader I never felt a sense of panic, and there’s no push to find out what happens next. As someone who picked up the book knowing it was geared toward pre-teens, I was surprised at this fact, and it took me awhile to get into it as a result. Quite simply, I kept on waiting for something to happen. Once I realized that the book was not really about plot, I was able to enjoy it, but I just think younger kids need something a bit more than flowery prose to keep them interested.

Less importantly, the book is long. I know that eleven-year-olds of this generation have read the great behemoths that are the later Harry Potter books, but they started off by reading the early ones, which are much shorter. The book also seems longer because nothing really happens, and this is a problem for young readers. There’s no reason to read another chapter because there is nothing to be resolved – it’s just a day in the life.

As Jennifer mentioned, the historical details are delightful, particularly for someone who is a born-and-bred Texan as I am. I learned a bit about my own state’s history, and what’s more, I enjoyed learning it, unlike when I was force-fed such history in middle school. I do think the secondary characters were well-developed, with the exception of a few of Calpurnia’s brothers, and the book had more than a few very funny bits.

The story-within-a-chapter aspect of Calpurnia Tate reminds me a little bit of Little Women, which I loved as a girl. However, even Little Women built toward something at the end and had what could be called a climax or some sort of denouement. Calpurnia Tate just seems to end. This is not to say that it’s a bad book. I quite enjoyed it. But I do believe it will have a hard time engaging the tweens.

Filed Under: Children, Fiction, middle grade, Round Robin Review, Uncategorized

Serving Patrons of a Digital Generation

June 30, 2009 |

While browsing through my daily stack of blogs, I found mention of George Lucas’ latest educational project, Digital Generation. I quickly navigated over there, and I was impressed with the array of content, especially the youth portraits. A lot of older librarians don’t always see how young people are using the richness of media around them. These portraits profile some very tech-savvy “born digital” kids – and I think they’re representative of many young library users.

The website describes itself in the following terms:

Today’s kids are born digital — born into a media-rich, networked world of infinite possibilities. But their digital lifestyle is about more than just cool gadgets; it’s about engagement, self-directed learning, creativity, and empowerment. The Digital Generation Project tells their stories so that educators and parents can understand how kids learn, communicate, and socialize in very different ways than any previous generation.

I haven’t had the chance to browse through all of the content of the site, but it’s bookmarked for further exploration. I see a lot of potential for incorporating some of the content into library educational programs, especially for those who focus on YA or “tweens.” Video editing, social networking, digital modeling, and the like can make for interesting (and fun) activities for patrons. Plus, there are good curriculum tie-ins located on the site, ready for educators (and librarians) to use. Not too shabby.

Note: I learned about this website from Henry Jenkins’ blog. I highly recommend reading his breakdown of the Digital Generation website – and his blog is fascinating for those interested in digital media, cultural exchange, and gaming. His book, Convergence Culture: Where Old and New Media Collide, is at the top of my “academic” reading list.

Filed Under: middle grade, Programming, Technology, Uncategorized, Young Adult

Blast from the Past!

May 26, 2009 |

Did you have a favorite book or series from your youth you sometimes think about rereading? Well, if you’re like me and were enamored with The Babysitters Club right down to owning the movies and the board game, then you’re in luck. Not only are you in luck, but you’ll get to experience it in an entirely new way.

Scholastic has begun republishing the series as graphic novels. Although I am definitely biased and prefer the traditional text series, I think this is such a cool idea. Not only will it appeal to a new generation of girl readers who may otherwise find a lot of The Babysitters Club “old” (much like I did with The Bobbsey Twins), but it will definitely be a great series for those of us 80s and 90s kids who grew up with Kristy, Mallory, Claudia, and the rest of the gang.

You can preview the first few books here. Not only can you preview them, you can also partake in the quizzes to find out which babysitter you are (I’m Kristy). I’m kind of sad my favorite sitter, Abby, has yet to make the cut here. I’ll also confess here that one of the reasons I’m still fascinated with the series is that Ann M. Martin was indeed the first author I ever met (my mother let me miss a couple of hours of school to go see her in person back in 2nd grade!).


And if The Babysitters Club isn’t enough excitement for you, then hold your horses for this one. The Boxcar Children series — you know, the kids who solve mysteries — turns SIXTY years old. What better way to celebrate than to see the books being rereleased for a new reading audience to celebrate its inception more than half a century ago (WOAH!). You can check out the website here for more Boxcar Children fun.

Do you have a favorite series from your youth you’d love to see make a reappearance? I think it’s great that youth reading has gotten so good lately through not only strong promotion but through strong and interesting writers and stories. I’m just as excited to see these old staples of my childhood reappear, either in their traditional sense or remixed.

Filed Under: Favorite Picks, middle grade, Series, Uncategorized, Young Adult

11 Birthdays, Wendy Mass

May 18, 2009 |

While Bill Murray may have been the star in the hit film Groundhog’s Day, it is Amanda Ellerby and Leo Fitzpatrick who play the lead role in Wendy Mass’s 11 Birthdays, which follows the two as they replay their 11th birthday over and over.

Amanda and Leo were born on the same day, just hours apart in a hospital in Willow Falls. Angelina D’Angelo, a woman who had lived in Willows Falls since the beginning of time, admired the two lovely babies as their parents first saw them in the infant room at the hospital. Angelina commented that she hoped those two would forever celebrate their birthdays together. And through a mix-up at a party location on year later, the tradition of Amanda and Leo celebrating their birthdays together began.

This happened regularly until their 10th birthday, when Leo made a comment that caused Amanda great anger. For a year, the two did not speak to one another. However, as their 11th birthdays begin, it will be a day that they relive over and over again — and it is only the two of them who realize this is happening.

11 Birthdays is a story that is tied deeply in family history and local history. Although the story sounds fairly simple, there are great layers buried within the events. Each of the small pieces of the first instance of Amanda and Leo’s birthdays ties in somehow to how they solve their mutual problems and come to each celebrate one of the best birthdays of their lives. It was enjoyable to see how each of them figured out what was going on when they kept waking up on their birthday, even after having celebrated it the day before; more enjoyable was the fact no one else around them seemed to have a clue what was going on.

11 Birthdays was much different than I initially expected, and it was much better than I anticipated. This is the second book by Wendy Mass I’ve read (the first being A Mango Shaped Space) and I found both of her books to be the same way — the jacket description and initial impressions were far surpassed when the story concluded. In fact, when I began this book, I was frustrated with how unlike an 11-year-old Amanda felt, but as the story progressed, I couldn’t help but think about how very much like an 11-year-old she really was. I thought the story as a whole was well-paced and did not kill the concept as it repeated itself. Each instance of reliving the day was unique and fresh, and I thought that the descriptions and scenarios were cute and silly enough without being over the top.

Without hesitation, I would give this book to girls 9-13 or so. It’s a definite tween title, and I think that it will appeal to those who enjoy Mass’s style. While reading it, I couldn’t help but think that Amanda and this story reminded me of Lina from Diana Lopez’s Confetti Girl — another title that definitely falls into this realm of squeaky clean, humorous, but touching titles that meld realistic fiction with an element of imaginary play.

Filed Under: middle grade, Reviews, Uncategorized

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