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  • STACKED
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Stupid Fast by Geoff Herbach

July 6, 2011 |

I had a conversation with my book club kids a couple weeks ago about the power of one summer. We’d just finished reading Siobhan Vivian’s Same Difference and I was curious whether they believed one person could change radically over the course of one season. I’m a believer in the notion that people can, given the right situations and right circumstances, and I was pleased to hear my teens thought the same thing. In fact, they believe people can change completely, even in just a couple of weeks.

The reason I bring up this idea is because it’s the big thing at play in Geoff Herbach’s debut novel Stupid Fast. This book might easily be at the top of my 2011 favorites list, with its fantastic story line, strong voice, well-played themes, and for its incredible appeal for both guys and girls.

Felton Reinstein is a loser. I mean, the kind of guy who loser movies and books are written about. He’s never been the biggest nor the strongest and he’s even earned himself the nickname of squirrel nuts (for reasons I hope I don’t need to explain). Fortunately, Felton’s got about the best friend he can have in Gus — that is, until Gus’s family takes a summer away in Venezuela and things tumble inexplicable out of control.

But in a good way.

Suddenly, Felton’s no longer the scrawny guy. He’s no longer the guy that people pick on. He’s become, in his own terms, stupid fast. He’s become a jock extraordinaire, and he takes his talents out to the football field, where he suddenly becomes the MVP. For real — this guy can outrun and outplay anyone, and now there’s even the possibility of being scouted by big name university football coaches.

And lucky for Felton, despite his best friend moving away from the summer, he’ll be making a new friend. But not the kind of friend Gus was. No, this time he’ll be making a girlfriend in Aleah, the girl who, along with her family, is renting Gus’s house for the summer. And maybe, just maybe, Felton might fall in love for the first time.

Stupid Fast is the kind of story I love, as it tackles the challenges of growing up in such a realistic, funny, and honest way. But more than that, this story delves into some really heavy issues, including interracial dating and social class. Herbach’s story takes place in a small town in western Wisconsin (which, by all my bets and knowledge of western Wisconsin, is modeled after Platteville). It reminded me a lot of one of my all-time favorite books, Catherine Gilbert Murdock’s The Dairy Queen, incidentally also set in small town Wisconsin.

Let me start by digging into the structure of this novel. It’s told in a diary format. The thing is, since it’s told through the “diary” entry of a guy, it’s nothing like a typical diary. Instead, it’s much more candid and much less reliant on what Felton was feeling. It’s, if you will, a play-by-play of the events that led up to the moment he started writing. The entire diary is the set up for the story, and the entry is written over only the course of one night. But the book itself chronicles more than one night — it chronicles the entire summer before (and then some). Felton’s at a turning point in his life, and he knows it. That turning point is one he knows he has to face head on, and the only way he can do it is by reflecting upon the events that helped turn him from the class joke to the class jock. Herbach gets this sort of epiphany perfectly, and it’s entirely suited to who Felton is as a character. We learn with him as we reflect with him, and we’re able to appreciate the entire journey of his summer with him step by step. But the thing is, we’re not handed the story through Felton, either: we know there is something incredibly heart breaking that he is trying to figure out and understand as it relates to his family, and we’re not entirely privy to it. We have to work along with Felton to put the pieces together and come to understand why this reflection is necessary.

Felton as a character is one of the best male leads I’ve read in a while. Never does he sway into being too emotional and never does he sway into becoming too much of a joker. One of my biggest pet peeves in a story that’s male-voice driven is that it can too easily go one way or the other; often, I think authors rely too much on making their males too funny and too stereotypically “guy.” Felton isn’t. Felton has a good sense of humor but it’s never over-the-top, and he’s got the right balance of seriousness with emotional insight. We understand how Felton feels when it comes to romance, to his best friend, and to his staggering physical changes, and we understand why he feels so out of place in his family. It’s well paced and well developed. He’s a typical guy’s guy, and the things he goes through are, without doubt, relatable to the vast majority of guy readers. Moreover, though, this is the kind of male voice that appeals to female readers, too, since it’s not overly macho and not overly immature. Herbach strikes just the right balance.

Moreover, the character growth in Felton is enjoyable to watch. Although he’s fixated on the physical changes — which are naturally the most easy to see for him — as readers, we experience first hand the emotional changes, too. And this brings me back to a point I brought up earlier: what this book does so well is integrate huge issues into the story without making them Huge Issues.

Felton falls in love in this story. He meets Aleah, a girl who is a piano prodigy and who is spending the summer in this small town while her father takes a visiting faculty position at the local college. But Aleah is so different from himself. For starters, she’s African American. Not only that, but she’s in an entirely different social class than he is. Felton’s nervous to not only be attracted to someone so different from him and so different from everything he’s been exposed to in his life, but he’s also making himself more nervous by actually following his heart and getting to know Aleah better. Before that summer, Felton wouldn’t have had the nerve to do it. He would have let the opportunity pass him. But this summer? He goes all out for love, and in the process, learns that the things he thinks are hurdles to overcome are nothing but mental set backs he uses as excuses not to put himself out there and try new things.

The romance in this book is incredibly sweet and a little heartbreaking, too. It’s a very guy romance, as well, and I don’t think guys will have a problem reading it. I loved Aleah as a character, and I feel like she’s really the balance Felton needed. The setting, too, is pitch perfect for both the romance and for the transformative growth Felton experiences.

There is so much more I could talk about in this book, including the powerful family story that occurs, but I won’t because this is a book you need to read and unravel yourself. This is a richly layered story with huge reader appeal. It’s well paced, funny, and it will appeal to fans of realistic coming-of-age stories. It’s fairly clean, meaning that this is the kind of book I’d feel comfortable giving to readers 12 and up, and it’s one that I think would make an excellent book club choice for teen readers. It reminded me a lot of Murdock’s Dairy Queen series, both because of setting and because of the use of sports and family as a vehicle of growth. This book is one that I sure hope gets some Morris consideration this year, as it’s a debut of note.

Bonus: this is an original paperback release title, too, meaning it’s budget friendly.

Finished copy picked up at Book Blogger Convention. That means it’s available now!

Filed Under: guys read, Reviews, Uncategorized, Young Adult

Guest Review: The Fourth Stall by Chris Rylander

June 15, 2011 |

Today, we’ve got a guest post from Paul Stenis, a reference librarian at the University of Central Oklahoma. Paul attended University of Texas with Kim and I, and in addition to being a librarian, he holds an MA in creative writing and is in the midst of working on a novel for middle grade boys. When he talked about starting a blog about books for boys, we couldn’t help but ask if he’d like to offer up a review for us to share, and today we bring his first.

Chris Rylander chose to write The Fourth Stall in the first person point of view, a brilliant choice, I believe, because Christian “Mac” Barrett is his point of view character. You see, Mac is a guy you can count on for a favor. He’s a die-hard Cubs fan. And he tends to do a lot of his favors pro bono. That’s right. Mac talks tough and has a tough nickname, but he’s a champion for loveable losers and he’s got a pretty good sense of humor about it. Add it all up, and you get a kid who is tough but compassionate and pretty funny too. If you’re going to spend three hundred pages inside someone’s brain, Mac’s is a darn good choice. I liked it there. A lot.

Mac’s troubles begin when Fred enters the fourth bathroom stall that doubles as Mac’s office. Fred has a big problem: a twenty-year-old bully named Staples, who’s more ghost than guy, more rumor than fact. Staples runs gambling rings in several schools and uses high school cronies to beat up bookies and then terrorize them into making more foolish bets. Fred is one of his victims, and he’s only in the fourth grade. Fred has no money and no one to turn to. He’s come to the right place. Mac and his right-hand man Vince agree to protect Fred, pro bono of course, and that’s when the trouble really begins. Somehow Staples is on to their game from the start, and Mac soon realizes he is facing his toughest job yet.

Rylander’s achievements aren’t limited to the byproducts of Mac’s engaging voice, they’re also tied to his ability to both parody The Godfather and transcend it. The Fourth Stall isn’t just a clever book about Mac’s mafia-esque business, it’s a story of loyalty, compassion, and the strength of a life-long friendship. It’s a buddy book, and a lesson on how to forgive your friends and enemies. Christian’s first name is no accident. And so it’s moving in a way that the source material isn’t.

In other words, Rylander’s decision to move the Godfather story into the realm of junior high is brilliant on a couple of levels. It’s funny to hear sixth graders talk and act like gangsters. Indeed. But more important is the elbow room Rylander gave himself as a writer with the decision to give Mac compassionate side that wouldn’t fly in the adult world equivalent.

If I have a complaint to share, it’s this: there is a glaring lack of three-dimensional female characters here. But that’s forgivable, in my view, because Mac’s experience is limited in that department, as it would be for a lot of male characters his age. Perhaps that’s something Rylander will take on in the sequel. Whatever he decides, I can’t wait to read it.

Filed Under: Guest Post, guys read, middle grade, Reviews, Uncategorized

Twitterview: Blake Nelson!

May 2, 2011 |

Once in a while, blogging gives you gifts you weren’t expecting. Today, I bring you one of them.

I’m a big fan of Blake Nelson, and I’ve offered my reviews of Destroy All Cars, Paranoid Park, and Recovery Road. So when he contacted me about a potential Twitterview a few months ago, it was hard not to do it right then. But I waited. And today I bring you an exciting interview with him. Blake may have been the first author to actually email me after a review — way back in 2009 — and it was one of those awesome blog moments that stuck with me. So, I’m giving away GIRL, PARANOID PARK, DESTROY ALL CARS, and RECOVERY ROAD to celebrate our 2-year blogging anniversary here at STACKED. I’ll add that RECOVERY ROAD is also signed by Blake himself, who I had the pleasure of meeting during his stop in the area for Sister Spit (oh yes, photo evidence below). Here’s your chance to sample Nelson’s style which I have grown to appreciate more and more with each book of his I read.

But first — let’s hear from him.

What influenced RECOVERY ROAD?

I did a school visit at a girls reform school. The girls were smart, interesting, unusual. I wanted to write about them.
Maddie ultimately recovers in the story, but she’s the only one. Why did you make this choice?

The characters decide, not me. She was just sooo determined. That’s what made the book: her ferocity.

As a reader, I found your setting a hugely important part of Maddie’s story and know Portland is where your stories are usually set. Why?

The rainy gloom of Portland! It is in my soul … and it was perfect for this kind of love story.

GIRL, your first novel, has been in print for over 15 years now and it’s a cult classic. Would you change anything about the book today?

No way! We love people because of their flaws. GIRL has many many flaws. But it still kicks ass!

Each of your books is entirely different — you don’t fall into a single category. How do you make your style/voice decisions?

I feel sorry for series authors, writing the same thing over and over. Poor J.K. Rowling. I think I’ll send her a card.

You successfully capture both male voices and female voices, giving your books wide appeal. Talk about the experience of writing each.

Girls think. Boys do. Girls analyze. Boys criticize. Girls think about people. Boys think about things.

Two of your books — PARANOID PARK and GIRL — have been made into films. Did both/either come out as you’d imagined?

It’s always profoundly weird to see what your story looks like in someone else’s brain. But after the shock, it’s fun.
This spring, you’re on the bus for the Sister Spit tour. How did you get involved with this?

They’re GIRL fans, and SASSY freaks. I’m a big fan of their stuff. Michelle Tea is one of my heroes.

What influences your writing?

Hearing people talk about their lives. Watching teenagers. Thinking about being young.
Which of your books has been most meaningful to you and why?

Probably RECOVERY ROAD. It is my fullest, most complete book. Maddie changes so much. And it feels so real.

Of all your books, which character from which book would be closest to your heart and why?

I still love Andrea Marr. From GIRL. I would love to meet her now, fifteen years on, she’s probably a librarian.
Same question as above, but this time tell us who is most like yourself?

Alex in PARANOID PARK: Clueless, funny, sometimes profound in an accidental way.

Given your career as a whole, if you could redo something in any of your books, would you?

No. I do TONS OF REWRITING, POLISHING and OBSESSING, so I know there’s nothing really wrong with any of them.

You’ve seen the rise of YA in the last few years. What’s changed in the time you’ve been publishing? Is it easier or harder now to write?

Too much trend-chasing. Someone yells “DYSTOPIA!!” and everyone runs to their computer and starts typing.
What is your writing routine?

Six hours, every day.

Best piece of writing advice ever received?

“Get rid of the little words”
Best piece of writing advice you’ve ever given?

“Maybe you should stick to acting, Gwyneth.”

Who do you think is doing some of the most influential work in the YA world today?

Love Frank Portman. Love Natalie Standiford. And Sara Zarr. I like more realistic stuff.

What three books or writers would you consider the most influential to you and your career?

John Updike, F. Scott Fitzgerald, Henry Rollins

Like all authors for teens, you get letters from your readers. What was the most memorable thing someone has said to you about your work?

I love it when my books keep people company. Like a good friend. Kerouac does that for me.
Share one of the most memorable moments of your teen years.

Falling in love the first time. And having my whole psyche re-arranged by it.
What are three surprising things we should know about you outside of writing?

I was a teenaged redneck. In high school I played football, drove a pickup and hunted and fished on weekends.

And the most important question — favorite ice cream flavor?

chocolate!

Filed Under: Author Interview, Giveaway, guys read, Uncategorized

Guys Read: Resources 101

April 11, 2011 |

Last month, STACKED brought you a week of guys read related posts, and one of the things I didn’t get a chance to do then was offer a list of resources for those interested in a go-to list of current guy friendly books. Lucky for you, I didn’t forget about it, and I’m sharing my resources with you today.

First up, I offer you a link to my tri-fold brochure of guy friendly titles. Although it’s catered to my library’s needs (since it does live there), you are welcome to use the titles, descriptions, and designs to fit your needs or interests. This link will take you to the file, which you can view on screen or download. Please note: I do not include non-fiction or graphic novels on my publication, but they certainly have huge appeal. I keep it at fiction because there is so much I could add and need to give some sort of limitation.

Guy Reads: Books with Killer Guy Voices

If you’re looking for additional resources or want to know where I keep myself up-to-date on guy-friendly books, check out these sites:

Guys Lit Wire: Bloggers share their reviews and insights into books guys will love.

Tales Told Tall
: This is Michael Sullivan’s web page. If you aren’t familiar with Sullivan, he’s a leader in discussing issues related to getting guys to read, and I’ve blogged about hearing him speak here, here, and here. I love that his website offers us both his blog, but more importantly, his tried-and-true book recommendations by genre. Book mark this site, as he updates it frequently.

Guys Read: Like Sullivan’s site, this one will offer loads of book titles and descriptions by genre. It’s geared a little younger than Sullivan’s site, but it is extremely helpful for your tweens.

Where the Boys Are
: Jennifer Hubbard is the author of the male-voiced love story The Secret Year (January 2010) and shared a huge list of books with males as main characters. Although that doesn’t necessarily guarantee guy appeal, it’s an excellent and valuable list to have access to.

Remember: guys are reading. They have always been reading. But their acts of reading aren’t as public or as open as girls. But what we can do is continue to highlight those books that will appeal to guys and promote them. Their readers will find them.

* A big thanks to Michelle for creating the perfect Guys Read graphic for us.

Filed Under: book lists, guys read, Uncategorized, web resources

Guys Read: Guest Post by Matthew Jackson on Men of Letters

March 5, 2011 |

In honor of Guys Read Week, guest blogger Matthew Jackson (A Walrus Darkly) steps away from the readers and concentrates on five men who inhabit books.

Five unforgettable men and the books where they live.

Most people come to the book for the concept. When you pick up a new novel, with a few exceptions, you generally pick up because you like the idea that drives the book. Dystopia, serial killer mystery, high fantasy series, paranormal romance, these are the things that make our heads buzz when we decide to check out, buy or download something to read. Once you’re in the thick of all that conceptual and thematic heaviness, though, something has to hold you. Something has to get hooks in and refuse to let go, or it just becomes a great idea poorly executed. For that, we turn to characters.

So, in honor of Guys Read Week here at Stacked, rather than focusing on the books guys read, let’s take a look at the guys inside the books. Here are five very different imaginary males guaranteed to keep you reading.

Roland Deschain (The Gunslinger), The Dark Tower, Books 1-7 by Stephen King 

The Gunslinger, art by Michael Whelan.

Stephen King’s The Dark Tower maintains one of the most rabid cult followings in modern fantasy, yet it seems so many readers still dismiss it simply because it was written by America’s Boogeyman. Like all of King’s works, the massive Tower saga (a work nearly four decades in the making and still growing) has elements of the horrific, but at its core is an expansive fantasy saga filled with parallel universes, complex worldbuilding, magic, monsters, warriors and a fight to very literally save everything.

At the center of all of this is Roland Deschain, the last of a vaguely Arthurian line of warriors called gunslingers (think Jedi Knights with six shooters). Roland’s home, the world and civilization he was sworn to protect, has been wiped from existence by a war, and the universe around him is steadily deteriorating. As the sole survivor of an order of men sworn to protect, he embarks on a quest to find The Dark Tower, literally the center of all things, and defeat the forces that seek to unmake existence.

While the series is eventually populated with a host of memorable characters, as it begins Roland walks alone. He seems simple, the archetypal strong, silent fighter with eyes as cold as the iron in his revolvers. As the series evolves, grows and deepens, it’s not only King’s story that keeps us going, but the deepening complexity of Roland. As the quest advances, he becomes teacher, philosopher, lover, friend, father and, ultimately, savior, all while maintaining his cool gunfighter exterior. He’s mythic but organic, superhuman yet precariously fallible, and it’s his journey, more than any of the story’s many other charms, that makes The Dark Tower great.

Grady Tripp, Wonder Boys by Michael Chabon

Michael Douglas as Grady Tripp, from Wonder Boys, directed by Curtis Hanson.

Like Roland, Grady Tripp is on a quest, but he’s anything but a warrior. He’s very nearly a schmuck, a has-been whose world is collapsing around him. His wife is gone, his mistress is in crisis, his agent is in town waiting for a long-promised second novel (his first was a smash hit…nearly a decade ago), the novel in question is more than 2,600 pages long with no end in sight, and one of his students is in desperate need of a mentor.

Wonder Boys is Grady’s story, told in his voice, of how he fought to finish his book and right his life, even as everything around him just kept getting stranger. It’s a brilliantly funny book, but it also has a great deal to say about the general frailty and insecurity of creative people, especially creative people who are attempting to maintain their reputation of brilliance (The book is Chabon’s sophomore novel, his first published effort after being hailed as a wunderkind when his first book was released.). Grady is not the nicest of men, nor the wisest, but he is painfully aware of how far he’s fallen, and it’s his desperate push to lift himself up again that makes Wonder Boys so powerful.

Elijah Snow, Planetary by Warren Ellis 

Elijah Snow, art by John Cassaday

 Moving into comics for a moment, we come upon Elijah Snow, a 100-year-old yet seemingly almost ageless man with the ability to subtract the heat from anything. He can turn a room cold in seconds, freeze the fluid in your brain and even turn your body rock hard and shatter you with a single punch. He’s also the apparent leader of Planetary, a shadowy organization of superhumans dedicated to excavating the world’s secret history and unlocking humanity’s true potential.

Planetary is an all-too-brief (less than 30 issues) series all about secrets, whether they’re the existence of ghosts, life on other planets or the creation of the universe. It’s also about personal secrets, and Elijah packs more in his being than any of his cohorts. His origins are murky even to himself, as are his motivations. Still, he fights to constantly uncover things, to excavate the impossible, to dig up the things that Powers That Be have long-since buried. Planetary is exceptional for many reasons, but Elijah Snow is without a doubt the coolest (pun intended) part.

Judge Holden, Blood Meridian, or The Evening Redness in the West by Cormac McCarthy

Blood Meridian is a brutal, gorgeously primal novel, and at the heart of that brutality is Judge Holden, a hulking, mystical and seemingly superintelligent albino who savors violence and mayhem. Based on an apparently real person who scalphunted Indians with the Glanton Gang in the mid-1800s, Judge Holden fades in and out of McCarthy’s novel like a spirit, sometimes helpful, sometimes vengeful, but always pulsing with an aura of savagery.

Holden’s ruthless spirit is contrasted with an almost impossible intelligence, and an almost supernatural ability to influence nearly every other character for good or ill. His mysterious presence, coupled with McCarthy’s biblical, visceral prose, makes him more than an antihero or antagonist. He’s a monster, alternately embraced and repulsed by the other characters, and he never stops being utterly fascinating.

Harry D’Amour, “The Last Illusion,” “Lost Souls,” The Great and Secret Show and Everville by Clive Barker 

 Before Harry Dresden, and before John Constantine got his own series, Hellblazer, Clive Barker created supernatural investigator Harry D’Amour. Poor, scruffy and covered with talismanic, protective tattoos, D’Amour delves into only the very strangest of cases, battling with demons and things not of this world with a combination of secret knowledge and Working Joe elbow grease.

D’Amour has his roots in the hardboiled detective tradition perfected by Raymond Chandler and Dashiell Hammett, but the level of mystery that surrounds him, along with his attitudes, his interests and the creatures he faces, are all Barker. What makes Harry cool is not that he’s trying to be cool, but that he’s just working, fighting, scraping to get it done. The odds are always against him, and he always keeps pushing the limits of his own understanding of what lies beyond human experience. This not only makes him a badass, but an avatar for the reader. He’s our ticket to the ether. D’Amour is allegedly appearing as the protagonist of a massive upcoming Barker project called The Scarlet Gospels (which will also resurrect the legendary Pinhead), but at the rate the book seems to be going, there’s plenty of time to tackle every other D’Amour story before then.

So there, I’ve done it. A cornucopia of maleness. Happy Reading.

Filed Under: Guest Post, guys read, Uncategorized

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