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What I’m Reading Now

May 6, 2014 |

The last couple of weeks of my life have been chaotic, between traveling to Connecticut, changing jobs, and now, I’m in Virginia for a couple days. I haven’t had a lot of good time to “settle” into a new routine, and because of that, my reading has been a little all over the map. I’m a pretty good reader while traveling, so I’ve at least been able to sneak in pages between destinations. Here’s a look at what I’ve been reading and have in my bag right now while I’m trying to find that new groove. I guess I’m also a little all over the map in what’s been catching my interest, too!



Sex Criminals, Volume 1 by Matt Fraction and Chip Zdarsky: I heard about this one so long ago and preordered it so long ago, and when it showed up in my mail this week, I was really excited since I’d forgotten I bought it. It’s a comic book featuring a main character who is a librarian that, when she orgasms, she is able to stop time. The story picks up when she meets a partner who has that same special talent. I’m not too far into it, but I am really keen on the artwork.

The Empathy Exams by Leslie Jamison: I can only remember having read one collection of essays in book form before, and that was Eula Biss’s Notes From No Man’s Land, published by Graywolf Press. So when Jamison’s collection started getting some buzz, my interest was piqued. Then someone shared one of the essays in this collection titled “A Grand Unified Theory of Female Pain,” which you can read in full here, and I knew I wanted to pick up the book. I’m about half way through the collection and have had some hits and some misses, but Jamison’s writing is knockout.

The Break-up Artist by Philip Siegel: I haven’t cracked this one open yet, but I have it with me while I’m out this week because it looks like a lighter-hearted read. It’s a story about a girl who falls into the business of breaking up relationships.

The Half Life of Molly Pierce by Katrina Leno: I know very little about this book, and I wouldn’t have put the galley on my ereader had I not seen someone mention that it’s a great read alike to Stephanie Kuehn’s forthcoming Complicit. I read and loved Kuehn’s book, so I’m eager to see what makes this a read alike and if it’s as successful in being a psychological thriller that actually surprised me with its twists.

Before I left, I shoved a ton of other galleys on my ereader, as well, including Roxane Gay’s Bad Feminist (another collection of essays), Carrie Mesrobian’s Perfectly Good White Boy, Micol Ostow’s Amity, and Kat Rosenfield’s Inland.

What’s been on your reading plate lately? Anything recently released or coming out soon that I should have on my radar?

Filed Under: essays, Graphic Novels, Non-Fiction, Uncategorized, What's on my shelf, Young Adult

Graphic Novel Roundup

April 24, 2014 |

A Flight of Angels by Rebecca Guay and others
This graphic novel is absolutely packed with talent. It’s conceptualized and illustrated by Rebecca Guay, with stories by Holly Black, Bill Willingham, Louise Hawes, Alisa Kwitney, and Todd Mitchell. Even casual fantasy or graphic novel readers will likely recognize one or two of those names.

I love the idea beyond the book. It’s a frame story: a group of fairies and other creatures (fair and foul) discover an injured, unconscious angel in the forest. They each take turns telling a tale that describes how the angel may have gotten there, and the youngest among them will decide the angel’s fate based upon these tales. Each story explores some facet of angel mythology. I particularly enjoyed the first, written by Louise Hawes, which gives us a different version of Adam and Eve, though I think all are pretty strong.

What stands out particularly well, though, is the art. Each story is illustrated in a different style, which led me to initially think they were illustrated by different artists. This is not the case. Rebecca Guay illustrates the whole thing, and each story – including the frame story – looks like it came from a different hand. I’m pretty blown away by that, especially when I consider that the art is top-notch all the way through.

This is a beautiful book, beautifully thought-out and executed. It was selected as one of YALSA’s top 10 graphic novels of 2012, and I’m surprised I hadn’t even heard of it until I came across it in the comics shop. It’s written for an adult audience but could easily cross over to more mature teens, and I highly recommend it.

Fairest vol. 1: Wide Awake by Bill Willingham and Phil Jimenez
Fables’ popularity has brought us a few spinoffs, and this is the latest I’ve discovered. It focuses on the women of Fables. This first volume tells Sleeping Beauty/Briar Rose and the Snow Queen’s stories, which intertwine. Regular Fables readers will recall that Briar Rose was left in a rather precarious position in the main storyline; this volume gives readers an opportunity to find out what happened to her and continue her tale.

Right off the bat it was obvious to me that this was written by Willingham (as opposed to the Cinderella spinoff, reviewed below). The characterization is closer to that in the main Fables story, the humor flows better, and the story is just more interesting. Of the spinoffs I’ve tried (Cinderella, Jack of Fables, and Fairest), this is my favorite. Phil Jimenez gets primary credit for the art, and he does a terrific job. I’m such a sucker for Adam Hughes’ cover illustrations, too, which are phenomenal.

The bonus story at the end is wild. It’s a noir-ish detective story featuring Beast. I can’t say more than that. It kind of blew my mind. I still don’t know if I liked it.

Cinderella vol. 2: Fables are Forever by Chris Roberson and Shawn McManus
I guess the cover on this one should have been a giveaway, but I liked the first volume well enough, I figured I’d enjoy this one equally. It was…just OK. It features Cinderella hunting down Dorothy Gale, an assassin who worked for the shadow Fabletown and has some history with Cindy. That’s basically the extent of the story, aside from an unpleasant twist near the end which made me extremely uncomfortable.

There was a lot of Cinderella and Dorothy fighting in bikinis. As I said, the cover should have clued me in on that. It may sound like I didn’t care for this one much, but I did enjoy it. I just expected more. The idea of Cinderella as a spy is a great one. The first volume played with the traditional Cinderella story in new ways, but I felt like Roberson just phoned it in on this one. Not the best.

The Undertaking of Lily Chen by Danica Novgodoroff
This is a case of “It’s not you, it’s me.” I recognize the technical quality of the book. The art is certainly good. The story is unique and well-developed. I found the premise of ghost brides fascinating. The whole thing just left a bad taste in my mouth.

Deshi’s older brother, the pride of the family, dies, and Deshi’s parents send him out to find a ghost bride for him, so he doesn’t have to be buried and go into the next world alone. A ghost bride is a corpse of a woman – the fresher the better. Deshi lives in modern-day rural China where this very old tradition is still sometimes practiced. He falls in with a young woman named Lily, on the run from problems of her own. Female corpses, especially fresh ones good enough for Deshi’s brother, are in short supply. You see where this is going.

I think my main issue arose when Deshi and Lily started developing romantic feelings for each other. Deshi was romantically involved with Lily even while he was still considering killing her to bring home as a ghost bride. I think Novgodoroff was trying to show how tough parental pressure can be – and Deshi’s parents are certainly awful. But it didn’t work for me. I suppose as a woman, I automatically place myself in the girl’s shoes, which made me consider how I’d feel if a boy was considering killing me while he was kissing me. This is mainly Deshi’s story (despite the title!), but Novgodoroff does tell a good portion of it from Lily’s point of view, so sympathizing with her seems to be intended as much as sympathizing with Deshi is. It just made me feel icky, and not in a nice way.

A Flight of Angels and Cinderella purchased, Fairest borrowed from the library, Undertaking of Lily Chen provided by the publisher. All titles are available now.

Filed Under: Graphic Novels, Reviews, Uncategorized

Going Graphic: Graphic Novels on the Outstanding Books for the College Bound List

April 10, 2014 |

In continuing the short reviews and discussion of the titles on this year’s Outstanding Books for the College Bound list (OBCB), I thought I’d hit on format in this roundup, rather than thematic connections. One of the things that makes me really proud of the work we did on this list was that we included a nice number of graphic novels and graphic non-fiction titles. Even though it seems like those who are huge readers have been “on to” graphic books forever, it’s still a format not everyone widely accepts as a legitimate type of reading. The books that we were able to include in a list of books for those who want to attend college or who are life long learners in the graphic format definitely prove otherwise — included here are both fiction and non-fiction graphic novels, as well as a couple of graphic novel hybrids.

These titles spanned all of the categories on the OBCB list, so I haven’t read them all personally. Because of that, I’m going to format this roundup a little bit differently than the previous formats. I’ll offer up the official WorldCat description for each, and then for the titles I have read or have more to elaborate upon, I’ll note that beneath.

As a bonus, many of the graphic novels are also diverse titles. 



March: Book One by John Lewis, Andrew Aydin, and Nate Powell: John Lewis’s autobiographical account of his lifelong battle for civil rights for all Americans.

I didn’t get a chance to read this one, but it looks like an outstanding (auto)biographical work about John Lewis’s life and how much a role he played during the civil rights movement. 

Philosophy: A Discovery in Comics by Margreet De Heer: A fun introduction in comics to deep thinking and the history of philosophy. 

The WorldCat description tells you everything and nothing about this little gem. It is a fun introduction to the history of philosophy, but it’s more than that. While it definitely offers a solid history, the core of the book is about how readers can learn to develop their own ideas about philosophy and figure out what their own philosophy on life is. It’s easy to follow and it’s not going to go over the heads (nor bore!) readers who may not be interested in philosophy or those who think that philosophy is a tough, hard-to-grasp concept. This makes it really easy. 

Relish: My Life in the Kitchen by Lucy Knisley: Lucy Knisley loves food. The daughter of a chef and a gourmet, this talented young cartoonist comes by her obsession honestly. In her forthright, thoughtful, and funny memoir, Lucy traces key episodes in her life thus far, framed by what she was eating at the time and lessons learned about food, cooking, and life. Each chapter is bookended with an illustrated recipe– many of them treasured family dishes, and a fewof them Lucy’s original inventions. 

I reviewed this book last year, well before deciding to nominate it for OBCB consideration. What made this a standout and one we decided to put on the Arts & Humanities list was how much love was poured into food and eating. This is the kind of book anyone — from a passionate foodie to a person who merely enjoys a good meal now and then to the reader who has never thought much about the food they eat — could get into. Knisley’s art is really enjoyable, and her ability to be respectful of the way food connects us as people and the way food becomes a centerpiece to our lives gets at the heart of arts and humanities. 

American Born Chinese by Gene Luen Yang: Alternates three interrelated stories about the problems of young Chinese Americans trying to participate in the popular culture. Presented in comic book format.

That’s not the most useful WorldCat description, but it’s pretty spot on about what the book is. It’s been a long time since I read this one — back in grad school is when I think I read it — but it’s one that’s stuck with me not just because it’s three interconnected stories about the Chinese-American experience, but also because of how outstanding the artwork is. This is easily a classic of YA literature and of graphic novels for young readers (if not graphic novels, period) and it’s a perfect fit for the list.

Feynman by Jim Ottaviani and Leland Myrick: In this substantial graphic novel biography, First Second presents the larger-than-life exploits of Nobel-winning quantum physicist, adventurer, musician, world-class raconteur, and one of the greatest minds of the twentieth century: Richard Feynman. Written by nonfiction comics mainstay Jim Ottaviani and brilliantly illustrated by First Second author Leland Myrick, Feynman tells the story of the great man’s life from his childhood in Long Island to his work on the Manhattan Project and the Challenger disaster. Ottaviani tackles the bad with the good, leaving the reader delighted by Feynman’s exuberant life and staggered at the loss humanity suffered with his death. 

War Brothers: The Graphic Novel by Sharon McKay and Daniel Lefrance: Jacob is a 14-year-old Ugandan who is sent away to a boys’ school. Once there, he assures his friend Tony that they need not be afraid — they will be safe. But not long after, in the shadow of the night, the boys are abducted. Marched into the jungle, they are brought to an encampment of the feared rebel soldiers. They are told they must kill or be killed, and their world turns into a terrifying struggle to endure and survive.

This is a title I didn’t get my hands on, despite being on one of my own subcommittee’s lists. If you’ll remember, one of the things I talked about in terms of the committee process is that sometimes, you don’t get to read everything (in this case, the book was too new and I couldn’t get it at work, nor could I interlibrary loan it) but a good argument and discussion by those who did read it can persuade you to consider it worth including on the list. I’ve since acquired it for my library and look forward to checking it out. 

The Absolutely True Diary of a Part-Time Indian by Sherman Alexie: Budding cartoonist Junior leaves his troubled school on the Spokane Indian Reservation to attend an all-white farm town school where the only other Indian is the school mascot.

Alexie’s novel isn’t a straight graphic novel — it’s a hybrid. It’s been years since I read this one, but like with Yang’s title, it’s a staple of YA lit and it’s a perfect fit for the Literature and Languages list. This could have easily fit, too, on the History and Cultures list. 

Chasing Shadows by Swati Avasthi and Craig Phillips: Chasing Shadows is a searing look at the impact of one random act of violence. Before: Corey, Holly, and Savitri are one unit– fast, strong, inseparable. Together they turn Chicago concrete and asphalt into a freerunner’s jungle gym, ricocheting off walls, scaling buildings, leaping from rooftop to rooftop. But acting like a superhero doesn’t make you bulletproof. After: Holly and Savitri are coming unglued. Holly says she’s chasing Corey’s killer, chasing revenge. Savitri fears Holly’s just running wild– and leaving her behind. Friends should stand by each other in times of crisis. But can you hold on too tight? Too long? In this intense novel, told in two voices, and incorporating comic-style art sections, Swati Avasthi creates a gripping portrait of two girls teetering on the edge of grief and insanity. Two girls who will find out just how many ways there are to lose a friend– and how many ways to be lost. 

I reviewed Avasthi’s title before I nominated it for our list and I still stand behind everything in that review for why it belongs on the OBCB list. One other reason is that this story is set in that strange time period between the end of high school and whatever comes next. Though there have been more of those books in recent years, Avasthi’s handling of the social elements in that time frame — friendship, specifically — really makes it stand out. This, like Alexie’s book, is a graphic hybrid, rather than a solid graphic novel. 

Pluto by Naoki Urasawa (the entire manga series): In a world where man and robots coexist, the powerful Swiss robot Mont Blanc has been destroyed. Elsewhere a key figure in a robot rights group is murdered. The two incidents appear to be unrelated…except for one very conspicuous clue – the bodies of both victims have been fashioned into some sort of bizarre collage complete with makeshift horns placed by the victims’ heads. Interpol assigns robot detective Gesicht to this most strange and complex case – and he eventually discovers that he too, as one of the seven great robots of the world, is one of the targets.

This series of books is on the Science and Technology list, and it’s one that I didn’t read. It sounds really fantastic though, and I appreciate how an entire manga series is on the OBCB list — not only does it showcase how graphic novels can be “real reading,” but it shows that even a format that many consider to be “lesser” than more “prestigious” graphic novels are worthwhile, thought-provoking, important reads. 

Little Fish: A Memoir From a Different Kind of Year by Ramsey Beyer: Told through real-life journals, collages, lists, and drawings, this coming-of-age story illustrates the transformation of an 18-year-old girl from a small-town teenager into an independent city-dwelling college student. Written in an autobiographical style with beautiful artwork, Little Fish shows the challenges of being a young person facing the world on her own for the very first time and the unease–as well as excitement–that comes along with that challenge. 

Beyer’s memoir is maybe less of a graphic novel than the others on this list, but I’m including it because the style will have appeal to those readers who love the graphic format. This is sort of collage/scrapbook style storytelling, with art, lists, and images sprinkled throughout the story of Beyer’s first year at art school. What’s great about this book and why it fits so well on the list is that it’s the first-hand experience of the first year of being away at school. There are highs and there are lows, there are expectations met and failed, and there is a lot of musing about relationships past and present. It’s honest and heartfelt, and it’s the kind of realistic portrayal I wish I’d read before I went to college. It would have definitely made me feel less alone or weird in some of the less-than-pleasant feelings I had when I went to college and away from home. 

For the previous roundups of titles on the Outstanding Books for the College Bound list, you can find them on the topics of music and musicality, religion and spirituality, girls across borders, and football and football culture. 

Filed Under: Adult, Graphic Novels, Non-Fiction, outstanding books for the college bound, Uncategorized, Young Adult

Comics You Should Be Reading: Captain Marvel by Kelly Sue DeConnick

January 17, 2014 |

I don’t read a lot of superhero comics. They’ve always seemed too difficult to really dive in to. There’s a ton of history with each character, and that’s incredibly daunting for a newbie. And then if you decide to be thorough and read up on all that history, it’s usually not very kind to females.

Enter Carol Danvers. Or, rather, the re-emergence of Carol Danvers. Previously, she was a superhero named Ms. Marvel, a woman who gained her powers thanks to a freak accident with Captain Marvel, a member of an alien race called the Kree. But now Captain Marvel has died, and Carol has to decide whether to take up the name (not-a-spoiler: she does). What’s extra-nice about all this background is that it’s reviewed in the comics themselves, which makes this story arc an excellent diving-in point.

So right off the bat there are huge issues of identity for Captain Marvel to contend with. While she struggles with this, she also has to deal with being a member of the Avengers and all that entails (saving the world, that kind of thing). Oh, and then there’s a small matter of time travel, where she finds herself in the year 1943, on a battlefield, facing down an all-female group of soldiers. We have huge issues of character alongside hugely entertaining plots, and what more could you ask for in a comic?

Captain Marvel as written by Kelly Sue DeConnick has garnered a loyal and very vocal following. It’s difficult to see a lot of female superheroes in comics, with their disproportionate bodies and fondness for nudity and flat characterization, as anything other than straight male fantasies. The re-launch of Carol Danvers as Captain Marvel (with a similar relaunch of her costume to a character-appropriate flightsuit!) smashes those preconceptions. This is a very feminist comic, not because the title character is always talking about feminist issues, but because she is an actual woman – you know, a person, with strengths and hangups like all the other women of my acquaintance. Plus she can fly.

The Cybils don’t honor a lot of superhero comics in their graphic novel categories, but they’ve named the first volume of Carol Danvers as Captain Marvel a finalist for the YA age group this year. It’s well-deserved. The book is well-written, exciting, with plenty of witty dialogue and complex relationships. I liked first artist Dexter Soy’s work on the book more than second artist Emma Rios’, but even my apathy toward Rios’ art didn’t detract from the story.

Marvel is re-launching Captain Marvel yet again with a Captain Marvel #1 this March (DeConnick is still writing and the character is still Carol Danvers, it’s just the beginning of a new story arc and a marketing thing. As a comics newbie I still find this strange). This means the issues from the initial relaunch in 2012 through then make a perfect beginning-to-end story. Comics newbies wanting to dip their toes into the format have no excuse. Or if you want to start completely fresh and clean, reading what everyone else will be reading, start with the upcoming March issue. The cover is very pretty, don’t you think?

Filed Under: Graphic Novels, Uncategorized, Young Adult

Freakangels by Warren Ellis and Paul Duffield

December 9, 2013 |

Usually I’ll write my own plot synopsis for reviews, but the one on the back of the book for Warren Ellis’ and Paul Duffield’s comic book series Freakangels hits all the right notes, I think:

23 years ago, twelve strange children were born in England at exactly the same moment. 6 years ago, the world ended. This is the story of what happened next.

There’s more to it than this, of course. Those strange children-now-adults have dubbed themselves the freakangels, and they’ve settled in a flooded part of London called Whitechapel. Most of them are usually focused on protecting the survivors in Whitechapel – I say “most” and “usually” because they’re not always united in their goal. Complicating things is the fact that they had something to do with the cataclysm. Exactly what they did is revealed slowly, over the course of the story.

The main cast is huge, since Ellis and Duffield focus on each of the 12 freakangels at some point in the story. It’s quite a feat that each is distinct, then, and doesn’t become a caricature. None of them are your typical superheroes, though some of them are trying. I wouldn’t even say any of them are the Robert Downey, Jr. Iron Man-type superheroes: flawed, tortured, but still larger-than-life. Rather, these people seem very much “same size as life,” if you can say such a thing – they don’t have the witty comebacks all the time, they can be hurt (and not just in the final showdown), they deliberately make bad choices along with good ones, over and over. The knowledge that they’re somehow the cause of the suffering around them adds an important layer – and the way each freakangel deals with this knowledge is telling, too. The characters are just plain interesting, with complex relationships and personalities.

Part of what makes the series so good is the art by Duffield. I find that characters in a lot of comics – particularly those that have been ongoing for many years – blend together, even within single volumes. It forces the reader to rely on clothing choices or hairstyles to keep them straight. That’s not the case with Duffield’s illustrations, which are not only lovely, but also detail-rich and consistent from panel to panel. His characters are easily recognizable and diverse in appearance as well as personality. I also love the slightly muted color palette, which fits the mood of the story perfectly.

This is an adult comic with adult themes and language (frank talk of sex and lots of f-bombs), but I can certainly see it appealing to more mature teens. It feels like what a lot of the popular teen post-apocalyptic stories would be if the characters were 23 instead of 17. In fact, it could be described as an adult sequel to the YA story of what these people did as 17-year-olds. Because it’s a full story contained in six easy-to-digest volumes, it’s also a great series to hand to someone who may just be dipping their toes into comics. (No decades of background knowledge necessary!)

Freakangels is available in six print volumes, but it actually first appeared completely free and legal on the web: www.freakangels.com.

Filed Under: Adult, Graphic Novels, Reviews, Uncategorized

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