STACKED

books

Cybils 2018

|

I am absolutely thrilled to be a Cybils judge for the eighth (!!) year running in 2018. This will be my fourth year as a panelist for round 1 of YA speculative fiction, and I have to say, this is probably my favorite category to participate in (when my life allows for it). I love making my way through a huge list of books, reconnecting with the type of story I loved most as a teenager. I always end up finding new favorites I likely wouldn’t have read otherwise, including past finalists Death Sworn by Leah Cypess, An Inheritance of Ashes by Leah Bobet, and Song of the Current by Sarah Tolcser.

Nominations opened October 1, and I hope each of you will take just a few minutes to submit some titles. You can nominate one title per category, and each must have been published specifically for the stated age range (in the case of my category, teenagers/young adults) between October 16, 2017 and October 15, 2018. Because I’m a helpful kind of person, I’ve created a list of books that are eligible for YA speculative fiction this year below. These are books I’ve already read that I think would be worth considering or books I’m just excited to read. Be sure to check your title against the list of those already nominated so you don’t duplicate.

 

Children of Blood and Bone by Tomi Adeyemi

The Hazel Wood by Melissa Albert

Onyx and Ivory by Mindee Arnett

Damsel by Elana K. Arnold

Devils Unto Dust by Emma Berquist

The Cruel Prince by Holly Black

Contagion by Erin Bowman

The Belles by Dhonielle Clayton

A Conspiracy of Stars by Olivia A. Cole

Mirage by Somaiya Daud

Dread Nation by Justina Ireland

The Loneliest Girl in the Universe by Lauren James

Lifel1k3 by Jay Kristoff

Furyborn by Claire Legrand

Sanctuary by Caryn Lix

Black Wings Beating by Alex London

Isle of Blood and Stone by Makiia Lucier

Nightingale by Amy Lukavics

The Astonishing Color of After by Emily X. R. Pan (This may be more suited to YA Fiction, but I’m not sure!)

Seafire by Natalie C. Parker

Dance of Thieves by Mary E. Pearson

Sweet Black Waves by Kristina Perez

Give the Dark My Love by Beth Revis

Dry by Neal Shusterman

Beneath the Citadel by Destiny Soria

 

What I’m Reading Now

|

Fire and Heist by Sarah Beth Durst

This is a heist novel about humans who can shapeshift into dragons (wyverns), so it’s basically everything I ever wanted in a book. Durst borrows from and builds upon traditional dragon lore by giving her wyvern characters hoards: their goal is to accumulate treasure, and they steal from other wyverns to do so. Stealing isn’t punished; only getting caught is. Sky, determined to prove herself as she approaches adulthood, embarks upon a daring and ambitious heist alongside an interesting crew of sidekicks with their own motivations for helping out.

I’m not yet finished with this one, but it takes an interesting and unexpected turn about halfway through, deepening the dragon lore and expanding the story in scope. Durst’s books are hit or miss for me. I really love some of her work (Vessel), but have found others pretty mediocre. This is shaping up to be one that really resonates with me. It’s a lot of fun and I’m excited to share it with other readers when it publishes in December.

 

Gilded Cage by Vic James

This was originally published on Wattpad and is geared for the adult market, though two of its main characters are teenagers. There’s strong crossover into YA readership here, and it’s got a great hook: in modern England, common people (those without magic) must spend ten years of their lives serving the aristocratic Equals (those with magic). But this is not your everyday servitude that you might think of from Downton Abbey. These ten years are officially referred to as “Slave Days,” and once the ten year term begins, the slaves are the property of the state, no longer considered people. The Hadleys – mom, dad, brother Luke, sister Abi, and youngest sister Daisy – apply for a term at the Kyneston estate in order to complete their years of required service together, but at the last moment, Luke is reassigned to Millmoor, a slave town in Manchester that is widely regarded as the worst place to complete your slave days. From there, the story follows the separated family as Luke learns to live within Millmoor and the other Hadleys get caught up in the machinations of the wealthy Kynestons.

I’m reading this one on audio, and the narrator does a fantastic job with the accents: Manchester for the Hadleys and the stereotypical upper-crust for the Equals. Even though I’m not very far in, I I have a good feel for the world James has created and my heart has already broken once for Luke. I’m curious to see how the premise holds up and where James takes it, since it has so many possibilities.

 

The Salt Line by Holly Goddard Jones

In the near future, the United States has been nearly overrun by Shreve’s Disease, which is carried by ticks that burrow into the skin. Once bitten by a tick, you have thirty seconds to burn it off with a device called a Stamp. After those thirty seconds, they’ve laid their eggs inside your body, and you have about a 50% chance that they will be carriers of the disease, which is fatal. The country has coped by creating something called the Salt Line, which cuts off the majority of the landmass, leaving it to the ticks, while the rest of the country is divided into strictly-regulated zones that are tick-free. Wealthy daredevils who live in the Atlantic Zone will sometimes pay vast sums of money to go on special excursions past the Salt Line, and Jones’ book follows a group of these people. Each person in the group has their own motivations for taking such a risky journey, which takes a very fast turn into even greater danger soon after they cross the Salt Line. This book is a combination dystopia, survival story, and crime novel, and it mostly melds all three together well.

Ever since I read Station Eleven by Emily St. John Mandel, I’ve been on the hunt for a great literary sci-fi novel that matches it. While The Salt Line doesn’t quite measure up, it comes close. Jones is a master of the ensemble novel format. She gives multiple characters their own third-person points of view, engendering sympathy on the part of the reader even for those characters who are hard to like or commit detestable acts. She’s interested in the themes of parenthood or the lack thereof (motherhood most strongly, but fatherhood as well), as most of the characters’ motivations involve their children or their desire to not have children, as well as surrogate parent-child bonds. As someone who isn’t particularly interested in having children myself, I liked the focus Jones placed on one character’s decision to not have kids. This character’s reasons go beyond the stereotypical and dig into themes of sacrifice and how a person claims ownership of her life. It’s rare to find a book that treats lack of motherhood as an equally fulfilling avenue for its female characters.

 

 

Scarlett Hart: Monster Hunter by Marcus Sedgwick and Thomas Taylor

|

Apparently I have a thing for graphic novels featuring plucky heroines who fight monsters and other scary creatures. Curiously, all five of these, including Scarlett Hart, are written and illustrated by men. Is it the archetype of the “strong female character” – meaning physical strength and a lot of fighting rather than force of personality or conviction – that so appeals to male creators? It also appeals to me, and certainly did so when I was a kid too. And I’m sure there are graphic novels featuring this kind of girl created by women too, I just haven’t read enough of them. (This is a longer discussion for a different post.)

Scarlett Hart is tons of fun. It’s set in an alternative Victorian England that’s been overrun by actual monsters: mummies, ghosts, killer dogs, and more. Scarlett’s parents, wealthy aristocrats, were the best of the monster hunters, but they were killed during a fight while Scarlett was a little kid, leaving her an orphan. Scarlett is a bit older now, but not old enough to legally fight monsters. That doesn’t stop her, of course – she just has her faithful butler/sidekick, Napoleon White, take the credit. Scarlett and Napoleon have a nemesis in Count Stankovic, who steals their monsters and constantly tries to turn Scarlett in for underage monster hunting. When they discover the Count is involved in a conspiracy to – well, if I told you, that would be spoiling things – they know they must stop him.

The book doesn’t break new ground in terms of the adventure comic, but it retreads existing tropes well. It’s funny throughout: Scarlett has a lot of inventive and innocuous “curse” words that will make young readers giggle, and sometimes Scarlett and Napoleon are just comically bad at monster hunting, which they acknowledge by repeating the phrase “we stink” at well-timed parts of the story. Scarlett uses Napoleon’s beloved car, which he’s named Dorothy, to travel around to find monsters, and Napoleon’s fear that Dorothy will be irreversibly harmed in the course of the hunt is a recurring theme (you can imagine how well a car survives a fight against a twenty foot tall monster). The monsters themselves are creatively depicted, and Scarlett has a number of contraptions to fight them that echo those of Bruce Wayne or James Bond.

Thomas Taylor created the cover art for the original UK edition of Harry Potter and the Philosopher’s  Stone, and his art is well-suited to the graphic novel format here (it differs slightly in style from the image in the link). Scarlett is characterized by large, expressive eyes and a red braid that always flips out to the side. The determination on her face contrasts humorously with Napoleon’s facial expressions, which usually communicate “This is a very bad idea but I suppose we’re doing it anyway.” Taylor’s monsters are delightfully detailed, toeing the line between silly and scary. Colors are bold with an emphasis on reds, lending a gothic/steampunk atmosphere to the story.

This is the first Marcus Sedgwick book I’ve actually finished. After trying a few, I’ve learned his prose novels just aren’t my speed. But I appreciated his weirdness here, and he certainly knows how to tell a fun, fast-paced story. He wraps up the main storyline in this volume while leaving plenty of stories to tell in subsequent ones, which I hope we’ll get. This is a good pick for older middle grade readers who like their comics a little spooky but don’t want to be truly terrified.

What I’m Reading Now

|

Drift: The Unmooring of American Military Power by Rachel Maddow

I read a lot of short pieces online about various political and governmental topics, but I generally stay away from the full-length books. I’m actively trying to change that by seeking out books on interesting topics written by people I already know and trust. Maddow’s central thesis is that over the years, the American military has transformed from a small force engaged in war only when absolutely necessary into a bloated, inefficient machine with a muddled mission and ineffective tactics, a military that is now perpetually at war. That’s no denigration of the soldiers; rather, she takes issue with the power of the executive to send soldiers into war without calling it such, with the increased privatization of military action, with the military’s obsession with nuclear weapons and its myopic focus on counterterrorism, with the CIA’s de facto status as a branch of the military unsupervised in any meaningful way, with the public’s apathy toward the fact that we’re always at war somewhere, and more. She documents just how far we’ve strayed from Thomas Jefferson’s proclamation to “never keep an unnecessary soldier,” from the idea that war is to be avoided at all costs and if the nation must enter into it, it must deeply affect the general populace of the United States – so that it hurts us at home just as much as it hurts the soldiers fighting it. It’s well-argued, clearly-written, and mostly non-partisan. Maddow reads the audiobook version, which is of course the perfect choice.

Mistborn by Brandon Sanderson

For almost a decade of my life, adult fantasy novels made up 90% of my reading diet. It’s been a long time since that was the case; now I read mostly YA science fiction and fantasy, adult romance, and adult mysteries and thrillers. But I haven’t forgotten my longtime love, and I’m hoping to rekindle our romance with this doorstopper of a novel that’s universally beloved by pretty much all my fantasy-loving friends. It’s got a traditional fantasy plotline – an oppressed people fights back against their evil overlords with the help of a magically gifted, inspiring revolutionary – with an interesting magic system and detailed, well-realized world-building. At 541 pages, I’m hoping I can finish it before it needs to be returned to the library.

When Light Left Us by Leah Thomas

This is a weird one (I’m hoping in a good way!). The three Vasquez siblings’ father left their family without an explanation, and soon after, a strange being named Luz joins them. Incorporeal Luz lives inside the kids for a brief time, experimenting with each of their most valued physical features in order to explore the world around it: Hank’s hands, Ana’s eyes, and Milo’s ears. In return, the siblings’ abilities with these particular features, already sharp (Hank plays basketball; Ana makes movies), are heightened. But Luz doesn’t stay long either, and when it leaves, it cripples the very things the kids valued most. Written a certain way, this premise might come across as silly, but Thomas’ writing is dense and dreamlike, layered with emotion, and so far, it’s working.

 

The Hazel Wood by Melissa Albert

|

Fantasy is my original genre love, but I haven’t been reading nearly as much of it as I used to. Not much has been clever enough to grab me. Thankfully, Melissa Albert is here to renew my interest with her creative and beautifully written take on a modern fairy tale.

Decades ago, Alice’s grandmother wrote a book called Tales From the Hinterland, a collection of short, dark original fairy tales that became a cult classic. It’s out of print and copies are hard to find – so hard to find that copies tend to go mysteriously missing or stolen, even once they’ve been acquired. Alice wants nothing to do with the book or its fans, until her mother is kidnapped by a group referring to themselves as the Hinterland. In order to find her mother, Alice must team up with a teenage boy who’s familiar with the stories. Together, they go looking for the Hinterland.

This book starts out completely realistically, as if it could be a contemporary story of a kidnapping and the intrepid teens who set out to solve it themselves. But there are early hints that the magic might be real – three ordinary objects left behind on a table that nonetheless indicate they are much more; a sighting of a woman on the street who looks normal but also strangely out of place in a way that’s difficult to explain; a readheaded man from a decade ago who hasn’t seemed to age. Figuring out how these elements all fit together makes for an enthralling, page-turning read.

The details are what make this story stand out. Albert sprinkles small excerpts and characters’ retellings of Tales From the Hinterland throughout her book, making the Tales seem real – like we as readers could hunt down a copy for ourselves, if were so (un)lucky. The tales themselves are lovely dark stories, inspired by Grimm and Perrault but still entirely Albert’s own thing. And every detail that Albert places in her story, aside from and complementary to the Tales, is important, too. They are clues to the larger mystery, the one beyond what happened to Alice’s mother: what the Tales really are and how much Alice’s story is intertwined with them.

This is a treat for any teen who loves contemporary fantasy, dark fantasy, retold fairy tales, and surprising endings. It’s skillfully plotted, beautifully written, and shows its influences clearly but still manages to be original and fresh. Highly recommended.

Review copy provided by the publisher.