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A Few Cybils Reads – Part III

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The Glass Casket by McCormick Templeman
Rowan Rose has grown up relatively happy in her small town where not much happens. Then a few of the king’s men, visiting for unknown reasons, are found dead in what appear to be brutal animal attacks; at the same time, another young girl, Fiona Eira, moves to the town with her stepmother and her stepmother’s new husband. Fiona has a connection to Rowan beyond what she is told. When Rowan’s best friend falls in love with Fiona, it sets in motion a violent chain of events that will change Rowan’s life forever.

This one was on my radar long before the Cybils got underway. The cover is eerily beautiful and the story is a re-working of a few different fairy tales, though in a more suggestive than literal way. Even without the nod to Snow White via the title, the story feels very much like a fairy tale, albeit much closer to the darker original versions than the more lighthearted Disney versions. And despite the fairy tale aspect, the story – and the way everything unfolds – is unique. Templeman creates an atmospheric mood with her writing. It’s not horrifying, per se, but it is somewhat chilling, buoyed by the fact that she does not shy away from describing some of the more grotesque things that happen. The story is a little rough around the edges at points, but overall thoroughly engrossing. I look forward to what Templeman does next.

A Creature of Moonlight by Rebecca Hahn
Marni is half-human, half-dragon. Her mother, once a princess of the kingdom, ran away to live in the magical woods and took up with a dragon who could change into the shape of a man. Marni was the result. Her mother then left the dragon, taking Marni with her. When the woods start to encroach upon the kingdom, Marni’s uncle, the prince, hunts down her mother, thinking her the cause – the dragon trying to reclaim her. In order to save Marni’s life, Marni’s grandfather – the king – abdicates to his son, but not before Marni’s mother is killed.

Now a young woman, Marni constantly feels the pull of the woods, though she knows its danger. She lives with her grandfather, and when he dies, she journeys to the castle, hoping the king will take her in, despite his propensity to murder her family members. Still, the woods call to her, and they soon start to move in on the town once again. It’s only a matter of time before Marni answers the call.

Hahn’s writing, much like Templeman’s, is dreamlike. She uses her words to paint a picture for you, and it’s easy to feel sucked into the rich settings of her book. I’ve read reviews that call her writing poetic, and that’s a fair assessment. But what I often find missing from a book of poetic writing is a strong plot, and that’s the situation here. It doesn’t feel like much happens. In fact, just when it appears that something exciting might happen, the thread of that particular plot point kind of fades away. You could call the story “character-driven,” or you could simply say it doesn’t have much substance. I tend to go with the latter. Best for readers who don’t mind lovely language at the expense of plot.

Pandemic by Yvonne Ventresca
This is a standard modern-day disease story that focuses on a very specific regional area – teenage Lil’s hometown in New Jersey. The pandemic of the title is a flu-like disease that spreads rapidly across the globe. Unlike most flus, this one is most fatal to younger adults, who soon start dying, leaving the old and the young (including people Lil’s age) without caretakers.

Ventresca doesn’t really do anything new with the idea, but she does throw in some details that keep interest up throughout the book. Both of Lil’s parents are out of town when the worst of the pandemic hits, meaning she has to handle everything that happens mostly on her own. This includes the care of an infant whose parents have both died. She gets together with other teenagers to organize assistance for those who can’t help themselves. She has to learn how to get food for herself and contend with looters. She also has to deal with a teacher who sexually assaulted her several months before and now has greater access to her due to the breakdown of the town’s governance. It’s certainly not a bad story, and would be fine for those eager for more along the lines of Amber Kizer’s A Matter of Days – both are relatively gentle books where the stakes never seem very high (even when they should). Ventresca’s writing is a bit amateurish, weakening what could have been a devastating story and keeping it from being entirely satisfying.

A Few Cybils Reads – Part II

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The public nomination period for the Cybils closed last week. I have 32 print books and 4 e-books checked out from the library currently scattered at various parts throughout my house (well, I guess the e-books aren’t really scattered), in addition to the books I already own (easily another dozen or so). You’d think that a kitchen table would be for eating things, but right now it’s pretty much just serving as a surface upon which to sort books – this stack I’ve read, this stack I haven’t, and so on.

Here are a few more brief reviews from the stack I’ve read.

Strange Sweet Song by Adi Rule
This book lives up to its title. It is very strange, almost too strange, for most of its existence, and then it hits you with some sweetness near the end that makes for a very satisfying resolution. Sing da Navelli is the daughter of a famous soprano, a woman who made a name for herself in opera – not only because of her voice, but also because she died in the middle of an aria. When Sing starts at Dunhammond Academy, a boarding school for musicians, she feels the weight of her father’s expectations as well as the public’s. As luck (good or ill) would have it, the school is performing Angelique this year, the opera that Sing’s mother died singing.

Parts of the story are told from Sing’s point of view as she tries to gain the lead role in the opera, make friends, date the cute boy, deal with rude teachers, and so on. Other parts are told from the point of view of the Maestro of the school in his youth, his young apprentice, and a strange being called the Felix who inhabits the woods outside the school. The Felix – which kills almost everyone it meets, but grants wishes to a select few – is itself a part of the opera, used as inspiration by the opera’s composer long ago. Its life is tied inextricably to the history of the school. At times the school story and the mythical story exist uneasily side by side. It takes a patient reader to push through all the parts and learn how they join together, but the payoff is lovely and rewarding, very fairy tale-esque with a sweet romance and interesting magic. The writing is lovely, too, giving the book a dreamlike quality. This would be a good pick for readers fascinated with the opera, the lives of classical musicians, and the magic that music can create.

Amity by Micol Ostow
Ostow has written a seriously creepy horror novel that most readers could probably finish in a single sitting. It tells two parallel stories both set in a house called Amity, but separated in time by ten years. Connor’s story is the past story; Gwen’s is the present. Each story begins with the teens’ families moving into Amity and noticing that something is a bit off with the house. In Connor’s case, he develops an affinity for Amity; the house gives him a sort of power. He feeds off of it and vice versa. In Gwen’s case, the house frightens her; it starts to do strange things to her brother, and she becomes more and more disturbed as she learns more about what happened ten years ago with Connor’s family.

Each teen tells their own story, and both teens at first seem fairly normal, but it quickly becomes apparent that Connor brought his own disease with him to Amity, a disease that Amity recognizes and exploits. Gwen suffers from a disease, too, but of a different kind. Eventually, Connor’s and Gwen’s stories combine. The switches in perspective are frequent, chapters are short, and there’s a lot of white space. These stylistic choices create an urgency to the story, which is perfectly paced (if perhaps just a touch too short). I know next to nothing about the actual Amityville events, so I can’t tell you how much of the book pulls from them and how much springs completely from Ostow’s imagination. What I can tell you is that Ostow excels at creating a haunting mood, one that isn’t driven by gore or things that jump out at you. It’s a slow burn, and by the end, most readers should be deliciously scared. Keep the lights on.

The In-Between by Barbara Stewart
The voice is what makes this book stand out from other is-it-or-isn’t-it-a-ghost stories. Ellie is fourteen, depressed, and on her way to a new town with her parents to make a fresh start. On the way there, her family’s car is involved in a crash which kills one of her parents and her cat. Ellie herself is seriously injured, but she pulls through. In her new home, she meets Madeline, a beautiful, perfect girl who quickly becomes her best friend. But then Madeline is gone, and Ellie finds herself adrift without her, struggling once again to put together the broken pieces of her life – and mostly failing.

Ellie’s story is difficult to read sometimes – she’s in such pain, and her voice is so achingly fourteen. It would take a hard heart not to be transported back to one’s own adolescence while reading this. Though I didn’t experience the same exact problems as Ellie, Stewart’s writing made me acutely aware of just how everything felt at that time in my life. Fourteen year olds experience things differently than adults. Sometimes it hurts to remember that. This is a first person story, told through Ellie’s journals (though it doesn’t feel overwhelmingly like an epistolary novel) and we are close, so very close, to Ellie as narrator. It’s possible she’s unreliable. What’s more likely, at least to me, is that Ellie just doesn’t know what’s going on. She can’t trust her own experiences, so we as readers can’t either. This is a short, intense read that should resonate with a lot of teens, many of whom will see themselves in Ellie.

A Few Cybils Reads

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Cybils nominations close tomorrow (have you nominated your favorite YA SFF yet?), and all Round 1 panelists, including myself, are deep into their reading. Here are a few recent reads.

Dark Metropolis by Jaclyn Dolamore
I started off my Cybils reading with this atmospheric novel inspired by Fritz Lang’s 1927 silent film Metropolis. I don’t know much about the film – aside from the fact that it exists – so I went into the book pretty blind. Happily, I really enjoyed it. It’s told from the third person perspective of three different teens: Thea, a girl who works at a cocktail bar whose father died in the war and whose mother suffers from “bound sickness” due to her husband’s death; Nan, a co-worker of Thea’s who wakes up one day in an underground prison where she’s forced to do menial work for no pay; and Freddy, who has the ability to bring people back from the dead.

The three teens’ stories intertwine, coalescing to tell a story about a massive conspiracy featuring forced labor, dark magic, and the beginnings of a revolution. The plot is quite complex, and the shifting perspectives help to illuminate it piece by piece, making for an engaging read. The place and time of the story is never specified, but it feels a little 1920s, post- World War I-ish. (Dolamore has stated on Goodreads that she intended it to be 1927 Germany, which fits.) This is a moody, creative story that would be a good fit for fantasy readers looking for something a little different.

The Devil’s Intern by Donna Hosie
Mitchell was hit by a bus and now he’s dead. As luck would have it, he’s ended up in Hell, and he’s landed the prestigious position of intern to the Devil with a capital D (not to be confused with the lower-case devils as all other denizens of Hell are called). He spends his time hanging out with his three best friends – all teenagers who died in different eras of history, including a Viking warrior – and trying his best to please his immediate boss, Septimus, and avoid the Big Boss, the Devil. Things really get going when Mitchell learns that Septimus has a device that will take the user out of Hell and fling him – plus any tagalongs – to any point in history. Naturally, Mitchell decides to use the device to prevent his death. He initially tries to do it alone, but his friends insist on coming along.

This is a time travel story and it makes great use of the device. The reader visits each of Mitchell’s friends’ lives, at the point of their deaths, and it’s here that Hosie shows what a great plotter she is. It reminded me a little bit of the time travel in Prisoner of Azkaban. The tone is different, but the philosophy behind the time travel is the same. We even get a scene that calls to mind Harry saving himself from the dementors – though the end result is very different.

This is a really enjoyable, funny, and often moving read – just don’t think about the premise too hard.

Prince of Shadows by Rachel Caine
In her latest, Rachel Caine leaves modern vampires behind and instead tackles Shakespeare’s Verona. This is a re-telling of Romeo and Juliet from Benvolio’s point of view, though Caine does make some major adjustments to the original story. Benvolio is the titular Prince of Shadows, called such because he wears a disguise and robs the wealthy residents of Verona at night, stealing from them for the thrill of it – and occasionally for revenge.

Benvolio’s two best friends are Romeo and Mercutio. Romeo is just as insipid as Shakespeare wrote him to be, but his feelings for Juliet are the result of a curse rather than youthful foolishness. The biggest change to Shakespeare’s story is Mercutio, who is gay in Caine’s re-telling, a fact which propels much of the story’s conflict. It’s a wise change that adds a lot of emotional depth to the story. Benvolio himself pines after Rosaline (as Romeo does at the beginning), but that relationship is pretty underdeveloped. Rosaline doesn’t actually get a lot of page time. The book is at its most successful when it explores the thorny friendship between Benvolio, Romeo, and Mercutio. A bit of magic near the end makes this a fantasy story, though it’s fairly light. Caine incorporates some of Shakespeare’s dialogue in an unobtrusive way that feels natural. The story is a bit overlong but a worthwhile read for fans of classics retold.

Firebug by Lish McBride

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I’ve heard a lot of great things about Lish McBride. Her first book, Hold Me Closer Necromancer, won the Morris Award in 2011, and practically every librarian acquaintance I have raves about her writing (in particular her sense of humor). So naturally, when Firebug showed up at my door, I knew I’d have to give it a shot.

Ava is a firebug, meaning she can start fires with her mind. Cool, right? (When I was a teen I would have thought this was so freaking badass. Now it would terrify me.) It’s actually not that awesome for Ava, since she sometimes has a hard time controlling the power. What’s even less cool is that it brought her to the attention of the Coterie, a mafia-type organization (teens seem to be getting involved with the mob in all sorts of ways in YA lately) that forcibly recruits teens like Ava to work for them – or else.

So Ava is under the thumb of the Coterie, led by an evil vampire named Venus. She doesn’t just do petty criminal acts for them; she’s an assassin, and she tries not to think too hard about the people she kills, who are usually not very nice anyway. But then Venus tells her that she has to kill a friend. For no apparent reason. And that’s where Ava draws the line, despite the fact that it means Venus will be after her, despite the fact that it puts her friends in danger, despite the fact that it’s pretty much a death sentence.

Except if it were, we wouldn’t have much of a story. And Ava does have allies – the two boys who work with her in the Coterie who have their own odd powers (one is a werefox and the other is half-dryad), her pseudo-father figure, and a few others who are intent upon bringing Venus down. So perhaps Ava’s refusal isn’t a lost cause after all. Perhaps she and her friends can actually topple the Coterie, ending its threat against herself and other magical beings forever.

I really wanted to like Firebug more than I did. McBride’s writing is very good, as I hoped it would be. There’s a lot of fun repartee between Ava and the other characters. She has a sharp tongue and employs it against friends and enemies alike. Her two closest friends – Ezra the werefox and Lock the half-dryad – were well-drawn and their friendship with Ava was deep and believable. There’s a smattering of romance, too, plus a betrayal that really does tug on the heartstrings, even if you see it coming (I saw it coming and hoped up until the end that I was wrong). And it’s funny, as promised.

So why did I merely like it instead of love it? I wanted more from the plot. Despite how well-developed the characters and their relationships were, the storyline was still very basic. I felt like I had read this story a dozen times before (group of teens with powers take on The Man who has exploited them for years), and no amount of wisecracks would make it fresh for me. There’s a big reveal at the end that was telegraphed too strongly, removing a lot of the tension. The storyline just wasn’t terribly creative.

But hey, I’ve read a heck of a lot of teen fantasy, more of it than most teens (simply because I haven’t been a teen in almost 10 years). I love to champion the stuff that breaks new ground, but there’s definitely space for books that tread the same ground and do it well. This should appeal to teens who like contemporary/urban fantasy and don’t yet feel like they’ve exhausted all the genre has to offer. And there’s something comforting in a familiar story peopled with characters who feel like friends.

Review copy received from the publisher. Firebug is available today!

Trial by Fire by Josephine Angelini

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Josephine Angelini’s new series has a unique concept, one that marries science fiction and fantasy (into what she calls “sci fantasy”). I’ve seen the melding of these two genres bandied about the past couple of years as the “next big thing,” but I haven’t actually seen a lot of published stories that truly fit the description. Usually, the story falls pretty firmly on one side of the SF/F line, so I was really excited to give this one a shot.

Aside from the SFF combo, the concept is unique in other ways: the storyline involves female witches whose magic is derived from the energy within their bodies, activated by certain foods and other stimuli. However, this magic only works the proper way in one of the two parallel worlds featured in the book, which is tough for our protagonist. Lily lives in our world and has suffered terrible allergies most of her life, crippling her socially and ensuring she’s always in danger of suffering some life-threatening attack. When she’s unwittingly taken into a parallel world where witches rule, she learns that her allergies are actually side effects of her magic, which has been held dormant within her body so long without release that it’s causing her harm. In this alternate world, she’s immensely powerful. Unfortunately for Lily, this kind of magic doesn’t work in our world – but that doesn’t stop her from trying to get back to it.

Lily didn’t get to this alternate world on her own. She was brought there by Lillian, an alternate version of Lily, also a powerful witch. Because of her power, Lillian rules over Salem, and she’s not kind or fair. She’s set up magic as the one true way of doing things, meaning that doctors and scientists as we regard them are persecuted. According to Lillian, there is no room for science in a world ruled by magic.

Lily isn’t sure why Lillian brought her to this other Salem, but she knows she wants to get back home. She’s taken in by Outlanders, a group of people who live outside the walls of Salem. They don’t have any of the protections offered by Salem and its ruler, meaning they’re at the mercy of the Woven, terrible creatures that started out as animals but have now become something else. The leaders of the Outlanders want Lily to develop her own magic so they can use it to make a better Salem for themselves. Some of the Outlanders have counterparts in our own world (like Tristan, Lily’s best friend) and some don’t (like Rowan, a boy who once worked for – and loved – Lillian before joining the Outlander cause).

It’s difficult for me to communicate how complex the concept and world-building are here. In some ways, the story is set up as a basic good vs. evil tale, with the Outlanders as the righteous rebels and Lillian as the power-hungry despot to be taken down. It’s complicated, though, because we get some of the story from Lillian’s perspective, and it’s clear she has goals that are not entirely selfish. She brought Lily – a person who could theoretically be powerful enough to defeat her – to her world, after all, and she must have had a reason for doing so. The matriarchal society of alt-Salem is also fascinating and something not commonly seen in SFF. What will draw a lot of teens, though, is the idea of Lily meeting herself – Lillian – in this alternate world. They’re like and unalike in various ways that fluctuate over the course of the story. At first, Lily believes she’s completely different from her alt-self and tries to convince the Outlanders of it; but after some time, she starts to doubt it. This comes at about the same time we as readers start to doubt Lillian’s characterization as entirely evil.

I really liked the ideas behind this story. It’s so creative and so fresh, even when it’s using some common tropes (romance, witches, tearing down a despotic regime). The magic system and world-building in particular are standouts. I don’t think the story is entirely successful in its execution, though. Lily as a character is a bit flat. She’s immensely powerful in alt-Salem, but her actions are mostly reactive (things happen to her, she doesn’t make things happen). That’s not a criticism of Lily as a person (I think a lot of us mostly react to things), but it’s not great for a character in a novel. For a lot of the book, I felt like I was stuck in exposition, even while the characters battled Woven. Lillian’s motivations remained murky up to the end, which is too bad, because she is by far the most fascinating character. This is a series, so perhaps Lily will come into her own a bit more in the sequel – and we’ll get to spend more time with Lillian.

My review copy came with a letter from Angelini stating that the magic system she writes about is based on actual science, which is clearly a marketing ploy, but it’s also fascinating to consider. This would be a good pick for fans of both science fiction and fantasy who want something new and something that makes them think. It’s also a worthy entry into the growing parallel worlds subgenre.

Review copy provided by the publisher. Trial by Fire is available now.