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This Mortal Coil by Emily Suvada

November 14, 2018 |

Catarina Agatta lives in a future world where every human has a “panel” that controls their genes, giving them the ability to recode their DNA. The programs to alter human DNA have to be coded by master code-writers and hackers – it’s not something that just anyone can do. Catarina is a master though; she takes after her father, Lachlan, a scientist who was kidnapped by the evil organization Cartaxus two years ago. Cartaxus keeps their own programs under copyright, including most importantly those that cure diseases. They’re hoping Lachlan will be able to code a vaccine for the latest disease that’s crippling humanity, one that makes humans go into “the wrath” and kill each other mindlessly, right before they literally explode. Catarina is left to survive on her own, eating those with the disease for immunity, refusing to enter a Cartaxus settlement that protects its residents from the disease because she has unauthorized code in her body, code that saves her life but would be stripped by Cartaxus. But then a young Cartaxus agent named Cole arrives, and he says he’s been sent by Lachlan to help Catarina unlock the key to the vaccine – and everything goes to hell in a handbasket after that (and you thought things were already bad).

There’s a lot going on in this book, and the synopsis above only gets at a portion of it. This is one of those books where it’s best to just strap yourself in and go along for the ride. It’s full of twists and turns, with a whopper of a reveal near the end that took me completely by surprise but in retrospect was carefully planned and executed by Suvada. I always appreciate a well-plotted novel, and this is a great example: readers should pay careful attention to every detail Suvada drops, because it may be important later on. This Mortal Coil also feels more cutting-edge than any of the other futuristic sci-fi novels I’ve read recently. I can’t think of another book for teens that uses the mapping of the human genome and subsequent gene editing (with tools like CRISPR) as a major plot point. It’s fascinating to me, in part because it’s just entering the mainstream conversation, and in part because the possibilities (practical and story-wise) seem endless. Tech like this makes me feel like I’m living in the future; Emily Suvada brought it to life. Whether her vision of what gene editing can actually do is realistic or not remains to be seen, and is a question perhaps best left to scientists. But it does make for a good story.

I liked Catarina as a protagonist. She’s smart and reacts realistically to every obstacle thrown at her (and there are many). There’s a romance that develops between her and Cole, which feels natural and unforced. The twist near the end gives it greater depth while simultaneously adding to its complications. Catarina is also a human teenager, though, despite her extraordinary intelligence. She’s easily led by the bad guys (and just who the bad guys are is not always clear), feels the betrayal of her loved ones keenly, and sometimes acts in a way that is not in her best interest out of fear or stubbornness.

While the book isn’t perfect (it meanders sometimes in the middle, the gene-coding aspects are not always well-explained), it’s a cut above most other recent apocalyptic/post-apocalyptic stories, particularly those featuring a plague. The gene-coding angle is not one that’s been done in this way before, and the twisty plot will keep readers hooked. This is one to seek out.

 

Filed Under: cybils, Reviews, Science Fiction, ya, ya fiction, Young Adult, young adult fiction

Cybils 2018 Spiderweb

November 7, 2018 |

When you participate as a Round 1 panelist for the Cybils, you read a lot of books in a very short period of time. I always see a lot of little connections between books in my category (Young Adult Science Fiction and Fantasy this year) that would otherwise have gone unnoticed. I tracked them once before in 2015 in what I called a Cybils spiderweb. Here’s the spiderweb for 2018. Click on the image to enlarge.

 

 

Filed Under: cybils

Not Even Bones by Rebecca Schaeffer

October 31, 2018 |

Nita’s mother captures and kills unnaturals – supernatural beings with special abilities or powers – and sells their parts, which can pass down powers of their own, on the black market. Nita doesn’t do the killing; her job is to dissect the bodies and prepare the parts for sale. She tells herself it’s OK because she’s not actually killing anyone. And the unnaturals her mother kills and sells are dangerous anyway. Mostly. It helps her feel less guilty about how much she enjoys dissecting these beings, which are mostly just humans with a few tweaks. But then her mother brings home a live unnatural, whom she plans to cut up while he’s still living, and Nita has to make a choice. The choice she makes has catastrophic consequences: she ends up sold on the black market, her own unnatural ability to heal herself revealed. And her captors plan to sell her off, piece by piece, to buyers who think eating bits of her will make them immortal.

When it comes to horror, I’m much more likely to read books for teens than adults. I’m a bit squeamish (no horror movies for me at all!), and I find that YA horror novels usually have the right amount of scares for me. Rebecca Schaeffer did her best to prove me wrong – Not Even Bones is pretty gruesome, and it doesn’t shy away from describing in detail how the parts for sale become detached from the body itself, and what people do with the parts once they buy them. It’s definitely on the edge of what I can handle. But it’s so well done, I enjoyed it a lot anyway. The book is essentially an escape plot, and it’s fast-paced and exciting, with twists I didn’t see coming. Schaeffer’s also a great world-builder. The market lives and breathes (often literally), bringing home the horror of the concept. She also does a good job of extrapolating her concept to the details: how attempts to protect unnaturals go awry and corruption sets in, how unnaturals use their abilities in creative ways large and small, the often ineffective and cruel ways unnaturals are used by others.

Nita is a great protagonist. She walks the line between hero and anti-hero, struggling with her own sense of morality. She must do things she never thought she would or could in order to escape, crossing several lines she had drawn for herself. Combine these actions with the opposing facts that Nita both enjoyed enabling her mother’s actions as well as freed her last victim, and readers will see that Nita is a complex and difficult character. Schaeffer introduces a sometimes-enemy, sometimes-ally of Nita’s in the character of Kovit, an unnatural called a zanny who must eat human pain to live. He has his own struggles with his morality that compare with Nita’s: he, too, enjoys his “work,” which in this case is torturing people. Zannies get intense pleasure from the kind of feeding they’re required to do. But he’s also capable of extreme acts of selflessness. Readers will find themselves questioning the degrees of moral difference between Nita and Kovit – and if there is any difference at all. This is a good pick for teens who don’t mind (or seek out!) some gore in their horror.

Filed Under: cybils, Horror, Reviews, ya, ya fiction, Young Adult, young adult fiction

A Few Cybils Reads – Part I (Necromancy Edition)

October 17, 2018 |

Give the Dark My Love by Beth Revis

Nedra has been given a scholarship to attend Yugen Academy, where she plans to train as a medicinal alchemist. The northern part of the country, where Nedra lives, has been overrun by a plague that kills almost everyone it touches, and while Nedra’s family has remained safe from it so far, she knows the people who govern the country don’t have much interest in saving the lives of the poor northerners. The rich believe the plague is caused by bad hygiene. Nedra is determined to find a cure, and she finds a mentor in one of the teachers at the school. Even as they get closer to the truth about the plague, Nedra starts experimenting with necromancy, strictly forbidden by the law not only because it’s considered unnatural, but also because of what the practice of it does to the necromancer. But necromancy, Nedra believes, is the key to understanding the plague, which begins as necrosis of the limbs before making its way to the heart, where it kills.

The book alternates between Nedra’s perspective and that of her friend Grey, another student at the school. Grey is the son of a politician, a powerful man who pulls Grey into the city’s political machinations. There are rumblings of revolution: many people on the colony of Lunar Island, where the story takes place, would like to become independent and rule themselves. Grey’s storyline is interesting and eventually intersects with that of the plague, a nice bit of plotting that surprised me a few times before the end of the book. But ultimately, this story Nedra’s.

Revis’ book is a meditation on grief, and it’s heartbreaking and tragic and beautiful. Her writing is gorgeously mournful, telling the story of a good person’s descent into darkness in the midst of almost unbearable pain. Good speculative fiction always functions as a metaphor for things that are real, and Give the Dark My Love is a prime example of this. We as readers follow Nedra’s journey from hardworking girl with a purpose into obsession and finally into a darkness from which she cannot return. All the while, she is propelled by something very real and very human that affects all of us. Revis’ writing is such that we feel everything right alongside Nedra – and alongside Revis herself. Don’t skip reading her acknowledgments at the end.

 

Reign of the Fallen by Sarah Glenn Marsh

Quite the opposite of Revis’ book, in Reign of the Fallen, necromancers (like our protagonist Odessa) are prized. They’re necessary in order to keep the ruling class in power, who are resurrected whenever they die. But the Dead, once resurrected, must forever remain shrouded. If anyone sees any part of a Dead person, the Dead person turns into a zombie-like Shade, mindless and violent. It’s not a terribly appealing “life,” but it does allow certain people to remain in power – perhaps forever.

It’s a situation rife for trouble, and it’s kind of incredible that the society has gone as long as they have without a massive Shade epidemic. There are a few attacks here and there, but nothing that ever gets out of control. Until now. The Shade attacks have been increasing, and it soon becomes clear that someone is deliberately creating them and training them to attack. Odessa and her fellow necromancers are determined to find out who is behind it.

The premise is interesting, but it requires a massive suspension of disbelief for me. I’m perfectly willing to believe the Dead can be raised (I did love Sabriel as a teen), but it’s difficult for me to believe that Dead rulers with such easy weaknesses to exploit could remain in power for centuries. All someone would have to do is tug on the shroud, and the King would be a Shade. End of rule. That issue aside, the mystery itself is intriguing, and Odessa is an engaging character. Like Revis’ novel, Marsh’s novel is also an examination of grief, but it’s not as successful in this respect. I’d hand this to teens already interested in necromancy as a plotline.

Filed Under: cybils, Reviews, ya, ya fiction, Young Adult, young adult fiction

Cybils 2018

October 3, 2018 |

I am absolutely thrilled to be a Cybils judge for the eighth (!!) year running in 2018. This will be my fourth year as a panelist for round 1 of YA speculative fiction, and I have to say, this is probably my favorite category to participate in (when my life allows for it). I love making my way through a huge list of books, reconnecting with the type of story I loved most as a teenager. I always end up finding new favorites I likely wouldn’t have read otherwise, including past finalists Death Sworn by Leah Cypess, An Inheritance of Ashes by Leah Bobet, and Song of the Current by Sarah Tolcser.

Nominations opened October 1, and I hope each of you will take just a few minutes to submit some titles. You can nominate one title per category, and each must have been published specifically for the stated age range (in the case of my category, teenagers/young adults) between October 16, 2017 and October 15, 2018. Because I’m a helpful kind of person, I’ve created a list of books that are eligible for YA speculative fiction this year below. These are books I’ve already read that I think would be worth considering or books I’m just excited to read. Be sure to check your title against the list of those already nominated so you don’t duplicate.

 

Children of Blood and Bone by Tomi Adeyemi

The Hazel Wood by Melissa Albert

Onyx and Ivory by Mindee Arnett

Damsel by Elana K. Arnold

Devils Unto Dust by Emma Berquist

The Cruel Prince by Holly Black

Contagion by Erin Bowman

The Belles by Dhonielle Clayton

A Conspiracy of Stars by Olivia A. Cole

Mirage by Somaiya Daud

Dread Nation by Justina Ireland

The Loneliest Girl in the Universe by Lauren James

Lifel1k3 by Jay Kristoff

Furyborn by Claire Legrand

Sanctuary by Caryn Lix

Black Wings Beating by Alex London

Isle of Blood and Stone by Makiia Lucier

Nightingale by Amy Lukavics

The Astonishing Color of After by Emily X. R. Pan (This may be more suited to YA Fiction, but I’m not sure!)

Seafire by Natalie C. Parker

Dance of Thieves by Mary E. Pearson

Sweet Black Waves by Kristina Perez

Give the Dark My Love by Beth Revis

Dry by Neal Shusterman

Beneath the Citadel by Destiny Soria

 

Filed Under: cybils, Fantasy, Science Fiction, Young Adult

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