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  • STACKED
  • About Us
  • Categories
    • Audiobooks
    • Book Lists
      • Debut YA Novels
      • Get Genrefied
      • On The Radar
    • Cover Designs
      • Cover Doubles
      • Cover Redesigns
      • Cover Trends
    • Feminism
      • Feminism For The Real World Anthology
      • Size Acceptance
    • In The Library
      • Challenges & Censorship
      • Collection Development
      • Discussion and Resource Guides
      • Readers Advisory
    • Professional Development
      • Book Awards
      • Conferences
    • The Publishing World
      • Data & Stats
    • Reading Life and Habits
    • Romance
    • Young Adult
  • Reviews + Features
    • About The Girls Series
    • Author Interviews
    • Contemporary YA Series
      • Contemporary Week 2012
      • Contemporary Week 2013
      • Contemporary Week 2014
    • Guest Posts
    • Link Round-Ups
      • Book Riot
    • Readers Advisory Week
    • Reviews
      • Adult
      • Audiobooks
      • Graphic Novels
      • Non-Fiction
      • Picture Books
      • YA Fiction
    • So You Want to Read YA Series
  • Review Policy

Double Takes: Four For One

September 12, 2012 |

I’ve got a four cover double takes — it’s been a while since we’ve done one of these, hasn’t it?

Same model in Cynthia Leitich Smith’s Tantalize as in Julie Hearn’s Ivy, though it’s the opposite side of her face and a much tighter crop. It’s interesting to me how both of these covers have some sort of green in the background. That makes the red pop a little more. Both of these books are a few years older, but the same cover model makes an appearance in a paperback released this year:

I don’t care for how the cover of Cecelia Ahern’s The Book of Tomorrow looks, and I find the cover model head to be sort of oddly chopped off and placed on it. I like how her red hair is enhanced (I mean, how often do you see a red curly haired girl? Not often, says a girl with red curly hair). But the cover set up doesn’t work for me — I dislike how the title is all lowercase and then the author’s name is in all caps. Then the tag line is in standard caps-lowercase styling. The book image is more than half of the cover, too, then suddenly a girl’s head sprouts from the top of it. It feels out of place. It also looks to me like the orange color of the font is different from the red color of the girl’s hair, but that might just be my screen’s resolution or a result of the image being digital rather than in print.

It’s the same model in Denise Jaden’s recent Never Enough as it is in Mara Purnhagen’s Haunting the Night, an ebook novella released in August 2011. The girl’s image has been flipped, so that she’s looking up and to the left in Jaden’s cover and up and to the right in Purnhagen’s cover. But let’s talk about how different the backgrounds of the images are. I quite like the Jaden cover background because it’s quiet. It’s all white with just some wisps of branches in the background. There’s something simple and clean about it that makes it stand out a little bit to me. Knowing the Purnhagen book is an ebook release only makes talking about what it’d look like on a shelf silly, but I do think it’s a little busy. I love the color, but the girl is definitely swallowed up by the heavy coloring and clouds. Also, that balloon above the title is distracting me and also amusing me.

One of my favorite covers in recent memory is the one for Ilsa J Bick’s Drowning Instinct. It is eye-catching. I love the way the girl is sideways, the way the water falls off her face, the blue background, and the way it just fits the story. I had never seen a cover like it . . .  until I saw the cover double on Pamela Callow’s Damaged, which actually published before Bick’s title. What’s most interesting to me is not just the same treatment of the cover model with the water dripping down, but even the blue background is quite similar. The biggest difference in design choice is that the Callow cover isn’t as tightly cropped as the Bick cover model. But you know, I still think this cover is great and it works in both cases.

Pip Henry’s I’ll Tell You Mine published this year in April — it’s an Australian title. There’s only half a face in the cover, but you can see the whole girl’s face on Susan Bischoff’s 2010 self-published title Hush Money. Both are fairly striking covers, I think: I love the pale face with the dark eyes and eye makeup against the dark background (though Bischoff’s girl is definitely pinker than Harry’s). Both use fairly simplistic fonts for their titles but they’re strong enough font-wise to also stand out against the black behind it. It’s interesting to note that Harry’s cover has a girl with dark lips and dark nail polish while Bischoff’s cover has no nail polish on the girl’s finger and a nude lip. The stripe of red on the cover of the book on the right stands out a little bit, but overall, I think both of these covers work. It’s rare I like a cover with a face on it, but this one says a lot about the book without saying much at all.

Any additional doubles to these covers above? Like any of the treatments better than another?

Filed Under: cover designs, Cover Doubles, Uncategorized

Double Take (Actually a Triple-Take)

January 27, 2012 |

While looking up the US cover for 172 Hours on the Moon for my Midwinter post earlier this week, I came across the UK cover and immediately knew I had seen it before.

If you’re a long-time reader of STACKED (and I hope you are!), you’ve seen it before too…not once, but twice.

After the Moment by Garret Freymann-Weyr and The Sky Isn’t Visible From Here by Felicia C. Sullivan, which Kelly wrote about back in 2009.

That’s certainly a popular image.

Filed Under: cover designs, Cover Doubles, Uncategorized

Double Take: Long flowing hair and a strong eye

November 23, 2011 |

I had every intention of putting together another trends in 2012 post, but while browsing through covers, I came across a double take. This one made me look more than twice. I’m about as certain as I can be they’re the same image, just with different treatments.


Coming out in March next year from Orion Books (a UK publisher) is the second book in Mia James’s paranormal romance series, Darkness Falls. Stop and study this one a second. At first glance, the model’s eyes look closed to me. But a closer inspection reveals they’re open. They’re just the same color as her skin, making them eerie. We know something is up with this girl. The cover on the whole is dark and fitting for the paranormal genre. It’s not entirely unexpected or noteworthy.


Suzanne Young’s A Want So Wicked will come out from Balzer + Bray (Harper Collins) in June of next year. I’m not a big girl-on-the-cover fan, but I love the bluish purple treatment on this one a lot. It’s stand out to me, even if the girl herself isn’t necessarily memorable. But look at her closely. It’s the same girl as the cover above, but the treatment is vastly different. Rather than have the haunting eyes, this pair of eyes looks strong and powerful in a different way. I think she looks slightly wicked in a different way, and I get that from not only the gaze itself, but how pronounced her eyebrows are.

Both covers feature the same face, the same make up, and the same hair, but it’s incredible to me how different these are, simply by the use of color and light on the model and on the background. There’s a softness to Young’s cover treatment that doesn’t undermine the power in the girl, as much as the darkness intensifies the power in the James cover.

That said, I prefer Young’s cover because of the lightness it has to it. The color stands out on shelves, and the slight glitter sheen to it only helps. The James cover, for me, is almost cliche within the genre; for many readers, though, that’s its selling point.

Filed Under: aesthetics, cover designs, Cover Doubles, Uncategorized

Double Take: Unmasked

September 7, 2011 |

This one was so obvious when I opened last week’s Publisher’s Weekly that I’m honestly surprised it made the final cut.



Michael Stein’s The Rape of the Muse will be published by Permanent Press on October 1, 2011. It’s an adult fiction title. You can read more about the book here.

It should surprise no one who reads or knows anything about YA lit that that cover is a double to this one:



Guardian of the Dead by Karen Healey was published last year.

I find it interesting that the placement of the mask wasn’t even changed, nor was the background black color changed. The eye colors were swapped out, but beyond that, it’s the same stock image. I don’t find the font appealing on the Stein book, and I think it’s a little jarring to mix up how the italics are used. That said, I like the fact it is all black and white. There’s definitely an eeriness to it.

For me, though, the Healey cover will always be a winner. I’m still sad it got changed.

Filed Under: aesthetics, cover designs, Cover Doubles, Uncategorized

Cover Doubles: He Loves Me, He Loves Me Not?

August 26, 2011 |

These aren’t exact replicas of one another, but they’re so close, they could be. I like the images on both covers, as I think they stand out from the typical girl-on-the-cover look.



I’m Not Her by Janet Gurtler published May 1 by Sourcebooks. I love the title placement and font on this one. The only thing I can say about this, really, is that it looks younger than the intended audience, I think. This is a teen book, but it reads more middle grade to me, as the girl modeling has a much younger look to her — even though you can’t see her, you can tell she’s less mature than a teen girl.





Second Hand Heart by Catherine Ryan Hyde published by BlackSwan (a London publisher) in 2010. I love the yellow title font against the green grass, and for some reason, I love how the flower petals look on this cover, as opposed to the Gurtler cover. For some reason, this girl reads older to me than the other cover model does, as well. Perhaps it’s the perspective, as we don’t see a shirt, which is one of the elements that made the first cover look younger.

Does one stand out to you more? I think they’re both pretty good.

Filed Under: aesthetics, cover designs, Cover Doubles, Uncategorized

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