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YA Book Cover Makeovers: 7 Hardcover-to-Paperback Redesigns To Consider

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I will never grow tired of looking at and talking about YA book covers. Even more specifically, I love looking at redesigned covers and considering what it is that went into the thought process behind changing a book’s initial design into something different for its paperback release. Authors generally have little to no say in these redesigns, but rather, they often come about as a result of marketing direction changes or suggestions.

Let’s take a peek at seven upcoming YA book covers getting a new look in paperback. I’ve included a wide swath of titles here, showcasing some of the good, some of the bad, and some of the really questionable when it comes to YA hardcover-to-paperback redesigns.

Original hardcover designs are on the left, with the refreshed cover on the right.

I Have Lost My Way by Gayle Forman

After the splashy cover reveal for Forman’s latest YA book, it was surprising to me how little this book seemed to be buzzed about. I read it and while it wasn’t my favorite — I tend to find myself unable to really fall into her stories — I know she’s got a legion of fans and admirers, and given the elements present in this particular book, I anticipated more. Part of me wonders if the cover, which is pretty bland and forgettable in a sea of covers that make use of a font-driven design, made people bypass it. It looks like an adult book, rather than a YA book, and the title itself isn’t one that’s easy to remember. Working in favor of this cover, though, is that it looks nice on a screen; it’s easy to read and understand.

That last part is what made me do a triple take on the paperback cover: it doesn’t translate on screen. The white boarder, coupled with the text messaging along the bottom, made me think I was looking at a private text message someone was sending with a pretty confusing image on it. I think that it’s great to see a girl of color on the cover, but where is she walking? The book is set in New York City but it also looks like she’s walking through a dirt pit. Interestingly, the paperback makes the font for the title and the author name the same size, though my eye is more easily drawn to the author’s name because it’s a different color than the girl’s shirt.

Like the hardcover, aside from the confusing framing, the paperback isn’t especially memorable or distinct, either. I’ve seen this cover a few times and immediately thought of the Jessa Halbrook series (one of Saundra Mitchell‘s pen names).

I don’t love either cover but the hardcover is less confusing and less confused over all, with a more cohesive design. I Have Lost My Way comes out in paperback April 16.

 

Illegal by Bettina Restrepo

I’ve always wondered what happened to this book. I read it when it came out as a debut in early 2011, and it’s a book about a family that illegally crosses the Mexican border and heads to Houston for work, security, and pursuit of a better future. The book disappeared not long after it was published, which, given how much immigration has been a major topic prior to that time and after, surprised me. So I’m really pleased to see that it’ll be getting a paperback reissue on August 27.

There’s not a whole lot to say about the original cover except that it really captures the spirit of the story — as well as the spirit of YA book cover design in 2011. It’s a real model and, though we can’t see her face, she appears to be a girl of color. We have the city skyline in the background, with a title font that features a wire fence design within it.

The paperback design is a study of contemporary cover trends. We have a teen of color facing out, and it’s illustrated. The girl looks quite young in the image, which I like, as the book itself features not just a younger teen protagonist but also, it reads as younger YA. Maybe my favorite part of the redesign is one of the smaller pieces: the tag line above the title, “We are all immigrants.” Although the book cover and title certainly make it clear what the book is about in both covers, that small line really makes clear that this is a story for non Native Americans for non Native Americans.

I’m eager to pick up the book with a new forward from the author eight years after its original publication. The paperback redesign here is fresh and I’m suspecting it’ll ignite a lot of new interest.

 

 

Labyrinth Lost by Zoraida Cordova

Series redesigns always raise a lot of conversation. Readers who like their series to look cohesive often mention that they become frustrated with changes, while it becomes clear in some instances that the redesign of the series better reflects the way the series progresses or simply looks more interesting on shelves.

Which is why I’m fascinated by the cover changes that have happened with Zoraida Cordova’s Labyrinth Lost.

The hardcover design is one I really dig, in part because it plays homage to the lore within the book itself. The face painting, reminiscent of sugar skulls, is part of the fantasy in the book and something that Cordova digs into a little bit in her author’s note at the end of the book. It’s a very catchy cover, and it’s one that immediately speaks to the fantasy, the magic, and the traces of horror that the story holds. The font works for the title, though Zoraida’s name seems to get a bit buried on the cover. Shoved in between the author name and the title of the book is a blurb from Danielle Paige, but what’s fascinating in the design of those words is how her title and accolades actually take more real estate up on the cover than Zoraida’s name or the blurb itself. It almost feels like a well-thought tag line would be better there to really give a sense of the story’s content to readers.

The original paperback redesign in the center reminds me so much of the redesigned covers for Libba Bray’s “The Diviners” series. This isn’t necessarily a bad thing because I think the two series would make for great read alikes to one another, making the cover similarities work in favor of both. The font for the title remains the same in that redesign, but we’re given something new in terms of an image: the gate which the characters go through during the course of the story. There’s definitely a placement of this book into the fantasy/magical realism realm with the design. Zoraida’s name is a little bigger and more easy to spot on this design, and while the blurb from Paige appears again, it’s been better laid out so that it takes up less real estate on a book that’s not her own.

The final image is the second paperback redesign and it’s wildly different from the previous iterations. The title font is something different, but once again, Zoraida’s name is really small beneath it. However, big points in favor of the redesign are noting Zoraida’s own credentials (“award-winning author” below her name) and the fact that the blurb which took up so much real estate from the cover is now gone. Instead, we get a tag line: “The first lesson of being a Bruja: Magic always has a price.” It’s perfect and captures so much about the story’s genre, about the stakes, and about the cultural the story takes place in. The image and design itself don’t especially stand out to me but those textual elements are knockout.

All three of the covers do a good job, and all of them seem to be angling toward the same audience. It took me longer to pick up this book than I wished, and I wonder if the new look will prompt other readers who held off to give it a chance (it’s a fun read!).

 

 

Royals by Rachel Hawkins

Speaking of books I know are fun reads but that I haven’t picked up yet: Rachel Hawkins’s Royals came out last May and has been a book that I’ve again heard very little about. It’s a romantic comedy and the reviews have all mentioned how funny it is — something I believe, given that Hawkins is known for writing with humor. The original cover was very pink and blingy, which I think shows off a lot of what the contents are meant to do. They’re a little over the top but grounded in a real-life fantasy for readers. Hawkins’s name is big on the cover with a different tone of pink from both the background and from the note that she’s a New York Times bestselling author. The tag line is cute, too: “He’s no prince, but he sure is charming.” Readers who love royal-themed stories will know without question this book is for them.

That said, the redesign hits both the royal-themed story lovers and those who want a more straightforward YA romance read. First thing to note: there’s a title change. No longer is the book called Royals (which always made Lorde’s song get stuck in my head). It’s instead being renamed Prince Charming. True to charm, the font choice is cute, it’s a deep pink or red, depending on your resolution, and the “A” features a sweet little heart inside. The way that the two teens on the cover are standing and slightly overlapping the title is clever, as if they were there first before the title came toward them. It gives the cover some movement, which is important given how stark the two teens look being in sketched grayscale. We have another illustrated cover here, continuing to stay in line with the trend that’s been big in YA for a few years. Check out the chucks on the girl, too: it’s a nice nod to the fact that the heroine might be a little bit more quirky than she lets on.

Both covers are quite good. Readers who aren’t familiar with Hawkins likely would fall into two camps on this one: those who love their books royal-themed knowing that the hardcover is for them and those who think the redesign is super cute, feminine, and romantic and dive right in. Given that this is a series, though, the paperback ekes out slightly for me because the sequel takes a similar design approach. It hits shelves on March 5. Check out the sequel’s cover here, which adds itself to my ever-growing list of YA book covers featuring sunglasses.

 

 

Top Ten by Kate Cotugno

The hardcover for Top Ten is one I’m not a huge fan of, but that’s entirely for personal reasons. It’s a very 1990s style cover, which is way cooler among young people than it is with me. It is also super white in terms of the couples shown, with neon signs, chucks, and lights. The title is almost easy to miss here, since there’s so much going on, though Katie’s name is nice and easy to find. There’s no tagline and no blurb on this so it’s hard to say what the book is about, though the images suggest it’s a summer story about a group of friends.

I’ve mentioned before that illustrated covers are the thing in book cover design and have been since Eleanor & Park. I’m also not a huge fan of them because they tend to blend together so easily. That plays out in Top Ten, as I feel like I’ve seen this same design on about ten other YA books that hit shelves recently or will be hitting shelves soon. While the people are still all white-presenting, there is at least more array in body shape and size, as well as complexion and hair. It’s a bit more representative of today’s teens across a broader spectrum than the hardcover is. The title is much bigger and more obvious, and the font and color of it match the author’s name. Bonus: we get a tagline. “The unlikeliest of friends…or something more.” I like that it gives a sense of the story, but it also makes me a little confused when it comes to who is on the cover. Is it one couple that keeps looking different? Is it a lot of couples who are “something more?”

Neither of these covers really do it for me. Not having read the book yet, I can’t suggest which one is truer to story.

Top Ten comes out in paperback January 15.

 

 

Undead Girl Gang by Lily Anderson

Spoiler alert on this cover makeover: I love both of these covers very much and think both are excellent.

The hardcover for Anderson’s novel is really different. It takes a lot of the elements that are synonymous with today’s teens: enamel pins and denim jackets. This same trendy style is a throwback to the 90s and girl power culture, which fits in perfectly with the title and story itself. Without question, given the homage to new age beliefs (crystals and tarot cards) and the two zombie hands making the pinkie swear salute, this is clearly a book that’s a little bit horror, a little bit fun, and a whole lot about girls being good to other girls. The title being put into an enamel pin is clever, as is the way that Anderson’s name looks like it’s embroidered on the denim jacket.

The paperback cover also nails it. This is a book with a fat protagonist who has brown skin. That cover model is perfect, and not only is she perfect, but her stance and attitude speak volumes for what the tone of the book is. If you look closely, you’ll not only notice she’s wearing a denim jacket, but the pins that were on the original cover? They’re also on the jacket itself. If it weren’t for the fact that the pins on the hardcover were on one side of the jacket and on the opposite of the jacket in the paperback, you’d think this was simply a zoomed out take from the original design session. The title font is perfect here: it has a 90s clip art feel to it (and specifically, Word Art!). The font for Lily’s name is very modern though and is one I associate with contemporary cover trends, making this a nice mashup of today’s culture and nostalgic. The zombie hands? They’re just plain fun, and the tagline “We’re back, witches,” tells so much story in and of itself.

Both covers rock for different reasons. If pressed to pick one I like more? I’d say paperback, simply because it leans fully into girl power, feminism, and that cover model is just perfect. You can grab the paperback on May 14.

(Interesting to note that two redesigns are very pink covers. A trend to keep an eye on through 2019, maybe?)

 

 

You Bring the Distant Near by Mitali Perkins

Last, but not least, is one I’ll keep short and sweet. I love the original cover for Perkins’s book and I’m also really feeling the redesign for paperback. Not only does the redesign highlight that it’s a National Book Award nominee, but it also brings all of the elements that were inside the dancing woman on the hardcover and brings them to the outside. Look closely: the buildings. The grandeur. The feeling of connection to past and present. The dancers themselves. It still keeps the title the focus, but it also brings even more to the forefront. I’m also a big fan of the fact that the author name is even larger and more prominent in the redesign. My only critique is a tiny one, which is that the blurb on the bottom takes what is a well-thought out busy cover almost a little over the top in terms of putting a lot of things into a small space.

Perkins has a new book coming out this spring, too, and the cover design for that one has the same feeling as the new paperback redesign. You can peep Forward Me Back To You here.

 

So what do you think? Which covers are speaking to you? Which aren’t? Let’s talk in the comments!

YA Cover Makeovers: 5 To Check Out and Consider

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Part of my job at Book Riot requires spending time perusing Edelweiss in order to know the books that are on the horizon. I don’t write a whole lot about book covers over there, but I do take note of them as I work because there is a lot to say about them.

I’ve been highlighting cover changes in YA since this blog began nearly ten years ago, and though they’re still common, it seems to me that cover changes are happening less frequently than they have in years past. I suspect better initial designs and following tried-and-true trends is part of the reason. Make your title font nice and big with one key, easily-identifiable image — likely illustrated — and you’re going to not only catch eyes on book shelves, but you’re going to have something that shows up great on screens. Perhaps that’s part of it, too. There’s a much better understanding of the power of how covers appear digitally, either on a desktop or on mobile, and so there’s even more consideration in the design process than there ever has been before.

It’s also hard not to take into consideration the fact that YA books are primarily purchased by those over the age of 18 and armed with that knowledge, cover designs in YA mirror many seen in adult fiction. There are good things and there are not-so-good things about that. I’d recommend reading this thoughtful piece from a teen reader on the ways that YA can alienate the very age group it’s meant to reach.

This is the first round-up of recent and upcoming YA book cover changes I’ll share before the year ends. I’ve pulled an interesting range of design makeovers. Some do better in their original hardback while others sparkle a bit more in paperback.

As always, I’d love to hear what you think about the cover changes. What do you prefer of these? If you work with young readers, does one seem like it speaks more to them than the other?

Original hardcover designs are on the left, with the new paperback look on the right.

YA Cover Makeovers

 

I’m not going to lie: every time I see the hardcover for Margot Harrison’s The Killer In Me, I’m reminded that I want to read it. The vibes it gives are very much a me-book. It’s desolate. There’s a teen girl at the helm with what is either a clear mission or reflection upon a tough job done. It’s stark and striking. But, in being that way, the title of the book gets lost in the background. The font colors really do fade into the landscape, and not in a way that’s useful for actually remembering what the book is called. The font is also small, making it tough to render on screen. Note that on the hardcover, we get a tag line: “The truth can’t stay buried forever.” I love it, and I love how it mirrors the image of the off-centered girl.

The paperback version, which hit shelves in early October, takes away some of the desolation and starkness. But in exchange, it gives a much larger, more readable title, while maintaining the shovel that was on the hardcover. I’m not a huge fan of the way that the author’s name is stacked and shoved at the very top — not easy to read — and it’s interesting that because the focus is on the shovel and on the title, there’s no longer a tag line on the image. This to me reads much more like an adult book cover than a teen book cover, whereas the hardcover feels much more teen because we see what appears to be a younger person on it.

Neither one is better or worse, as they both have interesting and parallel elements to them. As a reader, I’d gravitate toward the hardcover because of the feeling I get from it, but I see that same reasoning being why readers might pick up the paperback.

 

 

Talk about a dramatic cover makeover. Caleb Roehrig’s White Rabbit had a frenzy of publicity when it hit shelves earlier this year. I ended up picking it up and liking it, and because it’s a psychological thriller/mystery/horror novel, there’s a high body count. The cover is actually pretty fitting, if not also fairly generic. The title and author names are easy to read, and the white and red color choices stand out against the blue and black palate of the image. There are two main male characters as identified by the shadows with the flashlights. And any time there is blood on a cover, you can count me in (Kimberly pointed out that bloody YA covers are a thing right now). The original hardback tells a reader everything you might want to know about the book and you can immediately place it within its appropriate readership.

The paperback, though, is a whole different rabbit. It’s bright and the contrast of the purple with the bright pink really makes it stand out. Visually, it’s a knockout in that department and it shows well both on screen and, I suspect, will pop on shelves. I’m not entirely sure what’s going on with the pink splotches on the purple — maybe it’s blood? But the use of the knife as the “I” in White is really clever and conveys so much about the feel of the book. This cover has a blurb on it from bestseller Karen McManus, which wasn’t on the original. I’m not usually a blurb fan, but I actually think readers who love One Of Us Is Lying would really be into White Rabbit, so it works as its own reader’s advisory tool.

That said, it does not strike me as a YA book at all. It looks like adult fiction. Again, that means and doesn’t mean anything, but I’m far more likely to see teens reading the hardcover and identifying it as a book for them than I am with the paperback. Perhaps that’s the goal, to get more adults to pick it up in paperback, especially with the McManus endorsement.

I like both takes, but for very different reasons. I actually hope we see a rise in covers like the one on the right (with attention paid to making them look as teen-friendly as possible) because they’re so different. The paperback releases on January 29.

 

 

 

Can we talk about how fun the hardcover of The Epic Crush of Genie Lo by F.C. Yee is? It’s clearly indicating exactly the kind of book it is: a fun, action packed title with a badass female lead. And the tagline! “A demon invasion is no excuse for bad grades” tells you everything about the book’s tone. That said: aside from being an extremely telling cover, it’s fairly generic. It doesn’t pop and doesn’t offer much in terms of the cultural touchstones within the book. The author’s name is small enough on the cover that, when pulling the images together, it got cut off.

The paperback edition of the book, available June 11 (yes, next summer!), is absolutely dreamy and it’s about as different from the hardcover as can be. The color palate is light and airy, and it’s very clear the book is set in San Francisco, with West Asian cultural heritage playing a large part of the story. We still have Genie Lo in the image, but this time, she’s less the focal point, but what’s neat is that all of the elements above her — the dragons, the mountains, the Golden Gate Bridge — comprise who she is. The title font is lovely and flowy. Yee’s name is a little more prominent, though in the paperback edition, the fabulous tagline is no longer there.

Not having read this book, I can’t pinpoint which one feels more true to the actual story. I have a hunch it might be the hardcover, but I suspect, too, that the paperback plays into some very crucial aspects of the book as well. The original cover? Sells to those who want action and adventure. The paperback? Appeals to readers who are eager for a more internal, culturally-enmeshed book. The original cover speaks to readers who want a louder book, while the paperback speaks to those who want a quieter read.

I really dig both of them and would be curious what others think. Neither does it better or worse. They’re just very different.

 

 

 

 

Veronica Chambers books were among some of the most popular books when I worked in a library that served a large Latinx population, and her latest book is a standalone. The Go-Between hardcover features a lot of fun, trendy elements to it: it’s illustrated, includes a number of bright colors on a black background, and uses the title font cleverly. The “Go” as a pair of glasses — maybe sunglasses, given the palm trees — adds something special to the title itself. There’s no tag line here, and as much as the cover leans into many contemporary YA book cover trends, the cover itself doesn’t tell you much about the book. The girl looks like she might have brown skin, but it’s not entirely clear if she’s meant to be brown skinned or if she’s a girl who has white skin with a dark tan. That ambiguity is only enhanced when you consider the “Go” as sunglasses, along with the waves for water, and the palm trees dotting the cover. It’s not a bad cover but it really doesn’t sell the book.

The paperback, however, is fabulous and tells the reader far more about the book. First and foremost? It’s a brown girl lead character. From her skin tone to the curly hair, there’s no question she is a girl of color. We retain the palm tree motif in the redesign, but they work more cohesively. The font choice for the title is fresher, and the cover itself reminds me quite a bit of I Am Not Your Perfect Mexican Daughter, a book that would be an excellent readalike for this one. This cover features a tagline, and it’s a tagline that really solidifies the comparison to Mexican Daughter and better expresses the tone and feel of the book: “She’s caught between two worlds, but neither will define her.” The girl’s expression, her placement between the trees, the sun peeping over her shoulder. Those aspects are smart.

I don’t dislike the hardcover on this one, but the paperback absolutely nails it. That book is for teens, and it’s a book fans of Sanchez’s title will want to pick up. You can pick up the paperback on April 16.

 

 

Finally, this cover change is one that I can’t stop thinking about. Orphan Monster Spy by Matt Killeen is a book about war, and frankly, I can’t figure out how I didn’t get that from the original hardcover. I’ve been convinced it’s a mystery/thriller. Maybe because it’s eerily reminiscent of a YA series that uses the same red and giant face of a girl that is of that genre. Maybe, too, it’s the title itself. Likewise, the blurb — though by Elizabeth Wein — offers no insight into the book’s content either. It becomes more obviously not a mystery/thriller when you notice what’s going on in the background. Those are soldiers, and buried behind the girl’s head are Nazi flags. It takes a lot of careful attention to pick up on those things, and I think that symbolism and clarity is hard to parse out because of the red and giant face of a girl being front and center.

The paperback, due out on February 19, suffers from some challenges, but it isn’t as muddled as the hardcover is. The fonts for both the title and author are far cleaner and less designed, and while we have an image of a girl running away — a big contrast from a girl who is commanding attention — the tagline on the cover gives far more insight into the book’s content. “She’s a liar. A thief. And the Nazis worst nightmare.” We know exactly where the book is situated and we know that the girl is one who is bound and determined to do something. The planes also situate the book in World War 2. The color palate is far more muted than the hardcover, too, which changes the tone of the book. It’s less aggressive and more somber.

The two covers tell two very different stories. For readers, I think the paperback redesign might be more clear in terms of what the book is about.

 

 

What do you think? Which cover does it better in each of these? I’d love your thoughts in the comments! 

Bloody Covers

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Something I’ve noticed about YA book covers lately is that they seem to be a lot…bloodier. All of the titles below were or will be published within the same six-month period, from April through September of this year (with the exception of Red Queen, which was published in 2016 but just finished its series run in May), and all feature blood – sometimes a lot of it – on their covers. This isn’t a design choice I had really noticed before, and it strikes me that eight titles all within a year of each other constitutes a mini-trend. I’m not sure how I feel about it overall. I’m pretty squeamish when it comes to visual depictions of violence, so a few are a bit too much – but they certainly grab the eye.

Aftermath by Kelley Armstrong

“Three years after losing her brother Luka in a school shooting, Skye Gilchrist is moving home. But there’s no sympathy for Skye and her family because Luka wasn’t a victim; he was a shooter. Jesse Mandal knows all too well that the scars of the past don’t heal easily. The shooting cost Jesse his brother and his best friend–Skye. Ripped apart by tragedy, Jesse and Skye can’t resist reopening the mysteries of their past. But old wounds hide darker secrets. And the closer Skye and Jesse get to the truth of what happened that day, the closer they get to a new killer.” (Goodreads)

The first thing I actually thought of when I looked at this cover was the blood splatter from shooting a monster up close and personal in a first-person shooter video game like Doom. But while that’s generally done for comedic or gross-out effect, this cover is much more chilling. It’s really in your face and hard to look at. I always find it challenging to read stories about school shootings, and this cover drives home how serious the topic is. This looks to be an intense read.

 

Red Queen by Victoria Aveyard

“This is a world divided by blood – red or silver. The Reds are commoners, ruled by a Silver elite in possession of god-like superpowers. And to Mare Barrow, a seventeen-year-old Red girl from the poverty-stricken Stilts, it seems like nothing will ever change. That is until she finds herself working in the Silver Palace. Here, surrounded by the people she hates the most, Mare discovers that, despite her red blood, she possesses a deadly power of her own. One that threatens to destroy the balance of power.

Fearful of Mare’s potential, the Silvers hide her in plain view, declaring her a long-lost Silver princess, now engaged to a Silver prince. Despite knowing that one misstep would mean her death, Mare works silently to help the Red Guard, a militant resistance group, and bring down the Silver regime. But this is a world of betrayal and lies, and Mare has entered a dangerous dance – Reds against Silvers, prince against prince, and Mare against her own heart.” (Goodreads)

I’ve read this one and thought it was a lot of fun. The blood is important to show on the cover because it’s a major plot point: Mare has red blood and is masquerading as if she’s a Silver. The blood dripping from the crown is metaphorical, too: playing a game of thrones is a bloody business. It’s striking and I think it’s pretty effective.

 

Devils Unto Dust by Emma Berquist

“Ten years ago, a horrifying disease began spreading across the West Texas desert. Infected people—shakes—attacked the living and created havoc and destruction. No one has ever survived the infection. Daisy Wilcox, known as Willie, has been protecting her siblings within the relatively safe walls of Glory, Texas. When Willie’s good-for-nothing father steals a fortune from one of the most dangerous shake-hunters in town, she finds herself on the hook for his debt. With two hunters, including the gruff and handsome Ben, to accompany her, she sets out across the desert in search of her father. But the desert is not kind to travelers, and not everyone will pass through alive.” (Goodreads)

This is another one I’ve read and enjoyed. The blood blowing away like dust is a great design choice and gives a good feel for the story, which is a fairly bloody zombie Western.

 

Lost by P. C. Cast

“Things have settled down at the Tulsa House of Night since Zoey and the gang closed the tear between worlds and sent Other Kevin back to the Other World. Neferet hasn’t stirred. Damien and Jack are falling in love all over again. Stevie Rae and Rephaim are back in Tulsa where they belong. The Depot Restaurant is being rebuilt with the enthusiastic involvement of local humans. A new school year has begun, and Zoey’s exchange student program with public schools is really taking off. All is well. But if all is well, why is Zoey increasingly withdrawn and moody?

Sadly, Stark is sure he knows the answer to that question. Zoey can’t stop thinking about following her brother to the Other World, and Stark isn’t deluding himself about why. Of course she wants to be sure her brother is okay. Of course she wants to help defeat Neferet in yet another world and be sure the balance between Light and Darkness is restored. But the real reason Z is so drawn to that other House of Night world is because Heath Luck, her childhood sweetheart, is alive in that world-alive and mourning her death.In Lost, we follow Zoey, Stevie Rae, and Rephaim to an alternative version of the House of Night, where dangers take the form of friends and allies are found in the strangest places. Will Z return to our world and leave Heath to his? And if she does, will Stark forgive her for leaving?” (Goodreads)

I think this is the first YA cover I’ve seen where a human is actually cut and bleeding on the cover, at least to this degree. This guy looks like he should maybe make a visit to the hospital, not stand on a frozen lake bleeding handsomely. I also think this cover looks much more like an adult paranormal romance than a teen book – what teen boy actually looks like that?

 

Fatal Throne by Candace Fleming, M.T. Anderson, Jennifer Donnelly, Stephanie Hemphill, Deborah Hopkinson, Linda Sue Park, and Lisa Ann Sandell

“He was King Henry VIII, a charismatic and extravagant ruler obsessed with both his power as king and with siring a male heir. They were his queens–six ill-fated women, each bound for divorce, or beheading, or death. Watch spellbound as each of Henry’s wives attempts to survive their unpredictable king and his power-hungry court. See the sword flash as fiery Anne Boleyn is beheaded for adultery. Follow Jane Seymour as she rises from bullied court maiden to beloved queen, only to die after giving birth. Feel Catherine Howard’s terror as old lovers resurface and whisper vicious rumors to Henry’s influential advisors. Experience the heartache of mothers as they lose son after son, heir after heir. Told in stirring first-person accounts, Fatal Throne is at once provocative and heartbreaking, an epic tale that is also an intimate look at the royalty of the most perilous times in English history.” (Goodreads)

I like the subtle teardrop of blood in this cover, particularly on the artistic rendering of one of the queens in the style of the day.

 

The Unfortunates by Kim Liggett

“When seventeen-year-old senator’s son Grant Tavish is involved in a fatal accident, all he wants to do is face the consequences of what he’s done, but the consequences never come, even if headlines of ‘affluenza’ do. The truth soon becomes clear: Due to his father’s connections, not only will Grant not be held accountable for his actions, he’s going to get away with murder. When a long Tavish tradition approaches, a cave excursion on the Appalachian trail, Grant seizes the opportunity to take justice into his own hands by staging an accident and never coming back. But before he has a chance to enact his plans, the cave system collapses, trapping him miles beneath the surface with four other teens from much less fortunate circumstances. As they struggle to survive, they share their innermost secrets and fears, and just when it seems they might be on track to finding a way out, they realize there’s something else down there. And it’s hunting them.” (Goodreads)

This cover is certainly attention-grabbing, but I get more “corporate thriller with a high body count” than “rich boy trapped in a cave” from it. There’s a mismatch between design and description, though if it grabs readers, maybe that doesn’t matter so much.

 

Not Even Bones by Rebecca Schaeffer

“Nita doesn’t murder supernatural beings and sell their body parts on the internet—her mother does that. Nita just dissects the bodies after they’ve been “acquired.” But when her mom brings home a live specimen, Nita decides she wants out — dissecting living people is a step too far. But when she tries to save her mother’s victim, she ends up sold on the black market in his place — because Nita herself is a supernatural being. Now Nita is on the other side of the bars, and there is no line she won’t cross to escape and make sure no one can ever capture her again. Nita did a good deed, and it cost her everything. Now she’s going to do a lot of bad deeds to get it all back.” (Goodreads)

This book sounds super intriguing and it has a cover to match, though it doesn’t scream supernatural to me.

 

The Sacrifice Box by Martin Stewart

“A horror story about friendship, growing up, and finding a place in the world: Gremlins meets The Breakfast Club by way of Stephen King and Stranger Things. 1982, the summer before seventh grade. Five kids with nothing in common–Sep, Arkle, Hadley, Lamb, and Mack–become instant friends. On the last day of summer, they find a stone box buried in the forest, and each places an object inside to seal their friendship. And they make rules:

Never come to the box alone.
Never open it after dark.
Never take back your sacrifice.

1986, the summer before eleventh grade. The five haven’t spoken since that day in 1982. Sep has gone through the past four years alone and plans to escape to boarding school. But strange things are happening–mirrors are breaking unexpectedly, electricity is flickering in and out, and people are coming down with inexplicable physical ailments. Someone has broken the rules. And it seems the five committed more than objects to the box’s ancient stone–they gave it their deepest secrets and darkest fears, and now these are being returned in a flood of shambling corpses, murderous toys, and undead pets. The gang must reunite in an attempt to discover the secrets of the sacrifice box–and Sep might be the only one who can stem its tide of evil before it’s too late.” (Goodreads)

This cover has a very retro feel; the designers are definitely trying to invoke Stranger Things. The version published by Penguin in January (presumably the UK version, it’s not available in the US) has a much more modern cover (sans any bloody footprints).

 

The Cheerleaders by Kara Thomas

“There are no more cheerleaders in the town of Sunnybrook. First there was the car accident—two girls gone after hitting a tree on a rainy night. Not long after, the murders happened. Those two girls were killed by the man next door. The police shot him, so no one will ever know why he did it. Monica’s sister was the last cheerleader to die. After her suicide, Sunnybrook High disbanded the cheer squad. No one wanted to be reminded of the girls they lost.

That was five years ago. Now the faculty and students at Sunnybrook High want to remember the lost cheerleaders. But for Monica, it’s not that easy. She just wants to forget. Only, Monica’s world is starting to unravel. There are the letters in her stepdad’s desk, an unearthed, years-old cell phone, a strange new friend at school. . . Whatever happened five years ago isn’t over. Some people in town know more than they’re saying. And somehow Monica is at the center of it all. There are no more cheerleaders in Sunnybrook, but that doesn’t mean anyone else is safe.” (Goodreads)

The blood on this cover is subtle, not overwhelming and in your face like some of the others in this post. I think it works well – just a touch of sinister for this murder mystery.

 

 

Illustrated YA Book Covers

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Part of my job as a selector of youth materials for the public library is to decide how each book I select will be classified: Fiction or nonfiction? Graphic novel or illustrated chapter book? Middle grade or young adult? The covers are usually a great hint for this last one, before I even get around to reading the synopsis. If the cover features an illustrated person, it’s probably middle grade. If it features a model, it’s probably young adult.

While this is a good guideline, it’s not always accurate, and it’s fun to come across covers that break this unwritten rule. Below are 15 of my favorite recent YA books with illustrated covers. They’re creative, bold, and use all sorts of different artistic techniques. While they’re not super rare, they do stand out from the rest of the YA crowd.

 

Emergency Contact by Mary H. K. Choi

For Penny Lee high school was a total nonevent. Her friends were okay, her grades were fine, and while she somehow managed to land a boyfriend, he doesn’t actually know anything about her. When Penny heads to college in Austin, Texas, to learn how to become a writer, it’s seventy-nine miles and a zillion light years away from everything she can’t wait to leave behind.

Sam’s stuck. Literally, figuratively, emotionally, financially. He works at a café and sleeps there too, on a mattress on the floor of an empty storage room upstairs. He knows that this is the god-awful chapter of his life that will serve as inspiration for when he’s a famous movie director but right this second the seventeen bucks in his checking account and his dying laptop are really testing him.

When Sam and Penny cross paths it’s less meet-cute and more a collision of unbearable awkwardness. Still, they swap numbers and stay in touch—via text—and soon become digitally inseparable, sharing their deepest anxieties and secret dreams without the humiliating weirdness of having to see each other.

 

Finding Yvonne by Brandy Colbert

Since she was seven years old, Yvonne has had her trusted violin to keep her company, especially in those lonely days after her mother walked out on their family. But with graduation just around the corner, she is forced to face the hard truth that she just might not be good enough to attend a conservatory after high school.

Full of doubt about her future, and increasingly frustrated by her strained relationship with her successful but emotionally closed-off father, Yvonne meets a street musician and fellow violinist who understands her struggle. He’s mysterious, charming, and different from Warren, the familiar and reliable boy who has her heart. But when Yvonne becomes unexpectedly pregnant, she has to make the most difficult decision yet about her future.

 

Here to Stay by Sara Farizan

For most of high school, Bijan Majidi has flown under the radar. He gets good grades, reads comics, hangs out with his best friend, Kenji, and secretly crushes on Elle, one of the most popular girls in his school. When he’s called off the basketball team’s varsity bench and makes the winning basket in a playoff game, everything changes in an instant.

But not everyone is happy that Bijan is the man of the hour: an anonymous cyberbully sends the entire school a picture of Bijan photoshopped to look like a terrorist. His mother is horrified, and the school administration is outraged. They promise to find and punish the culprit. All Bijan wants is to pretend it never happened and move on, but the incident isn’t so easily erased. Though many of his classmates rally behind Bijan, some don’t want him or his type to be a part of their school. And Bijan’s finding out it’s not always easy to tell your enemies from your friends . . .

 

If Only by Jennifer Gilmore

Before:

When Bridget imagined her life at sixteen, it didn’t look like this. She didn’t think that her boyfriend would dump her for another girl. And she certainly didn’t think that she would be pregnant. With just a few months until she gives birth, Bridget must envision an entirely new future—one for her baby. But as she sifts through the many paths and the many people who want to parent her child, she can’t help but feel that there is no right decision.

After:

Ivy doesn’t know much about her birth mother. She knows that she is now the same age Bridget was when she placed Ivy for adoption. She knows that Bridget was the one who named her. And she knows that fifteen years ago Bridget disappeared from Ivy’s and her adoptive moms’ lives. Ivy wants to discover more about herself, but as she goes to find Bridget, she can’t help but feel that the risks might far outweigh the benefits of knowing where she comes from and why her birth mother chose to walk away.

 

Social Intercourse by Greg Howard

Beck:
The Golden Girls-loving, out-and-proud choir nerd growing up in the “ass-crack of the Bible belt.”

Jax:
The Golden Boy, star quarterback with a slick veneer facing uncomfortable truths about himself and his past.

When Beck’s emotionally fragile dad starts dating the recently single (and supposedly lesbian) mom of former bully, Jaxon Parker, Beck is not having it. Jax isn’t happy about the situation either, holding out hope that his moms will reunite and restore the only stable home he’s ever known. Putting aside past differences, the boys plot to derail the budding romance between their parents at their conservative hometown’s first-ever Rainbow Prom. Hearts will be broken, new romance will bloom, but nothing will go down the way Beck and Jax have planned.

 

Summer of Salt by Katherine Leno

Georgina Fernweh waits with growing impatience for the tingle of magic in her fingers—magic that has been passed down through every woman in her family. Her twin sister, Mary, already shows an ability to defy gravity. But with their eighteenth birthday looming at the end of this summer, Georgina fears her gift will never come.

No one on the island of By-the-Sea would ever call the Fernwehs what they really are, but if you need the odd bit of help—say, a sleeping aid concocted by moonlight—they are the ones to ask. No one questions the weather, as moody and erratic as a summer storm. No one questions the (allegedly) three-hundred-year-old bird who comes to roost on the island every year.

When tragedy strikes, what made the Fernweh women special suddenly casts them in suspicion. Over the course of her last summer on the island—a summer of storms, of love, of salt—Georgina will learn the truth about magic, in all its many forms.

 

Ship It by Britta Lundin

CLAIRE is a sixteen-year-old fangirl obsessed with the show Demon Heart. FOREST is an actor on Demon Heart who dreams of bigger roles. When the two meet at a local Comic-Con panel, it’s a dream come true for Claire. Until the Q&A, that is, when Forest laughs off Claire’s assertion that his character is gay.

Claire is devastated. After all, every last word of her super-popular fanfic revolves around the romance between Forest’s character and his male frenemy. She can’t believe her hero turned out to be a closed-minded jerk. Forest is mostly confused that anyone would think his character is gay. Because he’s not. Definitely not.

Unfortunately for Demon Heart, when the video of the disastrous Q&A goes viral, the producers have a PR nightmare on their hands. In order to help bolster their image within the LGBTQ+ community-as well as with their fans-they hire Claire to join the cast for the rest of their publicity tour. What ensues is a series of colorful Comic-Con clashes between the fans and the show that lead Forest to question his assumptions about sexuality and help Claire come out of her shell. But how far will Claire go to make her ship canon? To what lengths will Forest go to stop her and protect his career? And will Claire ever get the guts to make a move on Tess, the very cute, extremely cool fanartist she keeps running into? Ship It is a funny, tender, and honest look at all the feels that come with being a fan.

 

This Book Betrays My Brother by Kagiso Lesego Molope

What does a teenage girl do when she sees her beloved older brother commit a horrific crime? Should she report to her parents, or should she keep quiet? Should she confront him? All her life, Naledi has been in awe of Basi, her charming and outgoing older brother. They’ve shared their childhood, with its jokes and secrets, the alliances and stories about the community. Having reached thirteen, she is preparing to go to the school dance. Then she sees Naledi commit an act that violates everything she believes about him. How will she live her life now? This coming-of-age novel brings together many social issues, peculiar not only to South Africa but elsewhere as well, in the modern world: class and race, young love and physical desire, homosexuality. In beautiful, lyrical, and intimate prose, Molope shows the dilemmas facing a young woman as she attempts to find her place in a new, multiracial, and dynamic nation emerging into the world after more than a century of racist colonialism. A world now dominated by men. There are no simple answers.

 

The Place Between Breaths by An Na

Sixteen-year-old Grace is in a race against time—and in a race for her life—even if she doesn’t realize it yet…

She is smart, responsible, and contending with more than what most teens ever have to. Her mother struggled with schizophrenia for years until, one day, she simply disappeared—fleeing in fear that she was going to hurt herself or those she cared about. Ever since, Grace’s father has worked as a recruiter at one of the leading labs dedicated to studying the disease, trying to lure the world’s top scientists to the faculty to find a cure, hoping against hope it can happen in time to help his wife if she is ever found. But this makes him distant. Consumed.

Grace, in turn, does her part, interning at the lab in the gene sequencing department in hopes that one day they might make a breakthrough…and one day they do. Grace stumbles upon a string of code that could be the key. But something inside of Grace has started to unravel. Could her discovery just be a cruel side effect of the schizophrenia finally taking hold? Can she even tell the difference between what is real and what isn’t?

 

Unbroken: 13 Stories Starring Disabled Teens edited by Marieke Nijkamp

A YA Anthology of short stories featuring disabled teens, written by #OwnVoices disabled authors. The stories reflect a range of genres and disabilities; contributors include bestselling authors Kody Keplinger and Francisco X. Stork, as well as newcomers Fox Benwell, Keah Brown, and more.

 

 

 

500 Words or Less by Juleah del Rosario

Nic Chen refuses to spend her senior year branded as the girl who cheated on her charismatic and lovable boyfriend. To redefine her reputation among her Ivy League–obsessed classmates, Nic begins writing their college admissions essays.

But the more essays Nic writes for other people, the less sure she becomes of herself, the kind of person she is, and whether her moral compass even points north anymore.

 

 

My So-Called Bollywood Life by Nisha Sharma

Winnie Mehta was never really convinced that Raj was her soulmate, but their love was written in the stars. Literally, a pandit predicted Winnie would find the love of her life before her 18th birthday, and Raj meets all of the qualifications. Which is why Winnie is shocked to return from her summer at film camp to find her boyfriend of three years hooking up with Jenny Dickens. Worse, Raj is crowned chair of the student film festival, a spot Winnie was counting on for her film school applications. As a self-proclaimed Bollywood expert, Winnie knows this is not how her perfect ending is scripted.

Then there’s Dev, a fellow film geek, and one of the few people Winnie can count on to help her reclaim control of her story. Dev is smart charming, and challenges Winnie to look beyond her horoscope to find someone she’d pick for herself. But does falling for Dev mean giving up on her prophecy, and her chance to live happily ever after? To get her Bollywood-like life on track, Winnie will need a little bit of help from fate, family, and of course, a Bollywood movie star.

 

Sadie by Courtney Summers

Sadie hasn’t had an easy life. Growing up on her own, she’s been raising her sister Mattie in an isolated small town, trying her best to provide a normal life and keep their heads above water.

But when Mattie is found dead, Sadie’s entire world crumbles. After a somewhat botched police investigation, Sadie is determined to bring her sister’s killer to justice and hits the road following a few meagre clues to find him.

When West McCray—a radio personality working on a segment about small, forgotten towns in America—overhears Sadie’s story at a local gas station, he becomes obsessed with finding the missing girl. He starts his own podcast as he tracks Sadie’s journey, trying to figure out what happened, hoping to find her before it’s too late.

 

Running With Lions by Julian Winters

Bloomington High School Lions’ star goalie, Sebastian Hughes, should be excited about his senior year: His teammates are amazing and he’s got a coach who doesn’t ask anyone to hide their sexuality. But when his estranged childhood best friend Emir Shah shows up to summer training camp, Sebastian realizes the team’s success may end up in the hands of the one guy who hates him. Determined to reconnect with Emir for the sake of the Lions, he sets out to regain Emir’s trust. But to Sebastian’s surprise, sweaty days on the pitch, wandering the town’s streets, and bonding on the weekends sparks more than just friendship between them.

 

Imagine Us Happy by Jennifer Yu

Stella lives with depression, and her goals for junior year are pretty much limited to surviving her classes, staying out of her parents’ constant fights and staving off unwanted feelings enough to hang out with her friends Lin and Katie.

Until Kevin. A quiet, wry senior who understands Stella and the lows she’s going through like no one else. With him, she feels less lonely, listened to—and hopeful for the first time since ever…

But to keep that feeling, Stella lets her grades go and her friendships slide. And soon she sees just how deep Kevin’s own scars go. Now little arguments are shattering. Major fights are catastrophic. And trying to hold it all together is exhausting Stella past the breaking point. With her life spinning out of control, she’s got to figure out what she truly needs, what’s worth saving—and what to let go.

 

YA Hardback-to-Paperback Cover Makeovers: 5 To Consider

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Every time I do one of these posts, I’ve got to hold back from how many I pack in. I spent a lot of time on Edelweiss, and whenever I come across a new book package, I make note, meaning that in a couple of months, I’ve got way too many for a single post. But for those who love looking at cover changes, it means there’s another post in the near future featuring some of the others I’ve come across worth talking about.

As always, some of these covers are strong redesigns while others aren’t quite as strong as their original packaging. Let’s take a peek. Love one of these? Dislike one of these? Seen other redesigns lately that are worth looking at? I’d love to hear about those things in the comments.

Original hardcover designs are on the left, and new paperback editions are on the right.

 

 

Little Monsters by Kara Thomas hit shelves last spring with sort of an odd cover. I don’t think I “got” what it was trying to do until looking at it right now. We have a profile of a girl on repeat with what looks like weird color blotches beside some of them. But beneath those color blotches are more profiles of the same girl. Perhaps it’s meant to signal mental instability? Confusion? The splotch colors in addition to the child-style font for the title and author, though, don’t especially scream “thriller” to me with this cover. I’m not sure I could pin down what the cover expresses in terms of genre or feel, beyond that it’s a little confusing.

The paperback redesign, though, does this book some tremendous service. The shadow of a face, with the wind-in-the-hair effect of the girl scream thriller. You could shelve this alongside the Gillian Flynn and Karin Slaughter books and have it fit right in. The title font and effect work much better, too: there’s something eerie and off about a title which is in all lowercase letters, and having it centered just below the nose of the girl’s face add to the creep factor. Further adding to the effect with the font is the fact that Thomas’s name is in all caps and in red. It’s a color palette that complements the design really well.

For me, the more appealing cover design is the paperback, which will be available July 3.

 

 

Going in the complete opposite direction is Jennifer E. Smith’s lighter-hearted contemporary Windfall. I’ve not yet read this one, but mean to, given that I’ve loved Smith’s work in the past and the premise — a girl buys her best male friend a lottery ticket for his birthday and he wins. There’s also a romance thread through the story.

In terms of cover: the original hardcover is not only adorable, it’s memorable, and it’s in a color scheme that isn’t seen enough in YA. The blue and green with confetti are fun and clever, and the use of the gold tokens on the bottom add to the real lighthearted, sweet feel. Note the tag line for this cover, “Let luck find you.” It’s short and to-the-point, and it ties the entire cover together in a nice little bow.

The paperback for Windfall will hit shelves July 31. This new take on the original is clever in that it retains some of what makes the original work. We see the confetti again, but tis time it’s in a variety of colors. We have two people at the bottom of the cover, as opposed to the tokens, but it’s as nice a mirrored effect as the script-style font for the title carrying over. What’s interesting to me is the complete change in color scheme. The paperback feels like it’s leaning into the Millennial Pink trend almost too hard (and I say this as someone who loves that color). That, paired with the fact that the teens are dressed in a very now look, make me wonder if this cover will date much more quickly than the original. It’s certainly eye catching, but it screams 2017/2018. And interestingly, the tag line is gone, replaced with a blurb from Morgan Matson. That’s the perfect name to have attached as a blurb, but I think I lean toward the tag line working a bit more. Is it me, or does this cover maybe feel like it’s reaching an adult YA reading audience more than a teen YA reading audience?

For me, the hardcover edges out the paperback.

 

 

 

Let’s follow up the eerie and the sweet with the downright strange. Jane, Unlimited hit shelves last year to a lot of mixed reviews. Long-time fans of Cashore were thrilled she tried her hand at a new genre, and many were smitten while others were left a bit confused. I didn’t pick this one up, in part because the hardcover edition told me literally nothing about the book. It’s a purple and silver color scheme, with little more than a standard font used for both the book’s title and the author’s name. The tag line, “One house, limitless possibilities” suggests nothing, either. Is this a thriller? A horror? Contemporary? Fantasy? It’s impossible to tell because there’s nothing here to tell. The book’s sell is on the author name and the title of her previous best-selling work (which, in this case, is likely fair for fans but not useful for newcomers or shelf browsers).

And then there’s the paperback, which comes out July 10. This is perhaps one of the weirdest YA book covers I’ve seen in a long time. I’d argue that it’s not a YA book cover at all, and in fact, rivals many of the bizarre, genre-bending adult covers out there. The artistic direction is entirely different than the hardcover, beginning with the fact that, while a dual color palette, the title font and author name font actually have some weight to them on the cover. The design is box-like, with the red being the sides and the turquoise in the center. Before going further: the colors. They’re slightly disorienting when put together, odd colors to see used in conjunction with one another, especially on a YA book cover. In some ways, that disorientation works quite well — it forces you to pause, consider, and become curious in what’s going on.

That curiosity extends when you realize there is a foot coming through. I noted that the design looks like a box, but I also wonder if it’s meant to play the role of a house of sorts. The red being the walls, the turquoise being the inside, and the foot falling through the roof. This is, of course, a consideration I’m making entirely on the tag line from the hardcover. Would a casual reader who hasn’t seen the original or the tag line put that together? I have no idea.

The tag line is ditched on the paperback, replaced with a blurb from the New York Times review of the book. Here’s where the cover begins to make a little more sense: the review notes it’s a genre bender, and that it’s one which may mess with your brain.

It’s hard to say which cover is more effective. I’m not sure either really does much for the book itself or tells causal readers what they can expect. The paperback might be closer, if only because of the blurb pulled on it. But, this cover doesn’t feel like it belongs in the YA section at all.

For me, neither of these are especially working.

 

 

 

 

The hardcover version of Beware That Girl by Teresa Toten never got on my radar. It’s not especially remarkable, and even though this is a thriller, there’s little about the cover that would tell you so much. Sure, there’s the tag line “This will be our little secret,” but that tag line doesn’t really go with either the title nor the shadowy girl in the image. Who is telling us to beware? Who is the girl in the image? How does that tie into keeping a little secret? Does it at all? The font for the title is off-putting for me, too, as it feels too rough and jagged, and incongruent with the shadowy image in the background. Is this image moving or is it still? I can’t make too much sense of it.

But the paperback cover caught my eye immediately. This is a creepy as hell cover which brings its creep factor in very subtilely. The white background is stark in contrast to the bright red sucker, which doesn’t land in the middle of the cover, but rather, is placed in the upper third of it. Anyone who knows about design knows this is a placement our brains and eyes find appealing and unique.

Then there are the ants.

Those highly focused black ants stand out against both the white background and the red sucker. Their legs, despite not being especially chill-inducing, manage to bring on the uncomfortable factor because of how clear they are. This cover veers from being gross, though; instead, it has a feeling of discomfort.

The discomfort, though, is made even more obvious with the change in tag line for the paperback “She only looks sweet.” That tag line, with the image, with the thinning out of the title font — along with a slightly disorienting kerning style — makes it clear this is going to be a book that is strange, unsettling, and mysterious. The change from pushing the mystery tropes too hard to stripping them away all together in favor of something completely different piques reader interest in a whole different capacity. More, given that this is a book about the rich elite and a girl desperate to climb the social ladder, the image of the sucker with ants harkens images of childhood, loss, desperation, and ambition so perfectly.

Beware That Girl hits shelves in paperback on May 15.

 

 

 

I don’t want to delve into the cover packaging for If You Come Softly by Jacqueline Woodson too much, but I wanted to include it in this round-up because it’s the book’s 20th anniversary this year. In honor of that, it’s been given a stunning new look. What makes the new cover really stand out for me is not only the fact there’s an interracial couple on the cover, but that the illustrative take fits in with some of the biggest titles in recent memory. I’m not a huge fan of illustrated covers — it’s a trend that burned itself out really quickly and one that often is hard to make distinctions between and among covers — but in this case, the cover is absolutely beautiful, magical, and will encourage new readers to pick up Woodson’s classic.

If You Come Softly’s 20th anniversary edition is available now.