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  • STACKED
  • About Us
  • Categories
    • Audiobooks
    • Book Lists
      • Debut YA Novels
      • Get Genrefied
      • On The Radar
    • Cover Designs
      • Cover Doubles
      • Cover Redesigns
      • Cover Trends
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      • Feminism For The Real World Anthology
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2015 YA Book Cover Trends: Part I

December 15, 2014 |

Every year when the end of December is in sight, I like to spend a little time looking through the covers for books coming out in the new year. It’s always interesting to spot trends going on in design. Covers are a big part of the marketing of a book, and this is especially try in YA — trends for book cover design tend to come and go in waves, hoping to capitalize off what looks are doing particularly well.

As interesting to me is seeing what sorts of design trends or micro-trends or similarities are similar to those which have come in years past. For 2015, as seen in the last couple of years, there’s an abundance of birds appearing on covers, either as the main image of the cover or as part of a bigger image. I’ve skipped including a section on font-driven covers or covers where the title takes up more than have the cover real estate because not only has it been a trend for the last two years or so, but it’s so common that pulling them together would take a long, long time.

This is a two-part post, with part two coming on Thursday, as there are a lot of interesting and unique trends and commonalities worth looking at and thinking about. Some covers fall into only one category, while others have found themselves across multiple trend groups.

I’d love to know if you are aware of other covers fitting any of these categories. Because this would otherwise be too long a pair of posts, I’m not including book descriptions, but rather, links to the titles on Goodreads so you can check them out for yourself and, if you want, add them to your to-be-read lists. Hopefully, some of these books will be new ones to get on your radar.

Put a Bird on It


I feel like I’ve made the same Portlandia joke in a few posts, but it still stands. Birds continue to be popular on covers of YA books.

Because You’ll Never Meet Me by Leah Thomas

All The Bright Places by Jennifer Niven

The Conspiracy of Us by Maggie Hall

Dearest by Althea Kontis

Delicate Monsters by Stephanie Kuehn

Fig by Sarah Elizabeth Schantz

Hold Tight, Don’t Let Go by Laura Rose Wagner

If You Were Me by Sam Hepburn

Little Bit by Alex Wheatle

Magonia by Maria Dahvana Headley

Paperweight by Meg Haston

Positively Beautiful by Wendy Mills (I’m not sure why I can only find a draft cover for this)

Save Me by Jenny Elliott

A Sense of the Infinite by Hilary T. Smith

The Summer After You and Me by Jennifer Salvato Doktorski

Tether by Anna Jarzab

The Last Leaves Falling by Sarah Benwell

Things I’ll Never Say edited by Ann Angel

Three Day Summer by Sarvenaz Tash
Tracers by J. J. Howard (Which uses the same stock image seen in this post)

Until the Beginning by Amy Plum

When My Heart Was Wicked by Tricia Stirling

Legs


One body part there’s a lot of in 2015? Legs. Some of them are covered and some of them aren’t. But legs!

All The Rage by Courtney Summers

Jesse’s Girl by Miranda Kenneally

Joyride by Anna Banks

One of the Guys by Lisa Aldin

Seriously Wicked by Tina Connolly

Tracers by J. J. Howard

The Truth About My Success by Dyan Sheldon

Tunnel Vision by Susan Adrian

Wrong About The Guy by Claire LaZebnik

Post-It Notes


I’m fond of using post-its, almost to a fault, and I think they make for a nice look on a book cover.

All The Bright Places by Jennifer Niven

The Last Time We Say Goodbye by Cynthia Hand

The Queen of Bright and Shiny Things by Ann Aguirre

That “Instagram” Look


A number of cover images are being filtered in a very Instagram-style way, not to mention they’re styled either like selfies or the kind of pictures you’d see scrolling through a teen’s Instagram account. I’m pretty sure there are more covers that would fit this Instagram-y trend, but I’m limiting to the obvious ones.

Anything Could Happen by Will Walton

Faking Perfect by Rebecca Phillips

Finding Paris by Joy Preble

First There Was Forever by Juliana Romano

The Law of Loving Others by Kate Axelrod

Like It Never Happened by Emily Adrian

Love is in the Air by A. Destiny and Alex Kahler

Making Pretty by Corey Ann Haydu

Stand Off by Andrew Smith

We All Looked Up by Tommy Wallach

Devils


There may only be 2 of them, but I find this cover commonality amusing and enjoyable. I think the Schreiber cover is especially clever.

Con Academy by Joe Schreiber

Hellhole by Gina Damico

Thorns and Vines


There’s something crawling along the sides or centers of these covers, be they thorns or vines or flowery twigs.

About A Girl by Sarah McCarry

Blood Will Tell by April Henry

A Court of Thorns and Roses by Sarah J. Maas

The Darkest Part of the Forest by Holly Black

The Girl at Midnight by Melissa Grey

The Glass Arrow by Kristen Simmons

Poppy in the Field by Mary Hooper

The Ruby Circle by Richelle Mead

Tear You Apart by Sarah Cross

The Walls Around Us by Nova Ren Suma

Willowgrove by Kathleen Peacock

Light-up Place Signs


I can’t wait for two of these three covers to be continuously confused next year because they’re so similar.

Finding Paris by Joy Preble

I’ll Meet You There by Heather Demetrios

Kissing in America by Margo Rabb

Fingerprints


While there are a couple of noteworthy covers featuring hands, I think the fingerprints on covers is more interesting to look at.

Emmy & Oliver by Robin Benway

If You Were Me by Sam Hepburn

Soulprint by Megan Miranda

Cityscapes


This has been a trend for a while, probably because having a nice cityscape on a cover feels like it’s action-adventure or a good post-apocalyptic/dystopian story.

After the Red Rain by Barry Lyga, Peter FAcinelli, and Robert DeFranco

All Fall Down by Ally Carter

Bright Lights, Dark Nights by Stephen Emond

City 1 by Greg Rosenblum

City Love by Susane Colasanti

The Conspiracy of Us by Maggie Hall

Deceptive by Emily Lloyd-Jones

Feral Pride by Cynthia Leitich Smith (I love that this is the Austin skyline — I’ve never seen that on a book cover before!)

Fire Fall by Bethany Frenette

Firefight by Brandon Sanderson

If You Were Me by Sam Hepburn

Infected by Sophie Littlefield

Invasion by Galaxy Craze

One Stolen Thing by Beth Kephart

Quake by Patrick Carman

Rook by Sharon Cameron

Shadowshaper by Daniel Jose Older

Skyscraping by Cordelia Jensen

The Rise and Fall of a Theater Geek by Seth Rudetsky

Tracers by J. J. Howard (When your cover is made up of a ton of images collaged together, you’re going to fit into a ton of trends)

The Wrong Side of Right by Jenn Marie Thorne

We’re on a Boat


The popular mode of transportation on YA covers in 2015 is the boat.

The boat.

Love, Fortunes, and Other Disasters by Kimberly Karalius

The Nightmare Charade by Mindee Arnett

Tangled Webs by Lee Bross

The Trouble with Destiny by Lauren Morrill

Planes Aren’t Disappearing Though


Maybe it’s just popular to have a mode of transportation on a cover, since it seems as though planes are doing well, too. When you don’t want a bird, why not use a plane?

Black Dove, White Raven by Elizabeth Wein

Breakout by Kevin Emerson

Deceptive by Emily Lloyd-Jones

Promposal by Rhonda Helms

Sophomore Year is Greek to Me by Meredith Zeitlin

Floating Heads on a Blue Background

Let’s end the first post in this two-part series with one of the weirder commonalities. This isn’t a trend, per se, but it caught my eye as I was looking through covers. I can’t wait to see how quickly these two become confused by readers and those who work with readers because they’re both weird and weirdly similar.

Playlist for the Dead by Michelle Falkoff

In A World Just Right by Jen Brooks

Filed Under: aesthetics, book covers, cover design, cover designs, Cover Trends, trends, Uncategorized, Young Adult

Fabulously Diverse YA Book Covers We Should See More Often

November 17, 2014 |

There’s no big introduction necessary for this post. It’s not a post that requires a whole lot more than the title.

It’s a round-up of the awesome, diverse YA book covers that will be hitting shelves in 2015 that have been released so far. I’m including descriptions from Goodreads for each of the books, along with a link so you can add them to your to-be-read lists.

In short: I want to see more and more covers like these that embrace diversity right on the front cover. No shadows, no fading-to-black, no hiding, no sunglasses-covering-the eyes, no backs turned. More like this, please! If I’m missing any other recent cover reveals from 2015 that are this straightforward, let me know in the comments. I want to see them and I want to share them.

Endangered by Lamar Giles (April 21): Her name is Lauren, but everyone calls her Panda. What they don’t know is that behind their backs, she also goes by Gray. As in Gray Scales, the photo blog that her classmates are addicted to because of the secrets Gray exposes: a jock buying drugs, a teacher in a compromising position, the richest girl in school shoplifting. But no one knows Panda’s the vigilante photographer behind it all. At least, she thinks no one knows—until she gets a note from the Admirer, who’s not only caught her red-handed acting as Gray, but also threatens to reveal everything unless Panda joins her Admirer in a little game of Dare or … Dare. Panda plays along. Anything to keep the secrets she’s protected for years. But when the game turns deadly, Panda doesn’t know what to do. And she might need to step out of the shadows to save herself … and everyone else on the Admirer’s hit list, including some of the classmates she’s loathed and exposed for years.

Not Otherwise Specified by Hannah Moskowitz (March 3): Etta is tired of dealing with all of the labels and categories that seem so important to everyone else in her small Nebraska hometown.

Everywhere she turns, someone feels she’s too fringe for the fringe. Not gay enough for the Dykes, her ex-clique, thanks to a recent relationship with a boy; not tiny and white enough for ballet, her first passion; and not sick enough to look anorexic (partially thanks to recovery). Etta doesn’t fit anywhere— until she meets Bianca, the straight, white, Christian, and seriously sick girl in Etta’s therapy group. Both girls are auditioning for Brentwood, a prestigious New York theater academy that is so not Nebraska. Bianca seems like Etta’s salvation, but how can Etta be saved by a girl who needs saving herself? 

 
Under The Lights by Dahlia Adler (June 30): Josh Chester loves being a Hollywood bad boy, coasting on his good looks, his parties, his parents’ wealth, and the occasional modeling gig. But his laid-back lifestyle is about to change. To help out his best friend, Liam, he joins his hit teen TV show, Daylight Falls…opposite Vanessa Park, the one actor immune to his charms. (Not that he’s trying to charm her, of course.) Meanwhile, his drama-queen mother blackmails him into a new family reality TV show, with Josh in the starring role. Now that he’s in the spotlight—on everyone’s terms but his own—Josh has to decide whether a life as a superstar is the one he really wants.


Vanessa Park has always been certain about her path as an actor, despite her parents’ disapproval. But with all her relationships currently in upheaval, she’s painfully uncertain about everything else. When she meets her new career handler, Brianna, Van is relieved to have found someone she can rely on, now that her BFF, Ally, is at college across the country. But as feelings unexpectedly evolve beyond friendship, Van’s life reaches a whole new level of confusing. And she’ll have to choose between the one thing she’s always loved…and the person she never imagined she could.

About A Girl by Sarah McCarry (July 14): Eighteen-year-old Tally is absolutely sure of everything: her genius, the love of her adoptive family, the loyalty of her best friend, Shane, and her future career as a Nobel prize-winning astronomer. There’s no room in her tidy world for heartbreak or uncertainty—or the charismatic, troubled mother who abandoned her soon after she was born. But when a sudden discovery upends her fiercely ordered world, Tally sets out on an unexpected quest to seek out the reclusive musician who may hold the key to her past—and instead finds Maddy, an enigmatic and beautiful girl who will unlock the door to her future. The deeper she falls in love with Maddy, the more Tally begins to realize that the universe is bigger—and more complicated—than she ever imagined. Can Tally face the truth about her family—and find her way home in time to save herself from its consequences?

The Summer of Chasing Mermaids by Sarah Ockler (August 4): The youngest of six talented sisters, Elyse d’Abreau was destined for stardom—until a boating accident took everything from her. Now, the most beautiful singer in Tobago can’t sing. She can’t even speak.


Seeking quiet solitude, Elyse accepts a friend’s invitation to Atargatis Cove. Named for the mythical first mermaid, the Oregon seaside town is everything Elyse’s home in the Caribbean isn’t: An ocean too cold for swimming, parties too tame for singing, and people too polite to pry—except for one.

Christian Kane is a notorious playboy—insolent, arrogant, and completely charming. He’s also the only person in Atargatis Cove who doesn’t treat Elyse like a glass statue. He challenges her to express herself, and he admires the way she treats his younger brother Sebastian, who believes Elyse is the legendary mermaid come to life. 

When Christian needs a first mate for the Cove’s high-stakes Pirate Regatta, Elyse reluctantly stows her fear of the sea and climbs aboard. The ocean isn’t the only thing making waves, though—swept up in Christian’s seductive tide and entranced by the Cove’s charms, Elyse begins to wonder if a life of solitude isn’t what she needs. But changing course again means facing her past. It means finding her inner voice. And scariest of all, it means opening her heart to a boy who’s best known for breaking them.

This Side of Home by Renee Watson (February 3): Identical twins Nikki and Maya have been on the same page for everything—friends, school, boys and starting off their adult lives at a historically African-American college. But as their neighborhood goes from rough-and-tumble to up-and-coming, suddenly filled with pretty coffee shops and boutiques, Nikki is thrilled while Maya feels like their home is slipping away. Suddenly, the sisters who had always shared everything must confront their dissenting feelings on the importance of their ethnic and cultural identities and, in the process, learn to separate themselves from the long shadow of their identity as twins.
 
Scarlett Undercover by Jennifer Latham (May 19): Meet Scarlett, a smart, sarcastic, kick-butt, Muslim American heroine, ready to take on crime in her hometown of Las Almas. When a new case finds the private eye caught up in a centuries-old battle of evil genies and ancient curses, Scarlett discovers that her own family secrets may have more to do with the situation than she thinks — and that cracking the case could lead to solving her father’s murder.
The Boy in the Black Suit by Jason Reynolds (January 6): Just when seventeen-year-old Matt thinks he can’t handle one more piece of terrible news, he meets a girl who’s dealt with a lot more—and who just might be able to clue him in on how to rise up when life keeps knocking him down—in this wry, gritty novel from the author of When I Was the Greatest.


Matt wears a black suit every day. No, not because his mom died—although she did, and it sucks. But he wears the suit for his gig at the local funeral home, which pays way better than the Cluck Bucket, and he needs the income since his dad can’t handle the bills (or anything, really) on his own. So while Dad’s snagging bottles of whiskey, Matt’s snagging fifteen bucks an hour. Not bad. But everything else? Not good. Then Matt meets Lovey. She’s got a crazy name, and she’s been through more crazy than he can imagine. Yet Lovey never cries. She’s tough. Really tough. Tough in the way Matt wishes he could be. Which is maybe why he’s drawn to her, and definitely why he can’t seem to shake her. Because there’s nothing more hopeful than finding a person who understands your loneliness—and who can maybe even help take it away.

 

Bright Lights, Dark Nights by Stephen Emond (August 11): Walter Wilcox has never been in love. That is, until he meets Naomi, and sparks, and clever jokes, fly. But when his cop dad is caught in a racial profiling scandal, Walter and Naomi, who is African American, are called out at school, home, and online. Can their bond (and mutual love of the Foo Fighters) keep them together?

With black-and-white illustrations throughout and a heartfelt, humorous voice, Bright Lights, Dark Nights authentically captures just how tough first love can be…and why it’s worth fighting for.

Written in the Stars by Aisha Saeed (March 24): This heart-wrenching novel explores what it is like to be thrust into an unwanted marriage. Has Naila’s fate been written in the stars? Or can she still make her own destiny?

Naila’s conservative immigrant parents have always said the same thing: She may choose what to study, how to wear her hair, and what to be when she grows up—but they will choose her husband. Following their cultural tradition, they will plan an arranged marriage for her. And until then, dating—even friendship with a boy—is forbidden. When Naila breaks their rule by falling in love with Saif, her parents are livid. Convinced she has forgotten who she truly is, they travel to Pakistan to visit relatives and explore their roots. But Naila’s vacation turns into a nightmare when she learns that plans have changed—her parents have found her a husband and they want her to marry him, now! Despite her greatest efforts, Naila is aghast to find herself cut off from everything and everyone she once knew. Her only hope of escape is Saif . . . if he can find her before it’s too late.

 

The Last Leaves Falling by Sarah Benwell (May 5): Japanese teenager, Sora, is diagnosed with ALS (Lou Gehrig’s disease). Lonely and isolated, Sora turns to the ancient wisdom of the samurai for guidance and comfort. But he also finds hope in the present; through the internet he finds friends that see him, not just his illness. This is a story of friendship and acceptance, and testing strength in an uncertain future.

Shadowshaper by Daniel Jose Older (June 30): Sierra Santiago was looking forward to a fun summer of making art, hanging out with her friends, and skating around Brooklyn. But then a weird zombie guy crashes the first party of the season. Sierra’s near-comatose abuelo begins to say “No importa” over and over. And when the graffiti murals in Bed-Stuy start to weep…. Well, something stranger than the usual New York mayhem is going on.

Sierra soon discovers a supernatural order called the Shadowshapers, who connect with spirits via paintings, music, and stories. Her grandfather once shared the order’s secrets with an anthropologist, Dr. Jonathan Wick, who turned the Caribbean magic to his own foul ends. Now Wick wants to become the ultimate Shadowshaper by killing all the others, one by one. With the help of her friends and the hot graffiti artist Robbie, Sierra must dodge Wick’s supernatural creations, harness her own Shadowshaping abilities, and save her family’s past, present, and future.

* While this isn’t a final cover concept, I love it and hope whatever the final choice is, it’s in this direction. 

Filed Under: aesthetics, book covers, cover design, diversity, Uncategorized, Young Adult

Fonts, Color, Page Decor: The Visual Impact of Book Design

August 22, 2012 |

I talk a lot about cover designs and what works and doesn’t work for me, but lately, I’ve been thinking a lot more about all of the other elements that can give a book a real visual impact. There are so many little things (and big things) that can go into the design of a book and some work really well for me while others distract me from the reading experience. I’d love to hear any of your thoughts on favorite and not-so-favorite uses of these features in recent (and even not-so-recent) books.

Jackets and Covers

I talk about covers all the time, but one thing I love about hardcover books is when the book designer chooses to make use of both the boards and the jacket to give the book more visual punch. I don’t buy a whole lot of hardcover books, and when I do, I tend to take the jacket off because, for me, it’s tough to hold on to while reading. So when there are little surprises underneath the jacket, I get really excited.

The Age of Miracles is one of my favorite recent examples: 

It’s a fairly unassuming cover, but all of those little circles on the title are actually perforations. So what you’re seeing is the board underneath. It looks really neat because you can see the very bright orange and yellow peaking out, and there’s a texture to the jacket with the perforations.

But the real fun part is the board itself:

I love the silhouette of the girl. It’s a complete surprise, especially after seeing the jacket itself. This is one of those books where not having the jacket on the outside maybe even enhances the visual impact.

Another one of my favorite covers — and this is a hard cover without a jacket — is Katie Williams’s The Space Between Trees.

Sure it doesn’t look all that special. It’s a bunch of dark trees and a girl running in the background. But the trees are actually cut out of the board. It’s not an image but really a piece of art you can poke your fingers through:

I grabbed this image from a reader on Goodreads. The intricacy and the fine detailing of the cut out trees are unexpected and worth spending time studying. It’s not fragile either — the cutouts are pretty sturdy so you don’t have to worry too much about breaking any of the branches as you obsessively run your fingers over them (that can’t just be me). Again, it adds an element to the design that makes it stand out just a little bit more.

Colored Font

I feel like this category might make me sound old, but I really dislike colored font in books. I find it challenging to read and distracting unless it’s used carefully and purposefully. One that stands out in my mind as a particularly challenging reading experience was Anna Dressed in Blood. The font inside is a rusty red and the pages themselves are not bright white, but a little more cream colored. Although it looked neat and certainly fit with the book itself, I couldn’t read straight. I kept finding myself unable to focus because it was hard to read the red-on-cream font. As I look through a lot of other reviews, though, I’ve noticed others have loved this effect because it’s different and adds to the atmospheric element of the story.

I haven’t read the Shiver series by Maggie Stiefvater in a finished format, but in the galley for the final entry in the series, Forever, there’s another instance of red font (though the paper is whiter than it is for the Blake title):

I’m sure there are other examples in other colored fonts, but I’ll be okay in being old and saying I prefer black font because it is the easiest and least distracting to read.

Font Style

Continuing the theme of font selection, I put my foot down very solidly on the fact I prefer my books to have a serif font. I’m not particularly choosey on which serif font is used, but I have a hard time reading sans serif on a print format. I blogged about this way back when STACKED was a baby, but I’ve noticed it’s still popping up once in a while. The most recent example I can think of is SD Crockett’s After the Snow and for me, the font detracted entirely from the reading. The book required me to pay attention to a dialect, which is in and of itself challenging, but adding the sans serif font in the mix made it even harder.

It’s challenging to read because there’s not a visual line connecting the letters to one another as there is in a serif font. I find there’s too much space between the letters and in this particular case, the letters themselves are so thin, they’re difficult to focus on.

Chapter Designs

I love the little touches that go into the pages themselves, and this usually happens on chapter openings. Which, of course, makes sense since that’s where there tends to be more space for designing elements.

Here are two of my recent favorites. The first one is from a galley of Hemlock by Kathleen Peacock. I haven’t had the chance to see the finished version of it, but knowing that images are always enhanced when they make it to the final stage, I bet the design looks even better than it does here:

The design is so simple and yet adds a lot to the visual aspect of the book. It brings the entire page together. Bonus points for fitting with the elements present on the cover.

A few of the chapters inside Courtney Summers’s This is Not a Test offer us a nice double-page blood splatter. It’s minimal enough not to impact the already-strong and stark visual impact of having the chapters start so low on the page (rather than mid-page) and the fact it falls in the gutter of the pages makes it stand out even more. There’s another great visual element in this book, but because it’s a spoiler, I won’t post an image of it.

Deckle Edges

My least favorite of all the design choices in book production: the deckle edge. If you’re unfamiliar with what the deckle edge is, think about older books, where the pages are all unevenly cut. It’s meant to look fancier, I think, but the uneven cut on the pages makes flipping through them challenging (and let’s not even talk about how it’s impossible to hold the book open fully because the shorter cuts won’t stay open).

I think I might fall into a minority on this opinion, though. If you head over to Asheley’s blog, you can see she loves the French flap look (and has some good examples of recent books getting that treatment). Spend a little time looking at some of the other design elements she hits on, too, because they’re different than the things I look at — since I’m a huge contemporary reader, for example, maps never cross my mind as an interesting aspect of a book’s design. But I could see how they’re crucial for fantasy readers to grasp a sense of place in the new worlds they enter.

I think part of what interests me so much in book design is that with ebooks, you can often see the same elements (like the chapter designs) but some elements are simply not going to be a part of the digital reading experience (like the jacket and cover pieces). I’ve read a lot about how designers are thinking about this much more now and working to make ebooks as much an art form as they do physical books. But for me, there’s somewhat of a disconnect, as the ereading experience feels more like a passive studying of elements, whereas holding the physical book and admiring the artistry in the design is much more active.

What are some of your favorite book design elements? What aren’t you a fan of? I’d love to hear more examples of good looking design elements, too, that fit in any of these categories.

Filed Under: aesthetics, cover design, cover designs, Uncategorized

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