A Little Fungi Hurt No One: Mushroom Book Covers

March 13, 2023 |

There’s been a really fun book cover trend over the last few years, and it corresponds with a rise in both the cottagecore aesthetic and the rise of this as a horror theme: mushrooms. I’m a big fan of fungi, and I love when mushrooms pepper my native garden after the rain. They’re fascinating and creepy, by turns safe and poisonous, depending on what kind of ‘shroom you’re dealing with.

Mushrooms make perfect sense as a cover element, whether it’s front and center or part of the background of a bigger design. Mushrooms come in so many shapes and sizes, and they’re alien; they’re a reminder of the weird and magical right here on Earth. As you’ll see, many of the books below play with genre, whether toeing the line between memoir and something else or dancing between the world as we know it and a world with a little more magic, mystery, and intrigue.

In honor of (almost) spring and the (almost) return of mushroom season, let’s take a look at several mushroom book covers from the last few years. This won’t have every one, so of course, leave your favorite recent mushroom book covers in the comments. I’ve only included books where the mushrooms are easily identifiable on the book cover; there are some well-known and solid reads where mushrooms play a major role but do not necessarily make an appearance on the cover.

Book descriptions come from Amazon. Books span both YA and adult titles, fiction and nonfiction (minus obvious books about mushrooms, since that feels too obvious), so there’s going to likely be something intriguing here for every kind of fun guy. Note that I’ve done my best to identify the book cover designers and artists. It is still very difficult to do this without the book in hand, as few publishers give credit to their artists or designers either on their website or even when they do cover reveals.

Recent Mushroom Book Covers

Fieldwork: A Forager’s Memoir by Iliana Regan, design by Morgan Krehbiel

Not long after Iliana Regan’s celebrated debut, Burn the Place, became the first food-related title in four decades to become a National Book Award nominee in 2019, her career as a Michelin star–winning chef took a sharp turn north. Long based in Chicago, she and her new wife, Anna, decided to create a culinary destination, the Milkweed Inn, located in Michigan’s remote Upper Peninsula, where much of the food served to their guests would be foraged by Regan herself in the surrounding forest and nearby river. Part fresh challenge, part escape, Regan’s move to the forest was also a return to her rural roots, in an effort to deepen the intimate connection to nature and the land that she’d long expressed as a chef, but experienced most intensely growing up.

On her family’s farm in rural Indiana, Regan was the beloved youngest in a family with three much older sisters. From a very early age, her relationship with her mother and father was shaped by her childhood identification as a boy. Her father treated her like the son he never had, and together they foraged for mushrooms, berries, herbs, and other wild food in the surrounding countryside—especially her grandfather’s nearby farm, where they also fished in its pond and young Iliana explored the accumulated family treasures stored in its dusty barn. Her father would share stories of his own grandmother, Busia, who’d helped run a family inn while growing up in eastern Europe, from which she imported her own wild legends of her native forests, before settling in Gary, Indiana, and opening Jennie’s Café, a restaurant that fed generations of local steelworkers. He also shared with Iliana a steady supply of sharp knives and—as she got older—guns.

Iliana’s mother had family stories as well—not only of her own years marrying young, raising headstrong girls, and cooking at Jennie’s, but also of her father, Wayne, who spent much of his boyhood hunting with the men of his family in the frozen reaches of rural Canada. The stories from this side of Regan’s family are darker, riven with alcoholism and domestic strife too often expressed in the harm, physical and otherwise, perpetrated by men—harm men do to women and families, and harm men do to the entire landscapes they occupy.

As Regan explores the ancient landscape of Michigan’s boreal forest, her stories of the land, its creatures, and its dazzling profusion of plant and vegetable life are interspersed with her and Anna’s efforts to make a home and a business of an inn that’s suddenly, as of their first full season there in 2020, empty of guests due to the COVID-19 pandemic. She discovers where the wild blueberry bushes bear tiny fruit, where to gather wood sorrel, and where and when the land’s different mushroom species appear—even as surrounding parcels of land are suddenly and violently decimated by logging crews that obliterate plant life and drive away the area’s birds. Along the way she struggles not only with the threat of COVID, but also with her personal and familial legacies of addiction, violence, fear, and obsession—all while she tries to conceive a child that she and her immune-compromised wife hope to raise in their new home.

With Burn the Place, Regan announced herself as a writer whose extravagant, unconventional talents matched her abilities as a lauded chef. In Fieldwork, she digs even deeper to express the meaning and beauty we seek in the landscapes, and stories, that reveal the forces which inform, shape, and nurture our lives.

Birds of Maine by Michael DeForge, cover by the author

Take flight to this post-apocalyptic utopia filled with birds.

Birds roam freely around the Moon complete with fruitful trees, sophisticated fungal networks, and an enviable socialist order. The universal worm feeds all, there are no weekends, and economics is as fantastical a study as unicorn psychology. No concept of money or wealth plagues the thoughts of these free-minded birds. Instead, there are angsty teens who form bands to show off their best bird song and other youngsters who yearn to become clothing designers even though clothes are only necessary during war. (The truly honourable professions for most birds are historian and/or librarian.) These birds are free to crush on hot pelicans and live their best lives until a crash-landed human from Earth threatens to change everything.

Michael DeForge’s post-apocalyptic reality brings together the author’s quintessential deadpan humour, surrealist imagination, and undeniable socio-political insight. Appearing originally as a webcomic, Birds of Maine follows DeForge’s prolific trajectory of astounding graphic novels that reimagine and question the world as we know it. His latest comic captures the optimistic glow of utopian imagination with a late-capitalism sting of irony.

City of Saints and Madmen by Jeff VanderMeer

City of elegance and squalor. Of religious fervor and wanton lusts. And everywhere, on the walls of courtyards and churches, an incandescent fungus of mysterious and ominous origin. In Ambergris, a would-be suitor discovers that a sunlit street can become a killing ground in the blink of an eye. An artist receives an invitation to a beheading—and finds himself enchanted. And a patient in a mental institution is convinced that he’s made up a city called Ambergris, imagined its every last detail, and that he’s really from a place called Chicago . . .

By turns sensuous and terrifying, filled with exotica and eroticism, this interwoven collection of stories, histories, and “eyewitness” reports invokes a universe within a puzzle box where you can lose—and find—yourself again.

Fruiting Bodies by Kathryn Harlan

This genre-bending debut collection of stories constructs eight eerie worlds full of desire, wisdom, and magic blooming amidst decay.

In stories that beckon and haunt, Fruiting Bodies ranges confidently from the fantastical to the gothic to the uncanny as it follows characters—mostly queer, mostly women—on the precipice of change. Echoes of timeless myth and folklore reverberate through urgent narratives of discovery, appetite, and coming-of-age in a time of crisis.

In “The Changeling,” two young cousins wait in dread for a new family member to arrive, convinced that he may be a dangerous supernatural creature. In “Endangered Animals,” Jane prepares to say goodbye to her almost-love while they road-trip across a country irrevocably altered by climate change. In “Take Only What Belongs to You,” a queer woman struggles with the personal history of an author she idolized, while in “Fiddler, Fool, Pair,” an anthropologist is drawn into a magical—and dangerous—gamble. In the title story, partners Agnes and Geb feast peacefully on the mushrooms that sprout from Agnes’s body—until an unwanted male guest disturbs their cloistered home.

Audacious, striking, and wholly original, Fruiting Bodies offers stories about knowledge in a world on the verge of collapse, knowledge that alternately empowers or devastates. Pulling beautifully, brazenly, from a variety of literary traditions, Kathryn Harlan firmly establishes herself as a thrilling new voice in fiction.

Ghost Music by An Yu, design Suzanne Dean

For three years, Song Yan has filled the emptiness of her Beijing apartment with the tentative notes of her young piano students. She gave up on her own career as a concert pianist many years ago, but her husband Bowen, an executive at a car company, has long rebuffed her pleas to have a child. He resists even when his mother arrives from the southwestern Chinese region of Yunnan and begins her own campaign for a grandchild. As tension in the household rises, it becomes harder for Song Yan to keep her usual placid demeanor, especially since she is troubled by dreams of a doorless room she can’t escape, populated only by a strange orange mushroom.

When a parcel of mushrooms native to her mother-in-law’s province is delivered seemingly by mistake, Song Yan sees an opportunity to bond with her, and as the packages continue to arrive every week, the women stir-fry and grill the mushrooms, adding them to soups and noodles. When a letter arrives in the mail from the sender of the mushrooms, Song Yan’s world begins to tilt further into the surreal. Summoned to an uncanny, seemingly ageless house hidden in a hutong that sits in the middle of the congested city, she finds Bai Yu, a once world-famous pianist who disappeared ten years ago.

A gorgeous and atmospheric novel of art and expression, grief and survival, memory and self-discovery, Ghost Music animates contemporary Beijing through the eyes of a lonely yet hopeful young woman and gives vivid color and texture to the promise of new beginnings.

The Hedge Witch (Novella) by Cari Thomas, Cover by Andrew Davis

Rowan is visiting her aunt – Winne the hedge witch – in the Welsh countryside, to get back to nature and hone her skills, as well as taking a break from her annoying sisters and enjoying some peace and quiet. However, Rowan soon comes to realise that hedges are a serious business and this isn’t quite the opportunity to rest and escape she thought it might be.

Not only that, but mysterious events around the town are causing panic in the secret magical community and cowans – non-magical folk – are starting to take notice.

Can Rowan hone her hedge craft, try to make some friends and solve the riddle of the mysterious goings-on, or is magic about to be revealed to the world … or at least Wales?

High Times in the Low Parliament by Kelly Robson, Cover art and design by Kate Forrester

Award-winning author Kelly Robson returns with High Times in the Low Parliament, a lighthearted romp through an 18th-century London featuring flirtatious scribes, irritable fairies, and the dangers of Parliament.

Lana Baker is Aldgate’s finest scribe, with a sharp pen and an even sharper wit. Gregarious, charming, and ever so eager to please, she agrees to deliver a message for another lovely scribe in exchange for kisses and ends up getting sent to Low Parliament by a temperamental fairy as a result.

As Lana transcribes the endless circular arguments of Parliament, the debates grow tenser and more desperate. Due to long-standing tradition, a hung vote will cause Parliament to flood and a return to endless war. Lana must rely on an unlikely pair of comrades—Bugbite, the curmudgeonly fairy, and Eloquentia, the bewitching human deputy—to save humanity (and maybe even woo one or two lucky ladies), come hell or high water.

Into The Light by Mark Oshiro (3/28/23), Cover art by Carolina Rodriguez Fuenmayor, Cover design by Lesley Worrell

KEEP YOUR SECRETS CLOSE TO HOME

It’s been one year since Manny was cast out of his family and driven into the wilderness of the American Southwest. Since then, Manny lives by self-taught rules that keep him moving—and keep him alive. Now, he’s taking a chance on a traveling situation with the Varela family, whose attractive but surly son, Carlos, seems to promise a new future.

Eli abides by the rules of his family, living in a secluded community that raised him to believe his obedience will be rewarded. But an unsettling question slowly eats away at Eli’s once unwavering faith in Reconciliation: Why can’t he remember his past?

But the reported discovery of an unidentified body in the hills of Idyllwild, California, will draw both of these young men into facing their biggest fears and confronting their own identity—and who they are allowed to be.

For fans of Courtney Summers and Tiffany D. Jackson, Into the Light is a ripped-from-the-headlines story with Oshiro’s signature mix of raw emotions and visceral prose—but with a startling twist you’ll have to read to believe.

Sorrowland by Rivers Solomon, Cover art by Abby Kagan

A triumphant, genre-bending breakout novel from one of the boldest new voices in contemporary fiction.

Vern―seven months pregnant and desperate to escape the strict religious compound where she was raised―flees for the shelter of the woods. There, she gives birth to twins, and plans to raise them far from the influence of the outside world.

But even in the forest, Vern is a hunted woman. Forced to fight back against the community that refuses to let her go, she unleashes incredible brutality far beyond what a person should be capable of, her body wracked by inexplicable and uncanny changes.

To understand her metamorphosis and to protect her small family, Vern has to face the past, and more troublingly, the future―outside the woods. Finding the truth will mean uncovering the secrets of the compound she fled but also the violent history in America that produced it.

Rivers Solomon’s Sorrowland is a genre-bending work of Gothic fiction. Here, monsters aren’t just individuals, but entire nations. It is a searing, seminal book that marks the arrival of a bold, unignorable voice in American fiction.

Tastes Like War by Grace M. Cho

Grace M. Cho grew up as the daughter of a white American merchant marine and the Korean bar hostess he met abroad. They were one of few immigrants in a xenophobic small town during the Cold War, where identity was politicized by everyday details—language, cultural references, memories, and food. When Grace was fifteen, her dynamic mother experienced the onset of schizophrenia, a condition that would continue and evolve for the rest of her life.

Part food memoir, part sociological investigation, Tastes Like War is a hybrid text about a daughter’s search through intimate and global history for the roots of her mother’s schizophrenia. In her mother’s final years, Grace learned to cook dishes from her parent’s childhood in order to invite the past into the present, and to hold space for her mother’s multiple voices at the table. And through careful listening over these shared meals, Grace discovered not only the things that broke the brilliant, complicated woman who raised her—but also the things that kept her alive.

Weyward by Emilia Hart

I am a Weyward, and wild inside.

2019: Under cover of darkness, Kate flees London for ramshackle Weyward Cottage, inherited from a great aunt she barely remembers. With its tumbling ivy and overgrown garden, the cottage is worlds away from the abusive partner who tormented Kate. But she begins to suspect that her great aunt had a secret. One that lurks in the bones of the cottage, hidden ever since the witch-hunts of the 17th century.

1619: Altha is awaiting trial for the murder of a local farmer who was stampeded to death by his herd. As a girl, Altha’s mother taught her their magic, a kind not rooted in spell casting but in a deep knowledge of the natural world. But unusual women have always been deemed dangerous, and as the evidence for witchcraft is set out against Altha, she knows it will take all of her powers to maintain her freedom.

1942: As World War II rages, Violet is trapped in her family’s grand, crumbling estate. Straitjacketed by societal convention, she longs for the robust education her brother receives––and for her mother, long deceased, who was rumored to have gone mad before her death. The only traces Violet has of her are a locket bearing the initial W and the word weyward scratched into the baseboard of her bedroom.

Weaving together the stories of three extraordinary women across five centuries, Emilia Hart’s Weyward is an enthralling novel of female resilience and the transformative power of the natural world.

What Goes Up by Christine Heppermann

(Those are mushroom prints!)

When Jorie wakes up in the loft bed of a college boy she doesn’t recognize, she’s instantly filled with regret. What happened the night before? What led her to this place? Was it her father’s infidelity? Her mother’s seemingly weak acceptance? Her recent breakup with Ian, the boy who loved her art and supported her through the hardest time of her life?

As Jorie tries to reconstruct the events that led her to this point, free verse poems lead the reader through the current morning, as well as flashbacks to her relationships with her parents, her friends, her boyfriend, and the previous night.

With Poisoned Apples: Poems for You, My Pretty and Ask Me How I Got Here, Christine Heppermann established herself as a vital voice in thought-provoking and powerful feminist writing for teens. Her poetry is surprising, wry, emotional, and searing. What Goes Up is by turns a scorchingly funny and a deeply emotional story that asks whether it’s possible to support and love someone despite the risk of being hurt. Readers of Laura Ruby, E. K. Johnston, Elana K. Arnold, and Laurie Halse Anderson will find a complicated heroine they won’t soon forget.

What Moves The Dead by T. Kingfisher

When Alex Easton, a retired soldier, receives word that their childhood friend Madeline Usher is dying, they race to the ancestral home of the Ushers in the remote countryside of Ruritania.

What they find there is a nightmare of fungal growths and possessed wildlife, surrounding a dark, pulsing lake. Madeline sleepwalks and speaks in strange voices at night, and her brother Roderick is consumed with a mysterious malady of the nerves.

Aided by a redoubtable British mycologist and a baffled American doctor, Alex must unravel the secret of the House of Usher before it consumes them all.

At the Publisher’s request, this title is being sold without Digital Rights Management Software (DRM) applied.

It’s (Not) Always Sunny with YA Sunflower Book Covers

January 16, 2023 |

Here’s a fun little trend in the world of YA book covers over the last couple of years: sunflowers. But they’re not always sunny, happy sunflowers gracing these covers. In some instances, they’re downright terrifying sunflowers. The kind of sunflowers that makes you wonder why you’re not more suspicious of such towering plants that take hold in mid to late summer.

I’ve rounded up a few recent YA sunflower book covers. I love how none of these are exactly, err, sunny at all.

Descriptions come from ‘zon, and cover artist information is included where possible. Can you think of other YA sunflower covers from the last year or two? I’d love to hear them.

Things That Grow by Meredith Goldstein; Cover designed by Celeste Knudsen

When Lori’s Dorothy Parker–loving grandmother dies, Lori’s world is turned upside down. Grandma Sheryl was everything to Lori—and not just because Sheryl raised Lori when Lori’s mom got a job out of town. Now Lori’s mom is insisting on moving her away from her beloved Boston right before senior year. Desperate to stay for as long as possible, Lori insists on honoring her grandmother’s last request before she moves: to scatter Sheryl’s ashes near things that grow.

Along with her uncle Seth and Chris, best friend and love-of-her-life crush, Lori sets off on a road trip to visit her grandmother’s favorite gardens. Dodging forest bathers, scandalized volunteers, and angry homeowners, they come to terms with the shape of life after Grandma Sheryl. Saying goodbye isn’t easy, but Lori might just find a way to move forward surrounded by the people she loves.

The Undead Truth of Us by Britney S. Lewis; Cover Design by Zareen Johnson and illustrated by Adekunle Adeleke

Sixteen-year-old Zharie Young is absolutely certain her mother morphed into a zombie before her untimely death, but she can’t seem to figure out why. Why her mother died, why her aunt doesn’t want her around, why all her dreams seem suddenly, hopelessly out of reach. And why, ever since that day, she’s been seeing zombies everywhere.

Then Bo moves into her apartment building―tall, skateboard in hand, freckles like stars, and an undeniable charm. Z wants nothing to do with him, but when he transforms into a half zombie right before her eyes, something feels different. He contradicts everything she thought she knew about monsters, and she can’t help but wonder if getting to know him might unlock the answers to her mother’s death.

As Zharie sifts through what’s real and what’s magic, she discovers a new truth about the world: Love can literally change you―for good or for dead.

In this surrealist journey of grief, fear, and hope, Britney S. Lewis’s debut novel explores love, zombies, and everything in between in an intoxicating amalgam of the real and the fantastic.

We Deserve Monuments by Jas Hammonds; Cover design by Beth Clark and Sarah Kaufman, art by Laylie Frazier.

What’s more important? Knowing the truth or keeping the peace?

Seventeen-year-old Avery Anderson is convinced her senior year is ruined when she’s uprooted from her life in DC and forced into the hostile home of her terminally ill grandmother, Mama Letty. The tension between Avery’s mom and Mama Letty makes for a frosty arrival and unearths past drama they refuse to talk about. Every time Avery tries to look deeper, she’s turned away, leaving her desperate to learn the secrets that split her family in two.

While tempers flare in her avoidant family, Avery finds friendship in unexpected places: in Simone Cole, her captivating next-door neighbor, and Jade Oliver, daughter of the town’s most prominent family—whose mother’s murder remains unsolved.

As the three girls grow closer—Avery and Simone’s friendship blossoming into romance—the sharp-edged opinions of their small southern town begin to hint at something insidious underneath. The racist history of Bardell, Georgia is rooted in Avery’s family in ways she can’t even imagine. With Mama Letty’s health dwindling every day, Avery must decide if digging for the truth is worth toppling the delicate relationships she’s built in Bardell—or if some things are better left buried.

Where Darkness Blooms by Andrea Hannah; Cover Design by Olga Grlic and art by Marcela Bolívar (2/21/23)

The town of Bishop is known for exactly two things: recurring windstorms and an endless field of sunflowers that stretches farther than the eye can see. And women―missing women. So when three more women disappear one stormy night, no one in Bishop is surprised. The case is closed and their daughters are left in their dusty shared house with the shattered pieces of their lives. Until the wind kicks up a terrible secret at their mothers’ much-delayed memorial.

With secrets come the lies each of the girls is forced to confront. After caring for the other girls, Delilah would like to move on with her boyfriend, Bennett, but she can’t bear his touch. Whitney has already lost both her mother and her girlfriend, Eleanor, and now her only solace is an old weathervane that seems to whisper to her. Jude, Whitney’s twin sister, would rather ignore it all, but the wind kicks up her secret too: the summer fling she had with Delilah’s boyfriend. And more than anything, Bo wants answers and she wants them now. Something happened to their mothers and the townsfolk know what it was. She’s sure of it.

Bishop has always been a strange town. But what the girls don’t know is that Bishop was founded on blood―and now it craves theirs.

Rainbow Cakes on Book Covers

June 20, 2022 |

It’s been a minute, hasn’t it? I’ve had on my to-write list for a while a few things, one of which is a post reflecting on the fact this blog had its 14th birthday in April and how much has changed in both my life and in Kimberly’s lives since. I’ll get to it, but as a means of wading back into the world of book blogging for fun, how about a trend that is delicious and timely? I’m talking about rainbow cakes on book covers.

Find below a few book covers, all capital-R romance titles, featuring a delicious rainbow cake on the cover. I’ve done my best to find the designer information, and I’ve included the Amazon description for included titles so you can build yourself the tastiest reading list imaginable. Interestingly, all three books are out this year. I hope we’ll see more of this design incorporated into more books, too–it’s a perfect nod to queerness and sweetness, all at once.

Are there others that I’ve missed? Tell me about those delightful queer cakes in the comments below.

Queerly Beloved by Susie Dumond. Cover design by Sarah Horgan.

Amy, a semicloseted queer baker and bartender in mid-2010s Oklahoma, has spent a lifetime putting other people’s needs before her own. Until, that is, she’s fired from her job at a Christian bakery and turns her one-off gig subbing in for a bridesmaid into a full-time business, thanks to her baking talents, crafting skills, and years watching rom-coms and Say Yes to the Dress. Between her new gig and meeting Charley, the attractive engineer who’s just moved to Tulsa, suddenly Amy’s found something—and someone—she actually wants.

Her tight-knit group of chosen family is thrilled that Amy is becoming her authentic self. But when her deep desire to please kicks into overdrive, Amy’s precarious balancing act strains her relationships to the breaking point, and she must decide what it looks like to be true to herself—and if she has the courage to try.

Paris Daillencourt Is About to Crumble by Alexis Hall (10/18/22). Cover design by Elizabeth Turner Stokes.

Paris Daillencourt is a recipe for disaster. Despite his passion for baking, his cat, and his classics degree, constant self-doubt and second-guessing have left him a curdled, directionless mess. So when his roommate enters him in Bake Expectations, the nation’s favourite baking show, Paris is sure he’ll be the first one sent home.

But not only does he win week one’s challenge—he meets fellow contestant Tariq Hassan. Sure, he’s the competition, but he’s also cute and kind, with more confidence than Paris could ever hope to have. Still, neither his growing romance with Tariq nor his own impressive bakes can keep Paris’s fear of failure from spoiling his happiness. And when the show’s vicious fanbase confirms his worst anxieties, Paris’s confidence is torn apart quicker than tear-and-share bread.

But if Paris can find the strength to face his past, his future, and the chorus of hecklers that live in his brain, he’ll realize it’s the sweet things in life that he really deserves.

D’Vaughn and Kris Plan a Wedding by Chencia C. Higgins.

D’Vaughn and Kris have six weeks to plan their dream wedding.

Their whole relationship is fake.

Instant I Do could be Kris Zavala’s big break. She’s right on the cusp of really making it as an influencer, so a stint on reality TV is the perfect chance to elevate her brand. And $100,000 wouldn’t hurt, either.

D’Vaughn Miller is just trying to break out of her shell. She’s sort of neglected to come out to her mom for years, so a big splashy fake wedding is just the excuse she needs.

All they have to do is convince their friends and family they’re getting married in six weeks. If anyone guesses they’re not for real, they’re out. Selling their chemistry on camera is surprisingly easy, and it’s still there when no one else is watching, which is an unexpected bonus. Winning this competition is going to be a piece of wedding cake.

But each week of the competition brings new challenges, and soon the prize money’s not the only thing at stake. A reality show isn’t the best place to create a solid foundation, and their fake wedding might just derail their relationship before it even starts.

Hardcover to Paperback Makeovers: 7 YA Cover Changes to Consider

January 10, 2022 |

I love looking at the changes in cover designs between a hardcover YA book and its paperback edition. What compelled the publisher to make a change? Who does the book seek to reach now? I love to think about whether the book is now angled more (or less!) toward a teen readership. In some cases, the change is a real upgrade, while in others, it’s not. In yet other cases, the change in design leaves a big ole question mark.

For all that’s said about not judging a book by its cover, it’s actually a pretty powerful skill to have. You’re looking at so many elements to convey what a story is about, who it’s written for, and what books it might be similar to in order to have it reach potential readers. It’s art, after all, and considering the power of art to depict a story is not being superficial.

Authors have little to no say in their cover art, which makes the entire process more complex. How the story is marketed, its first impression to readers in stores and online, is pretty much out of their hands. And given how more and more marketing of books is online and less in-store, it’s no surprise design has taken into consideration how a cover will look when the size of a thumbnail.

Interestingly, there have been more cover redesigns in the last few months than in recent memory, and it’s hard not to wonder if slower mid-list sales of YA books because of the pandemic are causing panic for publishers, leading to trying to give a book a facelift in hopes of reaching audiences who may have literally missed it amidst a global upheaval.

Find below seven YA books that are getting new designs in paperback. Original hardcover designs are on the left, while the new paperback editions are on the right. I’d love to know which you prefer and why.

Descriptions of the books come from Amazon. Note that I have not indicated the cover designers or artists on any of these covers, as I’m not attempting to critique their work; often, they don’t have the final say, meaning that some of the choices I may highlight could have been out of their hands entirely.

New YA Paperback Book Cover Redesigns for Early 2022

A Taste for Love by Jennifer Yen

This cover redesign is one of my favorites because as much as I’m not really a fan of illustrated covers — they all sort of blend together for me — the change for A Taste for Love is far more accurate to what the book is about. The hardcover made me think about this being a cute dating-themed rom-com, but that’s not really the crux of the book. That’s there, but it’s a book about a teen baking contest, and the inevitable couple is in competition with one another. None of that is really present in the hardcover; it’s more apparent in the paperback, even though it, too, only conveys so much.

One of the things that I don’t like about the cover change, though, is that while we know the main characters are Asian, the use of a photo on the original cover featuring two Asian teens offers a clearer face for representation. There are so few Asian cover models, and that doesn’t translate as easily or neatly onto this paperback.

The font choice isn’t the same, but they are quite similar on both editions of the book. I love the use of multiple colors on the hardback, though the spacing between the title and the models left space that was filled with a tag line: “Can these star bakers win each other’s hearts.” That, I suppose, gets to the idea of a bake off, but it doesn’t connect with the image itself. The paperback ditches the tag line, and instead, fills the background space with an ombre color palate, along with images associated with baking.

I like both of these designs for different reasons, but I think the paperback gets the book a little better and sells it to readers in a more accurate way. The paperback for A Taste for Love hits shelves January 11.

Description:

To her friends, high school senior Liza Yang is nearly perfect. Smart, kind, and pretty, she dreams big and never shies away from a challenge. But to her mom, Liza is anything but. Compared to her older sister Jeannie, Liza is stubborn, rebellious, and worst of all, determined to push back against all of Mrs. Yang’s traditional values, especially when it comes to dating.

The one thing mother and daughter do agree on is their love of baking. Mrs. Yang is the owner of Houston’s popular Yin & Yang Bakery. With college just around the corner, Liza agrees to help out at the bakery’s annual junior competition to prove to her mom that she’s more than her rebellious tendencies once and for all. But when Liza arrives on the first day of the bake-off, she realizes there’s a catch: all of the contestants are young Asian American men her mother has handpicked for Liza to date.

The bachelorette situation Liza has found herself in is made even worse when she happens to be grudgingly attracted to one of the contestants:the stoic, impenetrable, annoyingly hot James Wong. As she battles against her feelings for James, and for her mother’s approval, Liza begins to realize there’s no tried and true recipe for love.

As Far As You’ll Take Me by Phil Stamper

Sometimes in looking at cover redesigns, your thoughts change. Initially, I was really confused by the change for As Far As You’ll Take Me, as the cover seemed to nail the idea of starting over, of having that fresh start, of being able to lean fully into who you are as a person. The character has an expression of hope, paired with a stance that seems like he’s eager to move onward.

But the paperback captures something that the hardcover doesn’t: the loneliness of starting over and the truth of what happens inside when everything on the outside might tell a different story. This is the crux of the book itself, and the singular boy in blue amid a crowd of similarly-colored characters on the paperback just gets that feeling.

What doesn’t work for me on the paperback, though, is the shoving of a blurb in an awkward space and in such a way that it actually crowds out the character at the center. The shadow is covered by the blurb-giver’s name, as are some of the words in the blurb itself. Maybe it’s a way of compensating for the light source being inconsistent? If you look, you’ll see the shadow falls behind the boy at the center, but other shadows of the characters around him fall in all different directions. If the blurb were gone, that might be more obvious, but also, if the blurb were gone, the feeling of this cover would be much stronger.

The font choices aren’t especially worth commenting on, as both are ones that have been used numerous times on YA book covers. The paperback font fits the feel, and the same goes for the choice on the hardcover. In both, the author’s name gets a little lost.

Both of these are decent covers, though I lean a little toward the paperback — with the caveat that the blurb placement is distracting and does a disservice to the art itself (yes, even with the shadow inconsistency).

As Far As You’ll Take Me hits shelves in paperback on March 29.

Description:

Marty arrives in London with nothing but his oboe and some savings from his summer job, but he’s excited to start his new life–where he’s no longer the closeted, shy kid who slips under the radar and is free to explore his sexuality without his parents’ disapproval.

From the outside, Marty’s life looks like a perfect fantasy: in the span of a few weeks, he’s made new friends, he’s getting closer with his first ever boyfriend, and he’s even traveling around Europe. But Marty knows he can’t keep up the facade. He hasn’t spoken to his parents since he arrived, he’s tearing through his meager savings, his homesickness and anxiety are getting worse and worse, and he hasn’t even come close to landing the job of his dreams. Will Marty be able to find a place that feels like home?

Blood Moon by Lucy Cuthew

I could not be sadder that Lucy Cuthew’s Blood Moon is getting a paperback makeover. The original cover is absolutely riveting and boundary pushing — this is a book about menstruation, and the design, which is a creek of menstrual blood and a hand gently opening the representation of a vagina, is incredible (as is that small string of a tampon). It’s a bold cover, too, with use of only white, red, and black, and that tiny trail of blue. The title placement is awesome, and even though I’m not a fan of a blurb, the placement doesn’t distract from the brilliant image on the cover.

The paperback is….really inoffensive. And that’s not necessarily a compliment so much as being surprised how toned down it is. The title bond is fine, but the multiple red hues of the moons don’t have the same sharpness that the red on the hardcover does. The shadow girls walking together hand-in-hand has real Moxie vibes, which isn’t necessarily bad but is also not really special.

And the thing that annoys me most on the paperback? The hashtag t-shirts that make no sense. Why are they broken up? A hashtag is a single line, but one meant to be separated out like they are here: #Its Only Blood and #No Shame. Ditch the hash tags and keep the slogans if that’s essential. The paperback ditches the blurb but adds a tagline, which reads “An unexpected period sent Frankie’s universe spinning, and then she took a stand.”

I get what the goal is of the paperback, but it’s a real downer after the hardcover and more, the hashtag thing is going to read as adults trying too hard to any teen.

This one’s all about the hardcover for me, but you can grab the paperback of Blood Moon on March 15.

Description:

After school one day, Frankie, a lover of physics and astronomy, has her first sexual experience with quiet and gorgeous Benjamin—and gets her period. It’s only blood, they agree. But soon a gruesome meme goes viral, turning an intimate, affectionate afternoon into something sordid, mortifying, and damaging. In the time it takes to swipe a screen, Frankie’s universe implodes. Who can she trust? Not Harriet, her suddenly cruel best friend, and certainly not Benjamin, the only one who knows about the incident. As the online shaming takes on a horrifying life of its own, Frankie begins to wonder: is her real life over?

Instructions for Dancing by Nicola Yoon

Off the bat, I want to say both of these covers are gorgeous and do a great job capturing the feel of the book. That said, I think my preference for the hardcover comes only because it’s a preference, not because of any design choices that don’t make sense or don’t feel like they offer insight into the book itself.

Both the hardcover and paperback have a gorgeous Black girl with tremendous hair, as well as a beautiful Black boy with stunning hair, and it’s clear on both dancing and love are at the heart of the story. The hardcover makes their facial expressions harder to read, but the shape of their bodies tells a story. The paperback turns closer to their facial expressions, which are serious, thoughtful, and also portray that they are digging each other.

The font choice for the book title on the hardcover is a little sweeter and more dance-y for me, where the one on the paperback feels understated.It doesn’t have the same flair or feel, and it doesn’t make use of script as part of the couple’s image (which I love on the hardcover). The color of the hardcover pops more, as does the use of pink flowers in the background. Both covers make use of a blurb, but in both cases, it’s pretty understated. Yoon’s name is much larger, as it should be, since she’s a well-established and beloved author.

The covers are both good, but I prefer the original. It just feels a lot swoonier than the paperback, which reads more intense (neither read is incorrect!). The paperback for Instructions for Dancing hits shelves May 3.

Description:

Evie Thomas doesn’t believe in love anymore. Especially after the strangest thing occurs one otherwise ordinary afternoon: She witnesses a couple kiss and is overcome with a vision of how their romance began . . . and how it will end. After all, even the greatest love stories end with a broken heart, eventually.

As Evie tries to understand why this is happening, she finds herself at La Brea Dance Studio, learning to waltz, fox-trot, and tango with a boy named X. X is everything that Evie is not: adventurous, passionate, daring. His philosophy is to say yes to everything–including entering a ballroom dance competition with a girl he’s only just met.

Falling for X is definitely not what Evie had in mind. If her visions of heartbreak have taught her anything, it’s that no one escapes love unscathed. But as she and X dance around and toward each other, Evie is forced to question all she thought she knew about life and love. In the end, is love worth the risk?

The Electric Kingdom by David Arnold

Aren’t both of these covers just stunning? They offer something really compelling visually, begging the reader to pause and take it all in. There’s a lot of layering and a thoughtful use of color on both. The hardcover gives us a disappearance of color through the hole at the center, while the paperback spotlights color in its use of font, as well as the image inside the helmet’s visual area. It’s clever, the way we go from color outside to color inside between the two.

It’s also clever that the girl with her blonde hair, red backpack, and black dog are on both covers.

But that paperback cover is a stunner. It definitely reads more adult to me than the hardcover does, likely because it’s reminiscent of a couple of other space-set books (The Martian and In The Quick come to mind). Though I’m a little distracted by the lack of consistency for the title font size — there’s no reason for the words Electric and Kingdom to be so disparate in size), it’s a much better font that the original, which does the same thing with size and also adds a strange element with the “o” in Kingdom, not seen in the O in Arnold’s name. The font size difference on the hardcover makes sense with the space needs but less so on the paperback.

That said, the color and composition of the paperback packs a punch. I wasn’t especially interested in the book with the original cover, but the new one makes me want to pick it up as soon as I can. I may need to wait, given it’s a book about a pandemic.

You can grab the paperback of The Electric Kingdom on February 1.

Description:

When a deadly Fly Flu sweeps the globe, it leaves a shell of the world that once was. Among the survivors are eighteen-year-old Nico and her dog, on a voyage devised by Nico’s father to find a mythical portal; a young artist named Kit, raised in an old abandoned cinema; and the enigmatic Deliverer, who lives Life after Life in an attempt to put the world back together. As swarms of infected Flies roam the earth, these few survivors navigate the woods of post-apocalyptic New England, meeting others along the way, each on their own quest to find life and love in a world gone dark. The Electric Kingdom is a sweeping exploration of art, storytelling, eternal life, and above all, a testament to the notion that even in an exterminated world, one person might find beauty in another.

The Initial Insult by Mindy McGinnis

I’m not going to spend too long with this cover redesign, other than to say it’s not great. I don’t understand the Cruella Deville look going on with the paperback, nor its use of electric, disjointed color tones. This is a loose retelling of a number of Edgar Allan Poe’s short stories, meaning that the book is dark, creepy, suspenseful, and a little weird. The hardcover nails this, while also offering a design that is timeless: it’s font-driven, and we know the shadow animal on the cover has something to do with the story (it does — it represents a zoo). The paperback makes its nod to Poe with the bricks in the background, but those are a little challenging to figure out if you don’t read the description or immediately know this is a Poe-inspired book. It definitely doesn’t read well on screens.

Both covers have a blurb, but in the tradition of newer YA paperback styles, the blurb on the new cover is tucked beneath the cover itself on a separate page. The green on it mirrors the green on the cover, whereas the blurb is integrated on the cover itself in the original.

I don’t like the paperback at all and think it’s a tremendous turnoff. It might be the thing that captures some readers, especially intrigued by the weird image of the person on it and its disjointed nature, but for me, that disjointedness makes me want to pass. The hardcover made me eager to see how they would treat the book’s sequel. The paperback’s design aesthetic is what carried over into the upcoming sequel, though.

You can pick up the paperback of The Initial Insult now. It came out January 4.

Description:

Tress Montor’s family used to mean something—until she didn’t have a family anymore. When her parents disappeared seven years ago while driving her best friend home, Tress lost everything. The entire town shuns her now that she lives with her drunken, one-eyed grandfather at what locals refer to as the “White Trash Zoo.”

Felicity Turnado has it all: looks, money, and a secret. One misstep could send her tumbling from the top of the social ladder, and she’s worked hard to make everyone forget that she was with the Montors the night they disappeared. Felicity has buried what she knows so deeply that she can’t even remember what it is . . . only that she can’t look at Tress without feeling shame and guilt.

But Tress has a plan. A Halloween costume party at an abandoned house provides the ideal situation for Tress to pry the truth from Felicity—brick by brick—as she slowly seals her former best friend into a coal chute. Tress will have her answers—or settle for revenge.

Attucks! / Unbeatable by Phillip Hoose

I almost never get to showcase YA nonfiction in cover redesigns because too often, how a nonfiction title is marketed or sold isn’t given the same level of attention as a paperback. But in the case of Phillip Hoose’s last nonfiction title, this cover redesign has a lot of incredible thought behind it, while offering a lot of the same exact elements as the original cover — peep the author name color on the hardcover and how it becomes the background for the paperback.

What’s most striking is what’s most obvious and likely what inspired the decision to make the change: the book’s title. Attucks! and Unbeatable could not be any different, despite the fact they represent the same thing: the 1955 championship basketball team, the Crispus Attucks tigers, who went from their Indianapolis high school court to win a state championship basketball game during this highly racially segregated time. The team was unbeatable, marking the first time an all-Black team won a racially-open US basketball championship.

While Attucks! makes sense in the context of the book as a title, one is going to immediately make sense to anyone browsing. The original title, though, is a little more challenging. The subtitle change isn’t as huge a change, but it, too, is worth noting: we get the explanation of the book title with Attucks!, the subtitle for Unbeatable offers what’s inside the book (the how of the story).

Though the coach isn’t in the image on the paperback, the team member raising his arm up with the index finger pointing makes the exact same shape for the image as the original. Again, a really clever way to keep the original while giving it a stronger sense of teen appeal.

The paperback makeover is excellent, building from the strongest aspects of the original hardcover. The title change, while always challenging for marketing, cataloging, and reader advisory purposes, is a smart one, as it will make this book more clearly “for” the readers its intended to reach.

You can grab Unbeatable on February 22.

Description:

By winning the state high school basketball championship in 1955, ten teens from an Indianapolis school meant to be the centerpiece of racially segregated education in the state shattered the myth of their inferiority. Their brilliant coach had fashioned an unbeatable team from a group of boys born in the South and raised in poverty. Anchored by the astonishing Oscar Robertson, a future college and NBA star, the Crispus Attucks Tigers went down in history as the first state champions from Indianapolis and the first all-black team in U.S. history to win a racially open championship tournament―an integration they had forced with their on-court prowess.

From native Hoosier and award-winning author Phillip Hoose comes this true story of a team up against impossible odds, making a difference when it mattered most.

Microtrend: YA Tarot Card Book Covers

September 20, 2021 |

How about a fun cover microtrend from 2021 YA books? I like to call these microtrends because unlike noticeable, obvious design choices that parallel one another, these only pop up when you really pay attention. They don’t hit a lot of books, but just a few, and yet because it’s such a hyper-specific design aesthetic, it’s noteworthy.

One that I can’t stop thinking about — perhaps because I believe there’s another one of these hiding in plain sight from either 2020 or 2021 or, perhaps, a forthcoming 2022 title — is the YA tarot card book cover.+ I keep thinking the one I can’t remember is this one or this one, but it is neither. Tarot has popped up quite a big in recent YA, but the actual use of tarot cards on the cover hasn’t really come up. But in 2021, I can immediately identify three that do. They each play with tarot cards a bit differently, so let’s take a look.

Book descriptions are from Goodreads. This little roundup makes me want to pull together a whole list of Tarot in YA books.

All Our Hidden Gifts by Caroline O’Donoghue, Cover art by Lisa Sterle

Maeve’s strangely astute tarot readings make her the talk of the school, until a classmate draws a chilling and unfamiliar card—and then disappears.

After Maeve finds a pack of tarot cards while cleaning out a closet during her in-school suspension, she quickly becomes the most sought-after diviner at St. Bernadette’s Catholic school. But when Maeve’s ex–best friend, Lily, draws an unsettling card called The Housekeeper that Maeve has never seen before, the session devolves into a heated argument that ends with Maeve wishing aloud that Lily would disappear. When Lily isn’t at school the next Monday, Maeve learns her ex-friend has vanished without a trace.

Shunned by her classmates and struggling to preserve a fledgling romance with Lily’s gender-fluid sibling, Roe, Maeve must dig deep into her connection with the cards to search for clues the police cannot find—even if they lead to the terrifying Housekeeper herself. Set in an Irish town where the church’s tight hold has loosened and new freedoms are trying to take root, this sharply contemporary story is witty, gripping, and tinged with mysticism.

The Salt In Our Blood by Ava Morgyn, Cover art and design by Aphelandra

Ten years ago, Cat’s volatile mother, Mary, left her at her grandmother’s house with nothing but a deck of tarot cards. Now seventeen, Cat is determined to make her life as different from Mary’s as possible. When Cat’s grandmother dies, she’s forced to move to New Orleans with her mother. There, she discovers a picture of Mary holding a baby that’s not her, leading her to unravel a dark family history and challenge her belief that Mary’s mental health issues are the root of all their problems. But as Cat explores the reasons for her mother’s breakdown, she fears she is experiencing her own. Ever since she arrived in New Orleans, she’s been haunted by strangely familiar visitors–in dreams and on the streets of the French Quarter–who know more than they should. Unsure if she can rebuild her relationship with her mother, Cat is realizing she must confront her past, her future, and herself in the fight to try.

These Witches Don’t Burn by Isabel Sterling, Cover artist unknown*

Hannah’s a witch, but not the kind you’re thinking of. She’s the real deal, an Elemental with the power to control fire, earth, water, and air. But even though she lives in Salem, Massachusetts, her magic is a secret she has to keep to herself. If she’s ever caught using it in front of a Reg (read: non-witch), she could lose it. For good. So, Hannah spends most of her time avoiding her ex-girlfriend (and fellow Elemental Witch) Veronica, hanging out with her best friend, and working at the Fly by Night Cauldron selling candles and crystals to tourists, goths, and local Wiccans.

But dealing with her ex is the least of Hannah’s concerns when a terrifying blood ritual interrupts the end-of-school-year bonfire. Evidence of dark magic begins to appear all over Salem, and Hannah’s sure it’s the work of a deadly Blood Witch. The issue is, her coven is less than convinced, forcing Hannah to team up with the last person she wants to see: Veronica.

While the pair attempt to smoke out the Blood Witch at a house party, Hannah meets Morgan, a cute new ballerina in town. But trying to date amid a supernatural crisis is easier said than done, and Hannah will have to test the limits of her power if she’s going to save her coven and get the girl, especially when the attacks on Salem’s witches become deadlier by the day.

*It bothers me to no end when the publisher does a cover reveal and can’t bother to include this information.

+Update: thanks to Iza G (@izag) on Twitter, the mystery of the missing title is solved!

Edie in Between by Laura Sibson

A modern-day Practical Magic about love, loss, and embracing the mystical.

It’s been one year since Edie’s mother died. But her ghost has never left.

According to her GG, it’s tradition that the dead of the Mitchell family linger with the living. It’s just as much a part of a Mitchell’s life as brewing cordials or talking to plants. But Edie, whose pain over losing her mother is still fresh, has no interest in her family’s legacy as local “witches.”

When her mother’s teenage journal tumbles into her life, her family’s mystical inheritance becomes once and for all too hard to ignore. It takes Edie on a scavenger hunt to find objects that once belonged to her mother, each one imbued with a different memory. Every time she touches one of these talismans, it whisks her to another entry inside the journal—where she watches her teenage mom mourn, love, and hope just as Edie herself is now doing. Maybe, just maybe, Edie hopes, if she finds every one of these objects, she can finally make peace with her loss and put the past to rest for good. But this journey to stake her independence from her family may actually show Edie who she truly is…and the beautiful gifts that come with being just a little different.