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STACKED

books

  • STACKED
  • About Us
  • Categories
    • Audiobooks
    • Book Lists
      • Debut YA Novels
      • Get Genrefied
      • On The Radar
    • Cover Designs
      • Cover Doubles
      • Cover Redesigns
      • Cover Trends
    • Feminism
      • Feminism For The Real World Anthology
      • Size Acceptance
    • In The Library
      • Challenges & Censorship
      • Collection Development
      • Discussion and Resource Guides
      • Readers Advisory
    • Professional Development
      • Book Awards
      • Conferences
    • The Publishing World
      • Data & Stats
    • Reading Life and Habits
    • Romance
    • Young Adult
  • Reviews + Features
    • About The Girls Series
    • Author Interviews
    • Contemporary YA Series
      • Contemporary Week 2012
      • Contemporary Week 2013
      • Contemporary Week 2014
    • Guest Posts
    • Link Round-Ups
      • Book Riot
    • Readers Advisory Week
    • Reviews
      • Adult
      • Audiobooks
      • Graphic Novels
      • Non-Fiction
      • Picture Books
      • YA Fiction
    • So You Want to Read YA Series
  • Review Policy

Here’s an opportunity. Let’s not screw it up.

April 6, 2012 |

I’m a staunch advocate of guys reading. Early in my career as a librarian, I had the extraordinary opportunity to hear Michael Sullivan speak about boys and reading, and it really changed a lot of my views about how to reach male readers (you can read those posts about seeing him here, here, and here). The biggest take away from hearing him and my guiding principle when it comes to collection development, reader’s advisory, book lists and displays, and other general book/reading promotion is to avoid letting these things be tampered by my own biases. I like certain books and genres, and there are certain books and genres I don’t care for. But seeing the library and the reading world is not all about me and my beliefs, I know I have to remove my own lenses. I have to look out for the kinds of books that don’t interest me at all because to be effective and to reach readers, I have to remember it’s not about me. This sometimes means that I am going to read and advocate for books that have a certain male appeal to them. And I’m okay with it — I embrace it actually, since it helps me gain perspective into other people and how to reach new people. 

This week, School Library Journal posted a piece about a school that addressed this very problem of guy reading. The solution this para/librarian duo took was to develop a boys’ reading cave, a space where guys could feel comfortable in the library (with additional links from Liz Burns worth reading here). It’s stocked with books that have a particular boy appeal aspect to them.

From the outside, this looks like a great idea. For boys, especially those who are at the tender grade levels these kids are at, reading IS a problem. By third grade, boys tend to be behind their female counterparts in reading, so by developing a space in the library that has a collection of books with great boy appeal and that feels safe to them because it is their “own” space, the library appears to have solved a problem. And I do applaud them for taking the effort in addressing their boys, especially because they had boy input on the project from the start.

This project is troubling to me, though. But before I delve into why, let me start with a couple other things.

If you’re going to be a reading advocate, whether as a librarian or as a teacher or just because you love books period, you have a huge sense of responsibility. You need to understand that readers have different needs and you need to understand you have readers and you have “non readers.” You need to understand that not every book is going to reach everyone.

I’m always particularly troubled when I see librarians talk about moving away from books and reading because that’s not what their teens want. It bothers me when librarians — especially those in public and school libraries — talk about how their teens don’t want books. That they want programs and space to do things, not read things. While it’s entirely valid that teens want a space and NEED that kind of space in their communities, this attitude is belittling to those teens who are readers. Teens who are readers aren’t always the loudest ones who come in the library. They’re not always the ones who come and visit their librarian. But it doesn’t mean their needs aren’t as valid or as worthy. It just means they approach their library in a different way.

It means you have to reach out to them differently. It means you have to continue keeping your knowledge of what’s out there up-to-date, and it means you need to keep your collection fresh. It means you do a lot more “passive” marketing — you make book displays to promote different books, you write shelf talkers (where you write book recommendations on cards and stick them on book shelves), you make book lists and have them available in your teen area, and you make the effort to reach those teens in ways that are going to be different than the way you reach teens who use their libraries for a creating space, for programs, and so forth. It is a lot of work, and it never gets easier!

Cutting your readers out entirely from your library plan? You’re letting your own beliefs overtake your job. You’re creating a biased and unwelcoming space for an entire segment of your community, whether or not it’s your intention.

In creating a “boys cave” at the school library, this duo has done precisely that. I do not in any way believe this was intentional, but it happened, and it’s getting the sort of push back from the community it deserves. Read the last statement in the story. Lynne Hanes, when asked about whether the library would offer up a special space for girls states “[P]art of my concern is that girls will check out books from a boys’ area, but I’m not sure how many boys will check out books from a girls’ area. We don’t want to restrict books.” Even though there have been “boy” books pulled into this section, girls aren’t restricted from checking them out. But the belief is that by creating a “girl” books section, no boys would be welcome. In other words, girls will be interested in “boy” books but boys won’t be interested in “girl” books.

There are two issues going on here: first, the gendering of books and second, the gendering of space.

Books do not have genders. Yes, there are books with particular boy appeal and particular girl appeal but I don’t believe anyone sets out to write a book with the intention of making it one thing or another. And as I talked about in previous posts about guys reading, boys do tend to like different kinds of books than girls. It’s not hard and fast, and there are no rules, but they have some different tastes and preferences. When you’re building a library or you’re advocating for books, being aware of those things (which are based primarily in psychology, in behavior, and maybe most importantly, in the way we socialize boys in our culture) helps you make sure you’re meeting some of those interests. It should be a way to guide you away from your personal biases and a way for you to see how diverse people’s interests and passions are. But it’s not a set of rules or a blueprint.

While I applaud the idea of having books pulled that have appeal to boys, it needs to be approached in a way that is not exclusionary. The way it’s being done here is exclusionary, even if girls are allowed into the boys space to borrow them. These books are being labeled as boy books, rather than what they really are. They’re books with certain appeal factors, and these appeal factors don’t stop at gender lines. Books on boogers and the gross aspects of the human body have mega appeal to boy readers. But they also appeal to girl readers. Instead of pulling them out of the general collection and tossing them in a boys section, why couldn’t they be pulled out into a display or into a special area and be called a “gross books” area? Besides being more accurate as to what the books are and being much more appealing to readers, here’s an opportunity for boys AND girls to bond over their interest in something in a shared space in the library. Books that have strong, fast-paced plot lines with male main characters that are certainly going to appeal to boy readers can be pulled together and labeled as “action adventure!” Not only is is accurate but it appeals to both boys and girls in the same space. I bet if you clicked on my book lists linked above, you’ll notice I DO have a book list geared toward boys. But I also have a book list for girls, too. If you’re going to offer one, you absolutely must offer the other.

Gendering books makes books safe or unsafe spaces, and it only goes further when the library itself is divided into gendered areas. Going back to the comment from one of the boys wishing for a “no girls” sign in the “boys cave” is hugely problematic and gets to the root of why developing this space is troubling. This library is furthering the belief that there are places that should be for boys only or for girls only. But worse, because this library only has a male space, it’s sending a statement to girls that they don’t matter. That their needs aren’t as valid or important. Because girls have always had the library as a space for them, and they’ve always had books that meet their needs. Because girls are always readers and will continue being readers, whether or not you do anything to help them find books or feel safe.

What a load of shit. 

Even if the intention was to build a space that feels safe to boys, those good intentions turned the tables in making a certain area unsafe for girls.

I’m not going to blame this particular staff for what they’ve done because I do believe they think they’ve done something great here in addressing a problem. Rather, I’m going to put it out there that the bulk of problems we see (or don’t see) in advocating for reading is the result of our own shortcomings. It’s the result of us not taking off our own biases and thinking about how to approach things on a grander level. It’s the result of forgetting that the library, the classroom, the act of reading does not belong to us alone. It belongs to a far greater community, one made up of boys and girls and those kids who don’t associate themselves with one gender or the other. If we segment off books and if we segment off spaces and declare that reading belongs to one group or the other, we’re participating in a dangerous game. We’re gendering everything in a world where gender is nothing but a construct we’ve created.

Isn’t the reading world about breaking apart constructs? Isn’t the reading world about letting people find what they need, no matter who or what they are?

Shouldn’t the library allow this to happen by being a safe and inviting space for everyone and not just one gender or the other?

via http://unicornbooty.com/blog/2012/04/05

More than that, though, shouldn’t we, as advocates of reading and of reaching those who are or aren’t “readers” be more open minded? Shouldn’t we be the founts of knowledge? Shouldn’t we be the ones seeing the need before it arises and meeting it in a non-biased manner?

I’ve always seen the library (and the classroom and the reading world more wholly) as belonging to everyone. Part of what makes these places safe is that they ARE where anyone can find their niche. It is absolutely our responsibility as advocates to not perpetuate constructs. It’s our job to break them apart.

It’s not an issue of whether or not solving problems is hard. It’s an issue of whether or not we’re willing to put in the true effort to do it in a way that empowers everyone, rather than belittles them.

Filed Under: big issues, guys read, Professional Development, Uncategorized

Why I’m giving up on YA

April 1, 2012 |

I’ve been sifting through a number of really heavy thoughts lately. My life’s changed a lot in the last year, and my priorities and goals professionally and personally have shifted pretty dramatically. I guess you could say that I’ve found everything moving a little too fast and that there’s been way too much pressure to stay on top of everything.

It’s really challenging to keep up on reading, and it’s even more challenging to make sure I’m writing thoughtful reviews on every book that comes into my house. I realize my privilege in receiving books for review, especially when they’re books so many people are clamoring for.

Part of what makes blogging and reading and reviewing challenging for me is that I am one half perfectionist and I’m one half incredibly laid back. So, it’s tough to rectify the first part — my perfectionism — with the second part. I want my blog posts and my reviews to be perfect, but I also don’t want them to come off as too try-hardy. I struggle regularly with this personality quirk, and it’s something that’s led me to do a lot of thinking and a lot of reading about finding a sense of balance. Because right now, balance is something I so sorely need in my life.

Fortunately, over the last week, I’ve read a couple of things that have hit home the truth of the matter in a way I didn’t think about before. Probably because it’s so, so scary and so life changing for me. Thinking about this has been hard, but actually putting this out there, publicly, on the blog I love writing so much, is the scariest thing I’ve ever done.

I’m giving up reading and reviewing YA books.

Cold turkey.

I was really grateful to stumble across this article because it really nailed what I’ve been struggling with lately. Reading all of these YA books at breakneck speed and racing through my piles of review books has led me to forgetting the real joy in reading. In sitting back and having a book challenge my perspectives and in sitting back and having a book force me to confront the gross things in my life. I can’t recall the last YA book I read that begged me to look at the world differently or pushed me to really think about characters or their struggles. Moreover, I don’t remember the last YA book I read that actually STUCK with me. YA books are like candy. As soon as I finish one, I move on to the next one and forget completely about what the last one was about (vampires, right?).

So while I lingered over what Maura Kelly said in that piece, I was alerted to another piece that only further solidified my decision. Stein does an excellent job in this article, and for once, I feel like he gets to the heart of my own problem with YA lit: there isn’t depth to the language and certainly, there’s not depth to the characters. Racing through all of these books leaves me feeling empty and sad because I cannot connect to these teenagers. They’re all so shallow. So one-dimensional. And the writing itself always leaves something to be desired because it’s stilted, hollow, and lacks inspiration.

In short, I’m not learning anything from reading YA.

It’s time for me to walk away and not turn back because I have better books waiting for me. The kind that are slow burns. The kind with real depth of character, with thoughtful and intelligent use of language. The kind of books that get to the heart of matters and make me evaluate my own life and my own beliefs. I want a book that makes me cry because it so perfectly captures what it feels like to go through something Important and Life Changing. Because I struggle so much with my own perfectionism/laid back attitude, I need to read books that help me better refine those two characteristics so that I do not struggle with writing a review. Because I only want to review the books that demand a review. By taking a step back from what I’m doing now and slowing down, focusing hard on just the things that are good for me, maybe I will quit feeling like I’m never doing this right. Our time here is limited, right? And since everything on the internet is so fast-moving, so ephemeral and flash in the pan, I should only be writing about the things that truly Matter.

It’s a good thing no YA book has ever made me think about or relate to what it’s like to grow up with an absent father, or what it means to survive when you feel you have nothing left to live for, or heck, what it’s like to grow up embracing your imperfections in a world where everyone expects you to do or be a certain and acceptable way. None of the books in YA have ever shed light into how I could think about my own challenges or how I could look at a problem in a new way. Or how I could relate to someone who maybe had a similar experience as I did.

I’m only going to find that in quality Literature.

It only took three years of blogging to figure this out, but better late than never, right?

Happy April Fool’s Day to all of the fools out there thinking that YA lit is nothing but the bottom of the barrel in the book world. You make it a more enjoyable place for those of us who love it and want nothing more than to talk about how it relates to us all because adolescence is a universal human experience.

Filed Under: big issues, Uncategorized, Young Adult

Competition, Envy, & The Fine Print

March 30, 2012 |

The last day or so has brought a great amount of fodder for blogging. The more that came up, the more these things felt connected and the more I knew I had to say something.

I’m a fine print reader. I’m one of those people that does read the contest rules and regulations for anything. I read through all 100-some pages of my mortgage before signing the dotted line, and I had no problem calling my realtor and lender for every single question I had. I like to know what I’m getting myself into.

So last night, when I checked out the contest going on by GoodReads and the Independent Book Bloggers that gives book bloggers the chance to win a free trip to BEA (including airfare, hotel, and convention access), I read the fine print. And I tweeted about being a little nervous reading the fine print for this contest because it mentioned that the sponsors could use my entry, including my post content, without credit or compensation. There are any number of reasons this makes me nervous, but I ran the wording by someone who is savvier about legalese than myself, and I was informed this was fairly standard wording. Except — she couldn’t see what I was seeing. The terms I copy/pasted to her weren’t the ones on the website. In the few minutes between mentioning something on Twitter (and having a couple other people mention it), the terms changed. I’m not going to talk about what they say because that’s been addressed right here.

Honestly, they’re not that different than any other contest terms. The thing is, so few people READ the terms that when you do read them and see something like that, it’s jarring and makes you stop and think a little bit.

After thinking about the way the terms were now laid out, I decided to go ahead and enter the contest. I’d love to head to New York City and BEA for free. I love the networking aspect of the event, even if the show floor does little to nothing for me. As soon as I hit “submit” on the entry, though, I began to feel weird about doing it. I scrolled through a number of the other entries, and I began doubting more and more my decision to enter.

The contest is set up in two rounds: the first allows anyone to vote through their favorite blogs. Starting April 10, bloggers can campaign to earn votes, and the top 15 entries in each of the four categories will then be judged by a panel on a number of criteria, including writing quality, analysis quality, design, tone, and reader impact.

In short: it’s a popularity contest to start, followed by a real evaluation.

I sat on my entry for a few more hours, thinking about the work involved in promoting my blog among the other hundreds of YA blogs that entered. I sat on my entry thinking about having to spam my readers and my Twitter followers and whoever the heck else I could think about to vote for me. I sat on my entry looking at the other bloggers who have far greater followings than I do.

I took my entry out of the contest.

The only thing I could think about was the impending drama to come from this sort of set up. I’ve mentioned before that I don’t think that the things which come up in the blogging world are necessarily drama, and addressing it that way belittles some of the legitimate issues worth talking about when it comes to blogging. But I’m not going to lie: my chest got tense thinking about how my Twitter and my Google Reader will look starting April 10 as people begin begging for votes in this contest. And why wouldn’t people try to get them? It’s a free trip to BEA and to NYC.

This leads me to talking about the bigger issue, which is envy. I sort of addressed this in my post about blogging stats and how it’s important to remember you’re doing what you’re doing because you’re passionate about it, whatever the reason behind it is. It’s hard to remember that sometimes, though, especially when you’re so eager to be a part of something big.

Being a part of a big promotional event is neat. It feels like you’ve been chosen because of something that makes your blog special and unique (even if sometimes it’s simply stats). When you’re not selected to be a part of something, it feels like you’re not good enough. It’s easy to find yourself envious of those who were picked, and it’s way too easy with social media to not only find yourself obsessing over who did get to be a part of something, but to also find yourself lamenting and devaluing your own work because you weren’t. Where one blogger gets something exciting — whether they asked for it or it just happened — another one doesn’t. It’s not fair, and there are going to be feelings on both sides of the equation.

I invited everyone to read Sarah’s post about this topic where it comes to the In My Mailbox meme because she hits it perfectly. While I do think In My Mailbox has a genuine and good purpose behind it, it does get people worked up quite a bit.

I’m not comfortable begging people to choose STACKED over another, equally worthy blog. I’m not comfortable, either, when we’re given an opportunity — one we may not have chosen to be a part of but were instead selected to be part of by some reasoning beyond our knowledge — and people find themselves judging us or themselves as more or less worthy. Because the truth is, we’re all here doing something good and we’re all doing something different.

Even though I’ve pulled my entry for the BEA contest, the anxiety of it hasn’t left me because I know there will be hurt feelings all over the place. It’s the same kind of hurt people have when they don’t get the latest ARC or promotion. What makes it challenging to keep doing what we’re doing with camaraderie and without the hurt feelings is that we ARE all working toward a common goal (spreading the word of great books) and sometimes, the rules and decisions are ones completely out of our hands. The decision makers don’t always take the implications of their contests or their promotions into consideration before they put them out there.

And the thing is, they don’t have to.

It’s our responsibility as bloggers to stand up and choose whether or not we participate. It’s our responsibility to decide whether or not we’re going to let ourselves get anxious or nervous about them, too. It’s our responsibility to speak up and speak out.

We blog because of the freedom it allows us. The only way to keep it free is to remember we have the right to say no thanks and we have the right to step out when we’re not comfortable with how things are going.

That’s the fine print, and we get to write it ourselves.

Filed Under: big issues, blogging, Professional Development, Uncategorized

Hunger Games of the Hunger Games

March 27, 2012 |

I saw The Hunger Games this weekend, along with however many other hundreds of thousands of people, and I’m still processing it. I’m not going to post a review of it because I think Kimberly’s review is entirely spot on and perfect.

Instead, I thought I’d talk about the response to the movie I’ve been reading and been thinking a lot about. Two constant criticisms popping up that have rubbed me wrong on so many levels fall squarely on Jennifer Lawrence’s portrayal of Katniss. Both are perfect examples of the sorts of criticism people heft onto female actresses, especially in leading performances.

Right before the movie released on Friday, this article popped up via a (male) friend’s Facebook page. He asked everyone if they believed Hunger Games was really the first female-lead driven, huge movie, and their responses to the question were interesting. Most said this is probably the biggest wide release film with a female lead, but they pointed out other film/film series that featured female leads, including Twilight (which female commenters in the thread were quick to dismiss since “Bella’s worthless”), Tomb Raider, Underworld, and Kill Bill. I think it says a lot there IS a discussion and there ARE articles trying to ferret out which movies were the first to star a female. Because we cannot get past gender.

But more disturbing to me are reviews like this one. I get the reviewers weren’t fans of the film, and that’s everyone’s right to have. I also get the humor they’re going for in this review, and it’s spot on in being more about the authors than about the film. But the line that struck me was this: “Natasha: Like, I needed a bitch to EMOTE and pretend like her tummy was a little rumbly.” 

Let me start with the first part and work into the second part. 

For what it’s worth, I thought Jennifer Lawrence was spot-on in her portrayal of Katniss. See, as much as this film was about a desperate situation, it was also a game being televised for everyone to watch. She knew that. Playing into her emotions would be playing into precisely what the Capitol would want. More importantly, though, Katniss isn’t an emoter. Katniss is a thinker. She’s critically assessing her situations and making strategic decisions about which moves to make and not make. Even in that scene with Rue — the one where I shed a couple of tears — she’s not emotionally wrought. She’s holding back and she’s acting with steelness because she has to. Because that is who she is. If you’ll remember back to the scenes prior to Katniss’s going into the arena, particularly when she is saying her goodbyes to Prim, her mother, and Gale, she’s tough. She has no emotional blatant emotional response because she’s in a state of utter shock and disbelief, and this response doesn’t change when she’s fighting, either. It wouldn’t. 

Lawrence, as Kimberly pointed out, “frequently remain[s] silent but able to communicate a lot through her face and body language without making it seem like she’s emoting.” This is where I found Katniss to be most believable and most authentic to everything she was to herself. Had Lawrence emoted or worn her feelings in more visible ways (breaking down in tears, shredding things in anguish, and so forth), she’d be playing the game and losing sight of the end goal (getting out of there, getting home). More than that, though, it’d be playing into what the audience expects from her.

Which takes me to this point: we expect females to emote, don’t we? We expect the emotional response and we’re almost uncomfortable when it’s not there. Like it’s not right. I needed a bitch to EMOTE. I probably don’t need to go into the connotation there, do I? Bitches need to show their emotions or they’re not valid. Remember the earlier comments about Twilight?

The second part of the comment above that got me was about Katniss needing to portray her hunger a little more. Don’t worry, this one’s been covered, too. Why is it a woman’s body is always open for discussion? Why is it when a woman’s body IS discussed, it’s always leveraged with a subtle jab at any other body type? This article does it, too, intentionally or not, right here: “Her body type may differ ever so slightly from the Hollywood norm—her thighs appear functional rather than merely decorative—but she’s still leaner than the vast majority of the American population.”

So your thighs are either functional or they’re not, depending on the size? So, very thin people have non-functional thighs? I wholeheartedly agree with what Anderson’s trying to say in the piece, but the way it’s presented is a little problematic for me because it invariably pits “right” bodies from “not-right” bodies. We ARE fixated on this, and we continue to fixate by making these kind of distinctions.

But back to the point: we realize that Lawrence is tiny, right? That her body is thinner than average, but she’s got curves. She’s got breasts and she’s got a butt. Guess what? Females come in all shapes and sizes, and even if Lawrence is “bigger” than the average model, why does it matter in this role? To be entirely honest, I thought the fact she WAS curvy made her an even more inspired choice for the role. It hammered home the desperation and the hunger. While I will admit to the film not necessarily capturing the back story to the Hunger Games particularly well, Lawrence’s “average” body didn’t make her need any less valid or less believable. The anguish and hunger? It was written on her face. It was written in the way she moved her body, the pacing with which she advanced and retreated in each scene. It was also right there on the faces and in the actions of every other tribute.

Since when does one need to be emaciated to prove they’re hungry? And since when does there need to be audible grumbling? We expect certain things because they’re what we’ve come to accept as the right way for things to be. We expect hunger to manifest in moaning and in weakness. If it’s presented any other way, it’s up for easy criticism. For easy mockery. If our main heroine in a story like The Hunger Games isn’t teeny tiny, isn’t crying or breaking at the drop of a hat, and if her stomach isn’t growling, then she’s wrong.

She’s wrong.

I’ve avoided a lot of review reading of the movie because what I have read has presented judgment of Lawrence’s performance in a way that’s made an assumption of the role a female — a female teen, no less — should play. Viewers are spending more time critiquing what is acceptable emotion and body shape against our believed societal norms, rather than analyzing her performance by critiquing it in terms of story. In terms of the world she’s been put in. In terms of who Katniss is.

It’s become almost a Hunger Games in itself, hasn’t it?

Filed Under: big issues, Hunger Games movie, Uncategorized

Let’s talk about stats, baby

March 21, 2012 |

I have been sitting on this topic for a long, long time, and after seeing it become an issue earlier today on Twitter, I thought there was no better time than now!

Stats: we’ve all got ’em. They tell us all kinds of useful things, like how many people subscribe to our blogs, how many hits our blog gets, how many page views we have, where our viewers are reading from, and so on. They’re like circulation numbers in print media: stats give a good idea on how much and how many things are going on on a blog. In addition to stats as useful numbers, there’s also commenting numbers that can provide some interesting information.

These numbers can be passed along to publishers in exchange for, say, receiving advanced copies of titles — those numbers can show your reach and your ability to spread the word about a title — and they can be used if you’re seeking out advertising and revenue for your blog. Stats are important because they help separate out and help file bloggers into different categories. Bloggers who get a lot of comments and a lot of hits appear to have bigger reaches in the blogging world, and they then are more entitled to receiving certain “high interest” galleys and receiving some of the perks and promotional opportunities that can come with working with publishers or publicity agencies. These are the bloggers making bigger impressions, and they’re the ones who’ll give the most exposure to the most people. It makes sense. Numbers can say a lot!

When bloggers approach publishers seeking ARCs, sometimes they will lay out their stats for the publisher, and sometimes they publisher will ask directly. There are some publishers on Netgalley who have in their requirements that bloggers wishing to receiving an egalley put their information right in their bios, so that the publisher can make an easier decision on whether the blogger’s numbers match what their ideal numbers are. If a blogger meets that number, they have a better chance at receiving one of the limited number of ARCs available (it’s not guaranteed, but it’s a plus point to them).

Bloggers work exceptionally hard to make sure they’re getting good numbers — they blog regularly, write features that garner traffic, spread the word about their posts in any social media outlet possible, teach themselves search engine optimization to ensure their posts are among the first results popping up when people Google a book. They check their stats daily, weekly, monthly, and they note trends they’re seeing and work to ensure it’s an upward, not downward, movement.

Honestly, it’s at times mind blowing to see how much work bloggers put into their blog — they’re impassioned, they’re loyal, they’re dedicated, and they’re always looking for the next opportunity. Those who work hard SEE the rewards, through not only stats, but also through commenting, through their posts being spread wide and far, through being asked to take part in a huge promotional push on a big title (which then helps their blog’s exposure, the stats, and so on and so forth). But my question is this, and it will continue to be this: what does it even mean? What value does it have? Is there a value at all?

There aren’t answers and there never will be. That right there is why stats, in my mind, are not at all a useful means of measuring a blogger’s worth.

Here’s a screen shot of our stats from the last month (February 20 – March 20), as provided by blogger. As you can see, we’ve had almost 500 hits today, and we’ve had over 22,000 hits in the last month. It’s pretty astounding, considering these numbers do not take into account our readers who subscribe via RSS (I’ll get there in a second). This is only people who go to stackedbooks.org.

And here’s a comparative screen grab of what Google Analytics says our stats are in the same time frame. We’ve had somewhere between 4,100 and 6,800 visitors, and we’ve had 11,300 page views. As you can see, our traffic patterns vary, depending on the day and depending on the content. I can tell you that the peaks are when we have guest posts and when we have posts that elicit conversation, and our valleys are when we post book reviews (the bread and butter of what we do garners the least amount of traffic – go figure!). We also know we get more hits on weekdays as opposed to weekends, and during holidays and during conference seasons (ALA, etc.) we have declines in our readership. The traffic pattern information is useful to us when we’re planning our posts, so that we don’t post something we want people to read when we know our readership will be lower.

 

One more statistical compilation to look at — this is what sitemeter (the little button at the very bottom of our blog and many other blogs) says about our blog. We have far fewer hits per day and week according to this site than we do account to either Blogger or Analytics’s numbers. It also has our overall page views much lower than the other two.

Now those numbers all show the information for how many people are going to our blog directly and interacting with it at stackedbooksblog’s worth on these numbers at all. As both Kimberly and Jen can attest to, this is probably the first time they’ve actually SEEN all of these numbers in one place. Same here. We have them but we never pay attention. We pay attention to writing strong reviews, interesting features, and doing so on a consistent schedule.

So, when we’re asked for our stats, we average out the numbers and get a good idea of what our page views are.

In theory.

We have never once been asked to provide our stats for anything. Never. Once.

I mentioned earlier that these numbers do not take into account readers who subscribe by RSS. But that’s a number that’s always changing and inconsistent, much like the stats listed above. We can, however, get a bit of an idea thanks to Feedburner and thanks to the stats feature in Google Reader (which only gives information about GoogleReader subscribers).

Here’s our Feedburner readout:

Here’s what Google Reader says for our feed:

These two numbers are reading our feeds by different addresses but I know that FeedReader shows our GoogleReader subscribers as much higher than GoogleReader shows our GoogleReader subscribers. But these are two wildly different numbers! And then there’s the complication of numbers of people who are “following,” rather than “subscribing” to our blog.

I’ve talked before about readership and about critical reviews and about different types of bloggers, and that conversation is worth thinking about when we look at stats.  Different bloggers are going to garner different readerships and different stats. They reach different audiences and have different goals. I’ve believed for a long time this is something people were aware of, but I know the case is that that’s not true. There are bloggers who have astronomical stats because they’re promoting titles and they’re working as publicity for titles, rather than as reviewers for titles. Then there are bloggers who only review popular titles. Then there are bloggers who seek out lesser-known titles or bloggers who work primarily backlist titles. Their stats are going to be much different than those who are, say, doing cover reveals (and racking up hits that way) or those who are the first to review a very popular title (say Bitterblue). And that is okay. It is okay. Everyone reaches a different audience and everyone has different goals, and the entire beauty of the blogging world is that everyone can coexist like this.

One of the things we know about our readership is that the bulk are librarians or educators. It’s not our entire audience by any means, but a good chunk are. These are people who are gatekeepers to other readers. They spread information by word of mouth and, often, by opening their budget, too. We have readers who tell us they purchase books because we’ve given it a positive (or critical!) review. We know we have readers who look to us to find out what book they can next hand to a teen who loved x-titled book and needs something similar.

And that — that right there — is exactly why we do this.

We don’t do it for the stats, and we don’t do it to see our numbers explode. We don’t do it so we can get the next greatest promotion nor the next biggest title. We can get them from the library or purchase them ourselves when they’re available. Sure, being the first to review an exciting title is neat, but it’s never our goal here. That’s not to say the folks who do do those things are wrong. It’s just that their goals are much different than ours. And that. is. okay.

So why the long and detailed discussion of stats?

Stats tell us NOTHING.

They tell us absolutely NOTHING about a blog.

The truth of the matter is that while blogs certainly have a role in buzz marketing and in helping sell books and in putting books on people’s radars, we are only hitting certain audiences. Each blog hits different audiences and different readers, and those readers do different things with that information. They pass it along to colleagues or teens, they use it to buy books or avoid buying books, they use it to keep up-to-date on what’s coming out. But do we, as bloggers, know what they’re doing?

The answer is no. We don’t. We have ideas, and we can be told, but the truth is, unless we’re the ones buying a title, we don’t know how many titles we’re selling of certain books. We don’t know our true REACH. We never can and we probably never will.

All these stats do is give us a number. They give us something to look at and to pass along, something that can feel good or feel bad, depending on the day the blogger looks at it. But the truth is, these stats don’t tell us about content or quality of content. It just tells us something was looked at a lot or not looked at at all. It tells us when things are looked at more and when they’re looked at less. They’re a tool for the blogger to plan and think through what they’re doing. And if you take our numbers at their value, our biggest days come when we aren’t reviewing books, which is what we like doing most here. Which is what publishers provide ARCs for — the review. Our stats aren’t useful except to ourselves and whatever meaning we ascribe to it; they’re not useful for publishers because for them, it’s a raw number without meaning behind it.

Stats, as interesting as they are, really don’t tell us anything. They don’t tell us the true impact of what we’re doing. They don’t tell us whether what we said made someone buy a book. They don’t tell us how many people added a book to their GoodReads to-read shelf (sure you could extrapolate, but that’s giving yourself a lot of credit). They don’t tell us anything about ourselves except that we exist and, in some cases, we should be paid attention to. Because we ARE reaching someone. Just . . . we can’t know more than that.

Back to an earlier point: we have never been asked to provide our stats for anything, and I’ve laid them out right here for you to look at because as much as people are protective of their own, they’re also perversely interested in other people’s numbers. Publishers often talk about bloggers providing stats but they’ve not — as far as I know — given any indication of what good stats are. They haven’t laid out publicly what they’re looking for in terms of numbers or reach. At Kid Lit Con in 2010, there was a discussion about this very topic, and the response from the publishers was that they look at quality of work, they look at stats, and they look at comments. To which savvy bloggers cried precisely what I have said — numbers. mean. nothing. Reviews get the lowest views. Reviews get the fewest comments. But it doesn’t make the work any less valued or valuable or worthwhile.

There’s a lot of interest in comparing one another in the blogging world (and in the greater book world, too). But the truth is, comparing yourself to anyone else is pointless. Looking at your stats and seeing they’re better than or worse than ours says absolutely nothing about the quality of what you’re doing nor does it say anything about what your readers are taking away from your work.

Filed Under: big issues, Data & Stats, Professional Development, Uncategorized

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