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  • STACKED
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Texas Book Festival 2012

October 30, 2012 |

 Read my recaps of previous years: 2011, 2010

The Texas Book Festival is one of my most favorite events in Texas. The Texas Capitol (my favorite building in the state) is thrown open to the public and authors from near and far make their way there to talk books. Not only is the festival a time for me to spend time with my family and “my people” (book lovers), it also supports Texas public libraries. I’m even more grateful for that since the library I work at was a recipient of a Texas Book Festival grant a couple of years ago.
This year was great, leaps and bounds better than last year, which was a little disappointing in some ways.
Saturday

I started the festival off with a visit to “Class Acts,” a panel featuring Tim Green, Adam Rex, and Jon Scieszka. While they each were there to promote their latest books, they did speak some about previous books and their writing in general. This type of a panel is great because all three authors were very funny guys and had great camaraderie. The topic of bullying came up, and each writer talked about how they felt they were both bully and bullied at some point during grade school. Rex talked about how his experience as both informed his main character in Fat Vampire, a bullied kid who gains power as a vampire and turns into a bully as a result. It gave me a different perspective on the book, which I didn’t really care for. (I am, however, an evangelist for The True Meaning of Smekday, and if you haven’t read it, get on that.)

The next stop was a visit to hear two of the Onion’s editors talk about their latest book, The Onion Book of Known Knowledge. Rather than having a moderator who asked them specific questions, they gave a PowerPoint presentation. Unlike most PowerPoint presentations, this one was funny. They had the audience in stitches with gems like “Antelope: Another f***ing kind of deer” and “Egg: The most popular form of child to eat” plus the graphic above. They also talked about how the book was created, including an $8,000 trip to see Mount Rushmore and an additional $8,000 trip to verify their findings. I have Our Dumb World and enjoy referring to it from time to time, but the Onion’s encyclopedia speaks even more to my librarian heart.

Kristin Cashore and the back of my head.

Next up was “Fantasy Gets Real” with Kristin Cashore, Cinda Williams Chima, and Jasper Fforde. They talked about the usual things: writing process, how YA and SFF are often looked down upon by the “literary establishment,” worldbuilding, magic, naming characters. It was mostly interesting, but unfortunately Cashore spoke so softly and her mic was so far away from her that I caught only about half of what she said. (Is it appropriate in these instances to shout out “Could you speak up a little?” if the moderator clearly doesn’t see a problem? Regardless, I didn’t.) I did go stand in line to buy Bitterblue and get it signed, though. And it’s very, very good.

My last session of the day was “With Great Power Comes Great Responsibility,” which was not about Spider-Man at all. It featured Marie Lu, Katherine Applegate, Andrea Cremer, Bree Despain, and Michael Grant. I’m not wild about any of those authors, but I thought the discussion would be interesting (and it was). The thing that sticks most firmly in my mind is that Michael Grant is a high school dropout. It’s also remarkable how many adults are still wild about Animorphs. Before the session started, two women in their 20s showed the authors their Animorphs tattoos on their ankles. (Since I find stories about animals quite dull, this series never appealed.)

Sunday

The first session I attended on Sunday was my requisite nerd session: “Jane Austen: Reading Between the Lines.” David Shapard talked about the process of annotating Austen’s novels, including his initial love for her writing and how his appreciation for her grew as a result of the project. Jennifer Ziegler should get the Best Moderator award for her work here, since her questions were by far the most interesting and thoughtful of any session I attended. Shapard talked some about how he used the OED as a reference to learn about how the meanings of certain words were different in Austen’s time, which I found fascinating (“condescending,” for example, did not have quite the negative connotation we apply to it now). 

There are photos of me more awkward than this, but not many…

Next was “Right Place, Right Time,” which featured Shana Burg, Avi, and was supposed to include Karen Cushman. Unfortunately, Cushman had to have surgery and couldn’t attend the festival, which was super disappointing, since I was really looking forward to seeing her alongside Avi, two of my favorite authors as a kid. But Avi was really great. Favorite line from the session: “I don’t teach lessons, I tell stories.” He also talked about how the author’s notes in his books are really for the parents and other gatekeepers, not the children – in a historical novel, the adults want to make sure the author got it right before approving it for the kids. I purchased his newest book, Sophia’s War, which sounds like something I would have loved as a kid. Normally I just hand the book over and get it signed silently, since I a.) don’t want to hold up the line; and b.) am afraid of strangers, but in this case I told Avi how much I liked his books when I was a kid, that I was now a librarian, and he told me he used to be a librarian as well. And then he suffered Matthew taking a photo of us. Nice.

I closed out the Festival by hopping over to see Garth Nix and Sean Williams discuss their collaborative effort, Troubletwisters. I’m not terribly interested in that series, but Nix spoke about some of his other books as well, including Sabriel and Shade’s Children, both favorites of mine as a child. (It was really great to see so many of the authors I loved as a child still writing and winning awards in my adult years.) Bonus: both authors are Australian, so everything sounded much more interesting thanks to the accents.

All in all, it was a really satisfying event. On to 2013…

Filed Under: Authors, Uncategorized

Texas Book Festival 2010

October 19, 2010 |

This past weekend I traveled to Austin to attend the 15th annual Texas Book Festival, a two-day extravaganza in the capitol building and on the capitol lawns featuring a bevy of authors, illustrators, and readers. 

I can’t remember a time when the book festival was not a part of my life.  I always enjoy visiting the capitol building – my favorite building in the state of Texas and one of the few state capitols that actually looks impressive.  It was a beautiful weekend to be out in the sun, walking around the green capitol grounds and just relishing being among a huge throng of readers.

There were a couple changes this year that I wasn’t so wild about.  First, the House and Senate chambers are being renovated, so they were both closed and no events took place inside them (except the Senate chamber on Sunday for a few panels).  So instead of sitting at a desk and pretending to make Very Important Decisions, we were mostly in the capitol extension rooms downstairs.  That beautiful room off to the right is the House chamber, which I sadly did not get to see this year.  Unavoidable, but still disappointing.  

Second, for the first time in the history of the festival (at least that I can recall), security gates were installed at each entrance to the building.  Before this year, visitors could just walk right in with no pauses or lines, and no need to remove belts or watches or have their bags searched.  Not anymore.  That was probably the most disappointing part of the whole experience.  I’ve a feeling the gates are permanent, and I’d be lying if I said that fact didn’t diminish my love of the capitol more than a little.
But enough with the disappointments.  Overall, it was a terrific two days.  Here are some highlights.  Warning: this is a long post.  I just can’t help it.
Day One

Instead of battling the throngs of people packed into the Paramount to see Laura Bush, I elected to hear neuroscientist Simon LeVay talk about his book Gay, Straight, and the Reason Why: The Science of Sexual Orientation.  LeVay was an excellent speaker: he described his research and fielded questions handily, managing to communicate his points clearly and without talking over the audience’s head (or talking down to the audience, either).  He’s conducting some really important research that has massive social implications.

Then I headed to the Paramount to see the Literary Death Match, an event where four authors paired up for a “read-off” and the winners were voted on by a panel of judges including Holly Black.  It was full of really cheesy and really raunchy humor, so definitely up my alley, although the first reading I could have done without.  Bob Shea, author of the picture book Dinosaur vs. the Potty, was the last author to read and he brought the house down with a reading of the aforementioned book, as well as with his presentation of his “work in progress”: Dinosaur vs. Writing Picture Books (I’m paraphrasing that – I can’t remember the exact title).  A few choice match-ups from that book include Dinosaur vs. explaining to your father what you do for a living (Dinosaur wins!), Dinosaur vs. obsessively googling your name (Dinosaur wins!), and Dinosaur vs. selling out (Selling out wins!).  Hilarious and the best part of Day One.

The last panel of Saturday that I attended was Vintage/Anchor books presentation of “Writers on Reading.”  I’ll be honest and say I only went because they hand out tote bags of free books each year, but I really could have skipped it.  None of the books I happened to receive really interested me, and the authors on the panel – J. Courtney Sullivan and Abraham Verghese – were merely mediocre.  I was particularly put off by both authors’ arguments that critical reviews of their books were unnecessary and if a reviewer couldn’t write a positive review, the reviewer should send it to someone who would.  Here at STACKED, we believe that each book has an audience (even if it’s a very small one), but we also believe in being honest.  Sullivan’s and Verghese’s line of thought didn’t sit well with me.

Next up was a quick walk through the tents and then it was time to head home for a brief rest before seeing Alton Brown at Central Market.  My family and I were lucky enough to score a few of the limited seats inside the venue, so we were treated to a solid half-hour of Alton Brown being his awesome self as he answered audience questions.  Afterward, he signed copies of his new book Good Eats 2: The Middle Years.  He was just as funny, energetic, and personable as his tv show indicates.

Day Two
First up on Day Two was a fantasy panel entitled “Portal to Imagined Worlds” featuring Cinda Williams Chima, Carolyn Cohagan, Ingrid Law, and Brian Yansky.  They were uniformly interesting and just a great way to start the day.  Fantasy was what made me a reader in the first place, and it’s still my greatest reading love.  I loved hearing about their path to being published and that not a single one of the four bothers to outline.  Every year at the Book Festival, I attend a panel that inspires me to write, and this one was it.

Next up was “English Language: Under the Hood” with Roy Peter Clark and Ben Yagoda.  I’m having trouble deciding what my favorite moment of this session was.  The first moment came when Yagoda shot down an audience member who stated that people nowadays (meaning young people, natch) neither read nor know how to use the English language properly.  His rebuttal was excellent and still makes me smile.  The second moment came when Clark launched into a few punny Tom Swifties, including “‘I dropped my toothpaste,’ he said, crestfallen.”  I’m glad I snagged a copy of Clark’s The Glamour of Grammar at TLA earlier this year.

The last event I attended was Tony DiTerlizzi, who introduced his new fully-illustrated (over 100 pages of color illustrations!) novel for middle graders The Search for WondLa.  He spoke about his influences (both literary and artistic) which include Alice in Wonderland, Peter and Wendy, and The Wizard of Oz.  The cover for the book in particular reminds me of W. W. Denslow’s illustrations.  The Wizard of Oz has long been near and dear to my heart (I practically learned to read on Baum’s books), and I was very impressed with both DiTerlizzi’s presentation, which was funny and interesting, as well as with his art, which is expressive and beautiful.  The whole book is a work of art, and I was very pleased to purchase it and have him sign it for me (He’s also a very nice man).  As I waited in line, I noticed several kids who just could not wait to start reading – their noses were in the book and didn’t leave it, even when they were next in line to meet the author.  That’s pretty awesome.

That’s my Texas Book Festival experience in a nutshell!  I can’t wait to go back again next year, where I might decide to skip the Vintage/Anchor books panel and where I’ll cross my fingers that the House and Senate chambers will be open again (pretty likely) and the metal detectors will have disappeared (not likely, I’m afraid).

Filed Under: Authors, Uncategorized

Lois Duncan: A cover retrospective

June 10, 2010 |

Lois Duncan: you’ve read her work. Her thrillers were core to my teenage reading years, and it was at that time that film makers produced I Know What You Did Last Summer, as well. Let’s talk a walk down memory lane and check out some of her covers past, present, and remastered.

A Git of Magic, published in 1960. I think this is the original cover. WHAT is with the person in the background — are they dancing? levitating? having a seizure?

Here are a couple of different renditions, with the signature style of her newer covers featured last:



Season of the Two – Heart published in 1964. Definitely fits what the aesthetic of the 1960s young adult book was, right down to the color tones.

Point of Violence published in 1966. I love the crime club selection style here, as it really does set it apart — you know other books in that time period had similar covers if they were crime selections. That sort of cover work really aids in reader advisory. I sometimes wish we still had this sort of visual aid (we do in some ways but not like this!).

1966 also brought us Ransom. This one underwent a title change, as well. It is also known as Five Were Missing.


This one’s been redesigned a couple times. The first stands out, fits with the aesthetic of Duncan’s other titles, and screams thriller with its tag line. I might have to say the second redesign is kind of hokey. It reminds me of a Buffy the Vampire Slayer cast shot.


1973 brought us When the Bow Breaks. This is one that again fit with the books I’ve seen or had from the 1970s.

Of course, what would a Duncan retrospective be without this 1973 classic?

That is our original cover for I Know What You Did Last Summer.

Film style, of course.

I love this one! Talk about spooky.

Killing Mr. Griffin came to us in 1978, and it, too, got the movie treatment.



I think the last one’s my favorite. I like how similar they all are, but they each still provoke just a little bit of a different feeling.

Let’s move on to the 1980s. Duncan brought us these titles in that decade:
1981’s Stranger with My Face. I love this cover. It is so 1981 — think about how much this is reminiscent of the original Sweet Valley series!
I love this one. This is the first title of Duncan’s that really looks like something other than a white girl/boy.

1985 brought us Locked In Time, featuring a cover model who looks about 35. But this one, too, has gotten a few make overs.


She looks much older than teen aged, too, doesn’t she?

1989 brought us Don’t Look Behind You. This one SCREAMS 1980s and teenage thriller. A red corded telephone transports us back to such an innocent era, doesn’t it?

And finally, we’ve reached the 1990s.



I really like all three of these. The crystal ball and snow globe images are eerie.

Duncan hasn’t written much for the teen group in the 2000s, as Hotel for Dogs is aimed at a younger crowd. However, as you have seen, many of her books have been repackaged over and over. These have incredible staying power, and it has been smart of the publishers to redesign the covers to fit the ever-changing aesthetics of our culture.

Do you have a favorite here? I think mine might be the incredibly cheesey 1989 Don’t Look Behind You. I bet it would still circulate like crazy with that cover!

Filed Under: aesthetics, Authors, cover designs, Uncategorized

Favorite books vs. favorite authors

April 22, 2010 |

I was asked a question last week that made me really think — and now I pose it to you, wonderful readers.

Do you have a favorite author or authors? Who are they?

For me, I have fewer favorite authors than I have favorite books. Favorite authors of mine include Aimee Bender, Douglas Coupland (with the exception of his last few books), Laurie Halse Anderson (for her writing and more for her advocacy of reading and of libraries), Donna Freitas (who I blogged about Monday), and Melissa Walker. I can only name a few, and in answering the question, I drew a bit of a blank.

It’s like being asked to talk about yourself — here’s your warning that psychology speak is coming. Our brains are built with connections between ideas, and when we are so intimately familiar with ourselves, being asked to ferret out a few facts to describe ourselves is hard because all of our ideas of ourselves are tightly bound.

This extends to readers, too. Big readers have a hard time pulling out just a few favorite authors quickly because we are so connected to so many.

Ahem, moving back to the point at hand.

I am more of a “favorite books” than a “favorite authors” person. The books themselves become more a part of me than an author does when I am reading, and thus, while I am conscious about who is doing the writing and like to know more about them, it is their work that ultimately sticks with me. I say this, of course, as I partake in a debut authors challenge. Perhaps that’s just it: it’s hard for me to feel confident in having a favorite author who may only have published one work or had only one big hit for me. Books stand alone and feel “safer” as favorites.

So tell me readers, who are your favorite authors? Do you play preference to favorite authors or favorite books? Does it matter?

Filed Under: Authors, musings, Uncategorized

Cities, Bicycles, and the Future of Getting Around

October 3, 2009 |

I work for a very large library system. Sometimes, this is a curse – I’m subject to the whims of bureaucracy, I’m unable to enact a great deal of change without paperwork, I deal with disgruntled city workers on a regular basis, and oh, yes, there’s a lot of paperwork. But one of the advantages of this system has to be the amazing group of donors who support library programming – Library Foundation of Los Angeles. At Central Library, the Library Foundation holds a regular lecture series called ALOUD on subjects ranging from Neutra’s architecture to urban farming to poverty. The Library Foundation attracts fascinating authors to speak about their latest published works, and most of the programs are free. On occasion, ALOUD attracts some very big names – I’ve seen Steve Martin play the banjo and talk about his book Born Standing Up: A Comic’s Life, Garrison Keillor will perform next week to promote his novel Pilgrims: A Wobegon Romance, and last night, I was able to attend a panel discussion featuring special guest, David Byrne. The lecture was called “Cities, Bicycles, and the Future of Getting Around.”

David Byrne, to promote his new book Bicycle Diaries, has been on a whirlwind tour of the United States, hitting many major metropolitan cities. In each panel discussion, he brings together a civic leader, an urban theorist, and a bicycle advocate. I had the pleasure to hear Michelle Mowery, Bicycle Coordinator for the Los Angeles Department of Transportation, Don Shoup, Professor of urban planning at UCLA (a “parking rock star”), and Jimmy Lizama of The Bicycle Kitchen as they joined David Byrne for a lively two hour discussion. Each speaker had fifteen minutes to give a presentation, then they all sat down for Q&A… that was supposed to last for 20 minutes, but ended up in the hour long territory.

David Byrne himself gave a really thoughtful speech – he talked a little bit about the freedom after he discovered cycling in an urban environment. He was living in Manhattan, and he found himself tired of relying on taxis or the train schedule. He found that when he rode his bike, he could easily hop from art gallery to a concert to a restaurant in much less time (and expense) than any other means of transportation. His presentation was particularly notable for the number of photos of different cities – both of urban spaces that worked with cycling (most notably in Europe and Asia) as well as places that weren’t conducive for bicycles – including a snapshot of an Austin road.

Donald Shoup added a more academic tone to the discussion; his book, The High Cost of Free Parking, details the amount of money (and time) spent looking for curbside parking spots in urban locales. A biking enthusiast himself, he also introduced the idea of the Bicycle Boulevard as a cheap way to encourage biking within Los Angeles. I’m a neophyte when it comes to new urban planning ideas, so I was particularly fascinated by his engaging presentation. Honestly, it makes me want to take his class at UCLA!

The bureaucrat, Michelle Mowery, was the real star of the show, though. Articulate and passionate, she obviously loves her job… and the world of cycling. Every Monday, she rides from Long Beach to her downtown Los Angeles office via the LA River Bikeway. Her presentation was on the shorter side, but almost every single question in the Q&A section was addressed to her. And boy, was she able to answer them. She was one of the architects of the new Los Angeles Bike plan, and she was able to refer to specific chapter and page numbers that dealt with the complaints of the attendees. She said that the plan was incomplete, but her office was really working hard to gather more funding and more importantly, more awareness for the issues at hand. Mowery was also able to outline clear and feasible ways to practically implement almost every single suggestion from the biking community. I came away from the presentation extremely impressed that cycling had such an advocate in the city government.

The final presenter, Jimmy Lizama, offered a grassroots perspective on cycling in Los Angeles. I liked his presentation style; instead of using a traditional PowerPoint, he used a series of photographs to illustrate a story about his girlfriend’s daily bike trip to the local elementary school with her son. Jimmy was able to illustrate both the joys and struggles of a typical Angeleno cyclist. And during the Q&A, he was able to offer more personal recollections to expand on theories presented by the other speakers.

I love the idea of using books as the basis for lectures such as these. Honestly, I have no real connection to the biking community here. I haven’t owned a bicycle since my father sold mine in a garage sale during my high school years. But I really enjoyed the community that the library brought together through this book-based discussion. I’ve added a couple of items to my growing to-read pile, plus I gained some insight into my neighborhood. Sometimes, reading can seem like an insular activity, but events like these can be found at local libraries all over the country… and they’re worth the trek. Or the bike ride.

Filed Under: Adult, Authors, Non-Fiction, Programming, Uncategorized

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