I’ve become a much bigger audiobook listener in the last couple of years than I have been in a while. When I worked in libraries and had a commute, audiobooks were a staple. But years of working from home gave me less free time for listening. Now, though, I take my daughter to school most days of the work week, and I like to work from a cafe about 15 minutes from my home on weekends. This gives me roughly 6 or 7 hours a week to listen, meaning I can make my way through a full audiobook in a couple of weeks. In 2022, nearly half of my book consumption was in audio, and I suspect it might be even higher this year.

As such, I’m always looking for books that are a good experience on audio. I prefer nonfiction to fiction on audio, as it is easier for me to start and stop with them. It’s like an extended podcast on a given topic, allowing me to listen in those 15-20 minute chunks a couple of times a day.

I asked over on Twitter at the end of last year for my followers favorite nonfiction audiobooks they listened to last year. There was no publication date limit, as I find audiobooks a great opportunity to catch up on backlist titles. The recommendations from Twitter were so good, and I did not want to let them fall into the ether of social media. Find below a roundup of the best nonfiction audiobook recommendations for 2023, and there is something for every kind of listener here. I’m including descriptions from Amazon, and the audiobooks I’ve listened to and second the recommendation for I’ve indicated with a “*” beside the title. This is a long list with an incredible range of front list, back list, memoir, microhistories, humor, science, religion, and so much more.

Let’s dive in! This is a big list. 

 

 

Nonfiction Audiobook Recommendations for 2023

Ace by Angela Chen, performed by Natalie Naudus

An engaging exploration of what it means to be asexual in a world that’s obsessed with sexual attraction, and what the ace perspective can teach all of us about desire and identity.

What exactly is sexual attraction, and what is it like to go through life not experiencing it? What does asexuality reveal about gender roles, about romance and consent, and the pressures of society? This accessible examination of asexuality shows that the issues that aces face – confusion around sexual activity, the intersection of sexuality and identity, navigating different needs in relationships – are the same conflicts that nearly all of us will experience. Through a blend of reporting, cultural criticism, and memoir, Ace addresses the misconceptions around the “A” of LGBTQIA and invites everyone to rethink pleasure and intimacy.

Journalist Angela Chen creates her path to understanding her own asexuality with the perspectives of a diverse group of asexual people. Vulnerable and honest, these stories include a woman who had blood tests done because she was convinced that “not wanting sex” was a sign of serious illness, and a man who grew up in a religious household and did everything “right”, only to realize after marriage that his experience of sexuality had never been the same as that of others. Disabled aces, aces of color, gender-nonconforming aces, and aces who both do and don’t want romantic relationships all share their experiences navigating a society in which a lack of sexual attraction is considered abnormal. Chen’s careful cultural analysis explores how societal norms limit understanding of sex and relationships and celebrates the breadth of sexuality and queerness.

 

All About Me by Mel Brooks, performed by Mel Brooks

For anyone who loves American comedy, the long wait is over. Here are the never-before-told, behind-the-scenes anecdotes and remembrances from a master storyteller, filmmaker, and creator of all things funny.

All About Me! charts Mel Brooks’ meteoric rise from a Depression-era kid in Brooklyn to the recipient of the National Medal of Arts. Whether serving in the United States Army in World War II, or during his burgeoning career as a teenage comedian in the Catskills, Mel was always mining his experiences for material, always looking for the perfect joke. His iconic career began with Sid Caesar’s Your Show of Shows, where he was part of the greatest writers’ room in history, which included Carl Reiner, Neil Simon, and Larry Gelbart. After co-creating both the mega-hit 2000 Year Old Man comedy albums and the classic television series Get Smart, Brooks’ stellar film career took off. He would go on to write, direct, and star in The Producers, The Twelve Chairs, Blazing Saddles, Young Frankenstein, Silent Movie, High Anxiety, and Spaceballs, as well as produce groundbreaking and eclectic films including The Elephant Man, The Fly, and My Favorite Year. Brooks then went on to conquer Broadway with his record-breaking, Tony-winning musical, The Producers.

All About Me! offers fans insight into the inspiration behind the ideas for his outstanding collection of boundary-breaking work, and offers details about the many close friendships and collaborations Brooks had, including those with Sid Caesar, Carl Reiner, Gene Wilder, Madeleine Kahn, Alfred Hitchcock, and the great love of his life, Anne Bancroft.

Filled with tales of struggle, achievement, and camaraderie, listeners will gain a more personal and deeper understanding of the incredible body of work behind one of the most accomplished and beloved entertainers in history.

 

*All Boys Aren’t Blue by George M. Johnson, performed by George M. Johnson

In a series of personal essays, prominent journalist and LGBTQIA+ activist George M. Johnson explores his childhood, adolescence, and college years in New Jersey and Virginia. From the memories of getting his teeth kicked out by bullies at age five, to flea marketing with his loving grandmother, to his first sexual relationships, this young-adult memoir weaves together the trials and triumphs faced by Black queer boys.

Both a primer for teens eager to be allies as well as a reassuring testimony for young queer men of color, All Boys Aren’t Blue covers topics such as gender identity, toxic masculinity, brotherhood, family, structural marginalization, consent, and Black joy. Johnson’s emotionally frank style of writing will appeal directly to young adults.

 

All the Women in My Brain by Betty Gilpin, performed by Betty Gilpin

A lightning-strike dispatch of hilarious, intimate, luminous essays from the brain (and voice!) of Emmy Award-nominated actress and writer Betty Gilpin.

Oh. Hi. *takes six long gulps of water during which you’re like, may I help you?*

My name is Betty. I have depression. I have passion. I have tits the size of printers. And also: I have a brain full of women.

There’s Blanche VonFuckery, Ingrid St. Rash, and a host of others—some cowering in sweatpants, some howling plans for revolution, and one, oh God, and one . . . slowly vomiting up a crow? Worried for her. These women take turns at the wheel. That’s why I feel like a million selves. With a raised eyebrow and a soul-scalpel, I’d like to tell you how I got this way. Because maybe you feel this way too.

Let’s hop from wild dissections of modern womanhood to boarding school musings to the glossy cringe of Hollywood. Let’s laugh at my failures and then quietly hope with me for the dream. Whether that dream is love or liberation or enough IMDB credits to taze the demon snapping at my ankles, we won’t know until the shit-fanning end.

As a dear friend said after listening to this audiobook, it’s “either a masterpiece, or it’s…completely…” and then she glazed over into a haunted stare. Listener? This audiobook is my opus and it is chaos.

If you’ve ever felt like you were more, or at least weirder, than the world expected—welcome to All the Women in My Brain.

 

Allow Me to Retort by Elie Mystal, performed by Elie Mystal

Allow Me to Retort is an easily digestible argument about what rights we have, what rights Republicans are trying to take away, and how to stop them. Mystal explains how to protect the rights of women and people of color instead of cowering to the absolutism of gun owners and bigots. He explains the legal way to stop everything from police brutality to political gerrymandering, just by changing a few judges and justices. He strips out all of the fancy jargon conservatives like to hide behind and lays bare the truth of their project to keep America forever tethered to its slaveholding past.

Mystal brings his trademark humor, expertise, and rhetorical flair to explain concepts like substantive due process and the right for the LGBTQ community to buy a cake, and to arm listeners with the knowledge to defend themselves against conservatives who want everybody to live under the yoke of 18th-century White men. The same tactics Mystal uses to defend the idea of a fair and equal society on MSNBC and CNN are in this book, for anybody who wants to deploy them on social media.

You don’t need to be a legal scholar to understand your own rights. You don’t need to accept the “Whites only” theory of equality pushed by conservative judges. You can listen to this book to understand that the Constitution is trash but doesn’t have to be.

 

The Anthropocene Reviewed by John Green, performed by John Green

The Anthropocene is the current geologic age, in which humans have profoundly reshaped the planet and its biodiversity. In this remarkable symphony of essays adapted and expanded from his groundbreaking podcast, best-selling author John Green reviews different facets of the human-centered planet on a five-star scale – from the QWERTY keyboard and sunsets to Canada geese and Penguins of Madagascar.

Funny, complex, and rich with detail, the reviews chart the contradictions of contemporary humanity. As a species, we are both far too powerful and not nearly powerful enough, a paradox that came into sharp focus as we faced a global pandemic that both separated us and bound us together.

John Green’s gift for storytelling shines throughout this masterful collection. The Anthropocene Reviewed is a open-hearted exploration of the paths we forge and an unironic celebration of falling in love with the world.

 

*The Answer Is…: Reflections on My Life by Alex Trebek, performed by Ken Jennings and Alex Trebek

Since debuting as the host of Jeopardy! in 1984, Alex Trebek has been something like a family member to millions of television viewers, bringing entertainment and education into their homes five nights a week. Last year, he made the stunning announcement that he had been diagnosed with stage four pancreatic cancer. What followed was an incredible outpouring of love and kindness. Social media was flooded with messages of support, and the Jeopardy! studio received boxes of cards and letters offering guidance, encouragement, and prayers.

For over three decades, Trebek had resisted countless appeals to write a book about his life. Yet he was moved so much by all the goodwill, he felt compelled to finally share his story. “I want people to know a little more about the person they have been cheering on for the past year,” he writes in The Answer Is…: Reflections on My Life.

The book combines illuminating personal anecdotes with Trebek’s thoughts on a range of topics, including marriage, parenthood, education, success, spirituality, and philanthropy. Trebek also addresses the questions he gets asked most often by Jeopardy! fans, such as what prompted him to shave his signature mustache, his insights on legendary players like Ken Jennings and James Holzhauer, and his opinion of Will Ferrell’s Saturday Night Live impersonation. The book uses a novel structure inspired by Jeopardy!, with each chapter title in the form of a question, and candidly captures Trebek over the years.

This wise, charming, and inspiring book is further evidence why Trebek has long been considered one of the most beloved and respected figures in entertainment.

 

As Fast As Her by Kendall Coyne, with Estelle Laure, performed by Kendall Coyne

The world told Kendall Coyne to slow down. They said “not so fast” when she picked up hockey skates instead of figure skates. They said “just a minute” when she tried out for the boy’s team. They told her “you’re not enough” so often that she started to believe it. But Kendall had a passion and a dream, so instead of slowing down, she sped up, going on to win Olympic gold and a spot in the Fastest Skater Competition at the 2019 NHL All-Star Weekend.

As Fast as Her explores how Kendall held on to her dream, overcame her insecurities, defied her naysayers, and pushed herself past barriers to achieve her goals—and how you can too! Inside this inspirational, sports-meets-real-life inspirational autobiography, Kendall shares:

• stories that illustrate the lessons she’s learned and how to apply them for success 
• affirmations to help young people believe you are can reach your dreams 
• encouragement to fit in, to find your “why,” and to create lasting change for others 
• her personal trials and triumphs, inspiring you to discover what excites and exhausts you 
• motivation to be relentless in achieving your own goals 

Kendall pauses throughout her story to equip you with practical take-aways from her journey to become a top athlete and Olympic medalist, appropriately dubbed “Golden Coynes.”

 

*Because Internet by Gretchen McCulloch, performed by Gretchen McCulloch

Because Internet is for anyone who’s ever puzzled over how to punctuate a text message or wondered where memes come from. It’s the perfect book for understanding how the internet is changing the English language, why that’s a good thing, and what our online interactions reveal about who we are.

Language is humanity’s most spectacular open-source project, and the internet is making our language change faster and in more interesting ways than ever before. Internet conversations are structured by the shape of our apps and platforms, from the grammar of status updates to the protocols of comments and @replies. Linguistically inventive online communities spread new slang and jargon with dizzying speed. What’s more, social media is a vast laboratory of unedited, unfiltered words where we can watch language evolve in real time. Even the most absurd-looking slang has genuine patterns behind it.

Internet linguist Gretchen McCulloch explores the deep forces that shape human language and influence the way we communicate with one another. She explains how your first social internet experience influences whether you prefer “LOL” or “lol,” why ~sparkly tildes~ succeeded where centuries of proposals for irony punctuation had failed, what emoji have in common with physical gestures, and how the artfully disarrayed language of animal memes like lolcats and doggo made them more likely to spread.

 

Before We Were Trans by Kit Heyam, performed by Kit Heyam

Today’s narratives about trans people tend to feature individuals with stable gender identities that fit neatly into the categories of male or female. Those stories, while important, fail to account for the complex realities of many trans people’s lives.

Before We Were Trans illuminates the stories of people across the globe, from antiquity to the present, whose experiences of gender have defied binary categories. Blending historical analysis with sharp cultural criticism, trans historian and activist Kit Heyam offers a new, radically inclusive trans history, chronicling expressions of trans experience that are often overlooked, like gender-nonconforming fashion and wartime stage performance. Before We Were Trans transports us from Renaissance Venice to seventeenth-century Angola, from Edo Japan to early America, and looks to the past to uncover new horizons for possible trans futures.

 

*Belly of the Beast by Da’Shaun L. Harrison, performed by Da’Shaun L. Harrison

Exploring the intersections of Blackness, gender, fatness, health, and the violence of policing.

To live in a body both fat and Black is to exist at the margins of a society that creates the conditions for anti-fatness as anti-Blackness. Hyper-policed by state and society, passed over for housing and jobs, and derided and misdiagnosed by medical professionals, fat Black people in the United States are subject to socio-politically sanctioned discrimination, abuse, condescension, and trauma.

Da’Shaun Harrison—a fat, Black, disabled, and nonbinary trans writer—offers an incisive, fresh, and precise exploration of anti-fatness as anti-Blackness, foregrounding the state-sanctioned murders of fat Black men and trans and nonbinary masculine people in historical analysis. Policing, disenfranchisement, and invisibilizing of fat Black men and trans and nonbinary masculine people are pervasive, insidious ways that anti-fat anti-Blackness shows up in everyday life. Fat people can be legally fired in 49 states for being fat; they’re more likely to be houseless. Fat people die at higher rates from misdiagnosis or nontreatment; fat women are more likely to be sexually assaulted. And at the intersections of fatness, Blackness, disability, and gender, these abuses are exacerbated.

Taking on desirability politics, the limitations of gender, the connection between anti-fatness and carcerality, and the incongruity of “health” and “healthiness” for the Black fat, Harrison viscerally and vividly illustrates the myriad harms of anti-fat anti-Blackness. They offer strategies for dismantling denial, unlearning the cultural programming that tells us “fat is bad”, and destroying the world as we know it, so the Black fat can inhabit a place not built on their subjugation.

*Black Birds In the The Sky by Brandy Colbert, performed by Kristyl Dawn Tift

In the early morning of June 1, 1921, a White mob marched across the train tracks in Tulsa, Oklahoma, and into its predominantly Black Greenwood District – a thriving, affluent neighborhood known as America’s Black Wall Street. They brought with them firearms, gasoline, and explosives.

In a few short hours, they’d razed 35 square blocks to the ground, leaving hundreds dead. The Tulsa Race Massacre is one of the most devastating acts of racial violence in US history. But how did it come to pass? What exactly happened? And why are the events unknown to so many of us today?

These are the questions that award-winning author Brandy Colbert seeks to answer in this unflinching nonfiction account of the Tulsa Race Massacre. In examining the tension that was brought to a boil by many factors – White resentment of Black economic and political advancement, the resurgence of white supremacist groups, the tone and perspective of the media, and more – a portrait is drawn of an event singular in its devastation, but not in its kind. It is part of a legacy of White violence that can be traced from our country’s earliest days through Reconstruction, the civil rights movement in the mid-20th century, and the fight for justice and accountability Black Americans still face today.

The Tulsa Race Massacre has long failed to fit into the story Americans like to tell themselves about the history of their country. This book, ambitious and intimate in turn, explores the ways in which the story of the Tulsa Race Massacre is the story of America – and by showing us who we are, points to a way forward.

*The Body Is Not An Apology by Sonya Renee Taylor, performed by Sonya Renee Taylor

Humans are a varied and divergent bunch with all manner of beliefs, morals, and bodies. Systems of oppression thrive off our inability to make peace with difference and injure the relationship we have with our own bodies.

The Body Is Not an Apology offers radical self-love as the balm to heal the wounds inflicted by these violent systems. World-renowned activist and poet Sonya Renee Taylor invites us to reconnect with the radical origins of our minds and bodies and celebrate our collective, enduring strength. As we awaken to our own indoctrinated body shame, we feel inspired to awaken others and to interrupt the systems that perpetuate body shame and oppression against all bodies. When we act from this truth on a global scale, we usher in the transformative opportunity of radical self-love, which is the opportunity for a more just, equitable, and compassionate world – for us all.

This second edition includes stories from Taylor’s travels around the world combating body terrorism and shines a light on the path toward liberation guided by love. In a brand new final chapter, she offers specific tools, actions, and resources for confronting racism, sexism, ableism, homophobia, and transphobia. And she provides a case study showing how radical self-love not only dismantles shame and self-loathing in us but has the power to dismantle entire systems of injustice. Together with the accompanying workbook, Your Body Is Not an Apology, Taylor brings the practice of radical self-love to life.

 

The Book of Hope: A Survival Guide for Trying Times by Douglas Carlton Abrams and Jane Goodall, performed by Douglas Carlton Abrams and Jane Goodall

Looking at the headlines – the worsening climate crisis, a global pandemic, loss of biodiversity, political upheaval – it can be hard to feel optimistic. And yet hope has never been more desperately needed.

In this urgent audiobook, Jane Goodall, the world’s most famous living naturalist, and Douglas Abrams, the internationally best-selling coauthor of The Book of Joy, explore through intimate and thought-provoking dialogue one of the most sought-after and least understood elements of human nature: hope. In The Book of Hope, Jane focuses on her “Four Reasons for Hope”: The Amazing Human Intellect, The Resilience of Nature, The Power of Young People, and The Indomitable Human Spirit.

Drawing on decades of work that has helped expand our understanding of what it means to be human and what we all need to do to help build a better world, The Book of Hope touches on vital questions, including: How do we stay hopeful when everything seems hopeless? How do we cultivate hope in our children? What is the relationship between hope and action? Filled with moving and inspirational stories and photographs from Jane’s remarkable career, The Book of Hope is a deeply personal conversation with one of the most beloved figures in the world today.

While discussing the experiences that shaped her discoveries and beliefs, Jane tells the story of how she became a messenger of hope, from living through World War II to her years in Gombe to realizing she had to leave the forest to travel the world in her role as an advocate for environmental justice. And for the first time, she shares her profound revelations about her next, and perhaps final, adventure.

 

Boomtown by Sam Anderson, performed by Sam Anderson

Oklahoma City was born from chaos. It was founded in a bizarre but momentous “Land Run” in 1889, when thousands of people lined up along the borders of Oklahoma Territory and rushed in at noon to stake their claims. Since then, it has been a city torn between the wild energy that drives its outsize ambitions and the forces of order that seek sustainable progress.

Nowhere was this dynamic better realized than in the drama of the Oklahoma City Thunder basketball team’s 2012-13 season, when the Thunder’s brilliant general manager, Sam Presti, ignited a firestorm by trading future superstar James Harden just days before the first game. Presti’s all-in gamble on “the Process”- the patient, methodical management style that dictated the trade as the team’s best hope for long-term greatness – kicked off a pivotal year in the city’s history, one that would include pitched battles over urban planning, a series of cataclysmic tornadoes, and the frenzied hope that an NBA championship might finally deliver the glory of which the city had always dreamed.

Boom Town announces the arrival of an exciting literary voice. Sam Anderson, former book critic for New York magazine and now a staff writer at the New York Times magazine, unfolds an idiosyncratic mix of American history, sports reporting, urban studies, gonzo memoir, and much more to tell the strange but compelling story of an American city whose unique mix of geography and history make it a fascinating microcosm of the democratic experiment. Filled with characters ranging from NBA superstars Kevin Durant and Russell Westbrook; to Flaming Lips oddball front man Wayne Coyne; to legendary Great Plains meteorologist Gary England; to Stanley Draper, Oklahoma City’s would-be Robert Moses; to civil rights activist Clara Luper; to the citizens and public servants who survived the notorious 1995 bombing of the Alfred P. Murrah federal building, Boom Town offers a remarkable look at the urban tapestry woven from control and chaos, sports and civics.

 

*Braiding Sweetgrass by Robin Wall Kimmerer, performed by Robin Wall Kimmerer

As a botanist and professor of plant ecology, Robin Wall Kimmerer has spent a career learning how to ask questions of nature using the tools of science. As a Potawatomi woman, she learned from elders, family, and history that the Potawatomi, as well as a majority of other cultures indigenous to this land, consider plants and animals to be our oldest teachers.

In Braiding Sweetgrass, Kimmerer brings these two lenses of knowing together to reveal what it means to see humans as “the younger brothers of creation”. As she explores these themes, she circles toward a central argument: The awakening of a wider ecological consciousness requires the acknowledgement and celebration of our reciprocal relationship with the world. Once we begin to listen for the languages of other beings, we can begin to understand the innumerable life-giving gifts the world provides us and learn to offer our thanks, our care, and our own gifts in return.

 

Broken Horses by Brandi Carlile, performed by Brandi Carlile

Brandi Carlile was born into a musically gifted, impoverished family on the outskirts of Seattle and grew up in a constant state of change, moving from house to house, trailer to trailer, 14 times in as many years. Though imperfect in every way, her dysfunctional childhood was as beautiful as it was strange, and as nurturing as it was difficult. At the age of five, Brandi contracted bacterial meningitis, which almost took her life, leaving an indelible mark on her formative years and altering her journey into young adulthood.

As an openly gay teenager, Brandi grappled with the tension between her sexuality and her faith when her pastor publicly refused to baptize her on the day of the ceremony. Shockingly, her small town rallied around Brandi in support and set her on a path to salvation where the rest of the misfits and rejects find it: through twisted, joyful, weird, and wonderful music.

In Broken Horses, Brandi Carlile takes listeners through the events of her life that shaped her very raw art – from her start at a local singing competition where she performed Elton John’s “Honky Cat” in a bedazzled white polyester suit, to her first break opening for Dave Matthews Band, to many sleepless tours over 15 years and six studio albums, all while raising two children with her wife, Catherine Shepherd. This hard-won success led her to collaborations with personal heroes like Elton John, Dolly Parton, Mavis Staples, Pearl Jam, Tanya Tucker, and Joni Mitchell, as well as her peers in the supergroup The Highwomen, and ultimately to the Grammy stage, where she converted millions of viewers into instant fans.

Evocative and piercingly honest, Broken Horses is at once an examination of faith through the eyes of a person rejected by the church’s basic tenets and a meditation on the moments and lyrics that have shaped the life of a creative mind, a brilliant artist, and a genuine empath on a mission to give back.

Carlile recorded new stripped-down, solo renditions of more than 30 of the songs featured in the book, including her own and songs from artists who’ve inspired her, from Dolly Parton to Elton John, Leonard Cohen and more

 

Can You Ever Forgive Me? by Lee Israel, Performed by Jane Curtin

Before turning to her life of crime – running a one-woman forgery business out of a phone booth in a Greenwich Village bar and even dodging the FBI – Lee Israel had a legitimate career as an author of biographies. Her first book on Tallulah Bankhead was a New York Times best seller, and her second, on the late journalist and reporter Dorothy Kilgallen, made a splash in the headlines.

But by 1990, almost broke and desperate to hang onto her Upper West Side studio, Lee made a bold and irreversible career change: inspired by a letter she’d received once from Katharine Hepburn, and armed with her considerable skills as a researcher and celebrity biographer, she began to forge letters in the voices of literary greats. Between 1990 and 1991, she wrote more than 300 letters in the voices of, among others, Dorothy Parker, Louise Brooks, Edna Ferber, Lillian Hellman, and Noel Coward – and sold the forgeries to memorabilia and autograph dealers.

 

*Caste by Isabel Wilkerson, performed by Robin Miles

“As we go about our daily lives, caste is the wordless usher in a darkened theater, flashlight cast down in the aisles, guiding us to our assigned seats for a performance. The hierarchy of caste is not about feelings or morality. It is about power—which groups have it and which do not.”

In this brilliant book, Isabel Wilkerson gives us a masterful portrait of an unseen phenomenon in America as she explores, through an immersive, deeply researched narrative and stories about real people, how America today and throughout its history has been shaped by a hidden caste system, a rigid hierarchy of human rankings.

Beyond race, class, or other factors, there is a powerful caste system that influences people’s lives and behavior and the nation’s fate. Linking the caste systems of America, India, and Nazi Germany, Wilkerson explores eight pillars that underlie caste systems across civilizations, including divine will, bloodlines, stigma, and more. Using riveting stories about people—including Martin Luther King, Jr., baseball’s Satchel Paige, a single father and his toddler son, Wilkerson herself, and many others—she shows the ways that the insidious undertow of caste is experienced every day. She documents how the Nazis studied the racial systems in America to plan their outcasting of the Jews; she discusses why the cruel logic of caste requires that there be a bottom rung for those in the middle to measure themselves against; she writes about the surprising health costs of caste, in depression and life expectancy, and the effects of this hierarchy on our culture and politics. Finally, she points forward to ways America can move beyond the artificial and destructive separations of human divisions, toward hope in our common humanity.

Beautifully written, original, and revealing, Caste: The Origins of Our Discontents is an eye-opening story of people and history, and a reexamination of what lies under the surface of ordinary lives and of American life today.

 

Civil Rights Queen: Constance Baker Motley by Tomiko Brown-Nagin, performed by Karen Chilton

Born to an aspirational blue-collar family during the Great Depression, Constance Baker Motley was expected to find herself a good career as a hair dresser. Instead, she became the first Black woman to argue a case in front of the Supreme Court, the first of ten she would eventually argue. The only Black woman member in the legal team at the NAACP’s Inc. Fund at the time, she defended Martin Luther King in Birmingham, helped to argue in Brown vs. The Board of Education, and played a critical role in vanquishing Jim Crow laws throughout the South. She was the first Black woman elected to the state Senate in New York, the first woman elected Manhattan Borough President, and the first Black woman appointed to the federal judiciary.

Civil Rights Queen captures the story of a remarkable American life, a figure who remade law and inspired the imaginations of African Americans across the country. Burnished with an extraordinary wealth of research, award-winning, esteemed Civil Rights and legal historian and dean of the Harvard Radcliffe Institute, Tomiko Brown-Nagin brings Motley to life in these pages. Brown-Nagin compels us to ponder some of our most timeless and urgent questions–how do the historically marginalized access the corridors of power? What is the price of the ticket? How does access to power shape individuals committed to social justice? In Civil Rights Queen, she dramatically fills out the picture of some of the most profound judicial and societal change made in twentieth-century America.

 

*Cultish by Amanda Montell, performed by Ann Marie Gideon

What makes “cults” so intriguing and frightening? What makes them powerful? The reason why so many of us binge Manson documentaries by the dozen and fall down rabbit holes researching suburban moms gone QAnon is because we’re looking for a satisfying explanation for what causes people to join – and more importantly, stay in – extreme groups. We secretly want to know: could it happen to me? Amanda Montell’s argument is that, on some level, it already has….

Our culture tends to provide pretty flimsy answers to questions of cult influence, mostly having to do with vague talk of “brainwashing”. But the true answer has nothing to do with freaky mind-control wizardry or Kool-Aid. In Cultish, Montell argues that the key to manufacturing intense ideology, community, and us/them attitudes all comes down to language. In both positive ways and shadowy ones, cultish language is something we hear – and are influenced by – every single day.

Through juicy storytelling and cutting original research, Montell exposes the verbal elements that make a wide spectrum of communities “cultish”, revealing how they affect followers of groups as notorious as Heaven’s Gate, but also how they pervade our modern start-ups, Peloton leaderboards, and Instagram feeds. Incisive and darkly funny, this enrapturing take on the curious social science of power and belief will make you hear the fanatical language of “cultish” everywhere.

A Curious History of Sex by Kate Lister, performed by Kate Lister

The act of sex has not changed since people first worked out what went where, but the ways in which society dictates how sex is culturally understood and performed have varied significantly through the ages. Humans are the only creatures that stigmatize particular sexual practices, and sex remains a deeply divisive issue around the world. Attitudes will change and grow – hopefully for the better – but sex will never be free of stigma or shame unless we acknowledge where it has come from.

Based on the popular research project Whores of Yore, and written with her distinctive humor and wit, A Curious History of Sex draws upon Dr. Kate Lister’s extensive knowledge of sex history. From medieval impotence tests to 20th-century testicle thefts, from the erotic frescoes of Pompeii, to modern-day sex-doll brothels, Kate unashamedly roots around in the pants of history, debunking myths, challenging stereotypes, and generally getting her hands dirty.

You will laugh, you will wince, and you will wonder just how much has actually changed.

 

*Crying in H Mart by Michelle Zauner, performed by Michelle Zauner

In this exquisite story of family, food, grief, and endurance, Michelle Zauner proves herself far more than a dazzling singer, songwriter, and guitarist. With humor and heart, she tells of growing up one of the few Asian-American kids at her school in Eugene, Oregon; of struggling with her mother’s particular high expectations of her; of a painful adolescence; of treasured months spent in her grandmother’s tiny apartment in Seoul, where she and her mother would bond, late at night, over heaping plates of food. As she grew up, moving to the East Coast for college, finding work in the restaurant industry, and performing gigs with her fledgling band – and meeting the man who would become her husband – her Korean-ness began to feel ever more distant, even as she found the life she wanted to live. It was her mother’s diagnosis of terminal cancer, when Michelle was 25, that forced a reckoning with her identity and brought her to reclaim the gifts of taste, language, and history her mother had given her.

Vivacious and plainspoken, lyrical and honest, Zauner’s voice is as radiantly alive on the page as it is onstage. Rich with intimate anecdotes that will resonate widely, Crying in H Mart is a book to cherish, share, and enjoy many times.

 

Dark and Magical Places: The Neuroscience of Navigation by Christopher Kemp, performed by Neil Gardner

Inside our heads we carry around an infinite and endlessly unfolding map of the world. Navigation is one of the most ancient neural abilities we have – older than language. In Dark and Magical Places, Christopher Kemp embarks on a journey to discover the remarkable extent of what our minds can do.

Fueled by his own spatial shortcomings, Kemp describes the brain regions that orient us in space and the specialized neurons that do it. Place cells. Grid cells. He examines how the brain plans routes, recognizes landmarks, and makes sure we leave a room through a door instead of trying to leave through a painting. From the secrets of supernavigators like the indigenous hunters of the Bolivian rainforest to the confusing environments inhabited by people with place blindness, Kemp charts the myriad ways in which we find our way and explains the cutting-edge neuroscience behind them.

How did Neanderthals navigate? Why do even seasoned hikers stray from the trail? What spatial skills do we inherit from our parents? How can smartphones and our reliance on GPS devices impact our brains? In engaging, engrossing language, Kemp unravels the mysteries of navigating and links the brain’s complex functions to the effects that diseases like Alzheimer’s, types of amnesia, and traumatic brain injuries have on our perception of the world around us.

 

Diary of a Misfit by Casey Parks, performed by Casey Parks

Part memoir, part sweeping journalistic saga: As Casey Parks follows the mystery of a stranger’s past, she is forced to reckon with her own sexuality, her fraught Southern identity, her tortured yet loving relationship with her mother, and the complicated role of faith in her life.

When Casey Parks came out as a lesbian in college back in 2002, she assumed her life in the South was over. Her mother shunned her, and her pastor asked God to kill her. But then Parks’s grandmother, a stern conservative who grew up picking cotton, pulled her aside and revealed a startling secret. “I grew up across the street from a woman who lived as a man,” and then implored Casey to find out what happened to him.

Diary of a Misfit is the story of Parks’s life-changing journey to unravel the mystery of Roy Hudgins, the small-town country singer from grandmother’s youth, all the while confronting ghosts of her own.

For ten years, Parks traveled back to rural Louisiana and knocked on strangers’ doors, dug through nursing home records, and doggedly searched for Roy’s own diaries, trying to uncover what Roy was like as a person—what he felt; what he thought; and how he grappled with his sense of otherness. With an enormous heart and an unstinting sense of vulnerability, Parks writes about finding oneself through someone else’s story, and about forging connections across the gulfs that divide us.

 

Did Ye Hear Mammy Died? by Séamas O’Reilly, performed by Séamas O’Reilly

Séamas O’Reilly’s mother died when he was five, leaving him, his ten (!) brothers and sisters, and their beloved father in their sprawling bungalow in rural Derry. It was the 1990s; the Troubles were a background rumble, but Séamas was more preoccupied with dinosaurs, Star Wars, and the actual location of heaven than the political climate.

An instant bestseller in Ireland, Did Ye Hear Mammy Died? is a book about a family of loud, argumentative, musical, sarcastic, grief-stricken siblings, shepherded into adulthood by a man whose foibles and reticence were matched only by his love for his children and his determination that they would flourish.

 

 

Dolly Parton, Songteller: My Life in Lyrics by Dolly Parton, performed by Dolly Parton

In this exclusive audio performance, the 10-time Grammy Award-winning artist weaves her words with music and memories to give listeners the stories behind the stories of her most cherished songs. And with some 3,000 songs to her credit, Dolly uses her gift for lyrics to connect to people of all genders, generations, and geographies.

Showcasing nearly 100 of her most popular songs, including “Jolene”, “I Will Always Love You”, “9 to 5”, and “Coat of Many Colors”, to name a few, this one-of-a-kind audio experience delivers answers to fans’ most burning questions: How close did Dolly come to singing “I Will Always Love You” as a duet with Elvis? How did she become an actress? And exactly who was Jolene?

Dolly Parton, Songteller: My Life in Lyrics is a must-have memoir for fans of country music, music history, and (of course!) Dolly herself.

 

Empire of Pain by Patrick Radden Keefe, performed by Patrick Radden Keefe

The history of the Sackler dynasty is rife with drama – baroque personal lives; bitter disputes over estates; fistfights in boardrooms; glittering art collections; Machiavellian courtroom maneuvers; and the calculated use of money to burnish reputations and crush the less powerful. The Sackler name has adorned the walls of many storied institutions – Harvard, the Metropolitan Museum of Art, Oxford, the Louvre. They are one of the richest families in the world, known for their lavish donations to the arts and the sciences. The source of the family fortune was vague, however, until it emerged that the Sacklers were responsible for making and marketing a blockbuster painkiller that was the catalyst for the opioid crisis.

Empire of Pain begins with the story of three doctor brothers, Raymond, Mortimer, and the incalculably energetic Arthur, who weathered the poverty of the Great Depression and appalling anti-Semitism. Working at a barbaric mental institution, Arthur saw a better way and conducted groundbreaking research into drug treatments. He also had a genius for marketing, especially for pharmaceuticals, and bought a small ad firm.

Arthur devised the marketing for Valium, and built the first great Sackler fortune. He purchased a drug manufacturer, Purdue Frederick, which would be run by Raymond and Mortimer. The brothers began collecting art, and wives, and grand residences in exotic locales. Their children and grandchildren grew up in luxury.

Forty years later, Raymond’s son Richard ran the family-owned Purdue. The template Arthur Sackler created to sell Valium – co-opting doctors, influencing the FDA, downplaying the drug’s addictiveness – was employed to launch a far more potent product: OxyContin. The drug went on to generate some 35 billion dollars in revenue, and to launch a public health crisis in which hundreds of thousands would die.

This is the saga of three generations of a single family and the mark they would leave on the world, a tale that moves from the bustling streets of early 20th-century Brooklyn to the seaside palaces of Greenwich, Connecticut, and Cap d’Antibes to the corridors of power in Washington, DC.  Empire of Pain chronicles the multiple investigations of the Sacklers and their company, and the scorched-earth legal tactics that the family has used to evade accountability.

Empire of Pain is a masterpiece of narrative reporting and writing, exhaustively documented and ferociously compelling. It is a portrait of the excesses of America’s second Gilded Age, a study of impunity among the super elite and a relentless investigation of the naked greed and indifference to human suffering that built one of the world’s great fortunes.

 

Everybody by Olivia Laing, performed by Elizabeth Sastre

The body is a source of pleasure and of pain, at once hopelessly vulnerable and radiant with power. In her ambitious, brilliant sixth book, Olivia Laing charts an electrifying course through the long struggle for bodily freedom, using the life of the renegade psychoanalyst Wilhelm Reich to explore gay rights and sexual liberation, feminism, and the civil rights movement.

Drawing on her own experiences in protest and alternative medicine, and traveling from Weimar Berlin to the prisons of McCarthy-era America, Laing grapples with some of the most significant and complicated figures of the past century – among them Nina Simone, Christopher Isherwood, Andrea Dworkin, Sigmund Freud, Susan Sontag, and Malcolm X.

Despite its many burdens, the body remains a source of power, even in an era as technologized and automated as our own. Arriving at a moment in which basic bodily rights are once again imperiled, Everybody is an investigation into the forces arranged against freedom and a celebration of how ordinary human bodies can resist oppression and reshape the world.

 

Every Day Is A Gift by Tammy Duckworth, performed by Tammy Duckworth

In Every Day Is a Gift, Tammy Duckworth takes listeners through the amazing – and amazingly true – stories from her incomparable life. In November of 2004, an Iraqi RPG blew through the cockpit of Tammy Duckworth’s US Army Black Hawk helicopter. The explosion, which destroyed her legs and mangled her right arm, was a turning point in her life. But as Duckworth shows in Every Day Is a Gift, that moment was just one in a lifetime of extraordinary turns.

The biracial daughter of an American father and a Thai-Chinese mother, Duckworth faced discrimination, poverty, and the horrors of war – all before the age of 16. As a child, she dodged bullets as her family fled war-torn Phnom Penh. As a teenager, she sold roses by the side of the road to save her family from hunger and homelessness in Hawaii. Through these experiences, she developed a fierce resilience that would prove invaluable in the years to come.

Duckworth joined the Army, becoming one of a handful of female helicopter pilots at the start of Operation Iraqi Freedom. She served eight months in Iraq before an insurgent’s RPG shot down her helicopter, an attack that took her legs – and nearly took her life. She then spent 13 months recovering at Walter Reed, learning to walk again on prosthetic legs and planning her return to the cockpit. But Duckworth found a new mission after meeting her state’s senators, Barack Obama and Dick Durbin. After winning two terms as a US Representative, she won election to the US Senate in 2016. And she and her husband Bryan fulfilled another dream when she gave birth to two daughters, becoming the first sitting senator to give birth.

From childhood to motherhood and beyond, Every Day Is a Gift is the remarkable story of one of America’s most dedicated public servants.

 

Every Tool’s A Hammer by Adam Savage, performed by Adam Savage

Adam Savage is a maker. From Chewbacca’s bandolier to a thousand-shot Nerf gun, he has built thousands of spectacular projects as a special effects artist and the cohost of MythBusters. Adam is also an educator, passionate about instilling the principles of making in the next generation of inventors and inspiring them to turn their curiosity into creation.

In this practical and passionate guide, Adam weaves together vivid personal stories, original sketches and photographs from some of his most memorable projects, and interviews with many of his iconic and visionary friends in the arts and sciences – including Pixar director Andrew Stanton, Nick Offerman, Oscar-winner Guillermo Del Toro and artist Tom Sachs – to demonstrate the many lessons he has picked up from a lifetime of making.

Things like: don’t wait until everything is perfect – in your workshop or in your life – to begin. Plan with pencil and paper. Sweep up every day. Learn from doing. Share your toys. There is an exact tool for every task (Adam probably has four of them in his wondrous shop), but if you need to pound in a nail and all you have handy is a skill saw – hammer away. The most important thing, always, is just that you make something.

Every Tool’s a Hammer is sure to guide and inspire you to build, make, invent, explore and, most of all, enjoy the thrills of being a creator.

 

The Fact of a Body by Alexandria Marzano-Lesnevich, performed by Alexandria Marzano-Lesnevich

Before Alexandria Marzano-Lesnevich begins a summer job at a law firm in Louisiana, working to help defend men accused of murder, she thinks her position is clear. The child of two lawyers, she is staunchly anti-death penalty. But the moment convicted murderer Ricky Langley’s face flashes on the screen as she reviews old tapes – the moment she hears him speak of his crimes – she is overcome with the feeling of wanting him to die. Shocked by her reaction, she digs deeper and deeper into the case. Despite their vastly different circumstances, something in his story is unsettlingly, uncannily familiar.

Crime, even the darkest and most unsayable acts, can happen to any one of us. As Alexandria pores over the facts of the murder, she finds herself thrust into the complicated narrative of Ricky’s childhood. And by examining the details of Ricky’s case, she is forced to face her own story, to unearth long-buried family secrets and reckon with a past that colors her view of Ricky’s crime.

But another surprise awaits: She wasn’t the only one who saw her life in Ricky’s.

An intellectual and emotional thriller that is also a different kind of murder mystery, The Fact of a Body is an audiobook not only about how the story of one crime was constructed – but about how we grapple with our own personal histories. Along the way it tackles questions about the nature of forgiveness and if a single narrative can ever really contain something as definitive as the truth. This groundbreaking, heart-stopping work, 10 years in the making, shows how the law is more personal than we would like to believe – and the truth more complicated and powerful than we could ever imagine.

 

Fatty, Fatty, Boom, Boom by Rabia Chaudry, performed by Rabia Chaudry

“My entire life I have been less fat and more fat, but never not fat.” According to family lore, when Rabia Chaudry’s family returned to Pakistan for their first visit since moving to the United States, two-year-old Rabia was more than just a pudgy toddler. Dada Abu, her fit and sprightly grandfather, attempted to pick her up but had to put her straight back down, demanding of Chaudry’s mother: “What have you done to her?” The answer was two full bottles of half-and-half per day, frozen butter sticks to gnaw on, and lots and lots of American processed foods.

And yet, despite her parents plying her with all the wrong foods as they discovered Burger King and Dairy Queen, they were highly concerned for the future for their large-sized daughter. How would she ever find a suitable husband? There was merciless teasing by uncles, cousins, and kids at school, but Chaudry always loved food too much to hold a grudge against it. Soon she would leave behind fast food and come to love the Pakistani foods of her heritage, learning to cook them with wholesome ingredients and eat them in moderation. At once a love letter (with recipes) to fresh roti, chaat, chicken biryani, ghee, pakoras, shorba, parathay and an often hilarious dissection of life in a Muslim immigrant family, Fatty Fatty Boom Boom is also a searingly honest portrait of a woman grappling with a body that gets the job done but that refuses to meet the expectations of others.

Chaudry’s memoir offers listeners a relatable and powerful voice on the controversial topic of body image, one that dispenses with the politics and gets to what every woman who has ever struggled with weight will relate to.

 

The Family Outing by Jessi Hempel, performed by Jessi Hempel

A striking and remarkable literary memoir about one family’s transformation, with almost all of them embracing their queer identities.

Jessi Hempel was raised in a seemingly picture-perfect, middle-class American family. But the truth was far from perfect. Her father was constantly away from home, traveling for work, while her stay-at-home mother became increasingly lonely and erratic. Growing up, Jessi and her two siblings struggled to make sense of their family, their world, their changing bodies, and the emotional turmoil each was experiencing. And each, in their own way, was hiding their true self from the world.

By the time Jessi reached adulthood, everyone in her family had come out: Jessi as gay, her sister as bisexual, her father as gay, her brother as transgender, and her mother as a survivor of a traumatic experience with an alleged serial killer. Yet coming out was just the beginning, starting a chain reaction of other personal revelations and reckonings that caused each of them to question their place in the world in new and ultimately liberating ways.

 

Fault Lines in the Constitution: The Framers, Their Fights, and the Flaws That Affect Us Today by Cynthia Levinson and Sanford Levinson, performed by Mark Bramhall, Arthur Morey, Kimberly Farr, Erin Spencer, Adenrele Ojo 

Many of the political issues we struggle with today have their roots in the US Constitution.

Husband-and-wife team Cynthia and Sanford Levinson take listeners back to the creation of this historic document and discuss how contemporary problems were first introduced – then they offer possible solutions. Think Electoral College, gerrymandering, even the Senate. Many of us take these features in our system for granted. But they came about through haggling in an overheated room in 1787, and we’re still experiencing the ramifications.

Each chapter in this timely and thoughtful exploration of the Constitution’s creation begins with a story – all but one of them true – that connects directly back to a section of the document that forms the basis of our society and government. From the award-winning team – Cynthia Levinson, children’s book author, and Sanford Levinson, constitutional law scholar – Fault Lines in the Constitution will encourage exploration and discussion from young and old listeners alike.

 

Four Lost Cities by Annalee Newitz, performed by Chloe Cannon

In Four Lost Cities, acclaimed science journalist Annalee Newitz takes listeners on an entertaining and mind-bending adventure into the deep history of urban life. Investigating across the centuries and around the world, Newitz explores the rise and fall of four ancient cities, each the center of a sophisticated civilization: the Neolithic site of Çatalhöyük in Central Turkey, the Roman vacation town of Pompeii on Italy’s southern coast, the medieval megacity of Angkor in Cambodia, and the indigenous metropolis Cahokia, which stood beside the Mississippi River where East St. Louis is today.

Newitz travels to all four sites and investigates the cutting-edge research in archaeology, revealing the mix of environmental changes and political turmoil that doomed these ancient settlements. Tracing the early development of urban planning, Newitz also introduces us to the often anonymous workers-slaves, women, immigrants, and manual laborers-who built these cities and created monuments that lasted millennia.

Four Lost Cities is a journey into the forgotten past, but, foreseeing a future in which the majority of people on Earth will be living in cities, it may also reveal something of our own fate.

 

Fuzz by Mary Roach, performed by Mary Roach

What’s to be done about a jaywalking moose? A bear caught breaking and entering? A murderous tree? Three hundred years ago, animals that broke the law would be assigned legal representation and put on trial. These days, as New York Times best-selling author Mary Roach discovers, the answers are best found not in jurisprudence but in science: the curious science of human-wildlife conflict, a discipline at the crossroads of human behavior and wildlife biology.

Roach tags along with animal-attack forensics investigators, human-elephant conflict specialists, bear managers, and “danger tree” faller blasters. Intrepid as ever, she travels from leopard-terrorized hamlets in the Indian Himalaya to St. Peter’s Square in the early hours before the pope arrives for Easter Mass, when vandal gulls swoop in to destroy the elaborate floral display. She taste-tests rat bait, learns how to install a vulture effigy, and gets mugged by a macaque.

Combining little-known forensic science and conservation genetics with a motley cast of laser scarecrows, langur impersonators, and trespassing squirrels, Roach reveals as much about humanity as about nature’s lawbreakers. When it comes to “problem” wildlife, she finds, humans are more often the problem – and the solution. Fascinating, witty, and humane, Fuzz offers hope for compassionate coexistence in our ever-expanding human habitat.

 

Girly Drinks by Mallory O’Meara, performed by Mallory O’Meara

Strawberry daiquiris. Skinny martinis. Vodka sodas with lime. These are the cocktails that come in sleek-stemmed glasses, bright colors and fruity flavors—these are the Girly Drinks.

From the earliest days of civilization, alcohol has been at the center of social rituals and cultures worldwide. But when exactly did drinking become a gendered act? And why have bars long been considered “places for men” when, without women, they might not even exist?

With whip-smart insight and boundless curiosity, Girly Drinks unveils an entire untold history of the female distillers, drinkers and brewers who have played a vital role in the creation and consumption of alcohol, from ancient Sumerian beer goddess Ninkasi to iconic 1920s bartender Ada Coleman. Filling a crucial gap in culinary history, O’Meara dismantles the long-standing patriarchal traditions at the heart of these very drinking cultures, in the hope that listeners everywhere can look to each celebrated woman in this book—and proudly have what she’s having.

 

God: A Human History of Religion by Reza Aslan, performed by Reza Aslan

In Zealot, Reza Aslan replaced the well-worn portrayal of Jesus of Nazareth with a startling new image of the man in all his contradictions. In his new book, Aslan takes on a subject even more immense: God, writ large.

In layered prose and with thoughtful, accessible scholarship, Aslan narrates the history of religion as one long and remarkably cohesive attempt to understand the divine by giving it human traits and emotions. According to Aslan, this innate desire to humanize God is hardwired in our brains, making it a central feature of nearly every religious tradition. As Aslan writes, “Whether we are aware of it or not, and regardless if we are believers or not, what the vast majority of us think about when we think about God is a divine version of ourselves.”

But this projection is not without consequences. We bestow upon God not just all that is good in human nature – our compassion, our thirst for justice – but all that is bad in it: our greed, our bigotry, our penchant for violence. All these qualities inform our religions, cultures, and governments.

More than just a history of our understanding of God, this book is an attempt to get to the root of this humanizing impulse in order to develop a more universal spirituality. Whether you believe in one God, many gods, or no god at all, God: A Human History will transform the way you think about the divine and its role in our everyday lives.

 

Gods of the Upper Air by Charles King, performed by January LaVoy

A century ago, everyone knew that people were fated by their race, sex, and nationality to be more or less intelligent, nurturing, or warlike. But Columbia University professor Franz Boas looked at the data and decided everyone was wrong. Racial categories, he insisted, were biological fictions. Cultures did not come in neat packages labeled “primitive” or “advanced”. What counted as a family, a good meal, or even common sense was a product of history and circumstance, not of nature. In Gods of the Upper Air, a masterful narrative history of radical ideas and passionate lives, Charles King shows how these intuitions led to a fundamental reimagining of human diversity.

Boas’ students were some of the century’s most colorful figures and unsung visionaries: Margaret Mead, the outspoken field researcher whose Coming of Age in Samoa is among the most widely read works of social science of all time; Ruth Benedict, the great love of Mead’s life, whose research shaped post-Second World War Japan; Ella Deloria, the Dakota Sioux activist who preserved the traditions of Native Americans on the Great Plains; and Zora Neale Hurston, whose studies under Boas fed directly into her now classic novel, Their Eyes Were Watching God. Together, they mapped civilizations from the American South to the South Pacific and from Caribbean islands to Manhattan’s city streets, and unearthed an essential fact buried by centuries of prejudice: that humanity is an undivided whole. Their revolutionary findings would go on to inspire the fluid conceptions of identity we know today.

Rich in drama, conflict, friendship, and love, Gods of the Upper Air is a brilliant and groundbreaking history of American progress and the opening of the modern mind.

 

Greenlights by Matthew McConaughey, performed by Matthew McConaughey

I’ve been in this life for 50 years, been trying to work out its riddle for 42, and been keeping diaries of clues to that riddle for the last 35. Notes about successes and failures, joys and sorrows, things that made me marvel, and things that made me laugh out loud. How to be fair. How to have less stress. How to have fun. How to hurt people less. How to get hurt less. How to be a good man. How to have meaning in life. How to be more me.

Recently, I worked up the courage to sit down with those diaries. I found stories I experienced, lessons I learned and forgot, poems, prayers, prescriptions, beliefs about what matters, some great photographs, and a whole bunch of bumper stickers. I found a reliable theme, an approach to living that gave me more satisfaction, at the time, and still: If you know how, and when, to deal with life’s challenges – how to get relative with the inevitable – you can enjoy a state of success I call “catching greenlights.”

So I took a one-way ticket to the desert and wrote this book: an album, a record, a story of my life so far. This is fifty years of my sights and seens, felts and figured-outs, cools and shamefuls. Graces, truths, and beauties of brutality. Getting away withs, getting caughts, and getting wets while trying to dance between the raindrops.

Hopefully, it’s medicine that tastes good, a couple of aspirin instead of the infirmary, a spaceship to Mars without needing your pilot’s license, going to church without having to be born again, and laughing through the tears.

It’s a love letter. To life.

It’s also a guide to catching more greenlights – and to realizing that the yellows and reds eventually turn green, too.

Good luck.

 

A Heart That Works by Rob Delaney, performed by Rob Delaney

In 2016, Rob Delaney’s one-year-old son, Henry, was diagnosed with a brain tumor. The family had moved from Los Angeles to London with their two young boys when Rob’s wife was pregnant with Henry, their third. The move was an adventure and a challenge that would bind them even more tightly together as they navigated the novelty of London, the culture clashes, and the funhouse experience of Rob’s fame—thanks to his role as co-creator and co-star of the hit series Catastrophe. Henry’s illness was a cataclysm that changed everything about their lives. Amid the hospital routine, surgeries, and brutal treatments, they found a newfound community of nurses, aides, caregivers, and fellow parents contending with the unthinkable. Two years later, Henry died, and his family watched their world fall away to reveal the things that matter most.

A Heart That Works is Delaney’s intimate, unflinching, and fiercely funny exploration of what happened – from the harrowing illness to the vivid, bodily impact of grief and the blind, furious rage that followed, through to the forceful, unstoppable love that remains. In the madness of his grief, Delaney grapples with the fragile miracle of life, the mysteries of death, and the question of purpose for those left behind.

Delaney’s memoir—profound, painful, full of emotion, and bracingly honest—offers solace to those who have faced devastation and shows us how grace may appear even in the darkest times.

 

Hello, Molly by Molly Shannon, performed by Molly Shannon

At age four, Molly Shannon’s world was shattered when she lost her mother, baby sister, and cousin in a car accident with her father at the wheel. Held together by her tender and complicated relationship with her grieving father, Molly was raised in a permissive household where her gift for improvising and role-playing blossomed alongside the fearlessness that would lead her to become a celebrated actress.

From there, Molly ventured into the wider world of New York and Los Angeles show business, where she created her own opportunities and developed her daring and empathetic comedy. Filled with behind-the-scenes stories involving everyone from Whitney Houston to Adam Sandler to Monica Lewinsky, many told for the first time here, Hello, Molly! spans Molly’s time on Saturday Night Live – where she starred alongside Will Ferrell, Adam Sandler, Cheri Oteri, Tracy Morgan, and Jimmy Fallon, among many others. At the same time, it explores with humor and candor her struggle to come to terms with the legacy of her father, a man who both fostered her gifts and drive and was left with the impossible task of raising his kids alone after the loss of her mother.

Witty, winning, and told with tremendous energy and heart, Hello, Molly!, written with Sean Wilsey, sheds new and revelatory light on the life and work of one of our most talented and free-spirited performers.

 

How To Invent Everything by Ryan North, performed by Ryan North

The only book you need if you’re going back in time

What would you do if a time machine hurled you thousands of years into the past…and then broke? How would you survive? Could you improve on humanity’s original timeline? And how hard would it be to domesticate a giant wombat?

With this book as your guide, you’ll survive – and thrive – in any period in Earth’s history. Best-selling author and time-travel enthusiast Ryan North tells you how to invent all the modern conveniences we take for granted – from first principles. This manual contains all the science, engineering, art, philosophy, facts, and figures required for even the most clueless time traveler to build a civilization from the ground up. Deeply researched, irreverent, and significantly more fun than being eaten by a saber-toothed tiger, How to Invent Everything will make you smarter, more competent, and completely prepared to become the most important and influential person ever. You’re about to make history….better.

 

How the Word is Passed by Clint Smith, performed by Clint Smith

Beginning in his hometown of New Orleans, Clint Smith leads the listener on an unforgettable tour of monuments and landmarks—those that are honest about the past and those that are not—that offer an intergenerational story of how slavery has been central in shaping our nation’s collective history, and ourselves.

It is the story of the Monticello Plantation in Virginia, the estate where Thomas Jefferson wrote letters espousing the urgent need for liberty while enslaving more than four hundred people. It is the story of the Whitney Plantation, one of the only former plantations devoted to preserving the experience of the enslaved people whose lives and work sustained it. It is the story of Angola, a former plantation-turned-maximum-security prison in Louisiana that is filled with Black men who work across the 18,000-acre land for virtually no pay. And it is the story of Blandford Cemetery, the final resting place of tens of thousands of Confederate soldiers.

A deeply researched and transporting exploration of the legacy of slavery and its imprint on centuries of American history, How the Word Is Passed illustrates how some of our country’s most essential stories are hidden in plain view—whether in places we might drive by on our way to work, holidays such as Juneteenth, or entire neighborhoods like downtown Manhattan, where the brutal history of the trade in enslaved men, women, and children has been deeply imprinted.

Informed by scholarship and brought to life by the story of people living today, Smith’s debut work of nonfiction is a landmark of reflection and insight that offers a new understanding of the hopeful role that memory and history can play in making sense of our country and how it has come to be.

 

*I’m Glad My Mom Died by Jennette McCurdy, performed by Jennette McCurdy

Jennette McCurdy was six years old when she had her first acting audition. Her mother’s dream was for her only daughter to become a star, and Jennette would do anything to make her mother happy. So she went along with what Mom called “calorie restriction,” eating little and weighing herself five times a day. She endured extensive at-home makeovers while Mom chided, “Your eyelashes are invisible, okay? You think Dakota Fanning doesn’t tint hers?” She was even showered by Mom until age sixteen while sharing her diaries, email, and all her income.

In I’m Glad My Mom Died, Jennette recounts all this in unflinching detail—just as she chronicles what happens when the dream finally comes true. Cast in a new Nickelodeon series called iCarly, she is thrust into fame. Though Mom is ecstatic, emailing fan club moderators and getting on a first-name basis with the paparazzi (“Hi Gale!”), Jennette is riddled with anxiety, shame, and self-loathing, which manifest into eating disorders, addiction, and a series of unhealthy relationships. These issues only get worse when, soon after taking the lead in the iCarly spinoff Sam & Cat alongside Ariana Grande, her mother dies of cancer. Finally, after discovering therapy and quitting acting, Jennette embarks on recovery and decides for the first time in her life what she really wants.

Told with refreshing candor and dark humor, I’m Glad My Mom Died is an inspiring story of resilience, independence, and the joy of shampooing your own hair.

 

I Have Something To Say by Chasten Buttigieg, performed by Chasten Buttigieg

Throughout the past year, teacher Chasten Glezman Buttigieg has emerged on the national stage, having left his classroom in South Bend, Indiana, to travel cross-country in support of his husband, former mayor Pete Buttigieg, and Pete’s groundbreaking presidential campaign. Through Chasten’s joyful, witty social media posts, the public gained a behind-the-scenes look at his life with Pete on the trail – moments that might have ranged from the mundane to the surprising but that were always heartfelt.

Chasten has overcome a multitude of obstacles to get here. In this moving, uplifting memoir, he recounts his journey to finding acceptance as a gay man. He recalls his upbringing in rural Michigan, where he knew he was different, where indeed he felt different from his father and brothers. He recounts his coming out and how he’s healed from revealing his secret to his family, friends, community, and the world. And he tells the story of meeting his boyfriend, whom he would marry and who would eventually become a major Democratic leader.

With unflinching honesty, unflappable courage, and great warmth, Chasten Buttigieg relays his experience of growing up in America and embracing his true self, while inspiring others to do the same.

 

An Immense World by Ed Yong, performed by Ed Yong

The Earth teems with sights and textures, sounds and vibrations, smells and tastes, electric and magnetic fields. But every kind of animal, including humans, is enclosed within its own unique sensory bubble, perceiving but a tiny sliver of our immense world.

In An Immense World, Ed Yong coaxes us beyond the confines of our own senses, allowing us to perceive the skeins of scent, waves of electromagnetism, and pulses of pressure that surround us. We encounter beetles that are drawn to fires, turtles that can track the Earth’s magnetic fields, fish that fill rivers with electrical messages, and even humans who wield sonar like bats. We discover that a crocodile’s scaly face is as sensitive as a lover’s fingertips, that the eyes of a giant squid evolved to see sparkling whales, that plants thrum with the inaudible songs of courting bugs, and that even simple scallops have complex vision. We learn what bees see in flowers, what songbirds hear in their tunes, and what dogs smell on the street. We listen to stories of pivotal discoveries in the field, while looking ahead at the many mysteries that remain unsolved.

Funny, rigorous, and suffused with the joy of discovery, An Immense World takes us on what Marcel Proust called “the only true voyage . . . not to visit strange lands, but to possess other eyes.”

 

Indelible City by Louisa Lim, performed by Louisa Lim

An award-winning journalist and longtime Hong Konger indelibly captures the place, its people, and the untold history they are claiming, just as it is being erased.

The story of Hong Kong has long been dominated by competing myths: to Britain, a “barren rock” with no appreciable history; to China, a part of Chinese soil from time immemorial, at last returned to the ancestral fold. For decades, Hong Kong’s history was simply not taught, especially to Hong Kongers, obscuring its origins as a place of refuge and rebellion. When protests erupted in 2019 and were met with escalating suppression from Beijing, Louisa Lim—raised in Hong Kong as a half-Chinese, half-English child, and now a reporter who has covered the region for nearly two decades—realized that she was uniquely positioned to unearth the city’s untold stories.

Lim’s deeply researched and personal account casts startling new light on key moments: the British takeover in 1842, the negotiations over the 1997 return to China, and the future Beijing seeks to impose. Indelible City features guerrilla calligraphers, amateur historians and archaeologists, and others who, like Lim, aim to put Hong Kongers at the center of their own story. Wending through it all is the King of Kowloon, whose iconic street art both embodied and inspired the identity of Hong Kong—a site of disappearance and reappearance, power and powerlessness, loss and reclamation.

 

Invisible Women by Caroline Criado Perez, performed by Carolina Criado Perez

Data is fundamental to the modern world. From economic development, to healthcare, to education and public policy, we rely on numbers to allocate resources and make crucial decisions. But because so much data fails to take into account gender, because it treats men as the default and women as atypical, bias and discrimination are baked into our systems. And women pay tremendous costs for this bias in time, money, and often with their lives.

Celebrated feminist advocate Caroline Criado Perez investigates the shocking root cause of gender inequality and research in Invisible Women, diving into women’s lives at home, the workplace, the public square, the doctor’s office, and more. Built on hundreds of studies in the US, the UK, and around the world, and written with energy, wit, and sparkling intelligence, this is a groundbreaking, unforgettable expose that will change the way you look at the world.

 

Killers of the Flower Moon by David Grann, performed by Will Patton

In the 1920s the richest people per capita in the world were members of the Osage Indian nation in Oklahoma. After oil was discovered beneath their land, they rode in chauffeured automobiles, built mansions, and sent their children to study in Europe.

Then, one by one, the Osage began to be killed off. The family of an Osage woman, Mollie Burkhart, became a prime target. Her relatives were shot and poisoned. And it was just the beginning, as more and more members of the tribe began to die under mysterious circumstances.

In this last remnant of the Wild West – where oilmen like J. P. Getty made their fortunes and where desperadoes like Al Spencer, the “Phantom Terror”, roamed – many of those who dared to investigate the killings were themselves murdered. As the death toll climbed to more than 24, the FBI took up the case. It was one of the organization’s first major homicide investigations, and the bureau badly bungled the case. In desperation the young director, J. Edgar Hoover, turned to a former Texas Ranger named Tom White to unravel the mystery. White put together an undercover team, including one of the only American Indian agents in the bureau. The agents infiltrated the region, struggling to adopt the latest techniques of detection. Together with the Osage they began to expose one of the most chilling conspiracies in American history.

In Killers of the Flower Moon, David Grann revisits a shocking series of crimes in which dozens of people were murdered in cold blood. Based on years of research and startling new evidence, the book is a masterpiece of narrative nonfiction, as each step in the investigation reveals a series of sinister secrets and reversals. But more than that, it is a searing indictment of the callousness and prejudice toward American Indians that allowed the murderers to operate with impunity for so long. Killers of the Flower Moon is utterly compelling but also emotionally devastating.

 

The Light We Carry by Michelle Obama, performed by Michelle Obama

There may be no tidy solutions or pithy answers to life’s big challenges, but Michelle Obama believes that we can all locate and lean on a set of tools to help us better navigate change and remain steady within flux. In The Light We Carry, she opens a frank and honest dialogue with listeners, considering the questions many of us wrestle with: How do we build enduring and honest relationships? How can we discover strength and community inside our differences? What tools do we use to address feelings of self-doubt or helplessness? What do we do when it all starts to feel like too much?

Michelle Obama offers listeners a series of fresh stories and insightful reflections on change, challenge, and power, including her belief that when we light up for others, we can illuminate the richness and potential of the world around us, discovering deeper truths and new pathways for progress. Drawing from her experiences as a mother, daughter, spouse, friend, and First Lady, she shares the habits and principles she has developed to successfully adapt to change and overcome various obstacles—the earned wisdom that helps her continue to “become.” She details her most valuable practices, like “starting kind,” “going high,” and assembling a “kitchen table” of trusted friends and mentors. With trademark humor, candor, and compassion, she also explores issues connected to race, gender, and visibility, encouraging listeners to work through fear, find strength in community, and live with boldness.

 

Lighter by Yung Pueblo, performed by Yung Pueblo

“During the years when I had abandoned myself, my mind felt undeniably heavy. I knew I needed to find a clear way to help me feel lighter.”

yung pueblo’s path to deep healing began only after years of drug abuse had taken a toll on his mind and body. Searching for a way forward, he found that by honestly examining and addressing the anxieties and fears that he had been running away from, he no longer felt like a stranger inside of his heart and mind. And once he dedicated himself to meditation and trusting his intuition, he started to finally feel mentally lighter, with more love emerging from within. This was not an easy journey, and it’s one that he is still on, but it showed him that real healing is possible.

In Lighter, yung pueblo demonstrates how we can all move forward in our healing, from learning self-compassion to letting go to becoming emotionally mature. As the heaviness falls away, our minds will finally stop feeling overburdened with tension and we’ll be able to reconnect with the present. And the world around us will hopefully become more inviting in crisp and newly vibrant ways. But these are just the first steps. As we grow stronger and expand our self-awareness, it’s our responsibility—and also part of the healing journey—to take actions to support the health and harmony of all people. The final section of Lighter shows how we can and must contribute to building a world that is no longer structurally harmful but, instead, structurally compassionate.

yung pueblo’s hope is that as more of us heal, our actions will become more intentional, our decisions will become more compassionate, our thinking will become clearer, and the future will become brighter.

 

The Making of Biblical Womanhood by Beth Ann Barr, performed by Sarah Zimmerman

Biblical womanhood – the belief that God designed women to be submissive wives, virtuous mothers, and joyful homemakers – pervades North-American Christianity. From choices about careers to roles in local churches to relationship dynamics, this belief shapes the everyday lives of evangelical women. Yet biblical womanhood isn’t biblical, says Baylor University historian Beth Allison Barr. It was born in a series of clearly definable historical moments.

This book moves the conversation about biblical womanhood beyond Greek grammar and into the realm of church history – ancient, medieval, and modern – to show that this belief is not divinely ordained but a product of human civilization that continues to creep into the church. Barr’s historical insights provide context for contemporary teachings about women’s roles in the church and help move the conversation forward.

Interweaving her story as a Baptist pastor’s wife, Barr sheds light on the #ChurchToo movement and abuse scandals in Southern Baptist circles and the broader evangelical world, helping listeners understand why biblical womanhood is more about human power structures than the message of Christ.

 

*Major Labels: A History of Popular Music in Seven Genres by Kelefa Sanneh, performed by Kelefa Sanneh

An epic achievement and a huge delight, the entire history of popular music over the past 50 years refracted through the big genres that have defined and dominated it: rock, R&B, country, punk, hip-hop, dance music, and pop

Kelefa Sanneh, one of the essential voices of our time on music and culture, has made a deep study of how popular music unites and divides us, charting the way genres become communities. In Major Labels, Sanneh distills a career’s worth of knowledge about music and musicians into a brilliant and omnivorous reckoning with popular music – as an art form (actually, a bunch of art forms), as a cultural and economic force, and as a tool that we use to build our identities. He explains the history of slow jams, the genius of Shania Twain, and why rappers are always getting in trouble.

Sanneh shows how these genres have been defined by the tension between mainstream and outsider, between authenticity and phoniness, between good and bad, right and wrong. Throughout, race is a powerful touchstone: Just as there have always been Black audiences and White audiences, with more or less overlap depending on the moment, there has been Black music and White music, constantly mixing and separating. Sanneh debunks cherished myths, reappraises beloved heroes, and upends familiar ideas of musical greatness, arguing that sometimes, the best popular music isn’t transcendent. Songs express our grudges as well as our hopes, and they are motivated by greed as well as idealism; music is a powerful tool for human connection, but also for human antagonism. This is a book about the music everyone loves, the music everyone hates, and the decades-long argument over which is which. The opposite of a modest proposal, Major Labels pays in full.

 

Meditation for Fidgety Skeptics by Dan Harris and Jeffrey Warren, performed by Dan Harris and Jeffry Warren

ABC News anchor Dan Harris used to think that meditation was for people who collect crystals, play Ultimate Frisbee, and use the word namaste without irony. After he had a panic attack on live television, he went on a strange and circuitous journey that ultimately led him to embrace a practice he’d long considered ridiculous. Harris discovered that meditation made him more focused and less yanked around by his emotions. According to his wife, it also made him significantly less annoying. He wrote about his experiences in the bracingly candid and extremely funny memoir 10% Happier, which became a number one New York Times best seller and landed Harris in the entirely unexpected position of being one of meditation’s most vocal public proponents.

Here’s what he’s fixated on now: Science suggests that meditation can lower blood pressure, mitigate depression and anxiety, and literally rewire key parts of the brain, among numerous other benefits. And yet there are millions of people who want to meditate but aren’t actually practicing. What’s holding them back? In Meditation for Fidgety Skeptics, Harris and his friend Jeff Warren, a masterful teacher and “Meditation MacGyver”, embark on a cross-country quest to tackle the myths, misconceptions, and self-deceptions that stop people from meditating. They rent a rock-star tour bus (whose previous occupants were Parliament Funkadelic) and travel across 18 states, talking to scores of would-be meditators – including parents, military cadets, police officers, and even a few celebrities. They create a taxonomy of the most common issues (“I suck at this”, “I don’t have the time”, etc.) and offer up science-based life hacks to help people overcome them.

The book is filled with game-changing and deeply practical meditation instructions. You’ll also get access to the 10% Happier app, where you can listen for free to guided audio versions of all the meditations in the book. Amid it all unspools the strange and hilarious story of what happens when a congenitally sarcastic, type-A journalist and a groovy Canadian mystic embark on an epic road trip into America’s neurotic underbelly as well as their own.

Includes two bonus guided meditations.

 

*Minor Feelings: An Asian American Reckoning by Cathy Park Hong

Poet and essayist Cathy Park Hong fearlessly and provocatively blends memoir, cultural criticism, and history to expose fresh truths about racialized consciousness in America. Part memoir and part cultural criticism, this collection is vulnerable, humorous, and provocative – and its relentless and riveting pursuit of vital questions around family and friendship, art and politics, identity and individuality, will change the way you think about our world.

Binding these essays together is Hong’s theory of “minor feelings”. As the daughter of Korean immigrants, Cathy Park Hong grew up steeped in shame, suspicion, and melancholy. She would later understand that these “minor feelings” occur when American optimism contradicts your own reality – when you believe the lies you’re told about your own racial identity. Minor feelings are not small, they’re dissonant – and in their tension Hong finds the key to the questions that haunt her.

With sly humor and a poet’s searching mind, Hong uses her own story as a portal into a deeper examination of racial consciousness in America today. This intimate and devastating book traces her relationship to the English language, to shame and depression, to poetry and female friendship. A radically honest work of art, Minor Feelings forms a portrait of one Asian-American psyche – and of a writer’s search to both uncover and speak the truth.

 

Miracle and Wonder by Malcolm Gladwell,  Bruce Headlam, and Paul Simon, performed by the authors

Miracle and Wonder: Conversations with Paul Simon is part memoir, part investigation, and unlike any creative portrait you’ve ever heard before. Recorded over a series of 30 hours of conversation between Simon, Gladwell, and Gladwell’s oldest friend and co-writer, journalist and Broken Record podcast co-host Bruce Headlam, the conversation flows from Simon’s music, to his childhood in Queens, NY, to his frequent collaborators including Art Garfunkel and the nature of creativity itself. Gladwell and Headlam traveled from the mountains of Hawaii to Simon’s own backyard studio to record an artist they’ve idolized since childhood.

Woven throughout the audiobook is distinctive commentary about Simon’s songwriting alongside archival audio footage and never-before-heard live studio versions and original recordings of beloved hits including “The Boxer”, “The Sound of Silence”, and “Graceland”. Between conversations, Gladwell deploys his signature blend of historical research and social science in an attempt to understand how a boy from 1940s Queens conjured near-perfect songs over an incredible 65-year career. Along the way, he gathers reflections on Simon’s particular genius from the likes of Sting, Herbie Hancock, Renee Fleming, Jeff Tweedy, Aaron Lindsey, and Roseanne Cash.

The result is an intimate audio biography of one of America’s most popular songwriters. Brimming with music and conversation, Miracle and Wonder is a window into Simon’s legendary career, what it means to be alive as an artist, and how to create work that endures.

 

A Most Elegant Equation by David Stipp, performed by Sean Pratt

 

Mozart’s Starling by Lyanda Lynn Haupt, performed by Linda Henning

On May 27, 1784, Wolfgang Amadeus Mozart met a flirtatious little starling in a Viennese shop who sang an improvised version of the theme from his Piano Concerto no. 17 in G major. Sensing a kindred spirit in the plucky young bird, Mozart bought him and took him home to be a family pet. For three years the starling lived with Mozart, influencing his work and serving as his companion, distraction, consolation, and muse.

Two centuries later starlings are reviled by even the most compassionate conservationists. A nonnative, invasive species, they invade sensitive habitats, outcompete local birds for nest sites and food, and decimate crops. A seasoned birder and naturalist, Lyanda Lynn Haupt is well versed in the difficult and often strained relationships these birds have with other species and the environment. But after rescuing a baby starling of her own, Haupt found herself enchanted by the same intelligence and playful spirit that had so charmed her favorite composer.

In Mozart’s Starling, Haupt explores the unlikely and remarkable bond between one of history’s most cherished composers and one of earth’s most common birds. The intertwined stories of Mozart’s beloved pet and Haupt’s own starling provide an unexpected window into human-animal friendships, music, the secret world of starlings, and the nature of creative inspiration. A blend of natural history, biography, and memoir, Mozart’s Starling is a tour de force that awakens a surprising new awareness of our place in the world.

 

*Music is History by Questlove, performed by Questlove

In Music Is History, best-selling author and Sundance award-winning director Questlove harnesses his encyclopedic knowledge of popular music and his deep curiosity about history to examine America over the past 50 years. Choosing one essential track from each year, Questlove unpacks each song’s significance, revealing the pivotal role that American music plays around issues of race, gender, politics, and identity.

Music Is History focuses on the years 1971 to the present, not only the country’s most complex and rewarding half-century when it comes to the ways that pop culture and culturally diverse history intersect and interact, but also the years that overlap with Questlove’s own life. Music Is History moves fluidly from the personal to the political, examining events closely and critically, to unpeel and uncover previously unseen dimensions, and encouraging listeners to do the same. Whether he is exploring how Black identity reshaped itself during the blaxploitation era, analyzing the assembly-line nature of disco and its hostility to Black genius, or remembering his own youth as a pop fan and what it taught him about America, Questlove finds the hidden connections in the American tapestry.

Complete with playlists organized around personal, playful themes that touch on everything from the relationship of hip-hop to music’s past to the secret ingredient in all funk songs, Music Is History is filled with and informed by Questlove’s preferences, perspectives, and particularities. It feels like both a popular history of contemporary America and a conversation with one of music’s most influential and unique voices.

 

*The Nineties by Chuck Klosterman, performed by Chuck Klosterman

It was long ago, but not as long as it seems: The Berlin Wall fell and the Twin Towers collapsed. In between, one presidential election was allegedly decided by Ross Perot while another was plausibly decided by Ralph Nader. In the beginning, almost every name and address was listed in a phone book, and everyone answered their landlines because you didn’t know who it was. By the end, exposing someone’s address was an act of emotional violence, and nobody picked up their new cell phone if they didn’t know who it was. The ’90s brought about a revolution in the human condition we’re still groping to understand. Happily, Chuck Klosterman is more than up to the job.

Beyond epiphenomena like “Cop Killer” and Titanic and Zima, there were wholesale shifts in how society was perceived: the rise of the internet, pre-9/11 politics, and the paradoxical belief that nothing was more humiliating than trying too hard. Pop culture accelerated without the aid of a machine that remembered everything, generating an odd comfort in never being certain about anything. On a ’90s Thursday night, more people watched any random episode of Seinfeld than the finale of Game of Thrones. But nobody thought that was important; if you missed it, you simply missed it. It was the last era that held to the idea of a true, hegemonic mainstream before it all began to fracture, whether you found a home in it or defined yourself against it.

In The Nineties, Chuck Klosterman makes a home in all of it: the film, the music, the sports, the TV, the politics, the changes regarding race and class and sexuality, the yin/yang of Oprah and Alan Greenspan. In perhaps no other book ever written would a sentence like, “The video for ‘Smells Like Teen Spirit’ was not more consequential than the reunification of Germany” make complete sense. Chuck Klosterman has written a multi-dimensional masterpiece, a work of synthesis so smart and delightful that future historians might well refer to this entire period as Klostermanian.

 

The Nocturnal Brain by Guy Leschziner, performed by Guy Leschziner

For Dr. Guy Leschziner’s patients, there is no rest for the weary in mind and body. Insomnia, narcolepsy, night terrors, apnea, and sleepwalking are just a sampling of conditions afflicting sufferers who cannot sleep – and their experiences in trying are the stuff of nightmares. Demoniac hallucinations frighten people into paralysis. Restless legs rock both the sleepless and their sleeping partners with unpredictable and uncontrollable kicking. Out-of-sync circadian rhythms confuse the natural body clock’s days and nights.

Then there are the extreme cases. A woman in a state of deep sleep who gets dressed, unlocks her car, and drives for several miles before returning to bed. The man who has spent decades cleaning out kitchens while “sleep-eating”. The teenager prone to the serious, yet unfortunately nicknamed Sleeping Beauty Syndrome stuck in a cycle of excessive unconsciousness, binge eating, and uncharacteristic displays of aggression and hypersexuality while awake.

With compassionate stories of his patients and their conditions, Dr. Leschziner illustrates the neuroscience behind our sleeping minds, revealing the many biological and psychological factors necessary in getting the rest that will not only maintain our physical and mental health, but improve our cognitive abilities and overall happiness.

 

One Bead At A Time by Beverly Little Thunder, performed by Jules Koostachin

The Order of Time by Carlo Rovelli, performed by Benedict Cumberbatch

Why do we remember the past and not the future? What does it mean for time to “flow”? Do we exist in time or does time exist in us? In lyric, accessible prose, Carlo Rovelli invites us to consider questions about the nature of time that continue to puzzle physicists and philosophers alike.

For most listeners, this is unfamiliar terrain. We all experience time, but the more scientists learn about it, the more mysterious it remains. We think of it as uniform and universal, moving steadily from past to future, measured by clocks. Rovelli tears down these assumptions one by one, revealing a strange universe where at the most fundamental level time disappears. He explains how the theory of quantum gravity attempts to understand and give meaning to the resulting extreme landscape of this timeless world. Weaving together ideas from philosophy, science, and literature, he suggests that our perception of the flow of time depends on our perspective, better understood starting from the structure of our brain and emotions than from the physical universe.

Already a best seller in Italy, and written with the poetic vitality that made Seven Brief Lessons on Physics so appealing, The Order of Time offers a profoundly intelligent, culturally rich, novel appreciation of the mysteries of time.

 

The Only Plane In the Sky: the Oral History of 9/11 by Garrett M. Graff, performed by a Full Cast

Now with a new afterword, Garrett M. Graff’s instant New York Times best seller The Only Plane in the Sky, the comprehensive oral history of September 11, 2001 called “history as its most immediate and moving” (Jon Meacham) and “remarkable…a priceless civic gift” (The Wall Street Journal).

Hailed as “remarkable…incredibly evocative and compelling” (The Washington Post) and “oral history at its finest” (Pittsburgh Post-Gazette), Garrett M. Graff’s The Only Plane in the Sky is the most vivid and human portrait of the September 11 attacks yet, comprised of never-before-published transcripts, recently declassified documents, and original interviews and stories from nearly 500 government officials, first responders, witnesses, survivors, friends, and family members. Here is a vivid, profound, and searing portrait of humanity on a day that changed the course of history and all of our lives.

Playing with Myself by Randy Rainbow, performed by Randy Rainbow

An intimate and light-hearted memoir by viral sensation and three-time Emmy-nominated musical comedian Randy Rainbow that takes listeners through his life—the highs, the lows, the lipstick, the pink glasses, and the show tunes

Randy Rainbow, the man who conquered the internet with a stylish pair of pink glasses, an inexhaustible knowledge of Broadway musicals, and the most gimlet-eyed view of American politics this side of Mark Twain finally tells all in Playing with Myself, a memoir sure to cause more than a few listeners to begin singing one of his greatest hits like “A Spoonful of Clorox” or “Cover Your Freakin’ Face”.

As Randy has said, “There’s so much fake news out there about me. I can’t wait to set the record straight and finally give people a peek behind the green screen.” And set the record straight he does. Playing with Myself is a firsthand account of the journey that led Randy Rainbow from his childhood as the over-imaginative, often misunderstood little boy who carried a purse in the second grade to his first job on Broadway as the host at Hooters and on to the creation of his trademark comedy character. In chapters titled “Pajama Bottoms” (a look back at the days when he wore pajama bottoms on his head to pretend he was Dorothy in The Wizard of Oz), “Yes, It’s My Real Name, Shut Up!” (no explanation necessary…) and “Pink Glasses” (a rose-colored homage to his favorite accessory), Playing with Myself is a memoir that answers the question “Can an introverted musical theatre nerd with a MacBook and a dream save the world, one show tune at a time?”

 

A Promised Land by Barack Obama, performed by Barack Obama

In the stirring, highly anticipated first volume of his presidential memoirs, Barack Obama tells the story of his improbable odyssey from young man searching for his identity to leader of the free world, describing in strikingly personal detail both his political education and the landmark moments of the first term of his historic presidency – a time of dramatic transformation and turmoil.

Obama takes readers on a compelling journey from his earliest political aspirations to the pivotal Iowa caucus victory that demonstrated the power of grassroots activism to the watershed night of November 4, 2008, when he was elected 44th president of the United States, becoming the first African American to hold the nation’s highest office.

Reflecting on the presidency, he offers a unique and thoughtful exploration of both the awesome reach and the limits of presidential power, as well as singular insights into the dynamics of US partisan politics and international diplomacy. Obama brings readers inside the Oval Office and the White House Situation Room, and to Moscow, Cairo, Beijing, and points beyond. We are privy to his thoughts as he assembles his cabinet, wrestles with a global financial crisis, takes the measure of Vladimir Putin, overcomes seemingly insurmountable odds to secure passage of the Affordable Care Act, clashes with generals about US strategy in Afghanistan, tackles Wall Street reform, responds to the devastating Deepwater Horizon blowout, and authorizes Operation Neptune’s Spear, which leads to the death of Osama bin Laden.

A Promised Land is extraordinarily intimate and introspective – the story of one man’s bet with history, the faith of a community organizer tested on the world stage. Obama is candid about the balancing act of running for office as a Black American, bearing the expectations of a generation buoyed by messages of “hope and change”, and meeting the moral challenges of high-stakes decision-making. He is frank about the forces that opposed him at home and abroad, open about how living in the White House affected his wife and daughters, and unafraid to reveal self-doubt and disappointment. Yet he never wavers from his belief that inside the great, ongoing American experiment, progress is always possible.

This beautifully written and powerful book captures Barack Obama’s conviction that democracy is not a gift from on high but something founded on empathy and common understanding and built together, day by day.

 

Radical Love: Learning to Accept Yourself and Others by Zachary Levi, performed by Zachary Levi

Radical Love is the debut memoir from Zachary Levi (Shazam!, American Underdog, The Marvelous Mrs. Maisel, Chuck), which shares his emotional journey through a lifetime of crippling anxiety and depression to find joy, gratitude, and ultimate purpose. Facing the scars of childhood trauma and the voices in his head that told him he would never be enough, Zac recounts the raw yet honest behind-the-scenes story of his family life, career successes, and the personal disappointments that led him to rock bottom and landed him in a therapy center, where he learned to address the underlying issues that preceded his downward spiral.

Radical Love combines witty, touching, and powerful commentary with relatable illustrations to help you on your own path toward mental wellness. With vulnerability and humor, Zac relates the valuable lessons and insights he’s learned so that you can rise from the ashes of trauma and pursue a meaningful life of gratitude.

 

The Recovering: Intoxication and Its Aftermath by Leslie Jamison, performed by Leslie Jamison

With its deeply personal and seamless blend of memoir, cultural history, literary criticism, and reportage, The Recovering turns our understanding of the traditional addiction narrative on its head, demonstrating that the story of recovery can be every bit as electrifying as the train wreck itself. Leslie Jamison deftly excavates the stories we tell about addiction – both her own and others’ – and examines what we want these stories to do and what happens when they fail us. All the while, she offers a fascinating look at the larger history of the recovery movement and at the complicated bearing that race and class have on our understanding of who is criminal and who is ill.

At the heart of the book is Jamison’s ongoing conversation with literary and artistic geniuses whose lives and works were shaped by alcoholism and substance dependence, including John Berryman, Jean Rhys, Billie Holiday, Raymond Carver, Denis Johnson, and David Foster Wallace as well as brilliant lesser-known figures such as George Cain, lost to obscurity but newly illuminated here. Through its unvarnished relation of Jamison’s own ordeals, The Recovering also becomes a book about a different kind of dependency: the way our desires can make us all, as she puts it, “broken spigots of need”. It’s about the particular loneliness of the human experience – the craving for love that both devours us and shapes who we are.

For her striking language and piercing observations, Jamison has been compared to such iconic writers as Joan Didion and Susan Sontag, yet her utterly singular voice also offers something new. With enormous empathy and wisdom, Jamison has given us nothing less than the story of addiction and recovery in America writ large, a definitive and revelatory account that will resonate for years to come.

 

Regenesis by George Monbiot, performed by George Monbiot

For the first time since the Neolithic, we have the opportunity to transform not only our food system but our entire relationship to the living world.

Farming is the world’s greatest cause of environmental destruction – and the one we are least prepared to talk about. We criticize urban sprawl, but farming sprawls across 30 times as much land. We have ploughed, fenced and grazed great tracts of the planet, felling forests, killing wildlife, and poisoning rivers and oceans to feed ourselves. Yet millions still go hungry.

Now the food system itself is beginning to falter. But, as George Monbiot shows us in this brilliant, bracingly original new book, we can resolve the biggest of our dilemmas and feed the world without devouring the planet.

Regenesis is a breathtaking vision of a new future for food and for humanity. Drawing on astonishing advances in soil ecology, Monbiot reveals how our changing understanding of the world beneath our feet could allow us to grow more food with less farming. He meets the people who are unlocking these methods, from the fruit and vegetable grower revolutionizing our understanding of fertility; through breeders of perennial grains, liberating the land from ploughs and poisons; to the scientists pioneering new ways to grow protein and fat. Together, they show how the tiniest life forms could help us make peace with the planet, restore its living systems, and replace the age of extinction with an age of regenesis.

 

Rememberings by Sinead O’Connor, performed by Sinead O’Connor

Blessed with a singular voice and a fiery temperament, Sinéad O’Connor rose to massive fame in the late 1980s and 1990s with a string of gold records. By the time she was 20, she was world famous – living a rock-star life out loud. From her trademark shaved head to her 1992 appearance on Saturday Night Live when she tore up Pope John Paul II’s photograph, Sinéad has fascinated and outraged millions.

In Rememberings, O’Connor recounts her painful tale of growing up in Dublin in a dysfunctional, abusive household. Inspired by a brother’s Bob Dylan records, she escaped into music. She relates her early forays with local Irish bands; we see Sinéad completing her first album while eight months pregnant, hanging with Rastas in the East Village, and soaring to unimaginable popularity with her cover of Prince’s “Nothing Compares 2U”.

Intimate, replete with candid anecdotes and told in a singular form true to her unconventional career, Sinéad’s memoir is a remarkable chronicle of an enduring and influential artist.

 

*Rest is Resistance by Tricia Hersey, performed by Tricia Hersey

What would it be like to live in a well-rested world? Far too many of us have claimed productivity as the cornerstone of success. Brainwashed by capitalism, we subject our bodies and minds to work at an unrealistic, damaging, and machine‑level pace—feeding into the same engine that enslaved millions into brutal labor for its own relentless benefit.

In Rest Is Resistance, Tricia Hersey, aka the Nap Bishop, casts an illuminating light on our troubled relationship with rest and how to imagine and dream our way to a future where rest is exalted. Our worth does not reside in how much we produce, especially not for a system that exploits and dehumanizes us. Rest, in its simplest form, becomes an act of resistance and a reclaiming of power because it asserts our most basic humanity. We are enough. The systems cannot have us.

Rest Is Resistance is rooted in spiritual energy and centered in Black liberation, womanism, somatics, and Afrofuturism. With captivating storytelling and practical advice, all delivered in Hersey’s lyrical voice and informed by her deep experience in theology, activism, and performance art, Rest Is Resistance is a call to action, a battle cry, a field guide, and a manifesto for all of us who are sleep-deprived, searching for justice, and longing to be liberated from the oppressive grip of Grind Culture.

 

The Ride of her Life by Elizabeth Letts, performed by Tavia Gilbert

In 1954, 63-year-old Maine farmer Annie Wilkins embarked on an impossible journey. She had no money and no family, she had just lost her farm, and her doctor had given her only two years to live. But Annie wanted to see the Pacific Ocean before she died. She ignored her doctor’s advice to move into the county charity home. Instead, she bought a cast-off brown gelding named Tarzan, donned men’s dungarees, and headed south in mid-November, hoping to beat the snow. Annie had little idea what to expect beyond her rural crossroads; she didn’t even have a map. But she did have her ex-racehorse, her faithful mutt, and her own unfailing belief that Americans would treat a stranger with kindness.

Annie, Tarzan, and her dog, Depeche Toi, rode straight into a world transformed by the rapid construction of modern highways. Between 1954 and 1956, the three travelers pushed through blizzards, forded rivers, climbed mountains, and clung to the narrow shoulder as cars whipped by them at terrifying speeds. Annie rode more than 4,000 miles, through America’s big cities and small towns. Along the way, she met ordinary people and celebrities – from Andrew Wyeth (who sketched Tarzan) to Art Linkletter and Groucho Marx. She received many offers – a permanent home at a riding stable in New Jersey, a job at a gas station in rural Kentucky, even a marriage proposal from a Wyoming rancher. In a decade when car ownership nearly tripled, when television’s influence was expanding fast, when homeowners began locking their doors, Annie and her four-footed companions inspired an outpouring of neighborliness in a rapidly changing world.

 

*The Rise and Fall of the Dinosaurs: A New History of a Lost World by Stephen L. Brusatte, performed by Patrick Lawlor

A sweeping and groundbreaking history of the age of dinosaurs, from one of our finest young scientists.

The dinosaurs. 66 million years ago, the Earth’s most fearsome and spectacular creatures vanished. Today their extraordinary true story remains one of our planet’s great mysteries.

In this stunning narrative spanning more than 200 million years, Steve Brusatte, a young American paleontologist who has emerged as one of the foremost stars of the field – discovering 10 new species and leading groundbreaking scientific studies and fieldwork – masterfully tells the complete, surprising, and new history of the dinosaurs, drawing on cutting-edge science to dramatically bring to life their lost world and illuminate their enigmatic origins, spectacular flourishing, astonishing diversity, cataclysmic extinction, and startling living legacy. Captivating and revelatory, The Rise and Fall of the Dinosaurs is a book for the ages.

Brusatte traces the evolution of dinosaurs from their inauspicious start as small shadow dwellers – themselves the beneficiaries of a mass extinction caused by volcanic eruptions at the beginning of the Triassic period – into the dominant array of species every wide-eyed child memorizes today, T. rex, Triceratops, Brontosaurus, and more. This gifted scientist and writer re-creates the dinosaurs’ peak during the Jurassic and Cretaceous, when thousands of species thrived, and winged and feathered dinosaurs, the prehistoric ancestors of modern birds, emerged. The story continues to the end of the Cretaceous period, when a giant asteroid or comet struck the planet and nearly every dinosaur species (but not all) died out, in the most extraordinary extinction event in earth’s history, one full of lessons for today as we confront a “sixth extinction”.

Brusatte also recalls compelling stories from his globe-trotting expeditions during one of the most exciting eras in dinosaur research – which he calls “a new golden age of discovery” – and offers thrilling accounts of some of the remarkable findings he and his colleagues have made, including primitive human-sized tyrannosaurs; monstrous carnivores even larger than T. rex; and paradigm-shifting feathered raptors from China.

An electrifying scientific history that unearths the dinosaurs’ epic saga, The Rise and Fall of the Dinosaurs will be a definitive and treasured account for decades to come.

 

Rogues by Patrick Radden Keefe, performed by Patrick Radden Keefe

Patrick Radden Keefe has garnered prizes ranging from the National Magazine Award to the Orwell Prize to the National Book Critics Circle Award for his meticulously-reported, hypnotically-engaging work on the many ways people behave badly. Rogues brings together a dozen of his most celebrated articles from The New Yorker. As Keefe says in his preface “They reflect on some of my abiding preoccupations: crime and corruption, secrets and lies, the permeable membrane separating licit and illicit worlds, the bonds of family, the power of denial.”

Keefe brilliantly explores the intricacies of forging $150,000 vintage wines, examines whether a whistleblower who dared to expose money laundering at a Swiss bank is a hero or a fabulist, spends time in Vietnam with Anthony Bourdain, chronicles the quest to bring down a cheerful international black market arms merchant, and profiles a passionate death penalty attorney who represents the “worst of the worst,” among other bravura works of literary journalism.

The appearance of his byline in The New Yorker is always an event, and collected here for the first time listeners can see his work forms an always enthralling but deeply human portrait of criminals and rascals, as well as those who stand up against them.

 

Run Toward The Danger by Sarah Polley, performed by Sarah Polley

These are the most dangerous stories of my life. The ones I have avoided, the ones I haven’t told, the ones that have kept me awake on countless nights. As these stories found echoes in my adult life, and then went another, better way than they did in childhood, they became lighter and easier to carry.

Sarah Polley’s work as an actor, screenwriter, and director is celebrated for its honesty, complexity, and deep humanity. She brings all those qualities, along with her exquisite storytelling chops, to these six essays. Each one captures a piece of Polley’s life as she remembers it, while at the same time examining the fallibility of memory, the mutability of reality in the mind, and the possibility of experiencing the past anew, as the person she is now but was not then. As Polley writes, the past and present are in a “reciprocal pressure dance.”

Polley contemplates stories from her own life, ranging from stage fright to high-risk childbirth to endangerment and more. After struggling with the aftermath of a concussion, Polley met a specialist who gave her wholly new advice: to recover from a traumatic injury, she had to retrain her mind to strength by charging towards the very activities that triggered her symptoms. With riveting clarity, she shows the power of applying that same advice to other areas of her life in order to find a path forward, a way through. Rather than live in a protective crouch, she had to run towards the danger.

In this extraordinary book, Polley explores what it is to live in one’s body, in a constant state of becoming, learning, and changing.

 

Sandy Hook by Elizabeth Williamson, performed by Rebecca Lowman

On December 14, 2012, a gunman killed 20 first-graders and six educators at Sandy Hook Elementary School in Newtown, Connecticut. Ten years later, Sandy Hook has become a foundational story of how false conspiracy narratives and malicious misinformation have gained traction in society.

One of the nation’s most devastating mass shootings, Sandy Hook was used to create destructive and painful myths. Driven by ideology or profit, or for no sound reason at all, some people insisted it never occurred or was staged by the federal government as a pretext for seizing Americans’ firearms. They tormented the victims’ relatives online, accosted them on the street and at memorial events, accusing them of faking their loved ones’ murders. Some family members have been stalked and forced into hiding. A gun was fired into the home of one parent.

Present at the creation of this terrible crusade was Alex Jones’ Infowars, a far-right outlet that aired noxious Sandy Hook theories to millions and raised money for the conspiracy theorists’ quest to “prove” the shooting didn’t happen. Enabled by Facebook, YouTube, and other social media companies’ failure to curb harmful content, the conspiracists’ questions grew into suspicion, suspicion grew into demands for more proof, and unanswered demands turned into rage. This pattern of denial and attack would come to characterize some Americans’ response to almost every major event, from mass shootings to the coronavirus pandemic to the 2020 presidential election, in which President Trump’s false claims of a rigged result prompted the January 6, 2021 assault on a bastion of democracy, the US Capitol.

The Sandy Hook families, led by the father of the youngest victim, refused to accept this. Sandy Hook is the story of their battle to preserve their loved ones’ legacies even in the face of threats to their own lives. Through exhaustive reporting, narrative storytelling, and intimate portraits, Sandy Hook is the definitive book on one of the most shocking cultural ruptures of the internet era.

 

Secret Soldiers: How the U.S. Twenty-Third Special Troops Fooled the Nazis by Paul Janeczko, performed by Ron Butler

What do set design, sound effects, and showmanship have to do with winning World War II? Meet the Ghost Army that played a surprising role in helping to deceive – and defeat – the Nazis.

In his third book about deception during war, Paul B. Janeczko focuses his lens on World War II and the operations carried out by the Twenty-Third Headquarters Special Troops, aka the Ghost Army. This remarkable unit included actors, camouflage experts, sound engineers, painters, and set designers who used their skills to secretly and systematically replace fighting units – fooling the Nazi army into believing what their eyes and ears told them, even though the sights and sounds of tanks and war machines and troops were entirely fabricated. Follow the Twenty-Third into Europe as they play a dangerous game of enticing the German army into making battlefield mistakes by using sonic deceptions, inflatable tanks, pyrotechnics, and camouflage in more than twenty operations. From the Normandy invasion to the crossing of the Rhine River, the men of the Ghost Army – several of whom went on to become famous artists and designers after the war – played an improbable role in the Allied victory.

 

She Said by Megan Twohey & Jodi Kantor, performed by Rebecca Lowman

On October 5, 2017, the New York Times published an article by Jodi Kantor and Megan Twohey – and then the world changed. For months, Kantor and Twohey had been having confidential discussions with top actresses, former Weinstein employees, and other sources, learning of disturbing long-buried allegations, some of which had been covered up by onerous legal settlements. The journalists meticulously picked their way through a web of decades-old secret payouts and nondisclosure agreements, pressed some of the most famous women in the world – and some unknown ones – to risk going on the record, and faced down Weinstein, his team of high-priced defenders, and even his private investigators.

But nothing could have prepared them for what followed the publication of their Weinstein story. Within days, a veritable Pandora’s box of sexual harassment and abuse was opened, and women who had suffered in silence for generations began coming forward, trusting that the world would understand their stories. Over the next 12 months, hundreds of men from every walk of life and industry would be outed for mistreating their colleagues. But did too much change – or not enough? Those questions plunged the two journalists into a new phase of reporting and some of their most startling findings yet.

With superlative detail, insight, and journalistic expertise, Kantor and Twohey take us for the first time into the very heart of this social shift, reliving in real time what it took to get the story and giving an up-close portrait of the forces that hindered and spurred change. They describe the surprising journeys of those who spoke up – for the sake of other women, for future generations, and for themselves – and so changed us all.

 

Shoe Dog by Phil Knight, performed by Norbert Leo Butz

In this candid and riveting memoir, for the first time ever, Nike founder and CEO Phil Knight shares the inside story of the company’s early days as an intrepid start-up and its evolution into one of the world’s most iconic, game-changing, and profitable brands.

In 1962, fresh out of business school, Phil Knight borrowed fifty dollars from his father and created a company with a simple mission: import high-quality, low-cost athletic shoes from Japan. Selling the shoes from the trunk of his lime-green Plymouth Valiant, Knight grossed $8,000 his first year. Today, Nike’s annual sales top $30 billion. In an age of start-ups, Nike is the ne plus ultra of all start-ups, and the swoosh has become a revolutionary, globe-spanning icon, one of the most ubiquitous and recognizable symbols in the world today.

But Knight, the man behind the swoosh, has always remained a mystery. Now, for the first time, in a memoir that is candid, humble, gutsy, and wry, he tells his story, beginning with his crossroads moment. At 24, after backpacking around the world, he decided to take the unconventional path to start his own business – a business that would be dynamic, different.

Knight details the many risks and daunting setbacks that stood between him and his dream – along with his early triumphs. Above all, he recalls the formative relationships with his first partners and employees, a ragtag group of misfits and seekers who became a tight-knit band of brothers. Together, harnessing the transcendent power of a shared mission and a deep belief in the spirit of sport, they built a brand that changed everything.

 

Sing Backwards and Weep by Mark Lanegan, performed by Mark Lanegan

When Mark Lanegan first arrived in Seattle in the mid-1980s, he was just “an arrogant, self-loathing redneck waster seeking transformation through rock ‘n’ roll.” Little did he know that within less than a decade, he would rise to fame as the frontman of the Screaming Trees, and then fall from grace as a low-level crack dealer and a homeless heroin addict, all the while watching some of his closest friends rocket to the forefront of popular music.

In Sing Backwards and Weep, Lanegan takes listeners back to the sinister, needle-ridden streets of Seattle, to an alternative music scene that was simultaneously bursting with creativity and dripping with drugs. He tracks the tumultuous rise and fall of the Screaming Trees, from a brawling, acid-rock bar band to world-famous festival favorites that scored a hit number five single on Billboard’s alternative charts and landed a notorious performance on Late Night with David Letterman, where Lanegan appeared sporting a fresh black eye from a brawl the night before.

This book also dives into Lanegan’s personal struggles with addiction, culminating in homelessness, petty crime, and the tragic deaths of his closest friends. From the back of the van to the front of the bar, from the hotel room to the emergency room, onstage, backstage, and everywhere in between, Sing Backwards and Weep reveals the abrasive underlining beneath one of the most romanticized decades in rock history – from a survivor who lived to tell the tale.

Gritty, gripping, and unflinchingly raw, Sing Backwards and Weep is a book about more than just an extraordinary singer who watched his dreams catch fire and incinerate the ground beneath his feet. It’s about a man who learned how to drag himself from the wreckage, dust off the ashes, and keep living and creating.

 

Slimed by Mathew Klickstein, performed by Nick Podehl

As a beloved guide to the topsy-turvy and warts-and-all tale of how Nickelodeon became the First Kids’ Network, SLIMED! continues five years into its publication to entertain and educate both newbies and superfans of Old School Nick alike, while remaining an essential resource for academics and critics covering this unique era of children’s programming that became a cornerstone of cherished memories for at least two generations.

Nickelodeon nostalgia has become a cottage industry unto itself: countless podcasts, blogs, documentaries, social media communities, conventions, reunions and the recent spate of reboot shows and feature film adaptations. But a little less than a decade ago, the best a dyed-in-the-wool Nick Kid could hope for when it came to coverage of the so-called “Golden Age” (1983 – 1995) of the Nickelodeon network was the infrequent listicle, op-ed or even rarer interview with an actual Old School Nick denizen.

Pop culture historian Mathew Klickstein changed all of that when he forged ahead to track down and interview more than 250 Classic Nick stars, show creators, crew members and network execs, many of whom had not yet made their way back to the public stage as they have since the book’s initial release and large-scale NYC launch event/Nick reunion in late 2013.

• Find out what the elusive and controversial John Kricfalusi, creator of The Ren & Stimpy Show, has to say about his highly-publicized and contentious expulsion from the network during his series’ first season. 
• Learn why some of the biggest names in indie film, underground comedy and punk rock turned out for guest spots on the proto-hipster The Adventures of Pete & Pete, through interviews with the likes of Janeane Garofalo and New York Dolls’ frontman David Johansen. 
• And speaking of stars – discover, through anecdotes by Nickelodeon casting directors, how future giants like Kirsten Dunst and Ryan Gosling…nearly became perennial members of Are You Afraid of the Dark?’s Midnight Society. 

SLIMED! is the oral history that gives listeners all of this and so much more about what it was like for the actors of your favorite shows to grow up on-camera in front of the entire nation, what they’ve been up to since you heard from them last (including those who have long left show business) and, of course, plenty of juicy behind-the-scenes tidbits about the triumphant creation and sometimes unfortunate missteps of such early Nick shows as: Clarissa Explains It All, Salute Your Shorts, Rugrats, Doug, Nick Arcade and uber-early series such as Pinwheel, Out of Control and, of course, You Can’t Do That on Television.

 

Song of the Cell by Siddhartha Mukherjee, performed by Dennis Boutsikaris

Mukherjee begins this magnificent story in the late 1600s, when a distinguished English polymath, Robert Hooke, and an eccentric Dutch cloth-merchant, Antonie van Leeuwenhoek looked down their handmade microscopes. What they saw introduced a radical concept that swept through biology and medicine, touching virtually every aspect of the two sciences, and altering both forever. It was the fact that complex living organisms are assemblages of tiny, self-contained, self-regulating units. Our organs, our physiology, our selves—hearts, blood, brains—are built from these compartments. Hooke christened them “cells”.

The discovery of cells—and the reframing of the human body as a cellular ecosystem—announced the birth of a new kind of medicine based on the therapeutic manipulations of cells. A hip fracture, a cardiac arrest, Alzheimer’s dementia, AIDS, pneumonia, lung cancer, kidney failure, arthritis, COVID pneumonia—all could be reconceived as the results of cells, or systems of cells, functioning abnormally. And all could be perceived as loci of cellular therapies.

In The Song of the Cell, Mukherjee tells the story of how scientists discovered cells, began to understand them, and are now using that knowledge to create new humans. He seduces you with writing so vivid, lucid, and suspenseful that complex science becomes thrilling. Told in six parts, laced with Mukherjee’s own experience as a researcher, a doctor, and a prolific reader, The Song of the Cell is both panoramic and intimate—a masterpiece.

 

*Stamped: Racism, Antiracism, and You by Jason Reynolds and Ibram X. Kendi, performed by Jason Reynolds

A timely, crucial, and empowering exploration of racism – and antiracism – in America

This is NOT a history book.
This is a book about the here and now.
A book to help us better understand why we are where we are.
A book about race.

The construct of race has always been used to gain and keep power, to create dynamics that separate and silence. This remarkable reimagining of Dr. Ibram X. Kendi’s National Book Award-winning Stamped from the Beginning reveals the history of racist ideas in America, and inspires hope for an antiracist future. It takes you on a race journey from then to now, shows you why we feel how we feel, and why the poison of racism lingers. It also proves that while racist ideas have always been easy to fabricate and distribute, they can also be discredited.

Through a gripping, fast-paced, and energizing narrative written by beloved award-winner Jason Reynolds, this book shines a light on the many insidious forms of racist ideas – and on ways listeners can identify and stamp out racist thoughts in their daily lives.

 

The Storyteller by Dave Grohl, performed by David Grohl

So, I’ve written a book.

Having entertained the idea for years, and even offered a few questionable opportunities (“It’s a piece of cake! Just do four hours of interviews, find someone else to write it, put your face on the cover, and voila!”) I have decided to tell these stories just as I have always done, in my own voice. The joy that I have felt from chronicling these tales is not unlike listening back to a song that I’ve recorded and can’t wait to share with the world, or reading a primitive journal entry from a stained notebook, or even hearing my voice bounce between the Kiss posters on my wall as a child.

This certainly doesn’t mean that I’m quitting my day job, but it does give me a place to shed a little light on what it’s like to be a kid from Springfield, Virginia, walking through life while living out the crazy dreams I had as young musician. From hitting the road with Scream at 18 years old, to my time in Nirvana and the Foo Fighters, jamming with Iggy Pop or playing at the Academy Awards or dancing with AC/DC and the Preservation Hall Jazz Band, drumming for Tom Petty or meeting Sir Paul McCartney at Royal Albert Hall, bedtime stories with Joan Jett or a chance meeting with Little Richard, to flying halfway around the world for one epic night with my daughters…the list goes on. I look forward to focusing the lens through which I see these memories a little sharper for you with much excitement.

 

Stories I Only Tell My Friends by Rob Lowe, performed by Rob Lowe

A wryly funny and surprisingly moving account of an extraordinary life lived almost entirely in the public eye.

A teen idol at 15, an international icon and founder of the Brat Pack at 20, and one of Hollywood’s top stars to this day, Rob Lowe chronicles his experiences as a painfully misunderstood child actor in Ohio who was uprooted to the wild counterculture of mid-’70s Malibu, where he embarked on his unrelenting pursuit of a career in Hollywood.

The Outsiders placed Lowe at the birth of the modern youth movement in the entertainment industry. During his time on The West Wing, he witnessed the surreal nexus of show business and politics, both on the set and in the actual White House. And in between are deft and humorous stories of the wild excesses that marked the ’80s, leading to his quest for family and sobriety.

Never mean-spirited or salacious, Lowe delivers unexpected glimpses into his successes, disappointments, relationships, and one-of-a-kind encounters with people who shaped our world over the last 25 years. These stories are as entertaining as they are unforgettable.

 

The Sum of Us by Heather McGhee, performed by Heather McGhee

Heather McGhee’s specialty is the American economy—and the mystery of why it so often fails the American public. From the financial crisis of 2008 to rising student debt to collapsing public infrastructure, she found a root problem: racism in our politics and policymaking. But not just in the most obvious indignities for people of color. Racism has costs for white people, too. It is the common denominator of our most vexing public problems, the core dysfunction of our democracy and constitutive of the spiritual and moral crises that grip us all. But how did this happen? And is there a way out?

McGhee embarks on a deeply personal journey across the country from Maine to Mississippi to California, tallying what we lose when we buy into the zero-sum paradigm—the idea that progress for some of us must come at the expense of others. Along the way, she meets white people who confide in her about losing their homes, their dreams, and their shot at better jobs to the toxic mix of American racism and greed. This is the story of how public goods in this country—from parks and pools to functioning schools—have become private luxuries; of how unions collapsed, wages stagnated, and inequality increased; and of how this country, unique among the world’s advanced economies, has thwarted universal healthcare.

But in unlikely places of worship and work, McGhee finds proof of what she calls the Solidarity Dividend: the benefits we gain when people come together across race to accomplish what we simply can’t do on our own. The Sum of Us is not only a brilliant analysis of how we arrived here but also a heartfelt message, delivered with startling empathy, from a black woman to a multiracial America. It leaves us with a new vision for a future in which we finally realize that life can be more than a zero-sum game.

 

Surrender by Bono, performed by Bono

Narrated by the author, Surrender is an intimate, immersive listening experience, telling stories from Bono’s early days in Dublin, to joining a band and playing sold out stadiums around the world with U2, plus his more than 20 years of activism.

Throughout a remarkable life, music has always been a constant for Bono and in the audiobook, his distinctive voice is interwoven with a very personal soundtrack adding atmosphere and texture to each and every scene. From moments of classic U2 hits to snippets by The Clash, Patti Smith, Verdi, Johnny Cash and Mozart, Surrender also exclusively features clips of newly recorded reimagined versions of U2 songs including ‘Sunday Bloody Sunday’, ‘With Or Without You’, ‘One’, ‘Beautiful Day’ and more, glimpsed for the first time on Surrender: 40 Songs, One Story.

 

Tell Me Again By Amy Thunig, performed by Clementine Ford

For years, Amy Thunig thought she knew all the details about the day she was born, often demanding that the story of her birth be retold. Years later, heavily pregnant with her own first child, she learns what really happened that day. It’s a tale that exemplifies many of the events of her early life, where circumstances sometimes dictated that things be slightly different from how they might seem–including what is meant by her dad being away for ‘work’ and why her legal last name differs from her family’s.

In this remarkable memoir, Amy narrates her journey through childhood and adolescence, growing up with parents who struggled with addiction and incarceration. She reveals the importance of extended family and community networks when your immediate loved ones are dealing with endemic poverty and intergenerational trauma. In recounting her experiences, she shows how the stories we tell about ourselves can help to shape and sustain us. Tell Me Again will captivate, move and inspire listeners with its candour and insight.

Dr Amy Thunig (B.Arts, M.Teach, PhD) is a Gomeroi/Gamilaroi/Kamilaroi yinarr (woman) and mother who resides on the unceded lands of the Awabakal peoples. An academic in the field of education, Amy is also a Director at Story Factory in Redfern, and in 2019 gave their TEDx talk ‘Disruption is not a dirty word’. As well as being on various committees and councils, Amy is a media commentator and panellist, regularly appearing on television programs such as ABC’s The Drum, and writing for publications such as Buzzfeed, Sydney Book Review, IndigenousX, The Guardian and more.

 

Ten Steps to Nanette by Hannah Gadsby, performed by Hannah Gadsby

“There is nothing stronger than a broken woman who has rebuilt herself,” Hannah Gadsby declared in her show Nanette, a scorching critique of the way society conducts public debates about marginalized communities. When it premiered on Netflix, it left audiences captivated by her blistering honesty and her singular ability to take them from rolling laughter to devastated silence. Ten Steps to Nanette continues Gadsby’s tradition of confounding expectations and norms, properly introducing us to one of the most explosive, formative voices of our time.

Gadsby grew up as the youngest of five children in an isolated town in Tasmania, where homosexuality was illegal until 1997. She perceived her childhood as safe and “normal,” but as she gained an awareness of her burgeoning queerness, the outside world began to undermine the “vulnerably thin veneer” of her existence. After moving to mainland Australia and receiving a degree in art history, Gadsby found herself adrift, working itinerant jobs and enduring years of isolation punctuated by homophobic and sexual violence. At age twenty-seven, without a home or the ability to imagine her own future, she was urged by a friend to enter a stand-up competition. She won, and so began her career in comedy.

Gadsby became well known for her self-deprecating, autobiographical humor that made her the butt of her own jokes. But in 2015, as Australia debated the legality of same-sex marriage, Gadsby started to question this mode of storytelling, beginning work on a show that would become “the most-talked-about, written-about, shared-about comedy act in years” (The New York Times).

Harrowing and hilarious, Ten Steps to Nanette traces Gadsby’s growth as a queer person, to her ever-evolving relationship with comedy, and her struggle with late-in-life diagnoses of autism and ADHD, finally arriving at the backbone of Nanette: the renouncement of self-deprecation, the rejection of misogyny, and the moral significance of truth-telling.

 

That’s the Way I Heard It by Mike Rowe, performed by Mike Rowe

Emmy Award-winning gadfly Mike Rowe presents a ridiculously entertaining, seriously fascinating collection of his favorite episodes from America’s number-one short-form podcast, The Way I Heard It, along with a host of memories, ruminations, and insights. It’s a delightful collection of mysteries. A mosaic. A memoir. A charming, surprising must-have.

Mike Rowe’s The Way I Heard It collects 35 fascinating stories “for the curious mind with a short attention span”. Five-minute mysteries about people you know, filled with facts that you didn’t. Movie stars, presidents, Nazis, rank traitors, and bloody do-gooders – they’re all here, waiting to shake your hand, hoping you’ll remember them. Delivered with Mike’s signature blend of charm, wit, and ingenuity, their stories are part of a larger mosaic – a memoir crammed with recollections, insights, and intimate, behind-the-scenes moments drawn from Mike’s remarkable life and career.

 

There Is Nothing for You Here by Fiona Hill, performed by Fiona Hill

Fiona Hill grew up in a world of terminal decay. The last of the local mines had closed, businesses were shuttering, and despair was etched in the faces around her. Her father urged her to get out of their blighted corner of northern England: “There is nothing for you here, pet,” he said.

The coal-miner’s daughter managed to go further than he ever could have dreamed. She studied in Moscow and at Harvard, became an American citizen, and served three U.S. Presidents. But in the heartlands of both Russia and the United States, she saw troubling reflections of her hometown and similar populist impulses. By the time she offered her brave testimony in the first impeachment inquiry of President Trump, Hill knew that the desperation of forgotten people was driving American politics over the brink—and that we were running out of time to save ourselves from Russia’s fate. In this powerful, deeply personal account, she shares what she has learned, and shows why expanding opportunity is the only long-term hope for our democracy.

 

They Were Her Property: White Women as Slave Owners in the American South by Stephanie E. Jones-Rogers, performed by Allyson Johnson

A bold and searing investigation into the role of white women in the American slave economy.

Bridging women’s history, the history of the South, and African-American history, this audiobook makes a bold argument about the role of white women in American slavery. Historian Stephanie E. Jones-Rogers draws on a variety of sources to show that slave-owning women were sophisticated economic actors who directly engaged in and benefited from the South’s slave market. Because women typically inherited more slaves than land, enslaved people were often their primary source of wealth.

Not only did white women often refuse to cede ownership of their slaves to their husbands, they employed management techniques that were as effective and brutal as those used by slave-owning men.

White women actively participated in the slave market, profited from it, and used it for economic and social empowerment. By examining the economically entangled lives of enslaved people and slave-owning women, Jones-Rogers presents a narrative that forces us to rethink the economics and social conventions of slaveholding America.

This Is Going to Hurt by Adam Kay, performed by Adam Kay

Welcome to 97-hour weeks. Welcome to life-and-death decisions. Welcome to a constant tsunami of bodily fluids. Welcome to earning less than the hospital parking meter. Wave good-bye to your friends and relationships. Welcome to the life of a first-year doctor.

Scribbled in secret after endless days, sleepless nights, and missed weekends, comedian and former medical resident Adam Kay’s This Is Going to Hurt provides a no-holds-barred account of his time on the front lines of medicine.

Hilarious, horrifying, and heartbreaking by turns, this is everything you wanted to know – and more than a few things you didn’t – about life on and off the hospital ward.

And yes, it may leave a scar.

 

Travels with George by Nathaniel Philbrick, performed by Nathaniel Philbrick

Does George Washington still matter? Best-selling author Nathaniel Philbrick argues for Washington’s unique contribution to the forging of America by retracing his journey as a new president through all 13 former colonies, which were now an unsure nation. Travels with George marks a new first-person voice for Philbrick, weaving history and personal reflection into a single narrative.

When George Washington became president in 1789, the United States of America was still a loose and quarrelsome confederation and a tentative political experiment. Washington undertook a tour of the ex-colonies to talk to ordinary citizens about his new government, and to imbue in them the idea of being one thing – Americans.

In the fall of 2018, Nathaniel Philbrick embarked on his own journey into what Washington called “the infant woody country” to see for himself what America had become in the 229 years since. Writing in a thoughtful first person about his own adventures with his wife, Melissa, and their dog, Dora, Philbrick follows Washington’s presidential excursions: from Mount Vernon to the new capital in New York; a monthlong tour of Connecticut, Massachusetts, New Hampshire, and Rhode Island; a venture onto Long Island and eventually across Georgia, South Carolina, and North Carolina. The narrative moves smoothly between the eighteenth and twenty-first centuries as we see the country through both Washington’s and Philbrick’s eyes.

Written at a moment when America’s founding figures are under increasing scrutiny, Travels with George grapples bluntly and honestly with Washington’s legacy as a man of the people, a reluctant president, and a plantation owner who held people in slavery. At historic houses and landmarks, Philbrick reports on the reinterpretations at work as he meets reenactors, tour guides, and other keepers of history’s flame. He paints a picture of 18th-century America as divided and fraught as it is today, and he comes to understand how Washington compelled, enticed, stood up to, and listened to the many different people he met along the way – and how his all-consuming belief in the union helped to forge a nation.

 

Trejo by Danny Trejo, performed by Donal Logue

On screen, Danny Trejo the actor is a baddie who has been killed at least a hundred times. He’s been shot, stabbed, hanged, chopped up, squished by an elevator, and once, was even melted into a bloody goo. Off screen, he’s a hero beloved by recovery communities and obsessed fans alike. But the real Danny Trejo is much more complicated than the legend.

Raised in an abusive home, Danny struggled with heroin addiction and stints in some of the country’s most notorious state prisons—including San Quentin and Folsom—from an early age, before starring in such modern classics as Heat, From Dusk till Dawn, and Machete. Now, in this funny, painful, and suspenseful memoir, Danny takes us through the incredible ups and downs of his life, including meeting one of the world’s most notorious serial killers in prison and working with legends like Charles Bronson and Robert De Niro.

An honest, unflinching, and “inspirational study in the definition of character” (Kevin Smith, director and actor), Trejo reveals how he managed the horrors of prison, rebuilt himself after finding sobriety and spirituality in solitary confinement, and draws inspiration from the adrenaline-fueled robbing heists of his past for the film roles that made him a household name. He also shares the painful contradictions in his personal life. Although he speaks everywhere from prison yards to NPR about his past to inspire countless others on their own road to recovery and redemption, he struggles to help his children with their personal battles with addiction, and to build relationships that last.

Redemptive and painful, poignant and real, Trejo is a portrait of a magnificent life and an unforgettable and exceptional journey that proves “though we may fall down at some point in our lives, it’s what we do when we stand back up that really counts” (Robert Rodriguez, filmmaker and producer).

 

Uncomfortable Conversations with a Black Boy by Emmanuel Acho, performed by Landon Woodson

Young people have the power to affect sweeping change, and the key to mending the racial divide in America lies in giving them the tools to ask honest questions and take in the difficult answers.

Approaching every awkward, taboo, and uncomfortable question with openness and patience, Emmanuel Acho connects his own experience with race and racism – from attending majority-white prep schools to his time in the NFL playing on majority-black football teams – to insightful lessons in black history and black culture.

Uncomfortable Conversations with a Black Boy is just one way young listeners can begin to short circuit racism within their own lives and communities.

 

Unreasonable Hospitality by Will Guidara, performed by Will Guidara

Will Guidara was twenty-six when he took the helm of Eleven Madison Park, a struggling two-star brasserie that had never quite lived up to its majestic room. Eleven years later, EMP was named the best restaurant in the world.

How did Guidara pull off this unprecedented transformation? Radical reinvention, a true partnership between the kitchen and the dining room—and memorable, over-the-top, bespoke hospitality. Guidara’s team surprised a family who had never seen snow with a magical sledding trip to Central Park after their dinner; they filled a private dining room with sand, complete with mai-tais and beach chairs, to console a couple with a cancelled vacation. And his hospitality extended beyond those dining at the restaurant to his own team, who learned to deliver praise and criticism with intention; why the answer to some of the most pernicious business dilemmas is to give more—not less; and the magic that can happen when a busser starts thinking like an owner.

Today, every business can choose to be a hospitality business—and we can all transform ordinary transactions into extraordinary experiences. Featuring sparkling stories of his journey through restaurants, with the industry’s most famous players like Daniel Boulud and Danny Meyer, Guidara urges us all to find the magic in what we do—for ourselves, the people we work with, and the people we serve.

 

*A Very Punchable Face by Colin Jost, performed by Colin Jost

If there’s one trait that makes someone well suited to comedy, it’s being able to take a punch – metaphorically and, occasionally, physically.

From growing up in a family of firefighters on Staten Island to commuting three hours a day to high school and “seeing the sights” (like watching a Russian woman throw a stroller off the back of a ferry), to attending Harvard while Facebook was created, Jost shares how he has navigated the world like a slightly smarter Forrest Gump.

You’ll also discover things about Jost that will surprise and confuse you, like how Jimmy Buffett saved his life, how Czech teenagers attacked him with potato salad, how an insect laid eggs inside his legs, and how he competed in a 25-man match at WrestleMania (and almost won). You’ll go behind the scenes at SNL and Weekend Update (where he’s written some of the most memorable sketches and jokes of the past 15 years). And you’ll experience the life of a touring stand-up comedian – from performing in rural college cafeterias at noon to opening for Dave Chappelle at Radio City Music Hall.

For every accomplishment (hosting the Emmys), there is a setback (hosting the Emmys). And for every absurd moment (watching paramedics give CPR to a raccoon), there is an honest, emotional one (recounting his mother’s experience on the scene of the Twin Towers’ collapse on 9/11). Told with a healthy dose of self-deprecation, A Very Punchable Face reveals the brilliant mind behind some of the dumbest sketches on television and lays bare the heart and humor of a hardworking guy – with a face you can’t help but want to punch.

 

Wastelands by Corban Addison, performed by Rob Shapiro

The once idyllic coastal plain of North Carolina is home to a close-knit, rural community that for more than a generation has battled the polluting practices of large-scale farming taking place in its own backyard. After years of frustration and futility, an impassioned cadre of local residents, led by a team of intrepid and dedicated lawyers, filed a lawsuit against one of the world’s most powerful companies—and, miraculously, they won.

As vivid and fast-paced as a thriller, Wastelands takes us into the heart of a legal battle over the future of America’s farmland and into the lives of the people who found the courage to fight.

There is Elsie Herring, the most outspoken of the neighbors, who has endured racial slurs and the threat of a restraining order to tell the story of the waste raining down on her rooftop from the hog operation next door. There is Don Webb, a larger-than-life hog farmer turned grassroots crusader, and Rick Dove, a riverkeeper and erstwhile military judge who has pioneered the use of aerial photography to document the scale of the pollution. There is Woodell McGowan, a quiet man whose quest to redeem his family’s ancestral land encourages him to become a better neighbor, and Dr. Steve Wing, a groundbreaking epidemiologist whose work on the health effects of hog waste exposure translates the neighbors’ stories into the argot of science. And there is Tom Butler, an environmental savant and hog industry insider whose whistleblowing testimony electrifies the jury.

Fighting alongside them in the courtroom is Mona Lisa Wallace, who broke the gender barrier in her small southern town and built a storied legal career out of vanquishing corporate giants, and Mike Kaeske, whose trial skills are second to none.

With journalistic rigor and a novelist’s instinct for story, Corban Addison’s Wastelands captures the inspiring struggle to bring a modern-day monopoly to its knees.

 

*We Are Never Meeting in Real Life by Samantha Irby, performed by Samantha Irby

What My Bones Know by Stephanie Foo, performed by Stephanie Foo

By age 30, Stephanie Foo was successful on paper: She had her dream job as an award-winning radio producer at This American Life and a loving boyfriend. But behind her office door, she was having panic attacks and sobbing at her desk every morning. After years of questioning what was wrong with herself, she was diagnosed with complex PTSD—a condition that occurs when trauma happens continuously, over the course of years.

Both of Foo’s parents abandoned her when she was a teenager, after years of physical and verbal abuse and neglect. She thought she’d moved on, but her new diagnosis illuminated the way her past continued to threaten her health, relationships, and career. She found limited resources to help her, so Foo set out to heal herself, and to map her experiences onto the scarce literature about C-PTSD.

In this deeply personal and thoroughly researched account, Foo interviews scientists and psychologists and tries a variety of innovative therapies. She returns to her hometown of San Jose, California, to investigate the effects of immigrant trauma on the community, and she uncovers family secrets in the country of her birth, Malaysia, to learn how trauma can be inherited through generations. Ultimately, she discovers that you don’t move on from trauma—but you can learn to move with it.

Powerful, enlightening, and hopeful, What My Bones Know is a brave narrative that reckons with the hold of the past over the present, the mind over the body—and examines one woman’s ability to reclaim agency from her trauma.

 

*What We Don’t Talk About When We Talk About Fat by Aubrey Gordon (Note this is NOT read by Gordon but by Samara Naeymi)

Anti-fatness is everywhere. In What We Don’t Talk About When We Talk About Fat, Aubrey Gordon unearths the cultural attitudes and social systems that have led to people being denied basic needs because they are fat and calls for social justice movements to be inclusive of plus-sized people’s experiences. Unlike the recent wave of memoirs and quasi self-help books that encourage listeners to love and accept themselves, Gordon pushes the discussion further towards authentic fat activism, which includes ending legal weight discrimination, giving equal access to health care for large people, increased access to public spaces, and ending anti-fat violence. As she argues, “I did not come to body positivity for self-esteem. I came to it for social justice.”

By sharing her experiences as well as those of others – from smaller fat to very fat people – she concludes that to be fat in our society is to be seen as an undeniable failure, unlovable, unforgivable, and morally condemnable. Fatness is an open invitation for others to express disgust, fear, and insidious concern. To be fat is to be denied humanity and empathy. Studies show that fat survivors of sexual assault are less likely to be believed and less likely than their thin counterparts to report various crimes; 27 percent of very fat women and 13 percent of very fat men attempt suicide; over 50 percent of doctors describe their fat patients as “awkward, unattractive, ugly and noncompliant”; and in 48 states, it’s legal – even routine – to deny employment because of an applicant’s size.

Advancing fat justice and changing prejudicial structures and attitudes will require work from all people. What We Don’t Talk About When We Talk About Fat is a crucial tool to create a tectonic shift in the way we see, talk about, and treat our bodies, fat and thin alike.

 

Why Fish Don’t Exist by Lulu Miller, performed by Lulu Miller

David Starr Jordan was a taxonomist, a man possessed with bringing order to the natural world. In time, he would be credited with discovering nearly a fifth of the fish known to humans in his day. But the more of the hidden blueprint of life he uncovered, the harder the universe seemed to try to thwart him. His specimen collections were demolished by lightning, by fire, and eventually by the 1906 San Francisco earthquake – which sent more than 1,000 discoveries, housed in fragile glass jars, plummeting to the floor. In an instant, his life’s work was shattered.

Many might have given up, given in to despair. But Jordan? He surveyed the wreckage at his feet, found the first fish that he recognized, and confidently began to rebuild his collection. And this time, he introduced one clever innovation that he believed would at last protect his work against the chaos of the world.

When NPR reporter Lulu Miller first heard this anecdote in passing, she took Jordan for a fool – a cautionary tale in hubris, or denial. But as her own life slowly unraveled, she began to wonder about him. Perhaps instead he was a model for how to go on when all seemed lost. What she would unearth about his life would transform her understanding of history, morality, and the world beneath her feet.

Part biography, part memoir, part scientific adventure, Why Fish Don’t Exist is a wondrous fable about how to persevere in a world where chaos will always prevail.

 

Working Stiff by Judy Melinek and T. J. Mitchell, performed by Tanya Eby

Over the last couple of months, I’ve listened to hundreds of hours of audiobooks, thanks to being a judge on this year’s Audie Awards. The Audies are hosted by the Audio Publishers Association and seek to highlight the best audiobooks of the year across a wide variety of categories. Unfortunately, the one rule of Audies is that while I’m allowed to talk about being on a judging panel, I’m not allowed to share which one. But what I will say is I’m in a category with a significant amount of listening to a lot of different books.

My selections are due on December 12, a mere week and a half away. I’ve got about five titles left in my list, which feels extremely doable. As I listen to one of those books, I thought it’d be fun to share a few of the things that I’ve learned from this experience. For readers who are curious about becoming part of the Audies in the future, details for how to be a judge are on the APA website, and if you like listening to audiobooks, I cannot recommend the experience highly enough — even though, as you’ll see, I might not choose to do the category I’m in again.

 

 

• The judging round I’m in comes in two waves. I got my first round of titles in late September, then my second round in early November. The very first thing I did was look at the list of titles and their time. I’m required to listen to books all the way through in my round, as opposed to the first hour or so, and I needed to come up with a game plan. My approach was going from the longest audiobook down to the shortest. When I finished the first round, I realized this worked really well and made me excited for the shorter titles by the time I got to them, so I took the same method for round two. This is why finishing up five books in a week and a half feels so doable at this point. They’re all under 8 hours, meaning I can listen to them in a day.

 

• The bulk of my audiobooks have been in the 10+ hour range. As someone who prefers shorter books to longer ones, I came to the experience nervous, but realized pretty quickly that while the narrative mattered, for the purposes of the awards, I needed to focus more on performance aspects than I did whether or not the story captured my attention wholly. But in many cases, it did grab my attention anyway. I had one book that was the second title in a trilogy, and I’d not read the first one — but I loved the audiobook and never felt like I missed out on anything vital by diving right in. I did note this, in part because I think that’s a pretty powerful sign of a masterful audiobook.

 

• We are not allowed to listen at any speed faster than at speed. As someone who listens at 1.25 or even 1.5, this has been the most difficult part of the process. It’s so slow. But that slowness is purposeful: you really do have to focus on the performance.

 

• My category included both fiction and nonfiction, but I was sad to see only two nonfiction titles in the whole of 20 or so audiobooks. I’ve got the second one yet to listen to, but I found the first to be among the best I listened to. My general listening tends toward nonfiction, so I’ve got a bit of bias there, but I’ve been surprised that the judges in the prior round did not think there were more than two nonfiction titles worthy of a second listen, as my own year of listening has suggested quite otherwise.

 

• That said, I learned how quickly I can adapt to fiction on audio. I used to listen to novels all the time while driving, but that fell away for me. I was nervous I’d be unable to keep with one, but this experience has proven quite opposite. In fact, I had to listen to the audio of a book I’d read in print, and I think that, despite how much I liked it in print, I liked it even more in audio.

 

• There is a big lack of diversity in my collection of audiobooks. I can’t put my finger on why, of course, but I was disappointed to see so few books by authors of color in my rounds, and more, disappointed to see so few performers of color reading the titles. It wasn’t — and isn’t — entirely surprising, though, that I’ve found those books to be at the top of my list, particularly as accents have been authentic and added such depth to the narrative in ways that really made those books come alive.

 

• Speaking of performers, I’ve had multiple books performed by a voice that many people adore. As I’ve listened to multiple titles by them, though, I’ve come to discover while I can see why they’re a great performer, I don’t like them personally. I don’t know so much if it’s them, or it’s the fact their voice tends to perform many thrillers where the strong female character in the book is seen as masculine. It’s been interesting to see this trend play out, wherein a strong female character is given a deeper, more masculine voice. I can’t say I like it, and the more I hear it, the more it bothers me.

 

• Children’s voices in audiobooks are not good. A number of my titles have included a performer giving voice to a child, and nearly all of them have sounded exactly like that: an adult trying to sound like a child. It’s grating and pulls me out of a listen in no time, as I hope for that part to end as soon as it can.

 

• Something I’ve thought a lot about are Audible originals. For those unfamiliar, these are audiobooks available through Audible only, and they can be titles done just by Audible or titles that Audible has acquired to record and produce. What’s bothered me about these particular titles has nothing to do with the performance — they’ve been good. Instead, I’ve spent a lot of time wondering about accessibility of these titles to a larger listening audience. To listen to them, a person needs an Audible account. They’re not available in stores, via outlets online that sell audiobooks beyond Audible/Amazon, and most crucially, they’re not available for libraries. This isn’t one of my judging criteria, but equity in access is something I cannot stop thinking about. How can we name a book as the best if only a small number of people can acquire it? It doesn’t leave a good feeling in my ears.

 

• The round before mine was not required to listen to audiobooks all the way through, and at times, that showed. It’s not a lack of judgment on their part, but rather, really allowed me a chance to see what they saw initially and then see where and how the rest of the audio did or did not hold up. They were super into thrillers and mysteries, which are two genres I don’t especially care for, and yet, I quickly learned how fast I can discern what makes a good audiobook for one of those genres and what doesn’t.

 

• I’ve kept notes on each title via a spreadsheet with four categories: Performance, Direction, Production, and Content. The bulk of my notes fall in the first and third category. What’s been most interesting in my listening is how clear production can impact the overall book in ways that a general listener would never notice. One of my books had a weird production issue where each chapter would become more or less echo-y, depending upon where the performer was in relation to the mic. This became easier to discern as the problem when I switched from listening without headphones to listening with. It took me hours of that 14+ hour audiobook to put my finger on it, and when I did, I realized that it was something most listeners would potentially notice but never put a name to.

 

• A number of my books have had British, Canadian, or Australian accents, which has been neat. Some are more engaging than others, and some have impacted the experience. I had one with what was clearly a performed accent — not all of them were — and it immediately put me off and kept me off. That title is at the bottom of my list because the performance was so grating. A title with an Australian accent, performed by an Australian narrator, is among those titles near the top of my list for being so compelling.

 

• The thing that’s most surprised me about this experience is that I haven’t once gotten sick of listening to audiobooks. If anything, this has made me even more drawn to audio, especially as I discover the genres that work for me beyond nonfiction. In past book judging panels, I’ve found myself utterly burned out, but this has had the opposite effect. I cannot wait to listen to the loads of non-Audies audiobooks I’ve been building up in my personal library, and I am not worried that I’ll be analyzing them to the point of disliking them.

 

• Although the book is neither at the top of my list nor the bottom, one of my favorite listens was a queer, interracial romance. I’ve dipped my toe into reading romance and have enjoyed it, but never had I considered listening to it on audio. Let me just say it was pretty hot, and I’m glad I wasn’t driving while listening to it.

 

• How did I accomplish all of this listening? I worked it into my every day routine in more ways than I already do. I listened every time I was in the car by myself, and I gave myself spare time getting from place to place so I could listen for a bit in my car when I arrived. I listened every morning while getting ready for the day, and I used time while working on activities that didn’t require intense concentration for work. I packed my audiobooks with me when I’d work at the local cafe, which let me knock out 4 or 5 hours of listening at a time, and every opportunity I had to go for a walk, I took, audiobook in ears. I also downloaded a few mindless phone games — Candy Crush and Word Scapes being two I’ve really taken to — so that at night before going to bed, I could listen for a stretch of time and also do something while listening. It became routine pretty quickly, and in fact, now my husband and I unwind before bed by playing a couple rounds of Word Scapes together. For the most part, I kept notes in my spreadsheet as I listened, but there were a few times that I’d have to scramble for a piece of paper or my Notes App to jot down something I did not want to forget.

 

• Last, but not least, we do not talk as a committee of judges. All of our listening and decision making is done individually, and I have no idea who else is in the same category as me. This is a fascinating experience, as my judgments and insights are only ever shared in a final form with the titles I wish to move forward. Will other listeners on my committee agree? Disagree? Working in solitude is fun and really forces me to listen carefully, but it’s also been strange not to be able to talk with fellow judges and ask what they thought or if they noticed the same thing I did (or if they, like me, have found this trend of masculine sounding women voicing thrillers to be bothersome).

 

I can’t talk about my favorites yet, but I’m so excited to see what the final slate of titles for my category will look like and be able to share those with other listeners. I’ve really felt myself grow as a listener, as well as a judge of audiobooks, and I’m eager to take this knowledge forward and listen to more books than I initially thought possible.

In the past few years, the majority of my reading has shifted to audiobooks. While I still read about two books per month in print, audiobooks now occupy the prime spot in my reading life. Just this year, 20 of the 27 books I’ve read so far have been in audio format. With so many books read on audio, the narrator is so important. I’ve spoken about my perennial favorites some in previous posts, but I thought I’d highlight a few new favorites here. These are narrators I’ve discovered more recently whose name in an audiobook credit makes me more likely to check out that book in the first place.

 

Imogen Church

Ruth Ware is one of my favorite new authors of recent years, and I’ve read all four of her books on audio. Imogen Church narrates all of them, and her voice has come to define Ware’s complicated, human characters and her moody, murderous settings. Church’s voice is ever-so-slightly deeper than the average woman’s voice, and she paces her narration well, both aspects which heighten the tension and add to the atmospheric feel of these fantastic mysteries.

 

Robert Glenister

Sometimes when I listen to an audiobook, I just want a deep, commanding, British accent to narrate the story. Robert Glenister has the voice for the job. He narrates the Cormoran Strike series by Robert Galbraith/J.K. Rowling, and he does a fantastic job. He voices male characters perfectly, is better than average with female characters, and makes even the most tedious parts of the books (and there are a few, as Rowling can get a bit too wordy and bogged down in the details sometimes) immersive.

 

Stephanie Hsu

The Astonishing Color of After by Emily X.R. Pan was one of my favorite books of 2018, and that’s largely thanks to Stephanie Hsu, who narrates the audiobook. Unlike some other narrators of YA, she doesn’t make the main character’s voice seem artificially young. Instead, her voice sounds realistically like a teenager’s, which aren’t necessarily higher-pitched than that of other women who may be in their 20s or 30s. Making an adult narrator’s voice sound like it belongs to a teen has something to do with pitch, but in my experience as a listener, it has more to do with cadence and tone. And of course, Pan’s superb writing helps significantly.

 

Hillary Huber

Huber is quickly becoming one of my go-to narrators for adult fiction. She narrated two literary scifi books I really enjoyed, Good Morning Midnight by Lily Brooks-Dalton and The Salt Line by Holly Goddard Jones, and in each case, her narration was clear, careful, and paced perfectly. She has the kind of voice that sounds full and feels full of meaning when she narrates, much like that of Kirsten Potter (one of those perennial favorites I alluded to in my intro).

 

Michael Kramer

Kramer narrated the Mistborn trilogy by Brandon Sanderson, which I somehow missed as an avid adult fantasy reader in my early 20s and have only finally gotten around to reading now. Kramer’s work definitely added to my enjoyment of the doorstopper books, whose page counts and tiny print can be intimidating. He does well voicing all characters, though he’s best at male characters (his female character voicing sounds a bit too breathy/soft for my liking, a common flaw in male-voiced audiobooks). He’s particularly good at voicing slight accents for characters of different races or regions of Sanderson’s world so that it’s immediately obvious who is speaking, no dialogue tag required.

 

Bahni Turpin

The YA world has loved Bahni Turpin for a while, but I’ve only recently listened to some of her work. She does a fantastic job in Children of Blood and Bone as primary narrator and is by far the standout narrator in Ellen Goodlett’s Rule, which is told in three different perspectives by three different narrators. I also appreciated her work in Justina Ireland’s Dread Nation. Turpin is great at imbuing emotion into every word without her voice coming across as exaggerated, which I feel is a common flaw in narration for children’s audiobooks. Her speaking voice is also unique; I’d be able to pick it out from a big group of other voices and name hers immediately.