Voyages in the Underworld of Orpheus Black by Marcus and Julian Sedgwick, illustrated by Alexis Deacon

I’m always intrigued by illustrated novels for teenagers, but this one – about a conscientious objector in England during World War II – doesn’t quite hit the mark. It’s a sort-of retelling of the myth of Orpheus and Eurydice, wherein one brother – the conscientious objector – must travel underground to rescue the other brother, a soldier, after a bomb hits London. At least, that’s what the publisher synopsis says the book is about. In reality, it takes quite a number of pages before this journey actually begins, and when it does, it’s difficult to tell what’s going on. Deacon’s illustrations add atmosphere but don’t really help clarify the story, which is told in two voices: the conscientious objector in prose via his diary and the brother in poems separating each chapter. I found myself often confused by what was reality and what was metaphor, and not in the way the authors intended. The story backtracks on itself and treads water often, lingering over certain parts in the plot that slow it down considerably and make it feel like not much actually happens. I wonder if I would have appreciated this book more as a short story.

It’s clear that the Sedgwicks are trying to make a point about war, but the story they’ve crafted does their message no favors. The very beginning and the very end (including the note from the authors) are the most powerful parts of the book, but they don’t make up for the long and muddling middle.

 

Toxic by Lydia Kang

I was pleasantly surprised by how much I enjoyed this story about a living ship and the group of people that find themselves caught on it as it begins to die. I’ve read and watched a lot of science fiction where living ships are featured, but this is the first story I’ve encountered that focuses on what happens when that ship dies (as living things do). Kang has two protagonists: Hana, a teenage girl whose mother gave birth to her secretly on the ship and has kept her a secret her whole life, and Fenn, a teenage boy who is part of a team sent to study the ship as it dies – and to die along with it, their final payment sent to a family member of their choosing. Hana wakes up one day to find that she’s alone on the ship, ostensibly abandoned by her mother and the rest of the crew, who never knew she existed. Fenn and the rest of the research crew are surprised and disturbed to learn that someone is still on the ship, and they’re even more disturbed when the ship starts dying more and more rapidly, then turning on the remaining people inside it. Kang’s story is surprisingly bloody with a pretty high body count. It’s a mish mash of science fiction, horror, and romance, with Hana and Fenn finding themselves drawn to each other during this crisis.

While there is no big twist that I half-expected by the end of the story, Kang infuses a good amount of suspense into her tale and creates a number of world-building touches that I appreciated, including a creative way for the ship itself to communicate. Hana and Fenn are both human and the other members of the research crew are aliens, and I wish more of the story had focused on them, since they’re pretty fascinating. Hana and Fenn are developed well, and Kang gives Fenn a wrenching motivation for volunteering for this suicide mission that will make readers hurt for him. Give this one to teens who love science fiction set in space.